Knots Landing Reunion Lands                         at CBS                                    

Knots Landing: Back to the Cul-de-Sac                                                                      (Wednesday, May 7, Friday, May 9, 9:00-11:00 p.m., CBS)

HOLLYWOOD (Variety)--After fourteen churning years, Knots Landing turned up its toes in 1993 and the ol' gang presumably went their diverse ways. But it turns out they're still living raunchy suburban lives in that four-house cul-de-sac as CBS airs a four-hour up-to-dater. The more things change . . . The second most popular CBS nighttime drama series (behind Gunsmoke), concocted by David Jacobs as a Dallas spin-off, hasn't changed purposes in the teleplay penned by Ann Marcus, Lisa Seidman, and Julie Sayres: to grab viewers with heart-on-sleeve characters behaving outrageously. Motivation has nothing to do with reason, only with holding onto audiences. Original cast members move back into familiar behavior: the good are still stuck with being good, the bad forge ahead.

The most reliable characterization is by William Devane as wearying but wily Greg Sumner, now married to snooty Anne (Michelle Phillips), whose purpose seems mostly decorative. Donna Mills, as lovely layabout Abby Fairgate, gets to display most of the program's excesses. Michele Lee's put-upon Karen now has to figure out why hubby Mack (Kevin Dobson) is sulky. Ted Shackelford's bland Gary Ewing, the Dallas connection, runs into a surprise daughter. And he witnesses wife Val (Joan Van Ark), who's writing a screenplay autobiography with a drunken, amorous scenarist (Michael Woods), getting mixed up in sudden death. Everyone's children are multi-parented, whether they know it or not.

The Knots mini-series is painted in blatant poster colors folks like to watch, and should work up respectable ratings. The whole thing's a plot catch-up carried on with appropriate directness by helmer Bill Corcoran. The dialogue's routine, with an occasional "What?!?" inexplicably called out when a scene's quiet. John Fleckenstein's camerawork in a beach scene catches troublesome shadows, James Hulsey's production design serves its purpose, and Jerrold Immel's pounding theme extends into the action. While Back to the Cul-de-Sac plays like a travesty, it also plays like a fantasy. Nice place for a quick visit, but nobody really lives there. --Tony Scott

Cast: William Devane, Kevin Dobson, Michele Lee, Donna Mills, Ted Shackelford, Joan Van Ark, Michelle Phillips, Stacy Galina, Brian Austin Green, Michael Woods, Joseph Cousins, Emily Ann Lloyd, Francesca Smith, John Laughlin, Victoria Ann-Lewis, Carlos Cantu, Jane A. Rogers, Ken Weiler, Jeremy Roberts, Tonya Crowe, Kim Lankford, Claudia Lonow, Pat Petersen, Jessica Stone, Terri Hoyos, J. Patrick McCormack, Ralph Meyering Jr., Guy Siner, Stan Abe, Marshall Manesh, William Ontiveros, Jason Clarke, Jeff Corbett, Alexander Folk, Tom Finnegan, Dawn Cody, Chad McKnight, Sergia Sanchez, George Lugg, Bridget Flanery, J.V. Valera.

Filmed in Simi Valley and around southern California by MF Prods.-Roundelay and Warner Bros. TV. Executive producers, Michael Filerman, David Jacobs; producer, Phil Parslow; co-producer, Joel Okmin; director, Bill Corcoran; writers, Ann Marcus, Lisa Seidman, Julie Sayres; based on characters created by David Jacobs; camera, John Fleckenstein; editors, David Campling (part one), Robert Phillis (part two); production designer, James Hulsey; sound, Don H. Matthews; music, Jerrold Immel; casting: Lana B. Norlander.