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Superman: Golden Age (Steve Rude), Silver Age (Curt Swan and Murphy Anderson) and Modern Age (Jerry Ordway) - from the DC 1991 Card set

Kal L/El is a "strange visitor" from another world sent to Earth as a child by his parents to spare him the destruction of his home planet. Our environment and yellow sun give him "powers beyond those of mortal men" which he uses to defend "Truth, Justice and the American way". He secretly lives among us as "mild mannered reporter" Clark Kent and uses the costumed identity of Superman, "the Man of Steel" to hide his true identity.

Core Characters

Related Characters

Articles

Discussion: Man and Supermen

Superman is traditionally an outsider, a mysterious benefactor who will use his awesome abilities to defend normal people from the forces of crime and corruption. To comic readers it appeared that Superman may have appeared fully formed in the paged of ACTION COMICS #1, but the archetype is much older.

A number of commentators connected Superman with the figure of Moses - a figure cast adrift who is rescued and is later attributed with miraculous powers. Personally I would be hesitant in connecting a comicbook character with a religious figure, but I think he more clearly relates to the "sun-child" grouping of mythological figures. These are characters who live as mortals, but their parentage is actually devine (i.e. Merlin, Mithras, Hercules). So the archetype of such a character is well established within mythology.

However Superman is a character of science-fiction rather than fantasy or mythology and it important to look for his roots elsewhere. Historically the concept of a "superman" begins in the fiction of the late 19th and early 20th century where writers start postulating on the possibility of something beyond normal men. In 1883 Nietzsche introduces us to the "Ubermensch" - the next stage of human evolution and in 1930 Philip Wylie shows our clearest concept yet of a normal man with extraordinary powers in "The Gladiator."

The true leap that Superman represented was to take the Ubermensch and to transform him into a hero. Most popular heroes had been mortal humans until that point and reached a peak of ability with Lester Dent's Doc Savage (to whom Superman owes a huge debt). What Jerry Siegel and Joe Shuster did was to take Savage to the next level and the "Man of Bronze" became the "Man of Steel". Add in a twist of secret identity from the other Pulp Heroes and you have yourself a pretty good approximation to the early Superman.

Just as Superman was patterned after early characters it was not before long before he become source material for others. The earliest imitator was Wonder Man, but the most enduring was the character of Captain Marvel. Marvel was a much lighter character than Superman and played up more of the mythological connections rather than the science fiction. In 1945 Superman imitated himself when a spin-off character, Superboy, was created based on his earlier adventures.

After the Golden Age of comics a new incarnation of the Superman character had established himself. The original was a silent benevolent loner who was just as much "man" as "superman". However the Silver Age Superman was vastly more powerful and had a clear case of survivors guilt over his origin. It is this Superman that is regarded by most commentators as the classic version. It is also the Superman that spawned a whole series of connected characters including his own descendants, a female version (Supergirl) and alternate realities (numerous what if stories). All of this is best represented by the title SUPERMAN FAMILY which was an anthology that featured Supergirl (female varient), Mr and Mrs Superman (alternate reality), the Private Life of Clark Kent (the secret identity), Jimmy Olsen (the sidekick) and Lois Lane (the love interest).

In 1985 DC did away with all the previous continuity and restarted the character from scratch picking and choosing the best bits from the original Superman and the later Silver Age version. This modern version was to be the pattern for two of the most important additions to Superman mythology in over twenty years. The first was the character Steel, a black adult Superman, and the second was the Kingdom Come mini-series. Steel is important because he pushed the archetype past its white origins and the Kingdom Come Superman was important because he reintroduced a gravitas to the character that had been lacking since the Golden Age.

Recommended Reading

  • THE MAN OF STEEL: 6 issue mini series by John Byrne. The rebirth of Superman from the cold sterile world of Krypton - post crisis style.
  • WORLD'S FINEST 1-3: 1990 miniseries by Dave Gibbons. Beautiful rendition of Superman and Batman in a retro Golden Age style as Lexcorp sets its sights on Gotham City.
  • Soul Search: Parts 1-3 in ACTION COMICS #656, SUPERMAN (second series) #47 and the ADVENTURES OF SUPERMAN #470. Written by Stern, Ordway and Jurgens. Superman battles Blaze for the souls of Jimmy Olsen and Perry White's son with one hell of an ending - especially page 21 in ADVENTURES #470 that shows Luthor as a tragic and lonely figure.
  • ACTION COMICS #585: By Byrne the quintessential Superman and Phantom Stranger story.
  • SUPERMAN (first series) #400: This was a very special four hundredth anniversary issue that was an anthology of small tribute stories by everybody from Ray Bradbury and Will Eisner to Jack Kirby and Frank Miller. My personal favourite is the Frank Miller story where he uses the TV debate style from the DARK KNIGHT RETURNS with a group of future historians looking back on the Adventures of Superman TV show.
  • "Whatever happened to the Man of Tomorrow?": In SUPERMAN (first series) #423 and ACTION COMICS #583 by Alan Moore, Curt Swan, George Perez and Kurt Schaffenberger. The last story of the Silver Age Superman before the MAN OF STEEL reboot. Presented as an imaginary story we witness all of Superman's major enemies ganging up on him including a merged Brainiac/Luthor and a demonic version of Mister Mxyzptlk. One of the best Superman scenes ever has the LSH coming back from the 30th century to say good-bye to a Superman that their history records say will shortly die. They then return home leaving the tragic figure of Superman alone in the Fortress of Solitude.
  • "What's so funny about Truth, Justice and the American Way?" (ACTION COMICS #775) by Joe Kelly. Superman squares off against the Elite, a group of "heroes" patterned after Wildstorm's Authority. At stake is the just who is the most "relevant" hero to the modern age. We haven't see such an edge on Superman for sometime.

Glossary

All, The
Alpha Centurion
Armstrong, Ashbury
Armstrong, Dirk
Atomic Skull
Balducci's Restaurant
Bertron
Bibbo
Birthing Matrix
Bizarro
Black Zero (Krypton)
Bottle City of Kandor
Brainiac
Brubaker, Scott
Centennial Park
Cleric
Clone Rights Movement (Krypton)
Conduit
Constitution, The
Contessa, The
Daily Planet
Daily Star
DNAliens
Dominus
Donovan, Dabney
Draaga
Dubbilex
Edge, Morgan
Fortress of Solitude
Gangbuster
Grant, Catherine "Cat"
Great Purge (Krypton)
Green Death, The
Guardian
Intergang
Jewelled Mountains and Flamebirds
Jor-EL
Kandor (Krypton)
Kem-L
Kent, Jonathan and Martha
Kismet
Krypton: Bibliography
Krypton: Glossary
Kryptonian Clone War, The
Kryptonian Criminals
Kryptonite, Green
Kryptonite, Red
Kryptonium
Lane, Lois Joanne
Lang, Lana Elizabeth
Lara
LexCom
Lori Lemaris
Lucy Lane
Maggie Sawyer
Mannheim, Ugly
Metallo
Metropolis: Glossary
Millennium Giants
Misa
Mister Z
Mongul I
Mongul II
Newsboy Legion
Newstime
Nyra
Olsen, James "Jimmy" Bartholomew
Outburst
Parasite
Phantom Zone
Pocket Universe, The
Professor Emil Hamilton
Professor Emmett Vale
Radiant and Calaton
Ran-Z
Rao and Raoism
Register of Citizens
Ron Troupe
Ross, Peter "Pete" Joseph
Ruby Carson
S.T.A.R. Labs
Scorn
Sen-M and Syra
Seyg-El
Simone DeNeige
Sons of Liberty
Special Crimes Unit
Strange Visitor
Suicide Slum
Superman: Abilities and Equipment
Superman: Bibliography
Superman: Biography/Profile
Superman: Glossary
Superman Robots
Supermen of America
Team Luthor
Thaddeus Killgrave
Thorn II
Tolos
Torquasm-Vao
Toyman
Turpin, Dan
U.L.T.R.A Humanite
Van-L
Warsuits
Warworld
Westfield, Paul
White, Perry Jerome
Zon-Em

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The Captain's Unofficial JLA Homepage X. December 2000. WEBMASTER: Jason Kirk (jmkprime@yahoo.co.uk). The Justice League, the Justice Society, related icons and images are copyright DC Comics or their original creators/artists and are used without permission. This site is non-profit making and in no way exists to defraud the original artist/writers/owners of the discussed material - it is a work in homage and it is hoped that it is seen as such. Displayed on a reusable monitor.