Byrds, The
Band members Related acts
- Skip Battin -- vocals, bass, keyboards (replaced John York)
(1970-72 ) and 73) harmonica (1969-72) (replaced David Crosby) (1967- 72) Gram Parsons (1968-72) (1969-70)
|
- Skip Battin (solo efforts)
- McGuinn,
Clark & Hillman
|
Genre: rock Rating: ***** (5 stars) Title: The Notorious Byrd Brothers Company: Columbia Catalog: CS-9575 Year: 1968 Country/State: US Grade (cover/record): VG/VG Comments: initials 'RHEG" on front cover (top right corner) Available: 1 GEMM catalog ID: 4702 Price: $15.00
|
In hindsight it's amazing that this record ever came out, let alone stands as one of The Byrd's creative highlights.
The recording sessions for 1968's "The Notorious Byrd Brothers" were apparently quite trying with David Crosby's growing unhappiness with the rest of the band including his frustration with the band's refusal to record some of his new material (including the song 'Triad'), leading to his decision to call it quits early in the recording sessions (though the resulting album includes quite a bit of Crosby material). Gene Clark was brought in as a replacement though he quickly decided the return was a mistake and left before recording any material. Things turned ever uglier when drummer Mike Clarke quit half way through the album, forcing McGuinn and Hillman to bring in sessions drummer Jim Gordon to finish up.
Against this backdrop, producer Gary Usher and the band somehow managed to cobble together a set that encompasses the best of their patented jangle-rock attack ('Goin' Back') with nods to country-rock ('Old John Robertson''), jazz ('Tribal Gathering') and touches of psych and outright experimentation. Tracks such as Hillman's 'Natural Harmony', 'I Wasn't Born To Follow' and 'Change Is Now' actually combined all of these elements into one interesting aural stew. There were plenty of highlights, including the pair of Gerry Goffin and Carole King covers ('Goin' Back' and 'I Wasn't Born To Follow)', the anti-Vietnam themed 'Draft Morning' and the drug-themed 'Artificial Energy'. Full of cutting edge experimentation (courtesy of producer Usher), the set was full of intriguing horn arrangements, phasing effects, early Moog synthesizers and then-bizarre guitar effects (check out McGuinn's work on 'Dolphins Smile' or the goofy Arthur C. Clarke inspired sci-fi number 'Space Odyssey'). In fact, with one or two minor exceptions ('Old John Robertson' comes to mind), every one of the eleven tracks is worth hearing. Simply a classic 1960s rock album that lots of folks have overlooked !!!
"The Notorious Byrd Brothers" track listing: 1.) Artificial Energy (Mike Clarke - Chris Hillman - Roger McGuinn) - 2:18 2.) Goin' Back (Gerry Goffin - Carole King) - 3:26 3.) Natural Harmony (Chris Hillman) - 2:11 4.) Draft Morning (David Crosby - Chris Hillman - Roger McGuinn) - 2:42 5.) Wasn't Born To Follow (Gerry Goffin - Carole King) - 2:04
6.) Get To You (Chris Hillman -
Roger McGuinn) - 2:39 (side 2) 1.) Change Is Now (Chris Hillman - Roger McGuinn) - 3:21 2.) Old John Robertson (Chris Hillman - Roger McGuinn) - 1:49 3.) Tribal Gathering (David Crosby - Chris Hillman) - 2:03 4.) Dolphins Smile (David Crosby - Chris Hillman - Roger McGuinn) - 2:00 5.) Space Odyssey (Hippard - Roger McGuinn) - 3:52
|
Genre: country-rock Rating: *** (3 stars) Title: Sweetheart of the Rodeo Company: Columbia Catalog: CS 9670 Year: 1969 Country/State: US Grade (cover/record): VG/VG Comments: -- Available: 1 GEMM catalog ID: Price: $8.00
|
Gene Clark and Chris Hillman had long been country music enthusiasts and even the most casual fans would have to admit the genre always played an important role in the development of the band's unique sound. That said, up to 1969 the group had avoided a dedicated effort to explore their country roots/interests. That changed with the addition of former International Submarine Band singer/guitarist Gram Parsons to the line up.
Recorded in Nashville with Gary Usher again producing, release of
"Sweetheart of the Rodeo" was delayed several months when Lee Hazelwood's L.H.I. label threatened Columbia with a
lawsuit. Claiming Parsons was still under contract to L.H.I., the label demanded Parsons voice be deleted from any Byrds material (though he was allowed to furnish new material). Rather than fight the matter, The Byrds went back into the
studio with Hillman and McGuinn taking turns dubbing their voices over the Parsons-sung tracks. Musically material such as the traditional "I Am a Pilgrim", a cover of Bob Dylan's "You Ain't Going Nowhere" and Parson's "One Hundred Years from Now" featured a pure country sound. Perhaps not a major surprise, while Hillman sounded thrilled to be singing material dear to their heart, on tracks such as "The Christian Life" and "Pretty Boy Floyd" McGuinn sounded rather tentative and uncomfortable. Moreover, while there was no denying the band's enthusiasm and passion for the genre, the set left longtime rock fans confused. Still, backed by an American tour and positive critical reviews the collection hit #77. Not bad, but far below earlier sales. (Naturally, three decades later the set's an acknowledged groundbreaking classic.) The results ignited another round of personnel changes: Hillman, Kleinow and Parsons defecting to pursue their interests in country music and to start The Flying Burrito Brothers (see separate entry).
1.) You Ain't Going Nowhere (Bob Dylan) - (side 2) 1.) Pretty Boy Floyd
(Woody Guthrie) -
|
Genre: rock Rating: *** (3 stars) Title: Untitled Company: Columbia Catalog: G 38127 Year: 1970 Country/State: US Grade (cover/record): VG / VG Comments: gatefold sleeve; double LP Available: 1 GEMM catalog ID: 3 Price: $15.00
|
1970's Jim Dickinson (live sides) and Terry Melcher (studio material) produced "Untitled" is one of those albums I pull out and play every couple of months when I need a blast of classic folk-rock. Interestingly, my opinion continually changes as to whether I like the concert sides or the studio material better.
Following the release of "Easy Rider" Roger McGuinn had begun a collaboration with clinical psychologist/musical producer Jacques Levy on a country-rock concept set (tentatively entitled "Gene Tryp"). The project was eventually abandoned, though McGuinn salvaged several of the songs for "Untitled". In the meantime having finally settled down into a fairly stable line up consisting of bassist Skip Battin, Roger McGuinn, drummer/multi-instrumentalist Gene Parsons and singer/guitarist Clarence White, McGuinn and Columbia Records decided to release a double LP set featuring a mixture of live material and new studio numbers (including some of the "Gene Tryp" numbers.
Kicked along by White's country tinged guitar flourishes the band's country-rock influences were quite apparent on tracks like the instrumental 'Nashville West', the oldies 'Mr. Tambourine Man' and 'Mr. Spaceman', but the overall sound was muddy, but surprisingly muscular. Showcasing a positively ominous sound and McGuinn's instantly recognizable Rickenbacher, The Byrds seldom rocked out harder than on the opener 'Lover of the Bayou', 'So You Want To Be a Rock 'n Roll Star' may have been harmony starved, but had a nice taunt edge, while their side long 'Eight Miles High' jam showcased some excellent guitar work, though clocking in at 16 minutes it quickly generated into mindless excess (do you really need to hear five minutes of a Skip Battin bass solo?). Interestingly, with the exception of McGuinn's 'Chestnut Mare' the studio sides were largely slammed by critics. Personally I like their country-rock outings. Sure, 'Chestnut Mare' was the last classic Byrds tune, but their Little Feat over 'Truck Stop Girl' (with White handling the lead vocal), 'Just a Season' (one of McGuinn's prettiest songs) and 'All Things' (the latter another "Gene Tryp" recovery project) were all enjoyable. For a double album set the collection certainly sold well,. eventually going top-40 while the single 'Chestnut Mare' b/w 'Just a Season' (Columbia catalog number 4-45259) also did well.
"Untitled" track listing: 1.) Lover of the Bayou (Roger McGuinn - Jacques Levy) - 3:40 2.) Positively 4th Street (Bob Dylan) - 2:03 3.) Nashville West (instrumental) (Graham Parsons - Clarence White) - 2:00 4.) So You Want To Be a Rock 'n Roll Star (Chris Hillman - Roger McGuinn) - 2:37 5.) Mr. Tambourine Man (Bob Dylan) - 2:18 6.) Mr. Spaceman (Roger McGuinn) - 3:11
(side 2) 1.) Eight Miles High (Roger McGuinn - David Crosby - Gene Clark) - 16:15
(side 3) 1.) Chestnut Mare (Roger McGuinn - Jacques Levy) - 5:10 2.) Truck Stop Girl (Lowell George - Bill Payne) - 3:19 3.) All Things (Roger McGuinn - Jacques Levy) - 3:05 4.) Yesterday's Train (Gene Parsons - Skip Battin) - 3:32 5.) Hungry Planet (Skip Battin - Kim Foley - Roger McGuinn) - 5:00
(side 4) 1.) Just a Season (Roger McGuinn - Jacques Levy) - 3:54 2.) Take a Whiff (On Me) (arranged Clarence White - Roger McGuinn) - 3:28 3.) You All Look Alike (Skip Battin - Kim Foley) - 3:04 4.) Well Come Back Home (Skip Battin) - 7:45
|
Genre: rock Rating: *** (3 stars) Title: Byrdmaniax Company: Columbia Catalog: KC 30640 Year: 1971 Country/State: US Grade (cover/record): VG/VG Comments: minor ring, edge and corner wear; gatefold sleeve Available: 1 GEMM catalog ID: not listed yet Price: $8.00
|
Co-produced by Terry Melcher and Chris Hinshaw, 1971's
"Byrdmaniax" found the band (now including Jimi Seiter on drums), continuing to cast around for musical
cohesion and direction. With creative mainstay Roger McGuinn contributing four tracks the remaining selections were divided between three covers (one track from former member
Gram Parsons and three from Skip Battin (all three co-written with Kim Fowley)). Musically diverse, the set included stabs at gospel ("Glory Glory"), C&W ballads ("Pale Blue"), Dylan-styled ballads (check out the uncanny resemblance on "Tunnel of Love") and even '30s-cabaret ("Citizen Kane"). While the entire set was listenable, it was seldom truly exciting. Best of the lot were McGuinn's "I Trust" and an early cover of Jackson Browne's "Jamaica Say You Will". Absent an American supporting tour (the band briefly toured England), or a hit single the collection peaked at #64. The LP was also notable for sporting one of the year's most memorable covers - the inner sleeve showed how they did it. (The collection was originally released with a gatefold sleeve.)
1.) Glory, Glory (A. Reynolds) - 4:03 (side 2) 1.) Absolute Happiness (Skip Battin - Kim Fowley) - 2:36
|
Genre: rock Rating: **** (4 stars) Title: Sanctuary Company: Sundazed Catalog: LP-5061 Year: 2000 Country/State: US Grade (cover/record): VG/VG Comments: -- Available: 1 GEMM catalog ID: Price: $8.00
|
I'm not going to even get into the details of this one. The first of a planned multi-set program, 2000's "Sancutary" is a must-own for anyone who calls themselves a Byrds fan. Full of original singles, alternate takes and a couple of previously unreleased efforts, this is classic Byrds from start to finish. Excellent liner notes to boot.
"Sanctuary" track listing: 1.) All I Really Want To Do (Bob Dylan) - 2:02 (single version) 2.) I'll Feel A Whole Lot Better (alternate version) (Gene Clark) - 2:28 3. You Won't Have To Cry (alternate version) (Gene Clark - Roger McGuinn) - 2:07 4.) It's No Use (alternate version) (Gene Clark - Roger McGuinn) - 2:24 5. She Don't Care About Time (version 1) (Gene Clark) - 2:36 6. It's All Over Now, Baby Blue (version 1) (Bob Dylan) - 3:04
7. The World Turns All Around Her (alternate
mix) (Gene Clark) - 2:12 (side 2) 1.) The Day Walk (Gene Clark) - 3:00 2.) Why (alternate version) Roger McGuinn - David Crosby) - 2:40 3.) John Riley (instrumental version) (instrumental) (traditional) - 3:10 4.) Psychodrama City (David Crosby) - 3:23 5.) Mind Gardens (alternate version) (David Crosby) - 3:14 6.) Lady Friend (David Crosby) - 2:31 7.). Old John Robertson (single version) (Roger McGuinn - Chris Hillman) - 1:05
|
Back to Bad Cat homepage/search