Although she still loves acting (She taped cameos in Blue Heelers and Good Guys, Bad Guys last year), lately she's been dealing in antiques in and around Melbourne. We caught up with her in her very un-Prisoner like antiques shop.
TVWEEK: When did your interest in
antiques begin?
VAL: When I was 8, I saw a Chinese
ivory fan in a shop and I wanted it desperately. So I whinged and
whinged, and that Christmas my father gave me a plastic fan which he thought
would pacify me. I was outraged! I started buying fans in 1967-68
- the oldest one being from 1730.
TVWEEK: You started out as a fine
arts student. How did you get into theatre and acting?
VAL: That started when I was 5
years old and my mother took me to see an Italian Opera company.
Madame Butterfly was the first opera I saw and when Cio-Cio-San made her
entrance with all those cherry blossoms and that music, all I could think
was I wanted to get on that stage. If I could have been an opera singer,
I'd have been a very happy girl.
TVWEEK: Do you sing?
VAL: No, but I yell in tune!
TVWEEK: Tell us how you met your
present husband, the playwright, Charles Collins?
VAL: We met in 1988 and married
in 89. I met him when I brought in a copy of a play he'd written.
I said "Yeah, this is great except for the first act". So when I
met Charles, I turned up with 32 pages of notes and proceeded to dissect
his baby. He incorporated my ideas, we did the play, saw a lot of
each other and when the Prisoner fan club took me to England, he followed
me.
TVWEEK: Were you in the UK long?
VAL: About 7 years. There
was a theatrical agent at the time who got me the stage role of Annie Wilks
in Misery (Based on the Stephen King novel).
TVWEEK: Talking of "misery" it must
have been hard when the British tabloids went mad over your marriage, with
headlines like "Lock-up lesbian marries toy boy!" So how old is he?
VAL: He's younger than me!
Charles is actually 16 years younger. But you've seen him, does he
look like a toy boy!
TVWEEK: Do you wish you could lay
to rest your Prisoner role?
VAL: Yes I do. I really didn't
think I'd be forever not cast because I had created one very strong character.
TVWEEK: Do you regret doing it?
VAL: Sometimes I regret leaving
the show when I did, but then I think I only missed the money. The reason
I left was that there was no surprises left in the character- I'd learnt
everything I could about her. When I first started doing Prisoner, I was
very excited about it because it was doing wonderful things for actresses.
You know, you rack your brains as to why it was so successful. I
mean, it broke all the rules. It was not formulaic, it was predominantly
women and it wasn't glamorous.
TVWEEK: But it had a huge following...did
you ever have problems with crazy fans?
VAL: Not problems, but I was a
little alarmed once when a man showed me a photo of his bedroom wall covered
in pictures of me. Then there was a lady who got a council grant
to build a solitary cell. Get a life!
TVWEEK: The cast list included two
of your children, is that right?
VAL: Both my daughters Joanne and
Catherine [Isn't it Cassandra?] were in Prisoner. Joanne played Bea's tragic
daughter who dies from a drug overdose and Catherine was a girl Bea met
when she escaped who dobbed her in!
TVWEEK: What did your son Jason
make of it all?
VAL: My son used to make me autograph
lots of pieces of paper, but really he was quite blase. He finally
thought I'd made it when they did a send up of Prisoner in Mad Magazine!
TVWEEK: There are always rumours
of a new production of Prisoner: Cell Block H in Australia, what's the
story?
VAL: All I know is that various
groups were interested but that there were conflicts. One faction
wanted to do the same scripts with different actors, another wanted the
same characters with new scripts and another wanted completely new scripts
and characters, with me as governor! I mean where do you go from
being Bea Smith but up!
[Taken from TV Week magazine - 20th March 1999]
Many thanks to Karris Abrams for
providing the transcript of this interview.