Hookahville High
Whether you are describing ekoostik hookahs music, birth or shows
the "creativity of being spontaneous", as drummer Eric Lanese describes it,
is what drives this band.
At the core of Hookahs music is the jams- and experimentation of
sounds and rhythms thrown in an improvisational blender of American styles
including, folk, funk, bluegrass, blues and rock. Their hair is long,
the attitude is laid-back. Their growing fan base is a mixture of hippie
lids sporting dread locks and flowered dresses (and that is the men-j:)
and birkenstock wearing college students forming a sea of bodies riding
the celebration of the jam. Energy is shared between the band and the
crowd. In fact, since Hookah does not use a setlist, a crowds spirits and
participation level will usually dictate a show. "As a band, none of us
can stick to a set list", explains Lanese. "We feed off what the crowd is
doing". They never play the same show twice and they only practice to
learn new tunes.
Jamming, Lanese says poetically, " is what we do. There's never any
mention of 'let's play this this way'. the repetition of it would kill
us."
we're lazy is how pianist and singer Dave Katz explains why no
regular practices are held. While he admits practicing could make them a
tighter band, "keeping things fresh' is important. "We never sit down and
coreograph it. We let things develop on stage."
Friends from playing together at open mic nights in Columbus,
members of Hookah were playing in a living room at a party in 1991 when a
stranger with a little extra money on his hands informed the guys that he
liker their music so much, he'd give them the finances to record and
album. Although not officially a band at the time, the group went into
the studio armed with songs developed from their open mic jams. "It was a
good feeling", says Katz. "We came together easily, which was important.
We didn't have to work hard at doing what we do." "Under full Sail" was
released later that year, and Hookah was born. Two other CD's have
subsequently been released "dubbhabuddah" in '94 and a live double disc,
know as Hookah's distinctive upsidedown and backwards letter "e"
(schwa!-J) in '96.
From Fredricktown(hookahville-J), Ohio Hookah consists of Katz,
Lanese, Ed McGee (vocals, rhythm guitar), Cliff Starbuck (bass), and Steve
Sweeney (lead guitar). McGee who shares the songwriting duties (and
singing-J) with Katz, joined the team last August after their original
member John Mullins was asked to leave. the bans was internally
unhappy", explains Katz, and would not have been able to go on without the
change.
"We knew from the begining (Ed) would be a good fit," says Katz.
McGee who had opened for hookah a few times in the past was already
friends with the band, and despite fan concern about the new guy mucking
up the chemistry, the change has been smooth. "We still sound similar, we
just have some different songs now," adds Katz. "we're a little more fun,
at least visually. There's no more turmoil."
Hookahs strong bond with their fans has been the key to their
success. Playing nearly 200 shows a year, the band has built up a steady
following. "It's still odd to go out somewhere and have a huge crowd and
read email from around the country," Lanese says. Audience Taping (oh
yeah!-J) of shows is allowed, which has helped spread the music around the
country. "It's the single thing that's helped us get to the point were
at," says Katz. (double oh yeah!-J)
And then there's the bi-annual Hookahville. Started fours years
ago "as and innocent' let's go do this in the woods' party." Hookahville
has grown from a 800 person (i heard 728-j:) soire, to this past Memorial
Day Weekend's extravaganza in Alpine Hills in Dover.
"We'd like to take hookahville on tour,"says Katz "hold it every weekend,
add not just in Ohio." When the concept was conceived, Katz continues,
the band decided to make the party "as big and as fun as possible. We
throw all our resources into one show to give back to the fans. I think
it is our crowning achievement so far."
--ROBERT MIHALEK-freetimes article vol5, issue 44.