The following is the application that I sent in to x-original@cota.sneakers.org, the Staff that handles Non-Feature Character applications. Although Feral is copyrighted by Marvel Comics, she appeared after the cut-off of the MUSH so is considered a NFC.
Special thanks goes to Reignfire @ CotA, for all the time he spent in helping me with this application!

2) Character Information:

   Name:  Maria Callasantos
   Alias(es): Feral
   Age: 15
   @Desc:

   Green eyes flicker as if with a life of their own, slipped pupils and
 yellow-flecked irises reflecting light so fully it seems as if they
 glow even in the darkest of shadows.  Her hair pushes straight back
 from her head, twin corners coming to a peak with white-and-black
 stripes slashing through the light brown strands.  A few strands of
 white and brown curl over her brows, her own eyebrows elegantly arched
 with tufts of fur accenting the ends. Her cheekbones are also accented
 with fur, slightly curled with the longer hairs matted together.
 Pointed ears poke out from behind the tufts of fur, long and narrow and
 forming straight back from her head to follow the slope of her hair.
 Her entire body is covered in a light glazing of fur, the forearms and
 calves thicker and darker.  She is short for a humanoid and built to
 proportion; she is neither attractive nor ugly by humanoid standards as
 well, her most striking features resembling that of a feline than
 anything else.
    Her form is clothed in a stiff, dark pink material.  There is a
 noticeable lack of material down the very front of her chest and
 midsection, leaving little to the imagination.  The shoulders point
 just at the tips, and the rest of the top tucks into a plain white belt
 that also holds in place the double loincloth that falls over her front
 and back.  Her hands are held in wide-brim gloves, claws tipping the
 fingers where they broke through the cloth, the edges of the gloves
 outlined in white.  Her feet are bare, the toes bearing similar points,
 and a thin tail whips back and forth as if it were alive and a separate
 entity from the rest of the girl.              

3) Character Powers:

Feline Form

   Maria's  appearance  changed  when  she  hit puberty, and her
 mutation manifested.   She  is now covered in light brown fur, with a
 long mane of hair.  Her teeth, especially her fangs, are sharp, and she
 sports a thin, felinelike  tail.  She is not able to change her
 appearance and is permanently 'locked' in her feline form.

Resiliency

   Feral  does  not  possess  a  healing factor, nor is she
 invulnerable. However,  she is physically very resilient, has a high
 pain threshold, and  can  suffer  more damage than normal humans before
 being severely affected.   Her  wounds heal at normal speed, but they
 affect her less than  they  would  a normal human.  This enables her to
 do cling on to life after near-fatal injuries such as being shot in the
 torso several times,  and  gives  the  impression of a 'cat having nine
 lives'.  She can,  of  course,  not survive fatal injuries such as
 having her heart ripped  out  or  her  head  severed.  She has an
 animal vitality that keeps her holding on to life stubbornly when a
 human would give up. 

Sprinting

   Feral  is  quite  fast  a  runner,  able  to  roughly match an
 Olympic athlete,  running  100  meters in 10-12 seconds.  However, when
 on all fours,  she  is  able  to move even faster, sprinting at almost
 double that  speed, being able to clear a 100 meter distance over flat
 ground in  roughly  6-8  seconds.  She can't keep this sprinting speed
 up for extended  periods  of  time.  At most, she can sprint at the top
 speed for  a  few  minutes before having to slow down to the Olympic
 running speed.

Claws

    Feral's  fingernails  and  toenails  are  strong and sharp, not
 like a human's  but  like  a  cat's.   With a strong human musculature
 behind them,  her  claws are capable of ripping through light body
 armor like kevlar.   They  are not razor-sharp adamantium, and can't
 slice like a hot knife through steel doors.  They can scratch deep
 grooves on light metals  like  cars,  and  can  easily  rend plastic or
 wood, but can't affect strong metals like steel.

Fluid

    Feral's  body  is  extremely graceful, agile and fluid in its
motions.  This  grants  her  two  major  advantages.  First, she is able
 to move through  very  narrow,  very confined spaces such as small
 ventilation ducts  that  would  be  too  small for someone of her size
 without her gracefulness.   Secondly, it grants a significant boost to
 her stealth abilities,  as  her movements are very smooth and very
 silent when she so wishes.

Enhanced Reflexes

    Feral's  reflexes  are astonishingly quick.  She is capable of
 dodging energy blasts when she expects them, and can jump into the
 middle of a moving webwork of dozens of laser beams and manage to clear
 a corridor kept  secure  by  such  a  laser  grid,  from  one  end  to
 the other.  Similarly,  she  reacts  very quickly to surprises, and can
 regain her bearings  in  a surprise situation faster than people
 without enhanced speed of some kind.

Enhanced Senses

    Feral  has enhanced senses of sight, hearing, taste and smell.
 She is capable  of  seeing things too far for the human eye to make
 out, much like  an  eagle,  but  to  a  smaller  degree.  Her eyes also
 adapt to darkness  much  more and much quicker than the human eye,
 enabling her to  see  in  almost pitch darkness.  However, there must
 be some light available, she is not capable of seeing in complete
 darkness.  She can hear  sounds  normal humans can't hear, having both
 a broader spectrum of  sounds  she  can  hear  --  like  dog whistles,
 sub and supersonic sounds --  and  a  more  accurate hearing, so she
 can hear more silent sounds  than  humans  can hear, such as the
 walking of a large insect.  Her  taste  and  smell  are also extremely
 sharp, and she can make out tastes  and  scents  superhumanly  well. 
 Her sense of smell is on par with  someone  like Wolverine, and whereas
 her sense of taste does not quite   reach   the  level  of 
 Daredevil's,  it  nonetheless  remains superhuman  and is able to
 detect the tastes of familiar substances in food and drink.

Scenting

    Feral's  enhanced  sense  of smell enables her to perform a
 variety of feats.   She can detect odd scents in an area that vary from
 the norm, whether  it  is  from  machinery,  people, animals, chemicals
 or other things.   She is able to remember different scents and
 identify things based  on scents as humans do based on sight. 
 Therefore, she can tell most  shapeshifters  from  their  templates if
 she has encountered the scents before.  She can smell remnant scents,
 and determine if someone has  been recently in an area, unless special
 measures have been taken to  remove  those  scents with chemicals or in
 other ways.  Similarly, she is able to follow scent tracks and track
 people that way.

Flaw-Sensory Overload

    Feral's enhanced senses can be overloaded.  Her eyes are
 accustomed to darkness,  and  blinding  flashes  such as magnesium
 flares affect her more severely, blinding her for a longer time than a
 normal human.  An individual  can  disguise  his  or her scent by
 applying some chemical with a very strong scent on themselves. 
 Ordinary perfumes or colognes are  insufficient  for  this.   Simply
 very bad smells such as garbage dumps  don't  affect  Feral  much,  as
 she has lived in the sewers and became  accustomed to such smells. 
 Furthermore, odd tastes in food or drink can be disguised by an
 overriding other component, which has very strong  taste.   Feral does
 not prefer eating spicy food.  Loud sounds also  affect  her  more 
 than  a  normal  human,  and she is therefore especially  vulnerable 
 to sonic attacks from individuals like Banshee or Ruckus.

Flaw-Obvious Mutant

    Feral  is an obvious mutant and can't shift out of her feline
 furform.  She  will  always  look as she does, having a fur covering
 and a tail. She  can not walk in public without being noticed as a
 mutant with any means  short of a trenchcoat and a hat overshadowing
 her face.  Due to common  public reactions towards mutants, unless she
 takes measures to disguise  herself, she can not get into many
 establishments, and will constantly be stared at and receive racist
 comments.

Flaw-Killer

    Feral's  animal instincts often lead to a situation where she will
 use unnecessary  force.   Unlike normal humans, who have to concentrate
 to go  for  their most deadly attacks, Feral does not have to
 concentrate to go for  her most deadly attacks.  Her natural tendency
 is to rip peoples' stomachs  open,  tear  their  throats  out, and
 these are the kinds of attacks  she  will go for unless she has some
 very good reason to hold back,  such  as being part of a team whose
 moral code necessitates for her to hold back.

4) Character Skills:

Fighting

   Feral  has  no  formal training in any form of fighting.  However,
 she compensates   for  this  with  her  natural  sharp  claws,  her 
 quick reactions,  and  her natural urges of brutality.  She is not as
 good a close  combatant  as Wolverine, or even Storm, but is roughly
 equal to people like Nightcrawler, Colossus and Mirage.

Mapping

   Feral  has  lived  for quite some time in the Morlock tunnels, and
 has had  to  develop  a knack for mapping out new areas in her head as
 she travels  in them.  She can learn the layouts of new areas the first
 or second  time  around,  and  is helped especially by her senses, as
 she doesn't  only rely on what a place looks like to realize where she
 is, as most humans, but also what it smells and sounds like.

Stealth

    Feral's   catlikeness  extends  to  her  stealth  abilities.   She
 is extremely graceful and silent when she wants to be, and can sneak
 past a  vast  majority  of  humans  without  enhanced  senses.  People
 with enhanced  senses have a good chance of noticing her, but
 otherwise, if Feral  is  being  as stealthy as she can, one would need
 to be in tune with one's surroundings practically to such a degree as
 Iron Fist or a zen  master  of similar ability.  She can stalk a group
 of superhumans without  enhanced  senses  or telepathic ability with 
 ease and not be noticed before she so wishes.

Scrounging

    During  her  life in the Morlock tunnels, Feral has learned to
 perfect the  art of scrounging.  Much like Jubilee did from the X-Men
 when she was  hiding  out  in  their  Australian  outback town, Feral
 is highly capable  of  going  about  areas,  buildings  and
 environments full of potentially hostile people without being detected,
 obtaining goods and then  exiting with the goods.  She is one of the
 best when it comes to crawling around ventilation ducts, looking for an
 armory or the prison area where she needs to free her friends.

Pigeonry

    Maria  is  skilled in taking care of birds, particularly pigeons.
 She knows  how to act with birds to make them feel comfortable, has a
 good rapport with them and knows how to feed them and care for any
 possible injuries birds might have.

Languages

    Maria  grew  up  in  a Latino area, and has acquired skill in both
 the Spanish  and English languages from her family and friends as she
 grew up.   She is capable of speaking both languages at a proficiency
 level of  a  native  and  thinking  in both languages, but her English
 has a noticeable lower-class 'hood accent, and she uses random Spanish
 words in her sentences every now and then.

Uneducated

    Maria  possesses  a  significantly  low  level of education.  She
 left normal  life  in  her  early  teens, going to the Morlock tunnels,
 and prior  to  that  had  definitely  not  been  a  straight A student
 nor particularly  concerned  with  her  education.   There  is  a  lot 
 of completely   regular   knowledge,   from   spelling  to  geography 
 to mathematics that she is unfamiliar with.

Streetwise

    Maria  is a very streetwise and not very intellectual person.  She
 has a  good  feel of the laws of the streets, and how fellow street
 people will act and react in certain situations.  She knows good ways
 to find people and find out information in the streets, and knows in
 what ways not to act to attract unwanted attention to herself.

5) Character Personality and Physical Attributes:

Manic Depressive

    The mental imbalance recognized as 'manic depressive' is something
 that has plagued Maria Callasantos from her childhood years.  Her
 violent mood swings were that which eventually led to the death of her
 siblings, Matteo and Carolina, as well as her mother.  The imbalance
 came to a head around her teenage years when both puberty and mutation
 hit her in full swing and it seems to have only worsened over the
 years.  Maria's condition may also have been worsened due to her unique
 manifestation - that of a being with a blend of feline and human
 attributes.  That alone should cause conflict, but felines as a rule
 tend to be finicky, adding another factor to Maria's already unstable
 personality.
    Without treatment and after being exposed to such trauma over her
 life-time, her imbalance has worsened considerably, eventually leading
 to a clash of opposing personality factors and a killer's instincts and
 impulses.  She acts without thinking on a regular basis and her
 personality as a whole could be comparable to a house cat - in your
 lap, purring cutely for a scratch one moment, then dropping a dead
 mouse at your feet and looking to you for approval the next. 

Impulsive

   A side effect of her worsening manic depressive personality,
 acting without thinking has become a daily routine.  She kills without
 remorse and blurts things out without looking at them beforehand, often
 leading her into trouble. 

Victim

    Maria Callasantos is a victim of physical and sexual abuse.  After
 her father died, her mother fell into alcoholism and drugs and a foul
 pig of a man assaulted both Maria and her older sister Lucia.  Though
 both Marcella Callasantos and Harry Belinger are dead at Maria's hands,
 the effects still leave their mark to this day.  She is fiercely
 afraid/hateful of alcohol and drugs and she reacts violently to any
 sort of degradation - physical, mental, or verbal.  In times when she
 has absolutely no control over the situation Maria is prone to
 flashbacks  and will become outwardly violent and hostile towards her
 assailant or any that may be close by.

Vengeful

    The slightest insult may carry with her for the longest period of
 time.  Humiliation or defeat is met with a vow to return the favor no
 matter how far ahead in the future it will take place in.  Anger fuels
 her rage and her rage is everlasting.  Enemies are enemies forever and
 friends can very easily become enemies.

Rage

    Even as a young child Maria was violent and a killer.  Jealous and
 accusing of her younger sister Carolina, she shoved the child down a
 flight of stairs, the final slam of her body ending with her death. 
 Matteo, chasing after the pigeons she used to keep as pets, met his own
 demise after falling off the roof of the building the Callasantos's
 lived in, Maria looking down at his body with narrow eyes.  After
 watching her older sister begin to be introduced to the same abuse she
 had suffered, Maria ripped the assailant's face clean off.  
    Animals are killers, but they rarely kill without reason.  They
 are often equipped with teeth, claws, and builds meant for power and
 death, yet they are careful only to kill what they need to survive.
 Humans, in contrast, kill without thought, because it pleases them. 
 They use guns, knives, and bombs because their bodies are too soft and
 defenseless to do it themselves.  They have nothing against shooting
 down a hapless sparrow simply to see if their slingshot works.
    Feral is the combination of the worst aspects of the two sides of
 the same coin.  She is equipped to kill like an animal, with sharp
 teeth and claws and muscles that ripple with power; but, like a human,
 she abuses these tools and inflicts pain upon others without thought to
 vent her rage.  Rarely is there remorse from the pain she inflicts,
 for, like a human, she kills without thought and, like an animal, she
 does not mourn her prey.

Birds

   You would expect one that hates with such vehemence and embraces
 her animal side to eat birds rather than love them, but Maria has
 always possessed a strange kindness for birds.  In a household without
 love her pigeon coop was her only solace and she loved her pets as
 dearly as one might love their parents or siblings.  Even after the
 slaughter inflicted upon them by her mother, Maria still retains that
 almost motherly quality for birds that betrays her outwardly hateful
 demeanor.  She takes care of them, knows of them, and loves them - and
 they love her in return.

Yearn For Acceptance

   Despite everything, Feral is a loner and suffers for it.  Raised
 in a household that showed little love or warmth, and refused by a
 society that, in majority, dislikes her for her appearance, she longs
 to be a part of a whole or at least be accepted by one who can look
 past who she is.  This is why she was so protective and possessive of
 the pigeons she looked after as a child; they were innocent and knew
 her only as the one who took care of them and loved them, and they
 returned the kindness.  Her social graces what they are, Feral finds it
 frustrating that she cannot be accepted as easily by her human peers.

6) Character Resources:

Morlock

Maria is a Morlock, or rather former Morlock.  Like most Morlocks, she
has little or no personal property, wealth or other possessions.  What
you  see  is  what  you  get  --  what  she  has on her is pretty much
everything  she  owns.  She has access to the Morlock tunnels, and can
return  to  them for shelter, to sleep in, if she so wishes, and knows
the layout and the surviving Morlocks.

MLF

Feral is a member of Reignfire's Mankind's Liberation Front.  As such,
she has access to the MLF's resources as a full-time member, gets cared
and  provided  for by Reignfire, who supplies her with a roof over her
head,  food, a job as a terrorist and whatever choice luxuries the MLF
has access to at any given time.

7) IC Background:

    Fifteen years ago, Marcella Callasantos gave birth to a baby girl
 that she named Maria.  She already had a daughter by the name of Lucia
 and she and her husband went on to bring into the world two more
 children, Matteo and Carolina.  They were a Hispanic family living in
 the Bronx section of New York in not the best of neighborhoods.  Life
 was difficult and the crime rate was high - their apartment was robbed
 one night and within the month Mr. Callasantos left Marcella. 

    A single parent alone with four children, Marcella Callasantos
 begin the lonesome trek towards a nervous breakdown.  Lashing out at
 her children, she blamed them for her husband's departure and starting
 drowning her sorrows in alcohol.  Somewhere along the lines Harry
 Belinger came into the picture and it all went to hell in a hand-basket
 from there.  The fat, greasy man introduced Marcella to assorted drugs,
 some of which were crack, cocaine, weed, and heroine.   

    Hateful of this ugly man who had intruded upon their home, Maria
 blamed the sudden hell their life had become on her younger siblings,
 echoing her mother's sentiments.  When her older sister Lucia ran off
 to play with a neighborhood boy she sorta-kinda-maybe liked, Jose, the
 youngest sister Carolina meant her unfortunate end at the bottom of a
 flight of stairs.  Maria was at the top looking down at her with the
 faintest of smiles.  She was eight years old.

    Time passed and Marcella more and more neglected her children,
 unaware that Harry had begun to make advances towards her oldest
 daughter.  Matteo died, her only son, a while later, last seen chasing
 Maria's pigeons around the building rooftop.  Maria and Lucia both
 entered puberty early and began to sprout fur and tails.

     When Maria was twelve Harry's advances began to be focused on her
 as well.  Mutating faster than her older sister, the fur grew thicker
 and the tail longer, her head-hair stiffening until it stood straight
 up on her head.  Lucia was seen around the apartment less and less and
 every night Marcella could be found passed out on the couch.  Maria
 tried to run away often, but the local authorities almost always found
 her and brought her back. The other times Lucia had to come and get
 her.

    One night, when Maria was hiding up on the roof attending to her
 pigeons, Harry followed Lucia out of the house.  Ambushing her and
 dragging her into a nearby alley, he proceeded to do to her what he had
 to come to do, unaware that the pair had been followed.  All noise was
 drowned out as a hissing growl of anger and hatred shattered the night
 and Harry Belinger died at the hands of Maria Callasantos.  The two
 sisters hid the body in a warehouse and fled home before dawn arrived.

    His body was never found, but Marcella knew what had happened and
 who had done it.  Furious, mad with grief, the mother crept up to the
 rooftop to where the pigeon coop that Maria kept was.  She slaughtered
 nearly every single bird and frightened the rest so terribly they never
 returned.  The next morning, when Maria came up to feed them she found
 the carnage instead.

    Marcella Callasantos was found dead in her apartment, literally
 all /over/ the apartment. Neither of her remaining children were to be
 found anywhere in the vicinity; indeed, they seemed to simply vanish. 
 To the tunnels they ran, hiding amongst the sewers until the Morlocks
 that dwelled there happened upon them.   They were both accepted
 grudgingly, but Maria was never happy there, though they still remain. 
 She has lived there in the tunnels for the past year or so, gained
 skills and knowledges of survival, yet missed out on scholar education. 
 Her disposition has worsened over time and she has become something of
 an outcast, even among outcasts, until she finally left it all behind.

    That was when Reignfire came to her.  Attention drawn by the
 article in the newspaper describing her mother's death, she was found
 in a back alley looting through the trash bins.  He offered her a
 chance to  be free of that which restrains her, to embrace her animal
 side and strike back at those that oppress that which is different. 
 And she accepted.

8) Narrative Section: 

   The following is a would-be scene of Feral's leaving the Morlocks.
 I've chosen to concentrate more on her thoughts than her actions and
interaction with other characters, since the log excerpt wasn't
suitable for this section and Feral herself isn't really the type to
keep a diary or anything along those lines.  But anyway..

     It was strangely amusing how easily she had become used to the
dank smell that seemed to be a permanent mark on the Morlock tunnels,
no matter how hard the tunnel inhabitants struggled to wash it away.
The bunk she shared with her sister Lucia, cobbled together out of
spare parts scavenged from multiple bunks that been abandoned by their
previous owners, was one of the few clean things in this place.
     She could do better.  She knew she could.
     Feral's eyes were narrowed slightly as she folded what clothing
she had and bound them together in a bundle held in place by a leather
belt starting to wear thin.  Lucia knew she was leaving, she had
decided an hour ago.  The quiet look she had given her with her
yellow-hued eyes had spoken louder than any words she could hope to
muster; then she had offered some lame excuse about checking out the
nearby refuse bins to see if anything edible could be found.
     But Maria knew better.  She always did.  She could smell it on
her.  Feral's eyes narrowed into green slits, tucking the bundle of
clothing underarm and shrugging her overcoat and hat on.  She wasn't
going to stop her and she never would.  She hadn't tried to stop her
when she killed Harry, when she killed Mama, and she wasn't going to
stop her now.  Feral's lips curled back from her teeth, baring them in
a false parody of a smile.  Even if she tried, she wouldn't have been
able to.  She was getting out of this hellhole.
     Feral had never been much of a team-player.  Trying to work with
the Morlocks to survive had made more than one conflict arise.  She
had always gotten out of them, though. Somehow.  The last argument,
though.. That one had gone too far.  The others had tried to hold that
fat, ugly one back, but oh.. He just had to keep pushing, didn't he?
     The felinesque female studied a spot on the wall, still holding
that false smile on her lips.  It had been a long time since she had
lashed out at someone..  Since she felt flesh give way beneath sharp
fingertips.. the tear of skin.. the warm rush of liquid splashing over
her hands, its hot smell reaching her nostrils..
     She blinked.  That had been the last straw, hadn't it?  She would
have clawed his face off and spat on him had Lucia not slapped her
across the face and shoved her into their room.  Oh, how older sister
had screamed at her!  They had gone on for hours that night until
their voices went hoarse and Lucia ran off to sulk in a friend's
chambers.
      That had been when she decided to leave, hadn't it.  Feral
tightened the belt around the bundle of clothing.  Nobody could tell
her what to do, damnit!  She jerked the hat down over her eyes, then
pushed it up a bit, just enough to allow her to see and keep her face
shadowed.  She'd be free!  Free to do what she liked, decide upon her
own role, and make her own choices and deal with her own consequences.
      Nimbly, the Hispanic young woman darted down a dark tunnel, then
the next, weaving her way through the labyrinth until a scattering of
light shone through the holes of an above sewer grate.  Readying
herself, Feral sprang up the ladder, unhinged the grate, and darted
out, replacing it in a single series of fluid, almost graceful
movements.  The city was dark at night.. Good.
       No one would ever hold her again.

9) Player Experience:

   I have been MUSHing for over two years now and RPing for longer.
 My experience mostly lies in fantasy and science fiction - ElfQuest,
 Star Wars, Crystal Singer - but I also have been RPing X-themed MUSHes
 for some time. I started out at PhoeniX-MUSH as Feral and later went on
 to hold such characters as Nightcrawler, Emplate, and two human alts by
 the names of Hannah (a Wiccan art-shop owner) and Dana (a hacker for
 Operation: Zero Tolerance).  I had a brief career as Tessa on AoA MUSH
 and a briefer career as a NFC /waaaay/ back when by the name of Marty. 
   More recently I played Feral and Nightcrawler at Gen-X, but have
 since left the MUSH after the spreading of rumors led to its eventual
 demise.  At the encouragement of Reignfire and Hrimhari's players I
 decided to apply for Feral here as a NFC. 
   I still play at an ElfQuest-themed MUSH, holding two Features -
 Treestump and Rayek - as well as a wizbit now under the name of Lissar,
 specializing in canon and player relations.

10) Reasons For Wanting Character:

   For as long as I can remember Feral has always been my favorite
 character. AoA MUSH being the exception, I have played her at every X
-MUSH I have taken part in, and have grown to adore venting out my
 frustrations through her.  She is a simple character on the outside,
 with simple goals and simple thoughts, but beneath she is very
 complicated and enjoyable to explore.
   I know that Feral, as a character, is a rather overused concept.
 Taking a look at 'news overused2' I didn't see anything specifically
 mentioning 'furries', but 'creature-morphs' and 'enhanced senses' were
 mentioned, and so I take the time to take note of this.  I play Feral
 the Character, not Feral the Cat.  The feline aspect of her is a very
 dominant part of her character makeup, but there are other factors that
 succeed in making her who she is. And I want to explore those factors.

11) Plans For Character:
 
   Since it was Reignfire's player who encouraged me to apply for
 Feral at CotA, he also invited her to join the Mutant Liberation Front. 
 Since, if approved, I will most likely be entering headlong into a
 plot, I will be introducing her as a set member of the Mutant
 Liberation Front.
   This stage in life is the most interesting to me since it is
 roughly around the same time that Feral defected from the Morlocks and
 joined X-Force.  Of course, the timeline is quite different from that
 of the books, and instead of joining X-Force Feral went on to join the
 MLF.  
    Unlike other 'animalistic' characters, there is no conflict
 between Feral and her animal side. She is governed by that which makes
 her different from the majority of humanity, and embraces that wild
 streak in her.  Obviously that will bring to blows clashes with both
 teammates and deferring to one of higher rank than her - a squad leader
 or even the team leader himself.  It certainly would be interesting to
 find a romantic interest for Feral, to see the conflicts that would
 arise when she realizes she is receiving such attentions and even to
 see if such a thing would work out, but that's not a particular plot
 that I would be looking into any time in the immediate future.
    Feral is a villain and while its certainly possible that she could
 become an 'in between' character - one that you're never quite certain
 of - that again is an avenue I won't be looking into for quite some
 time.  If conflict arises, she will meet it as only she could.  It
 would be nice to see if I could get someone to apply for Feral's older
 sister Lucia (Thornn) or for Jose Hidalgo, Lucia's friend who later
 joined the New York Police Department. 

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