Other Labels
Behemoth - "Pandemonic Incantations" (Solistitium, CD, 1998)
After 1996's surprising "Grom" (that featured some Mayhem and Immortal influences, lyrics in Polish and were each track had a small detail of its own), Behemoth confront us now with their third full-length released through Solistitium (also label of bands like Helheim and Isvind). This album evidences more deathmetal attributes than their previous 2 (looks like the band is trying to follow a more aggressive musical course), however it still sounds like Black metal, in Behemoth's unique style. About the individual improvements within the band, the drummer Inferno surpassed everything and everyone, Nergal himself said in an interview to a portuguese zine that "We're not going to repeat ourselves"..keeping like this, I wonder how great the next release will be! By the way, he is the only original member left (the line-up is now completed by Inferno and Mefisto). Nergal also plays in a polish death metal band called Damnation (with whom Behemoth have split the re-edition of "And The Forests Dream Eternally", their first MCD). As for favourite tracks, "The Thousand Plagues I Witness" and "The Past is Like a Funeral" are the chosen ones..an intense feeling flows out from both of them. Notice that the Polish edition of this album features 1 more track entitled "With Spell of Inferno", that was also present in "Bewitching the Pomerania". Concerning the recordings, they were performed at Selani Studio, the same once used by their compatriots Christ Agony and Vader...and fortunately this time all the instruments are clearly audible. Anyway, one can notice here is that this trio is much more professional, both musical and lyrically.
Tracklist:
1 - Diableria (The Great Introduction)
2 - The Thousend Plagues I Witness
3 - Satans Sword (I Have Become)
4 - In Thy Pandemæternym
5 - Driven By The Five-Winged Star
6 - The Past Is Like A Funeral
7 - The Entrance To the Spheres of Mars
8 - Chwala Mordercom Wojciecha
16/20 |
Damned |
Belphegor - "Necrodaemon
TerrorSathan" (CD, Last Episode, 2001)
The
Austrian Belphegor have delivered us a great black/death album with their latest
release. This album is one of the best albums of the genre that I've put my
hands in the last months.
The sound in this release is quite powerful, and very clear, and that's what
makes this such an interesting album. About the instrumentalization, the guitars play very consistent riffs
that sometimes are helped with well executed solos, about the drumming part,
this guy is not the best I've seen, but he handles well the job, the bass
presence is quite discrete, but who cares? The voice fits really well the lyrics
and the music - very scratchy and aggressive. Sometimes their also appears some
samples from movies, like in the beginning of "Vomit Upon the Cross", for
instance, that are very well placed and helps to breaking the monotony.
Concluding, besides the fact that Blackmetal or Deathmetal are completely
overfilled, this guys showed to many that doubted it, that nowadays a very good
album can be made by blending the two more important styles of the extreme metal
world.
Tracklist:
1 - Necrodaemon Terrorsathan
2 - Vomit Upon The Cross
3 - Diabolical Possession
4 - Lust Perishes In A Thirst For Blood
5 - S.B.S.R.
6 - Sadism Unbound
7 - Tanzwut Totengesänge
8 - Cremation Of Holiness
9 - Necrodaemon Terrorsathan Pt. II - Outro- Analjesus
18/20 |
Shemahmforash |
Black Dawn - "Blood
For Satan" (CD, Necropolis, 2001)
Oh no,
another band trying to show how evil they are! I've never heard about this band
before, but I know that they have roots back to 1992, so I don't understand why
they are still trying to pass such an evil image, because by now a band that puts in
the back cover of the album "recommended to be listened while self-mutilating"
can only be labeled has pathetic.
About the music, this guys don't bring anything new to Blackmetal, the only
thing that really pleased me in this release were some samples that they've
managed to put in the right spots, but except for that this album doesn't get
better than mediocrity.
As for conclusion, I advice this band to, in their following album, concern more
about spreading the music instead of spreading the pseudo-evillness.
Tracklist:
1 - Pitbound (The 4th Trial Of Acolyte)
2 - A Hymn To Grand Darkness (The Creed Of Hoath)
3 - Of Blackest Witchcraft
4 - Enemy Of The Day
5 - Graverape Ritual (The Hoath Manifesto)
6 - A Horned Moon Rising
7 - Blood For Satan
8 - To Haunt And To Feed
9 - When The Shadows Become Flesh
10 - Within Ye Woods, Before Ye Throne ( Awakenyng - Ye Dawn Which Calleth Hate
)
10/20 |
Shemahmforash |
Blut Aus Nord - "The Work
Which Transforms God" (Apease Me,CD, 2003)
At
their sixth album, the french Blut Aus Nord delivers us an astonishing work.
Their previous sound can be perceived, but originality is the law in this album.
It joins typical raw and fast Blackmetal parts, with some interruptions done by
the keyboard, that are really well acomplished, so well acomplished that I
shouldn't refer this keyboard parts as interruptions, because they are connected
with the songs in a way that really surprised me.
The guitar work is well achieved, playing very simple, but dissonant and kind of
melacholic riffs, that really fit well within the painful atmosphere created by
the keyboards. About the vocalist, his presence is well noticed and he sings in
a very depressive way lyrics that are very well written and focus mainly on
mental aspects of man.
As for conclusion, this album is really very good, one of the best I've had the
pleasure to listen during this year, so if you follow Blackmetal and are
open-minded enough for some inovation, check out this album, I'm sure you'll not
be regreted.
Tracklist:
01 - End
02 - The Choir Of The Dead
03 - Axis
04 - The Fall
05 - Metamorphosis
06 - The Supreme Abstract
07 - Our Blessed Frozen Cells
08 - Devilish Essence
09 - The Howling Of God
10 - Inner Mental Cage
11 - Density
12 - Procession Of The Dead Clowns
18/20 |
Shemahmforash |
Funeris Nocturnum - "Pure
Satanic Blasphemy" (Woodcut, CD, 2000)
After
the magnificent demo-tape "Slay and Burn" here is the debut album of
this Finnish band. I must confess that this album was their first release that I
had the opportunity to listen, I only listened to their demo a few months later.
But anyhow, this is a great debut album. I must say that this is one of the fastest
and brutal Blackmetal releases that I've ever put my hand in to.
About the instrumentalization, the drum part is astonishing, I don't know how
Draco can handle it, really; the guitars play also a good role in the
sound of this band, playing very consistent riffs occasionally very melodic,
sometimes the keyboards also appear creating some kind of darkened atmospheres,
but fortunately they're not overused, the bass contribution is almost
imperceptible, but sometimes it also appears as lead, for example in the
beginning of "Slay and Burn". About the vocal work, Torment has a hell of a great voice,
joining typical Blackmetal scratchy and malefic screams with guttural voice
typical of Deathmetal.
The production is quite good, we are able to clearly listen to all the
instruments, and what a shame it would be if we wouldn't!.
Concluding, this band really caught me by surprise, this debut album is one of
the recent albums that stayed in my stereo for long time (it still is) and one
of the best that reached my hands in the last months.
Tracklist:
1 - Burying the Last Breath of christianity
2 - Damnation of INRI
3 - Withering Life
4 - Slay and Burn
5 - Pure Satanic Blasphemy
6 - Kuolontoive
7 - Seitsemas Portti
8 - Three Steps Closer To The Truth
9 - The August Hammer Of Satan
17,5/20 |
Shemahmforash |
Godless North / Chemin de
Haine - "Only Human Ashes are Real"(War Spirit, Split-CD, 2003)
Finally
some new songs from the Canadian Godless North in the form of a split-CD along
with the French Chemin de Haine.
The split features four songs from Godless North and three from Chemin de Haine.
About the Godless North part, their new songs show a much more mature band, when
compared to their full-length "Summon the Age of Supremacy", now they managed to
get rid of being labelled "darkthrone clones" with an own
and original sound.
Their new sound is achieved with a superb combination of mid-paced parts with
devastating high speed moments.
The songs played by Chemin de Haine in this split are quite similar to the ones
they usually record alone, for those less familiar with them I can label their
sound as a much more aggressive version of Celestia, if you know what I mean.
This split is clearly a good alliance between two bands very well respected
within the Underground. Recommended only for the Blackmetal fan.
Tracklist:
1 - Godless North - Intro
2 - Godless North - The Fading Cause Of Light's Crusade
3 - Godless North - Sombre Reflections Of Hate's Embrace
4 - Godless North - Carnage on Holy Soil
5 - Chemin de Haine - Intro / Sempiternelle Existence
6 - Chemin de Haine - Ere Du Démon - Année Premiére
7 - Chemin de Haine - Le Christ Humilié / Outro
17,5/20 |
Shemahmforash |
Inner Helvete/Front
Beast - "United
Terror Division"
(Ordealis Records,
7’’EP
split,
2002)
This
split contains two Black Metal bands, the Portuguese horde Inner Helvete and the
Germans Front Beast. It is composed of two tracks from Inner Helvete, (one of
them is the intro) and one track from Front Beast. This holocaust starts with a
very dark atmosphere; it seems as if we are flying on the void and burning in
the violent flames of hell at the same time. It is strange, we hear the wind and
a melodic guitar riff without distortion… terror arrives, finally, the second
track from Inner Helvete, starts. Distorted guitar with riffs that remind me of
war as it has some noises on it and I think it fits well. The drums can be
better… I think they should program it better. Well, what discounts in some
things counts on others such as originality, on this second track “Allegiance to
Satan (Total Warfare Version)” and last from Inner Helvete on this split, in the
middle of the music, it all stops and we can hear some star wars ambient, like
lasers, which personally I think it is innovator. At the beginning Inner Helvete
didn’t arouse me much, nut I learned to appreciate their sound, and now I see
the infernal feeling they have.
Front Beast crushes his side with one unholy hymn, “Slaughter the Heaven”, which
I think is an excellent track, although it is very in the vein of Burzum which
is preferable than Cradle of Filth clones… It starts with a thunderstorm, then,
an epic riff starts to announce the slaughter of heaven. I must confess this
song impressed me the first time I heard it because the vocals are so sick… it
seems like this guy is begging for something really desperately. The guitars are
epic on the entire track while the bass limits to follow the guitar. The drums
are good. Generally I think this music is well done, mainly the construction of
the track and specially the sequence of the guitar riffs.
For the end I
would like to say that Inner Helvete has a more characteristic sound than Front
Beast, anyway, both bands are very good and have the essence from the
underground... I think the guttural “distorted” vocals on Inner Helvete aren’t
so common on nowadays Black Metal so it distinguishes them from other bands…
Side A: (Inner Helvete) 1 - From the Bottomless Depths 2 - Allegiance to Satan (Total Warfare Version) |
Side B: |
17/20 |
Lord Infaustum |
Kristallnacht
- "Adversary"
(Sombre Records, EP, 2002)
After
8 years of existence, this is the last release from the French NS Black Metal
band Kristallnacht. It contains two authentic Black Metal hymns directly from
the catacombs to our ears, namely “Unblessed Souls” and “Downfall Herald's
Retribution” which is my favourite of this two. “Unblessed Souls” reminds me the
tracks of their debut release when they were Funeral or maybe some tracks on “Of
Elitism And War” fast and intense Black Metal with killing riffs (no, don’t
expect Marduk) and a fast drum, no great works on composition but it’s a good
track. The other track is very emotional or maybe not, I can’t describe well
what I feel when I listen to “Downfall Heralds Retribution”, it’s a slow track
with great sad and melancholic riffs not the fast ones I’m used to listen coming
from this band. The voice on this track is wonderful… for me this music is
almost perfect.
I like the L.F. screams but on Kristallnacht I’ll always prefer Xaphan vocals on
Funeral era. The guitars have always that hopeful and depressing feeling which I
like. Even simple I think the drum programming fits very well on the tracks; I
think simple things can be better than technical ones. The production is raw,
the way you can find on “Of Elitism and War” album, but I think this is one
thing that gave to this band the right spirit of underground, literally.
Kristallnacht had its end and this was a nice goodbye but L.F. will keep working
on the underground with his label Warspirit Records and convicted of its ideals
he stands proud, he haven’t changed his mind for end Kristallnacht and even
don’t agreeing with him ideology I admire him for keeping the same fight.
Tracklist:
1 - Unblessed Souls
2 - Downfall Herald's Retribution
19/20 |
Lord Infaustum |
Lugubre “Bloodshedding War Hymns” (Hell War
Productions, Demo-tape, 2003)
In
spite of not being their first release, before listening to this demo I didn’t
knew these guys very well. They’re from the Netherlands and they perform a fast and
good Anti-human Black Metal. “Bloodshedding War Hymns” consists of five tracks:
the intro, which is very apocalyptic and hypnotic, then, we have a new track
“Decreasing Of Human Population” which is composed by simple riffs, melancholic
but brutal at the same time, the drums are fast paced, but it doesn’t decrease
the feeling from the guitars. The vocals aren’t bad but I think it should be
sickest, anyway, it is irrelevant… just an opinion, the vocalist handles it
well. This track reminds me of Darkthrone, maybe because with simple riffs these
guys are able to create a melancholic yet violent track… the third and the
fourth track are covers, “Inferno” from Striid and and “Down there…” from
Beherit. The cover from Beherit is very well achieved, the vocals are growled
and the drums very good, seeming to me that the typical Beherit chaotic
atmosphere was well captured. Finally, the last track is a live one, named
“Blitzkrieg”, a very brutal track, well; just the name “Blitzkrieg” says
everything. This demo tape doesn’t have a awesome production but you can listen
what this guys are playing, and believe me… they’re good but they have potential
to be better, because what we can hear here isn’t nothing new, but is,
nonetheless, a good release.
Tracklist:
1 - Intro
2 - Decreasing Of Human
Population
3 - Inferno (Striid Cover)
4 - Down There... (Beherit cover)
5 - Blitzkrieg (live)
17/20 |
Shemahmforash |
Marduk - "Infernal Eternal"
(Blooddawn Productions, CD, 2000)
This is the most brutal and devastating Black metal live recording I've ever listened to, an anti-christian punch that hits you right in the fucking face, a black metal raid. With the purpose of comemorating Marduk's 10 years of blasphemous existence, this was released containing 18 tracks of Sweden's fastest, most aggressive and extreme black metal, fulfilled with Legion's scratched (almost ruined) voice. I thought that the first rumours about "Marduk's double live album" (!) were just a bunch of nonsense, but a quick search on the Internet was enough for me to believe. As I was listening to a sample of "Sulphur Souls", immediately I noticed that this release would be way much better than "Live in Germania", the recording's sound quality was damn good! The album tracklist was very well chosen, combining old songs ("Still Fucking Dead, "Slay The Nazarene", "Those of The Unlight") with recent songs ("Panzer Division Marduk", "Fistfucking God's Planet" and "Baptism By Fire"). After all this, there was still time to "Into The Crypts of Rays", a cover from Celtic Frost. Anyway, something that surprised me here was the inclusion of all the lyrics (I find this very odd, indeed). By the way, notice that all these tracks were taken from Marduk's "World Panzer Battle" tour. 10 years have already passed since the birth of this band and this release came to prove that they're ready for more 10.
Tracklist:
CD1 1 - Panzer Division Marduk 2 - Burn My Coffin 3 - Baptism by Fire 4 - The Sun Turns Black as Night 5 - Of Hell's Fire 6 - 502 7 - Materialized in Stone 8 - Beast of Prey 9 - Those of the Unlight 10 - Sulphur Souls 11 - Dreams of Blood and Iron 12 - Fistfucking gods planet |
CD2 1 - On Darkened Wings 2 - Into The Crypts of Rays 3 - Still Fucking Dead 4 - Slay the nazarene 5 - Departure from the Mortals 6 - Legion |
16/20 |
Damned |
Setherial - "Endtime Divine" (Regain Records,
CD, 2003)
"Endtime
Divine" is the fifth album from this Norwegian band that plays a very fast
Blackmetal in the vein of Marduk or Dark Funeral.
Their previous albums are quite akin with the bands referred above, but with
this new album they managed to create a somehow original sound. The slower paced
moments are the main reason for this originality, because they now are present
in all the songs and have a preponderant role in every music, not like in the
past when they were only used a couple of times in an album. With this
innovation their sonority became much more stronger and coherent.
Technically this is a typical Blackmetal album in the nordic vein, with the
guitars playing very simple, but cold and sharp riffs, the bass work almost
unnoticed and only used for rhythm purposes and a scratchy voice screaming words
of blasphemy.
All in all this is clearly a step forward in the career of this band.
Tracklist:
1 - Crimson Manifestation
2 - The Underworld
3 - Subterranean
4 - ...of Suicide
5 - Entity of Night
6 - The Night of All Nights
7 - Endtime Divine
8 - Transformation
9 - Storms
17/20 |
Shemahmforash |
Tartaros - "The Grand Psychotic Castle" (Necropolis Records,
MCD, 1997)
Have you seen Emperor's "Emperial Live Cerimony" VHS? If you noticed who was playing keyboards, then you already know the mentor of this one-man
project... Mr. Charmand Grimloch. He was invited by the almighty Emperor to handle the keyboards during their tour, due to his skillfulness with such instrument. And that skillfulness is once again proved (as If anyone still needed that) in this 5-song MCD, a piece of gloomy and ghostly Black Metal blended with some orchestrations and effects that remind me of horror movies (I admit, it really captured me). The keyboards work is supremely executed, it creates an intense atmosphere and gives the impression of a terryfing presence that wants to crawl out from the stereo speakers and head towards us. About the voices, this MCD is filled with somber choirs, chanting and terrifying screams that give an extra haunting touch to Grimloch's music. The guitar work is discreet, but quite good (in the beginning this instrument may seem almost inexistent and useless, but after a couple of listenings wou'll agree with me). Your blood will freeze to the sound of Tartaros...recommended to be listened at night, alone in the dark...
Tracklist:
1 - Intro
2 - Dark Red Light Upon The Bomos
3 - 3- Images Of The Mystic Sphere
4 - Tones Towards The Empyrean
5 - The Grand Psychotic Castle
16,5/20 |
Damned |
Thunderbolt - "Black Clouds
over Dark Majesty" (Ancestral Research, Split CD with Kataxu, 2000)
When
I got this release I didn't knew Thunderbolt, so I couldn't throw any
expectations towards the band and this (debut) split Cd with the also Slavonic
Kataxu. This review will be focused only on Thunderbolt's recording because
these Polish guys impressed me in a way I wasn't expecting. After an Intro full
of bell chimes, wind samples and female histerical laughings, a feeling of
nostalgia carried me back to the old days of Emperor's "In The Nightside
Eclipse" as soon as the second track started, mainly due to the fuzzy riffing
flowing out perfectly from the distant guitar sound. The general structures of
the remaining tracks also remind me of Emperor's early characteristic
compositions; when after a sudden stopping a distinct riff is
initiated/repeated, inciting the drums to follow it energically throughout a
different tempo ("Shadows of The Deepest Night") or even when a catchy melody
jumps out from the blurred guitars' duet and overlays the main lead in a slow
part (listen to "Moonglare", for example). Regarding the vocal performance, the
typical hoarse singing is all there, featuring the necessary range of deepness
after being blended with the other instruments. To complete Thunderbolt's
creation, I must mention the presence of well-inserted ambient synth and
acoustic passages wich help not only to keep up the interest but also to give an
extra majestic/epic touch to the music, in the band's attempt to take the
listener on a glorious trip to vast unknown landscapes (for instance on
"Wilderness of The Eternal Darkness" and "My Dark Imagination"). By the end of
the instrumental "Song of Glory" (two smooth and melancholic minutes of keyboard
playing supported by the underlying dragged guitar line, sounding like a
warrior's farewell), it's more than obvious that Thunderbolt went to drink
influences from acts such as Emperor and - far from being clones - were able to
shape and deliver them within the right proportions, adding a very personal
touch. Recommended..
Tracklist:
1 - Intro (An Invitation)
2 - Shadows of the Deepest Night
3 - My Dark Imagination
4 - Wilderness of the Eternal Darkness
5 - Moonglare
6 - The Song of Glory
17/20 |
Tormento |
Xasthur
-
"Suicide
in dark serenity"
(Bestial Onslaught
Productions, LP,
2003)
Finally
I had the opportunity to listen the new LP from this great one-man-band from
U.S.A…. In this record we can find two re-recorded tracks from the “Gate through
bloodstained mirror”, two new tracks and an instrumental introduction… this
record don’t runaway from the essence of Xasthur and this is good, it shows that
Xasthur has strong musical goals.
The introduction I can compare it to Burzum on “Filosofem”, it seems you’re
going down to hell drowned in the dark melody of the keys, then, some screams of
agony. The second track is “Suicide in dark serenity”, a re-recorded one from
the first Xasthur’s release I have to say it is great because the track is a
little slower than in the first record, so it becomes more morbid. The third
track is a new track and it’s a good one. “With hate freezing my veins” reminds
me of Burzum, again. The fourth track is a re-recorded version of “Storms of red
revenge” and it’s good as well, although I think the first version of this song
is better than this one. Finally this holocaust ends with a new track, an
instrumental one where the double drum pedal is almost every time ripping all,
that’s a nice instrumental track to end the record.
The drums are well performed, simple but good. The guitars are noisy but we can
define their sound and we can hear well the bass. This album, or should I say
this band, has a particularity at my point of view… all or almost all the
Xasthur tracks got keyboards on the full time of the songs but these keyboards
aren’t here to make the song more melodic… definitely, NO! Malefic use the
keyboards very well and he can make very, very heavy and dark atmospheres. The
voice reminds me Burzum on Filosofem but this one is more screamed than the
distorted one on that Burzum release. The production is the same as their last
album “Nocturnal Poisoning” so I’ll not say that this album the production isn’t
good because the band knows what’s doing and likes it sounding this way.
Don’t expect keys ah la Cradle of Filth or something, this is true Misanthropic
Black Metal in all its splendour. This is not a wannabe-Burzum, but I think the
band is influenced by Varg's
band and I have to say it
is a nice influence. If you like atmospheric dark and agonizing Black Metal look
for this release.
Tracklist:
1 - Intro
(Instrumental)
2 - Suicide in Dark Serenity
3 - With Hate Freezing in My Veins
4 - Storms of Red Revenge
5 - Middlel Age returns
17,5/20 |
Lord Infaustum |