Welcome to my movie reviews section! I've been mulling over ideas on how to keep up with writing new reviews, without driving myself crazy. I've decided to write a small, "mini" review for every film I watch from now on, immediately after viewing it. This way, ths section will actually be updated!

American Werewolf in London, An (1981)--Gruesome tale of unfortunate young men, attacked by a werewolf. When one of them is bitten, he starts to see visions of his friend who, after being killed by the wolf, begins to visit him in a more and more decomposed state. Highly watchable and original take on a familiar theme, and laced with black comedy. Also, the score is playfully appropriate.

Clockwork Orange, A (1971)--Malcolm McDowell excels in the role that put him on the map. Directed by Stanley Kubrick, it's a surreal, though stylishly grim and ironic look at the not-so- distant future. After the government disables his "criminal reflex," McDowell's Alex finds that he's unable to protect himself from his revenge-seeking victims. Effectively scored and acted all around, and still violent and shocking (even by today's standards).

Don Juan Demarco (1995)--A Great script and heartwarming chemistry between Marlon Brando and Johnny Depp highlight this charming fairy tale of a young man and his delusion that he is the Don Juan. His fantasy world is so alluring that the enigmatic young man captivates all those around him, creating in them a zest for life. Also affected is Brando's retiring psychologist, who is reminded of the beauty of life and love. Whimsical and romantic, with stellar performances from Brando and Depp.

Halloween (1978)--John Carpenter's trendsetting entry in the "slasher" genre puts the emphasis on atmosphere, not gore. Unstoppable killer Michael Myers stalks a young Jamie Lee Curtis, carving up her friends along the way. Donald Pleasance stars as the intrepid Dr. Loomis, who's bent on destroying Michael for good. Dripping with suspense and edge-of-your-seat thrills. Spawned countless (inferior) imitations.

Halloween II (1980)--Fulfilling sequel fills in some of the story gaps of the original, with Curtis and Pleasance reprising their roles. A bit more graphic than the first, though the atmosphere and suspense are still put first.

Nightmare on Elm Street, A (1984)--Wes Craven's claim to fame, and the first film starring the infamous Freddy Kruger. Genuinely frightening, with an "urban myth" undertone that adds to the atmosphere. 80s horror in its prime, with Johnny Depp in an "introducing" role. Countless sequels follow, though none match the original's level of horror, partly due to "low budget" look which makes the film seem more gritty and realistic.

Outland (1979)--Atmospheric, futuristic nod to High Noon, with Connery's space stationed marshal being the one good man amid the sea of corruption. Convincingly filmed and acted, with Connery in the height of his form. Watch for the incredible chase scene early on that by far surpasses the downbeat climax. Stands on it's own very well, regardless of it's obvious influences.

Twister (1996)--Bill Paxton and Helen Hunt star as star-crossed lovers, who also happen to be tornado chasers. Thrill packed and Special effects are incredible, though the script (co- written by Michael Chriton) is often awkward and absurd. The supporting cast is a plus, with several semi-famous faces. The climax is worth the wait, and the film as a whole is very effective.

• A Clockwork Orange
• The Seventh Seal

This is only the beginning, so be sure to check back soon...

Amy's Movie Reviews

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