(originally published in Pavement
magazine, 2001)
Set of Subsets is the moody
debut album for Napier band Jakob. Its a heady concoction of minimalist
guitar, offset with bursts of distortion and melodic delights. Following
on from their entrancing ep, the album finds them still inhabiting a world
of swirling guitars and thunderous dynamics. The band started out in the
middle of 1998.
"Maurice (Beckett) our bass player had just come back from Sweden and
Germany, and was ultra-keen on getting things happening," says guitarist
Jeff Boyle, who, along with drummer Jason Johnston, makes up the Jakob
lineup. "We'd been jamming together before he left, at the start of the
year, and we just pushed things along a bit, and the ep songs just came
out of nowhere, and we recorded it, and its just been snowballing from
there ever since, really. The first recordings we did, for the ep, was
just a fleeting idea. We had a friend with a bit of studio gear, and he
said 'flick us $300 to do a little experiment with you', and so we did
it over a weekend, and it was basically one-take stuff, and it ended up
being sweet as. With the album we tried the same thing, and it didn't
really work too well. So we re-did everything with a lot of overdubs and
samples. We started recording the album in late November last year, and
finished in May this year."
Playing live in the studio is crucial to the band. "That's how we write,
that's how we play, so that's how we record. That's the whole basis of
our approach. There's no actual physical song writing ever involved in
our musical creation. It comes down to us getting into a room and just
taking whatever comes our way basically. We try and keep all preconceptions
of music out, and just let something come to us, or just fiddle around
til something happens naturally between the three of us, and then once
something does, then we work on it. That's just one way of trying to keep
our music completely original and completely ourselves. We've got a standard-o-meter,
you know what I mean? It basically comes down to if we enjoy it enough,
if we all end up with nice big smiles on our faces then that becomes a
Jakob song."
Once the album was nearing completion, their thoughts turned to the next
step; getting the music out there. "We didn't have any plan, release-wise;
all we wanted to do was record the songs we had, cos we were sick of them!
We'd been playing these songs for about a year, and everyone liked them,
and we just wanted to get them out, and move on to the next step. We know
Paul Maclaney, who released his album Permanence through Kog, and he's
been a friend and a fan of ours for the last few years. He told Kog 'check
these guys out', and they gave the album a listen and they loved it. So
they said 'do you want to go with Midium?' (Kog's guitar label) and we
said 'yeah'. They treat us like brothers; whenever we go up to Auckland,
we stay at the Kog studios. They treat us real good, we're absolutely
over the moon to be on that label."
The band are quite content to continue to call Napier home, and have no
burning ambition to move to the Big Smoke. "I'd much rather be in a band
here, than in Auckland. There's a lot of crap you have to deal with in
Auckland. I was living up there in 96, 97, and I tried to get a few things
together with a couple of people, and that went nowhere, basically. It's
just really hard to focus when you're in Auckland, for me it is. Everything
is much more relaxed here, there's no media bullshit you have to deal
with. There's no 'hip' scene down here in Napier, there's just a bunch
of musos hanging out, jamming with each other and coming up with cool
music. No one's like, keeping up appearances, trying to be real cool.
Its makes it easier to just sit back and create music."
There's plans afoot for a few music videos, some travel around our fair
shores and also further afield. "Our main goal is to get overseas and
play, mainly in Europe, because that's where a lot of the bands we're
influenced by come from. Bands like Godflesh, Slint, Bardo Pond, Mogwai,
etc etc. We just want to keep going and keep progressing, and never do
the same thing twice. We think there's a whole huge space in music that
hasn't been filled yet, and we want to fill it up." ok?
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