Knotwork in Mesopotamian MagicNumerous descriptions of methods of string and knot magic exist in the Mesopotamian record. For exorcism, to break ensorcelment ("dispelling"), or for healing, the magician had recourse to several options. First was to tie a particular number, usually odd, of slip knots in a cord, then pull each one to unknot it at strategic points in the ritual sequence, thus releasing the victim from the problem, all the while chanting or reciting a spell, invocation, or part of a myth. Occasionally it might be considered necessary to burn the cord afterwards. Second, the magician might tie a cord around the client's head, and/or the hands and/or feet, then cut off the cord(s) to release the problem. And in certain situations, the magician would recite a curse, knotting the cord while focusing on the source of the problem and chanting a spell, then he would bury the knotted cord to keep the curse in place. Generally, the cord was spun from goat or sheep hair especially for a particular spell. Most often the cord was of black or white wool, or sometimes a bi-colored cord was plied of a black yarn and a white yarn. Sometimes the cord was red, or red yarn could be plied with black and/or white. On some occasions the cord was multicolored, although the spells do not specify which colors, assuming that the magician would know. Among the Greeks, knots were believed to be able to stop the flow of blood, not because they were tied tightly as a tourniquet, but by their magical properties. In many Greek myths, undoing knots on board ship can call up the wind. The Tzîtzîth, tassel or fringe on the four corners of the Jewish Tallit or prayer shawl, may well be survival of string magic, since they are wrapped and knotted in a certain pattern involving uneven numbers, and must be spun of white virgin wool. Coincidentally, the head-scarf of the Arab, which seems to me to be cousin to the Tallit, also has knotted tassels in each of its four corners. |
ExamplesFor references, see bibliography
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©1997 Lilinah biti-Anat
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