Last time I wrote I wrote from a rustic table
Under magnolias in South Carolina
As blossoms fell on me, and a white gable
As clean-lined as the prow of a white liner
Bisected sunlight in the sunlit yard.
I was glad of the early heat and the first quiet
I'd had for weeks. I heard the mocking bird
And a delicious, articulate
Flight of small plinkings from a dulcimer
Like feminine rhymes migrating to the north
Where you faced the music and the ache of summer
And earth's foreknowledge gathered in the earth.
Now it's St Brigid's Day and the first snowdrop
In County Wicklow, and this a Brigid's Girdle
I'm plaiting for you, an airy fairy hoop
(Like one of those old crinolines they'd trindle),
Twisted straw that's lifted in a circle
To handsel and to heal, a rite of spring
As strange and lightsome and traditional
As the motions you go through going through the thing.
A Sofa in the Forties
All of us on the sofa in a line, kneeling
Behind each other, eldest down to youngest,
Elbows going like pistons, for this was a train
And between the jamb-wall and the bedroom door
Our speed and distance were inestimable,
First we shunted, then we whistled, then
Somebody collected the invisible
For tickets and very gravely punched it
As carriage after carriage under us
Moved faster, chooka-chook, the sofa legs
Went giddy and the unreachable ones
Far out on the kitchen floor began to wave.
- *
Ghost-train? Death-gondola? The carved, curved ends,
Black leatherette and ornate gauntness of it
Made it seem the sofa had achieved
Flotation. Its castors on tiptoe,
Its braid and fluent backboard gave it airs
Of superannuated pageantry:
When visitors endured it, straight-backed,
When it stood off in its own remoteness,
When the insufficient toys appeared on it
On Christmas mornings, it held out as itself,
Potentially heavenbound, earthbound for sure,
Among things that might add up or let you down
- *
We entered history and ignorance
Under the wireless shelf. Yippee-i-ay,
Sang 'The Riders of the Range'. HERE IS THE NEWS,
Said the absolute speaker. Between him and us
A great gulf was fixed where pronunciation
Reigned tyrannically. The aerial wire
Swept and swayed in us like nets in water
Or the abstract, lonely curve of distant trains
As we entered history and ignorance.
- *
We occupied our seats with all our might,
Fit for the uncomfortableness.
Constancy was its own reward already.
Out in front, on the big upholstered arm,
Somebody craned to the side, driver or
Fireman, wiping his dry brow with the air
Of one who had run the gauntlet. We were
The last thing on his mind, it seemed; we sensed
A tunnel coming up where we'd pour through
Like unlit carriages through fields at night,
Our only job to sit, eyes straight ahead,
And be transported and make engine noise.
Keeping Going
The piper coming from far away is you
With a whitewash brush for a sporran
Wobbling round you, a kitchen chair
Upside down on your shoulder, your right arm
Pretending to tuck the bag beneath your elbow,
Your pop-eyes and big cheeks nearly bursting
With laughter, but keeping the drone going on
Interminably, between catches of breath.
- *
The whitewash brush. An old blanched skirted thing
On the back of the byre door, biding its time
Until spring airs spelled lime in a work-bucket
And a potstick to mix it in with water.
Those smells brought tears to the eyes, we inhaled
A kind of greeny burning and thought of brimstone.
But the slop of the actual job
Of brushing walls, the watery grey
Being lashed on in broad swatches, then drying out
Whiter and whiter, all that worked like magic.
Where had we come from, what was this kingdom
We knew we'd been restored to? Our shadows
Moved on the wall and a tar border glittered
The full length of the house, a black divide
Like a freshly opened, pungent, reeking trench.
- *
Piss at the gable, the dead will congregate.
But separately. The women after dark,
Hunkering there a moment before bedtime,
The only time the soul was let alone,
The only time that face and body calmed
In the eye of heaven.
- Buttermilk and urine,
We were all together there in a foretime,
In a knowledge that might not translate beyond
Those wind-heaved midnights we still cannot be sure
Happened or not. It smelled of hill-fort clay
And cattle dung. When the thorn tree was cut down
You broke your arm. I shared the dread
When a strange bird perched for days on the byre roof.
- *
That scene, with Macbeth helpless and desperate
In his nightmare--when he meets the hags agains
And sees the apparitions in the pot--
I felt at home with that one all right. Hearth,
Steam and ululation, the smoky hair
Curtaining a cheek. 'Don't go near bad boys
In that college that you're bound for. Do you hear me?
Do you hear me speaking to you? Don't forget!'
And then the postick quickening the gruel,
The steam crown swirled, everything intimate
And fear-swathed brightening for a moment,
Then going dull and fatal and away.
- *
Grey matter like gruel flecked with blood
In spatters on the whitewash. A clean spot
Where his head had been, other stains subsumed
In the parched wall he leant his back against
That morning like any other morning,
Part-time reservist, toting his lunch-box.
A car came slow down Castle Street, made the halt,
Crossed the Diamond, slowed again and stopped
Level with him, although it was not his lift.
And then he saw an ordinary face
For what it was and a gun in his own face.
His right leg was hooked back, his sole and heel
Against the wall, his right knee propped up steady,
So he never moved, just pushed with all his might
Against himself, then fell past the tarred strip,
Feeding the gutter with his copious blood.
- *
My dear brother, you have good stamina.
You stay on where it happens. Your big tractor
Pulls up at the Diamond, you wave at people,
You shout and laugh about the revs, you keep
old roads open by driving on the new ones.
You called the piper's sporrans whitewash brushes
And then dressed up and marched us through the kitchen,
But you cannot make the dead walk or right wrong.
I see you at the end of your tether sometimes,
In the milking parlour, holding yourself up
Between two cows until your turn goes past,
Then coming to in the smell of dung again
And wondering, is this all? As it was
In the beginning, is now and shall be?
Then rubbing your eyes and seeing our old brush
Up on the byre door, and keeping going.
St. Kevin and the Blackbird
And then there was St. Kevin and the blackbird.
The saint is kneeling, arms stretched out, inside
His cell, but the cell is narrow, so
One turned-up palm is out the window, stiff
As a crossbeam, when a blackbird lands
And lays in it and settles down to nest.
Kevin feels the warm eggs, the small breast, the tucked
Neat head and claws and, finding himself linked
Into the network of eternal life,
Is moved to pity: Now he must hold his hand
Like a branch out in the sun and rain for weeks
Until the young are hatched and fledged and flown.
- *
And since the whole thing's imagined anyhow,
Imagine being Kevin. Which is he?
self-forgetful or in agony all the time
From the neck on out down through his hurting forearms?
Are his fingers sleeping? Does he still feel his knees?
Or has the shut-eyed blank of underearth
Crept up through him? Is there distance in his head?
Alone and mirrored clear in love's deep river,
'To labour and not to seek reward,' he prays,
A prayer his body makes entirely
For he has forgotten self, forgotten bird,
And on the riverbank forgotten the river's name.
'Poet's Chair'
Leonardo said: the sun has never
Seen a shadow. Now watch the sculptor move
Full circle round her next work, like a lover
In the sphere of shifting angles and fixed love.
- 1
Angling shadows of itself are what
Your 'Poet's Chair' stands to and rises out of
In its sun-stalked inner-city courtyard.
On the qui vive all the time, its four legs land
On their feet--cat's-foot, goat-foot, big soft splay-foot too;
Its straight back sprouts two bronze and leafy saplings.
Every flibbertigibbet in the town,
Old birds and boozers, late-night pissers, kissers,
All have a go at sitting on it some time.
It's the way the air behind them's winged and full,
The way a graft has seized their shoulder-blades
That makes them happy. Once out of nature,
They're going to come back in leaf and bloom
And angel step. Or something like that. Leaves
On a bloody chair! Would you believe it?
- 2
Next thing I see the chair in a white prison
With Socrates sitting on it, bald as a coot,
Discoursing in bright sunlight with his friends.
His time is short. The day his trial began
A verdant boat sailed from Apollo's shrine
In Delos, for the annual rite
Of commemoration. Until its wreathed
And creepered rigging re-enters Athens
Harbour, the city's life is holy.
No executions. No hemlock bowl. No tears
And none now as the poison does its work
And the expert jailer talks the company through
The stages of the numbness. Socrates
At the centre of the city and the day
Has proved the soul immortal. The bronze leaves
Cannot believe their ears, it is so silent.
Soon Crito will have to close his eyes and mouth,
But for the moment everything's an ache
Deferred, foreknown, imagined and most real.
- 3
My father's ploughing one, two, three, four sides
Of the lea ground where I sit all-seeing
At centre field, my back to the thorn tree
They never cut. The horses are all hoof
And burnished flank, I am all foreknowledge.
Of the poem as a ploughshare that turns time
Up and over. Of the chair in leaf
The fairy thorn is entering for the future.
Of being here for good in every sense.
