 Legend: In Legend, an ambitious and lavish fantasy
epic directed by Ridley Scott, Tom Cruise battles the
Lord of Darkness. It's a classic struggle between the
forces of good and evil, with plenty of unicorns,
wizards, sorcery, and swordplay thrown in, topped off
with an ethereal soundtrack by Tangerine Dream. VHS
(Really over rated, Sheeeesh!) |
 Willow: This movie is just great! George Lucus
takes a wack at a movie from his fantasy stories. If you
enjoy fantasy, you'll love it! The acting is well done,
with a marvelous performance by all people. The music
from this movie, by James Horner is also deserves
creadit. A wonderfully imaginative story with a fully
developed and believable plot. |
 (1981) Dragonslayer: When I first saw this movie as a
younger, I hated it. What I thought was slow and plodding
filler between scenes with the dragon turned out to be
(as I see as an adult) very interesting episodes putting
these naieve characters into the position of people going
after the last--and more bitter than ever--dragon on
earth. The dragon is by far the most visually stunning
one ever rendered on film (much better and more terrible
than the one with Sean Connery's voice). On the whole, I
watch it when I am sick at home and don't want to move
from the couch. It's a great romp, full of interesting
visuals, humor, and even a small dose of social
commentary. |
(1982) Mazes and Monsters: For a group of college friends
playing a popular fantasy game, the fine line between
fantasy and reality has become hopelessly distorted. The
game has become a nightmare. Made for television. AKA
"Rona Jaffe's Mazes & Monsters" and
"Dungeons and Dragons." I remember watching
this movie many years ago the person who wrote the script
was clearly trying to say Dungeon& Dragons is a very
dangerous game. It is not. Their are no risks in playing
the game if your not a nut case. I played D&D for
about seven years and im perfectly fine and so are the
people I played with. As far as the acting in the movie
is it medocre besides Tom Hanks which even he didnt do so
well. |
NR (1998)
Teen Knight: Kristopher Lemche, who plays the
lead character Peter. The only word to describe their
come backs is Sacrasm. Great computer effects of dragons
and flying actors. |
(1987) The Juniper Tree: Two daughters of a witch flee
across medieval Ireland when their mother is burned at
the stake. The elder daughter casts a spell on a handsome
widower, but the ghost of the man's mother attempts to
prevent the ill-starred romance. Based on a tale by the
Brothers Grimm. The film's star Bjork is the child rock
phenomenon whose solo albums sold nearly a million
copies. |
 (1985) Ladyhawke: Ladyhawke is an elegant fantasy that
features good production values, a decent cast, and
appealing characters. A haunting adventure fantasy about
a pair of cursed lovers who are transformed into animal
shapes during alternate periods of the day. Broderick,
who provides comic relief, is appealing as the couple's
young friend, and ultimately, their rescuer. |
 The Princess Bride: Two separated lovers, an ambitious
prince, a conniving henchman, a vengeance-seeking
Spaniard, a misunderstood giant, the mysterious Dread
Pirate Roberts and rats of unusual size mark this fairy
tale story. An excellent film adaptation of the novel by
William Goldman told with charm and wit. Academy Award
Nominations: Best Song ("Storybook Love"). |
 (1988) Gor: Modern-day New England college professor
Tarl Cabot has become unstuck in time. A magical ring has
transported him to Gor, a fantastical, faraway world so
violent, so barbaric, a man is judged by how brutally he
can kill. Sequel is titled "Outlaw of
Gor". |
 (1987) Outlaw of Gor: n this sequel to "Gor,"
a mild mannered college professor is once again
transported to the savage world of Gor. This time it is
to take on the king's evil wife, who covets his throne
and plans to usurp it by violence. For Special Tastes,
you really need to read the Gor series in order to get
the most from it... this isnt the best of the series but
it is good... future books will refer to things in this
book so its worth reading. |
(1985) Wizards of the Lost Kingdom: A young magician, on his perilous
quest to regain his lost kingdom, challenges the dark
power of the realm's most feared evil sorcerer with the
help of a great warrior. Oh yeah, and it's amazing that a
kid's movie has brief shot of nudity in it and is rated
PG. |
 (1989) Wizards of the Lost Kingdom 2: In this magic-filled adventure, a
trio of heroes teach a boy wizard the martial arts and
other tricks in preparation for his battles with evil
sorcerers. |
 (1995) Mortal Kombat - The Movie: This film adaptation of the
wildly popular video game comes complete with dazzling
special effects and plenty of martial arts action. The
plot revolves around a tournament that pits evil against
good. The sinister team, led by the vile sorcerer Shang
Tsung, includes the ice-wielding Sub-Zero, the hell
specter bugman Scorpion, the serpent-like Reptile, and
the gigantic, four-armed, muscle-bound half dragon mutant
Goro, Prince of the Subtrainian race of Shoakan. The good
guys are led by the thundergod Rayden, who uses
electricity as often as permited. His pupils include
martial arts expert Liu Kang, vain movie star and karate
expert Johnny Cage, and Sonya Blade, a task-force
commando who KNOWS how to kick some butt. Adding to the
tension is the fact that whichever team wins 10 Kombat
tournaments in a row will rule the Earth. And Shang
Tsung's demonic team has won the last nine. |

(1997) Mortal Kombat - Annihilation: This is a nice action movie which
is completely outrageous and interesting with actors like
the mileena one which in reality,is a taekwondo fighter
as mentioned in black belt magazine and where it is said
that this movie is one of the best action movies ever
created,a good title which is sure to please every mortal
kombat fan. Many were angery with the short appearence of
Sub-zero, the early deaths, and the non appearence of the
3rd cyborg Sector. But the short Subzero seen makes me
think that the next movie, he'll be the star in killing
Quan-chi, as in his vidio game MK: Mythologies:
Subzero... |
 (1983) Krull: Overly familiar story elements and
plodding treatment keep this traditional fantasy quest
from going anywhere, despite its elaborate trappings.
Marshall is the young hero who must recover a magic
ornament to save damsel and kingdom. |
 (1996) Wizards of the Demon Sword: In this medieval fantasy
adventure a group of warriors vie for control of the
Demon Sword. Whomever controls the sword controls
all. |
 (1991) Hook: Steven Spielberg's deeply flawed but
sporadically fun and moving update of the Peter Pan
legend stars Robin Williams as the grown-up Pan, a
corporate-takeover type who must embrace his old identity
in order to save his kids from Captain Hook (Dustin
Hoffman). The stars put on a good show, including
Hoffman's read of Hook's hysterical personality, Julia
Roberts mini-turn as a tiny Tinker Bell, and Maggie
Smith's touching performance as the aged Wendy. The
visual contrast between the adult Pan's bustling outside
world and the insulated fantasy of Neverland is striking,
but Spielberg's ideas about the Lost Boys--politically
correct in their ethnic diversity, energetic on
skateboards--are contrived and cheapening. On the plus
side, the story's theme about adults finding their
innocence again through their children is very touching
(though some people have found it cloying). If you can
look beyond the glaring problems, there's plenty to like
here. |
 (1990) The Witches: For thoses that read the book,
you'll know young Luke and his grandmother, on vacation
in England, have just checked into a hotel. Also in the
premises is the Royal Society for the Prevention of
Cruelty to Children, a false moniker that hides the fact
that the organization's members are really evil-minded,
wig-wearing, child-hating witches! And they have all
gathered to discuss a most fiendish plot: to turn all
children into mice, by feeding them a drop of a potion in
chocolate bars. Luke overhears the heinous plans, but
unfortunately they capture him and turn him into a mouse.
Unlucky Luke must scurry back up to his room -- without
getting killed -- and alert his grandmother of the
witches' intentions, before it's too late. Then, the
neophyte rodent must find a way to become human
again... |
 (1973) Fantastic Planet: Fantastic Planet was definitely
ahead of its time when it was created. The musical score
is riveting. The creativity of the scenery and life in
the film is breathtaking. Dealing with the universal
issue of prejudice the film shows that all life has its
hierarchy, and prejudice is possible anywhere. A
beautifully composed animated film which is more geared
for adults than children.Timeless in its answer to
solving hatred among different cultures. |
 (1975) Monty Python and the Holy Grail: If someone can "answer me
these questions three" I will count them among
friends. It took at least 100 watchings of this movie to
actually hear or see it all. I have a downloaded version
of the script, I own the movie and perched on my bookcase
are two halves of a coconut and I STILL watch the movie
again every six months or so when my soul needs a lift.
My teenage nephews are now hooked and own their own
copies. I've met people who know the "RUN AWAY--RUN
AWAY" lines from the killer rabbit scene and have
never even heard of the movie. The quotes from the movie
have become part of a sub-culture language where the only
answer to "what's the air speed velocity of and
un-laden swallow" is "african or european"
and someone yelling "arggggh!" as they fly into
the pit of eternal peril. A MUST watch! |
 (1981) Clash of the Titans: Juvenile fantasy-adventure based
on Greek mythology. Olivier is Zeus, and Hamlin is his
mortal son Perseus, who must face a variety of awesome
challenges in pursuit of his destiny. Long and episodic,
with some fine elements (the taming of Pegasus, the
threat of Medusa--who can turn men into stone with one
glance), but not enough guts or vigor. As is, mainly for
kids. Special effects by Ray Harryhausen. |

(1985) Flesh and Blood: Flesh + Blood aka The Rose and
the Sword. This film is Out of Print and Hard to Find!
This 1985 film was directed by Paul Verhoeven (Soldier of
Orange, Robocop, Basic Instinct). It stars Ruger Hauer
and a young Jennifer Jason Leigh. Set in medieval Europe
when valiant knights battle for love and honor, this is
the adventurous story of two men - a mercenary soldier
and the son of a feudal lord - and their love for the
same woman. The film contains both sexual and violent
content. |
 (1963) Jason and the Argonauts: Greek mythology comes to life in
this exciting film adaptation of the story of Jason's
quest for the Golden Fleece. Adventure fantasy film based
on the Greek mythic legend of Jason's quest for the
Golden Fleece. To achieve his goal, Jason must navigate
his ship, the Argo, past an array of mythological
obstacles. Ray Harryhausen's special effects in this
picture are legendary, especially a sword fight between
three live actors and seven skeletons. Loosely based on
the Argonautica of Apollonius of Rhodes (c. 250 B.C.)
Laser version features interview with Ray Harryhausen. |
(1961) The Magic Sword: Entertaining, often
(unintentionally) hilarious adventure. Young knight
Lockwood sets out to rescue beautiful princess Helm,
who's been kidnapped by evil sorcerer Rathbone. In their
better moments, Lockwood and Helm seem like refugees from
a Beach Party movie; Rathbone and Winwood offer knowingly
hammy performances. |
 (1939) The Wizard of Oz: Ok, before you mubble about how
much of a pansy I am, in my own defense, this movie
inspired adventure ideas like the flying monkey sceen and
stuff. This edition of The Wizard of Oz is the digitally
remastered print that played in theaters for the film's
60th anniversary. Young Dorothy Gale (Judy Garland), her
dog, Toto, and her three companions on the Yellow Brick
Road to Oz--the Tin Man (Jack Haley), the Cowardly Lion
(Bert Lahr), and the Scarecrow (Ray Bolger)--have become
pop-culture icons and central figures in the legacy of
fantasy for children. As the Wicked Witch who covets
Dorothy's enchanted ruby slippers, Margaret Hamilton has
had the singular honor of scaring the wits out of
children for more than six decades. |
 (1985) Return to Oz: The 1939 classic musical is so
beloved that it's almost impossible to imagine seeing
Dorothy in shock therapy, a crumbled yellow brick road,
the ruins of Emerald City, and the Tin Man turned into
stone. But L. Frank Baum, the author of the original Oz
books, portrayed just that with his continuing stories of
Dorothy. When you get by these tough facts, the film
version is solid entertainment for the over-7. Dorothy is
back in Kansas, where Aunt Em is at the end of her rope.
Her niece is not sleeping and going on about a place
called Oz. Therapy may be the answer, but luckily the
scary clinic goes dark before Dorothy can be, er, cured.
She wakes up in the land of Oz, now in tatters, and
searches for its king, the Scarecrow. A new set of
friends, including a tin soldier, a talking chicken, and
a pumpkin man. |
(1920) The Golem: Chilling, visually dazzling story of the
supernatural, based on a famous Jewish folktale of the
16th century. Rudolph of Hapsburg has exiled the Jews,
blaming them for a plague; a rabbi conjures up a golem (a
clay monster, played by Wegener) in order to convince the
king to repeal the edict. This classic of German
Expressionist cinema is also a forerunner of
FRANKENSTEIN, from the way the golem is brought to life
to his attraction to a child. The sets were designed by
famed architect Hans Poelzig. |
 (1995) Braveheart: Not fantasy but that's why its good. Big,
booming, epic tale of 13th-century Scottish rebel warrior
William Wallace, who builds a grass-roots resistance to
the tyranny of English King Edward I (McGoohan). Manages
to tell a gripping personal story that grows in scale
through a series of eye-popping (and bloody) battle
scenes. Only the denouement starts to drag. A powerful,
passionate film about a powerful, passionate man. Sad
ending but some true stories are like that. |
[NR]
(1998) Merlin: It was Queen Mab who cast a spell which
tore Merlin's love away from him, not Rutger Hauer's
character. I like this movie. I sat through the whole
movie. This movie has it all. A great family movie
without any swearing or sex. Amazing. More of the same,
as more like a censored version of this movie to the
right. --> |
 (1981) Excalibur: Blood and nudity. John Boorman brings the
timeless legend of King Arthur to the screen in visually
sumptuous style. An epic tale steeped in magic,
"Excalibur" chronicles the life of King Arthur
beginning with his birth and ending with his climactic
battle with his illegitimate son, the evil Mordred.
Filmed in the Irish countryside with beautiful visual
effects, director Boorman's grim and realistic telling of
the Arthurian legend effectively uses Wagner and
"Carmina Burana" in its musical score. Academy
Award Nominations: Best Cinematography. |
 (1996) Gulliver's Travels: It is really a fantastic movie...
Why? because I saw this movie more than 5 times, when I
saw it the last time I went out of my house and I started
looking at the moon and I staired at the sky for a long
time waiting for the flying island of laputa to pass next
to the moon in that cool night... Any way... I had a veg
memory of the story before I watched it and kept get
da-sa-vo feelings every second of the movie. |

(1997) The Odyssey: This lavish small-screen
adaptation of Homer's ancient epic--replete with exotic
Maltese and Turkish locations, state-of-the-art special
effects, and many bronzed muscles gleaming with
sweat--chronicles the voyage home of a Trojan hero,
Odysseus, and includes many more scenes of his faithful,
beautiful wife dodging leering suitors at home than Homer
ever composed. |

(1991) Robin Hood: Prince of Thieves: A Robin Hood for the '90s, light
years removed from the romantic vision of Errol Flynn...
but this gritty, pumped-up version can stand on its own,
if you're willing to stick with it through a lumpy first
hour. Rough, tough, and rousing at times, with Rickman's
off-the-wall approach to the Sheriff of Nottingham a real
surprise. The adventures of Robin Hood after his return
from the Crusades. With an indebted Moor by his side,
Robin sets out to avenge his father's death and to save
the peasants of Nottingham from their crafty, cunning
sheriff. And save his love, Maid Maryan, from the tyrant,
Prince John who is a blood thursty, son of a witch (no...
really). |

(1995) First Knight: Lancelot's point of view. For
anyone who knows about the Arthurian Legend, the movie
'Excalibur' is far and away the best, even though it has
its' own flaws. Still, it has many wondrous moments that
'First Knight' lacks. First Knight seems to almost
entirly disregard the legend of the Grail, Lady of the
Lake and anything else that maked this legend so special.
Never the you can watch and consider that this might be
how it might have really been. |

(1996) Dragonheart: EFFECTS, EFFECTS, EFFECTS this
movie is one of the best special effects movie's ever
made. Though through all these effects there is a story
of nobility and honour. Dennis Quaid does one of his
greatest performances as the noble knight Bowen. When his
pupil becomes a ruthless king, Bowen befriends a dragon
(voiced by Sean Connery).. This movie tells a beautiful
story of post - King authur era. The ending is beautiful
captured and Connery portrays Draco in such a momentous
way that we are drawn into it, while catching our breath
through the special effects. |
 (2000) Dragonheart: A New Beginning: Violence is taken down several
notches, and though the concept of a knight and his
friendly dragon return, they are both much younger
versions. The opening does little to explain the dragon's
egg which brings about the birth of Drake, the new dragon
of the film, but it doesn't really need to. However, the
movie offers some wrinkles and surprises that make things
interesting. The ending was particularly satisfying. The
swordfights run from poor to fairly well done, and now
East meets West as martial arts comes into the picture.
Drake does not look nearly so good as Draco, but you
can't expect anything more from a straight to video
follow-up. However, this is not to say the visuals do not
do their job, and are better than expected. |
[NR]
(2000) Dune: this Dune is a sumptuous treat for
the eyes, with sets and costumes that were conceived with
no apparent limits of budget or creativity. In terms of
architecture alone, this is one of the most impressive
films in science fiction history. And although the
special effects fall short of feature-film quality,
writer-director Harrison (who rose from an extensive
background in TV) admirably tames the sprawling narrative
that pits the opposing houses of Atreides and Harkonnen
in a struggle to control the lucrative market for the
spice melange. This is as accurate as any Dune
adaptation is likely to get (i.e., there's no need for
another attempt), and even then, it can be tricky to keep
track of who's doing what to whom. Unfortunately, the
film's biggest flaws are the casting of a nearly comatose
William Hurt as Duke Leto, and a wooden Alec Newman as
the messiah-to-be, Paul Atreides. These are regrettable
shortcomings, but this Dune remains altogether
respectable.
|
 (1997) Kull the Conqueror: Sorbo, star of TV's
"Hercules - The Legendary Journeys," assays the
title role in this wry silver-screen adaptation of pulp
king Robert E. Howard's tale of a sword-swinging warrior
cleaning up corruption in the mythical kingdom of
Valusia. His mission wins him enemies among the nobles,
who plot his death and entrap him in a marriage to a
vicious 3,000-year-sorceress. Kull begins a life-or-death
quest to capture the Breath of Valka and bring peace and
justice to Valusia--and capture the heart of a beautiful
slave girl. |