While my class is enjoying "High Noon" by blacklisted author Carl Foreman, it is impossible to teach the screenplay unless students understand the times in which it was written, and the subtext hidden deep within a film that looks like "a western."

Foreman alluded bitterly to the Blacklist in this film, a study of a man forced to stand up against evil, a man alone, rejected by cowardly friends and neighbors.  John Wayne, a staunch supporter of the Hollywood Blacklist, was infuriated by this film, so he made "Rio Bravo," a film antithesis to "High Noon," in which the hero does not want the help of unprofessionals.  Wayne  liked this idea so much, it made virtually the same film two more times, "El Dorado," and "Rio Lobo."

Among other screenplays by Carl Foreman is "The Bridge on the River Kwai," one of the greatest anti-war films ever made.  Screen credit for the script of this masterpiece went to the author of the original novel, Pierre Boulle, a man who did not write in English.  Authors such as Carl Foreman and Dalton Trumbo were Blacklisted by the House Unamerican Activities Committee.
Led by Senator Joseph McCarthy, and his associates, Roy Cohn and Richard Nixon, HUAC, declared certain people Communists and Fellow Travelers, and insisted that they were enemies of the United States.

This was far more complicated that one might imagine.  If one supported the cause of our Russian allies during World War II, one could be considered a Communist Sympathizer during the Cold War.  This was especially true of Americans such as Charlie Chaplin who supported programs to help the oppressed Russian Jews.

A second problem was the loyalty oath.  For many jobs, including teaching, people had to sign a loyalty oath which said they "were not now and never have been members of the Communist Party."  During  the depression, when the government had failed its people, many, especially students, looked idealistically to alternate forms of government.  Although these students were quickly disillusioned, anyone who had signed a loyalty oath had committed perjury.  The innocent were suspected when they were forced to take the Fifth Amendment.

There are many good sites on the internet with far more detailed information than I could ever supply.  Please visit them to learn more:
 
Hollywood Blacklist
by Dan Georgakas
 

Blacklist: A Different look at the 1947 HUAC Hearings
by Michael Mills, 1997

Hollywood Edits Out its Communist Past
by K.L. Billingsley

A Defense of the Blacklist

McCarthy/Nixon Multimedia

Why Arthur Miller Wrote the Crucible

Seeing Red:
Transcript of TV interview with Burt Lancaster, others

The Blacklisting of Hollywood's Talent
 
LITERATURE AND CULTURE OF THE FIFTIES  
A Terrific Site!!!!


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