Introduction Thai textiles
The art of weaving silk and cotton fibres into textiles has long been known to mankind. Archaeolodgical evidence uncovered in Thailand shows that the people of this region were weaving textiles more than 3,000 years ago. Ancient spindles used for spinning cotton have been found in the province of Kanchanaburi while other weaving apparatus has been discovered in in the province of Lop Buri   Uthai Thani and Udon Thani.
Historical evidence taken from stone carvings, mural paintings and sacred manuscripts show a dress culture incorporating woven textiles as a form of attire, as body accessories, and for houseshold purposes as well as for other purposes including rituals and ceremonies.
These textiles have long been established in the form of rectangular cloths wrapped around the lower past of the body to form a skirt or loincloth, and for the upper part of the body in the form of a shawl. The rectangular shape enabled them to be sewn together to form various shapes depending on use. Ancient sculptures and mural paintings show that ankle-length skirts were popularly worn by women. Occasionally they wore shoulder cloths and bresst cloths or shawls and during evening hours and cool weather they wrapped themselves in blankets. They did not wear shirts or blouses. Men wore sshort or long pieces of cloths which they would wrap around their body, tie at the waist and fold or roll the excess fabric to pass between their legs and fold in at the waist at the back in the thok khamen or chong- kraben style. They also wore shoulder cloths and shawls in the same manner as women. There was no definite fashion style for children who generally went naked or wrapped themselves in a piece of cloth similar to the adults. High ranking people, such as royalty and nobility, wore large pieces of cloth which were gathered, pleated and tucked to look exotic. The fabric was mostly imported or woven with gold or silver to show status and wealth. They also adorned their body with headdresses, bracelets and anklets. The women's skirt was worn in na nang style.

good eyesight and a great deal of weaving time. These items were for her own decoration prior to marriage when she would show off her weaving skills to attract a suitable husband and items she needed to prepare for her wedding. After marriage, her time would be taken up looking after her family and weaving for her husband and children. This would include garments for the family as well as household items such as blankets and mattresses. An important group of textiles woven by a mother were the pieces for her son's ordination. After her children had grown up and married, her time would be spent with the other women of her age in th weaving of textiles for the temple. These pieces were ofen woven as a communal effort and evenings were spent in the preparation of these offerings. At the same time, her own costume would become simplified, with fewer patterns in her tubeskirt and a plain while cloth for her shoulder cloth. The weaving of these textiles did not require such clear eyesight and suited the lifestyle of the older generation.
Vithi Phanichphant and Patricia Naenna,Introduction, Thai Textiles : Threads of a Cultural Heritage, THAILIFE,
National Identity Board, March 1994, P. 7-16.

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