Welcome to my Jet (Li Lian Jie) Shrine. Jet Li is my favourite Wushu artist and my hero. In my opinion he is the best Wushu artist in the world, and I look up to him as an aspiring character.
A native of Beijing, Jet Li represented his country as a member of the
people's Republic Wu Shu demonstration team, performing across the world
during his early teens, and being invited to the White House by then-US
president Richard Nixon. When Mainland China producers belatedly decided
to clamber aboard the kung fu movie bandwagon, they naturally turned to the
nation's Wu Shu practitionersto provide their leading players, and Li's
celluloid career was duly launched in 1981's ground-breaking production
"Shaolin Temple". A string of lead roles in minor genre productions ensued,
and it was not until maverick producer/director Tsui Hark cast him as Wong
Fei Hung in "Once Upon A Time In China" that Li truly came into his own as
the equal to Jackie Chan's mantle. He has since worked with Hong Kong's
premier action directors, starring in both period and modern day, and
currently divides his time between Hong Kong and the Chinese Mainland.
He has also enjoyed great success with the American film, Letal Weapon 4, where he plays the bad guy.
The biggest star of the most recent kung fu cycle was unquestionably Mainland China Wu Shu champion, Jet Li. Jet, like Chan, enjoyed early success before his career foundered on lacklustre projects and rumours of an ego run wild. A child martial arts prodigy, Li Lian Jie was a member of the first Wu Shu team to tour the West, even performing at Nixon's White House. Handsome and charismatic, he was a natural choice as star of China's first modern kung fu movie. Shaolin Temple presented Wu Shu to the world and Mainland Chinese audiences in particular went wild. Literally hundreds of youngsters visited the remains of the original Shaolin temple, hoping to train in the same manner as Lee's character in the movie. Concerned government agencies issued stern releases stating that, in the People's Republic, it wasn't necessary to learn self defense. A more positive outcome of Shaolin Temple's success was the restoration of martial arts training facilities to the historical site. As a movie, it was no great shakes when compared to the Golden Harvest or Shaw Brothers films. Its main strengths were the sheer grace and energy of Wu Shu and vast panoramic vistas of China. However, these attributes became tiresome in the flood which was set during World War Two. The production was chaotic from the start and was suspended when Li broke his nose during a fight scene. When shooting resumed, it was under the experienced hand of Hong Kong director, Tsui Siu Ming. The burly Tsui had, at that time, shot more footage in China than any other action director from the territory. His films included Holy Robe of Shaolin (1981) and the extraordinary Mirage (1984). Generously, he allowed Jet full directorial credit, despite Tsui's visual style being very evident towards the films end: ``I told (Jet): `You've started it, so you must be seen to finish it'. I'm just helping you out''. Shortly afterwards, Lee, who had always longed for American citizenship, went to the States. There, he attempted another Chan-style actioner, Dragon Fight, mainly memorable because it co-starred Jet with the then unknown Steven Chow. There are a few flashes of Wu Shu brilliance in the final reel, but it was evident from this and from Golden Harvest's later The Master (1992) that Wu Shu didn't work in modern-day thrillers. The Master was shot by Tsui Hark in LA and featured American kickboxer, Jerry Trimble. Jerry and Jet didn't get along and the film remained unreleased for several years. Despite this initial disappointment, Harvest saw merit in the combination of Tsui and Li. When the maverick director announced his intention of reviving the Wong Fei Hung series, Jet Li was an obvious choice to play the young version of the martial arts legend. Critics carped about Li's youth and that he was a Wu Shu player and not a `real' kung fu man. The finished film, Once Upon a Time in China, proved that Jet was just as effective in a classy period piece as he was miscast in a modern-day actioner. Once Upon a Time in China was the first kung fu film to receive serious critical attention, benefitting from Jet's subtle performance, as well as the martial arts pyrotechnics. Though set at the turn of the century, the film was very much a Wong Fei Hung for the 1990s. Both this film and its sequel explored the issues of Chinese national identity and the relationship between the colonial powers and Hong Kong. An ankle injury sustained on the first film meant Li was doubled extensively for the more intricate action scenes. This was less important than his sheer presence in the role he was born to play.
Conflicts between Lee, Tsui and Harvest during the third Wong Fei Hung film led to Jet leaving the series. Although he returned
for the latest sequel Once upon a time in China and America. The films he has made since vary in quality wildly. The best is undoubtedly the Wong Ching-directed modernization of another martial arts movie folk hero, Fong Sai Yuk, although its sequel, which started shooting without a complete script, was a disappointment. Li made another Wong Fei Hung film, Last Hero in China, and also films about the founders of Tai Chi (Tai Chi Master) and Hung Gar (New Legend of Shaolin [1994]). His career and the kung fu boom hit a low ebb with Shaolin Cult Master (1993), which failed to use either Li or co-star Samo Hung to good effect. Jet's place as the dominant figure in the 1990-94 martial arts movie cycle is assured. And his star in Hong Kong is
utterly strengthen by his great role in the remake of Bruce Lee's Fist of Fury, the Fist of Legend. He then made a series of smashing hits. Like My Father's a hero, High Risk and Dr. Wai and the Scripture Without Words, although the last was not grated as well as the others. The Jet got asked to play the role as a bad-ass in Richard Donners, Lethal Weapon. Jet said yes, and was therefore introduced to the western cinema audience as the man, who kicked Mel Gibson's ass. There has also been a lot of excitement around his lates movie, Romeo Must Die. A film who
really lifted Jet Li's name to Hollywood stardom. The fact that
Hong Kong action GOD, Corey Yuen Kwai did the action scenes, was
also a joy to me. Nobody in the world can do it better. I am also
pleased that Jet Li older movies have been released all over the western world, it gives the audience a chance to see some of the movies that made him who he is. A bit of a bad news was that Jet Li will not appear in Matrix 2 and 3. Other news is that he is currently filming a film co written by Luc Besson (Nikita, Leon, Le Grand Bleu), named "Kiss of the Dragon" alongside Bridget Fonda. This film will be released in the USA 6 July. He will also be appearing in a James Wong film, called "The One"
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Title | Year | Director | |
---|---|---|---|
Shaolin Temple | 1981 | Chang Hsin Yen | |
Kids From Shaolin | 1982 | Chang Hsin Yen | |
Born To Defence | 1985 | Jet Li/Tsui Siu Ming | |
Martial Arts Of Shaolin | 1986 | Liu Chia Liang | |
Dragon Fight | 1988 | Billy Tang | |
The Master | 1989 | Tsui Hark | |
Once Upon A Time In China | 1991 | Tsui Hark | |
Swordsman II | 1991 | Siu-Tung Ching/Stanley Tong | |
Once Upon A Time In China II | 1992 | Tsui Hark | |
Fong Sai Yuk | 1993 | Yuen Kwai/Corey Yuen | ![]() |
Once Upon A Time In China III | 1993 | Tsui Hark | |
Fong Sai Yuk II | 1993 | Yuen Kwai/Corey Yuen | |
Last Hero In China | 1993 | Wong Jing | |
Kung Fu Cult Master | 1993 | Wong Jing | |
Tai Chi Master | 1993 | Yuen Woo Ping | ![]() |
New Legend Of Shaolin | 1994 | Wong Jing | |
Bodyguard From Beijing | 1994 | Yuen Kwai/Corey Yuen | |
Fist Of Legend | 1994 | Gordon Chan | ![]() |
My Father Is A Hero | 1995 | Yuen Kwai/Corey Yuen | |
High Risk | 1995 | Wong Jing | |
Dr. Wai and the Scripture Without Words | 1996 | Siu-Tung Ching | |
Black Mask | 1996 | Daniel Lee | |
Once Upon a Time in China and America | 1997 | Sammo Hung | |
Hitman | 1998 | Wei Tung | |
Lethal Weapon 4 | 1998 | Richard Donner | |
Romeo Must Die | 2000 | Andrzej Bartkowiak |
To the official Jet-Li Web Site! A Very God page. |
http://www.jet-li.com/ |
To Kenneth Leung excellent page, I recommend it. |
http://www.fortunecity.com/lavendar/westbridge/90/main.html |
Stan & Nikko's great page. It has got it all | http://www.netasia.net/users/sgc_wdi/ |
A great page on Jet Li, well written | http://www.oocities.org/Tokyo/Towers/1491/ |
A good and fast Jet Li page | http://www.oocities.org/Tokyo/Temple/5937/ |
The Ultimate Jet LI Website! | http://www.jet-li.co.uk/ |
An fantastic Wushu Page! | http://www.autobahn.org/~wushu/wushu.html |