OSCILLATOR SECTION
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Four Waveforms are available, although only one at a time: Triangle,
Ramp
(descending), Pulse
and Noise.
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Like the MS-50 (but unlike the MS-20, interestingly enough) the MS-10 features
pulse width modulation (they all offer initial pulse width control, though,
which can be swept manually, like this).
The PW/PWM pot controls pulse width when nothing is plugged into the PWM
input. When there is an input, however, it reverts to controlling the level
of the input--in other words, there is no "initial pulse width" control
when there is PWM.
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The top pot in the Frequency Modulation section controls the level of Oscillator
Frequency Modulation from the Modulation Generator (LFO), but only the
triangle/ramp wave output of the MG. To modulate the oscillator with the
MG's square wave, the patch panel must be used. The bottom controls FM
level from the Envelope Generator, until something is plugged into the
"FREQ" input.
Note that the "Freq" input is a Volt/Oct (exponential) input, while
the VCO CV input is Hertz/Vlt (linear). Why is this important? Most synthesizers
operate on the 1 Volt per Octave (exponential) standard of controlling
pitch with voltage (if C1 is 1 volt, than C2 is 2 volts, etc.). Korg operates
on a linear standard, so controlling an MS-10 with a Roland, Moog or Arp
synthesizer, or a standard MIDI to CV device is more difficult than simply
connecting the CV out of the exponential device to the CV input of the
MS-10. It can be done, however, by connecting the CV out of the exponential
device to the VCO "Freq" input, then adjusting the EXT knob in the frequency
modulation section until proper tuning is achieved. (Converting triggers
is another matter, though. More on that later.)