H.P. Lovecraft
Band members Related acts
- George Agosto -- percussion (1975) - Frank Bartoli
-- bass (replaced by Tom Skidmore) (1967) Jerry
McGeorge) (1968) (1967-68) - Kal David -- lead guitar (1967) (1969-70) - George Edwards (aka Charles Ethan Kenning) -- vocals, bass, guitar
(replaced Tom Skidmore) (1967-68, 69-70) (1969-70) (1967-68 + 75) Fred
Pappalardo) (1967-68, 69-70 and
75) (1975)
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- Aorta (Jim Dolinger and Michael Been)
- Michael Been (solo efforts) - The Call (Michael Been) - Jim Dolinger (solo efforts) - George Edwards
(solo efforts) - The Fabulous Rhinestones (Marty Grebb) - High Energy (LaLomie Washburn) - David Miotke
(David Michaels) (solo efforts) Fred
Pappalardo) - The Village Singers (George Edwards) - LaLomie Washburn (solo efforts) |
Genre: psych Rating: **** (4 stars) Title: H.P. Lovecraft Company: Phillips Catalog: PHS 600 252 Country/State: Chicago, Illinois Year: 1967 Grade (cover/record): VG / VG Comments: ring wear Available: 1 GEMM Catalog ID: not yet listed Price: $60.00 |
An exceptionally talented band, it's hard to
understand how Chicago's H.P. Lovecraft (the name came from their manager's
dog who was in turn named after the famed 1920s' horror/fantasy writer
Howard Phillips Lovecraft), didn't become a major mid-1960s' act.
- 1966's 'Norwegian Wood' b/w 'Never Mind, I'm Freezing (Dunwich catalog number 45-117)
Paying his bills working for Dunwich as a sessions vocalist, Edwards somehow managed to convince company executives to let him form a band and take another stab at recording material. Teaming up with singer/keyboardist Dave Michaels, the duo "borrowed" bassist Frank Bartoli, guitarist Kal David and drummer Fred Pappalardo (all members of The Rovin Kind), to record their debut single 'Anyway That You Want Me' b/w 'It's All Over For You' (Philips catalog number 40464-). While the single failed to chart it generated considerable media interest allowing Edwards and Michaels to recruit a full time band, consisting of guitarist Tony Cavallari, bassist Tom Skidmore (quickly replaced by former Shadows of the Knight alumnus Jerry McGeorge) and drummer Michael Tegza.
left to right: Jerry McGeorge - George Edwards - Michael Tegza - Tony Cavallari and Dave Michaels
- 1967's 'Wayfaring Stranger' b/w 'Time Machine' (Philips catalog number 40491) - 1967's 'White Ship Part 1' b/w 'White Ship part 2' (Philips catalog number 40506)
Inexplicably, in the midst of the summer of love
the album bombed. 1.) Wayfaring Stranger
(George Edwards) - 2:35 (side 2) 1.) White Ship
(Tony Cavallari - George Edwards - Dave Michaels) - 6:37
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Genre: psych Rating: **** (4 stars) Title: H.P. Lovecraft II Company: Philips Catalog: PHS 600 279 Country/State: Chicago, Illinois Year: 1968 Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 2 GEMM Catalog ID: not yet listed Price: $50.00
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Following a move to Southern California which saw bassist Jerry McGeorge unceremoniously replaced by former Saturday's Child bassist John Boyan, the band found itself under intense pressure to record a follow-up collection. Largely written and recorded on the fly and in the studio (probably explaining why the sophomore set had quite a few covers, including two by band friend Terry Callier), 1968's cleverly title "H.P. Lovecraft II" continued the band's partnership with manager/producer George Bandoski. Reportedly recorded while tripping on various illicit substances, compared to the first album songs such as 'High Flying Bird', 'Blue Jack of Diamonds' and 'Mobius Trip' found the band pursuing a decidedly experimental attack. Extended tracks such as 'It's About Time' and 'At the Mountains of Madness' opted for dense, highly orchestrated arrangements, complete with rambling percussion, sleepy, treated vocals and spacey synthesizer tones. While the results occasionally drifted to the dull and ponderous (Electrallentando'') ,all in all it still made for an interesting listen. In spite of their trippy titles, atypically melodic and focused 'At the Mountains of Madness' and 'Spin, Spin, Spin' were among the few tracks to capture the freshness of their debut. Elsewhere Philips tapped the album for a single in the form of 'Keeper of the Keys' b/w 'Blue Jack of Diamonds' (Philips catalog number 40578). Unfortunately, shortly after the album was released keyboardist David Michaels called it quits. Increasingly unhappy with the band's loss of musical and personal focus; their unwillingness to record some of his material, and having experienced somewhat of a religious awakening he returned to Chicago and resumed his college studies at Northwestern University. His departure came at a critical time for the band. Within weeks Philips had all but pulled the plug on support for the album the band essentially collapsing on itself.
1.) Spin, Spin, Spin
(Terry Collier) -3:26 (side 2) 1.) At the Mountains of Madness
(Tony Cavallari - George Edwards - Dave Michaels) - 4:48
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Genre: rock Rating: ** (2 stars) Title: Valley of the Moon Company: Reprise Catalog: 6419 Country/State: Chicago, Illinois Year: 1969 Grade (cover/record): VG / VG Comments: -- Available: 1 GEMM Catalog ID: not yet listed Price: $12.00
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Following H.P. Lovecraft's collapse the band members scattered. Singer George Edwards stayed in California trying to form a new band, before giving up and returning to Chicago where he did some production work, including recording some material with friend Terry Callier. Drummer Michael Tegza also returned to Chicago where he joined The Bangor Flying Circus. The band signed with ABC's Dunhill subsidiary, recording an album, before calling it quits.
In 1969 Edwards and Tegza decided to resurrect the band. As the lone carryovers from the original lineup, they started recruiting musicians, eventually rounded out their lineup with former Aorta bass player Michael Been and lead guitarist Jim Donlinger. The foursome returned to California, settled into a big communal home, subsequently recruiting ex-Buckinghams keyboard player Marty Grebb and started rehearsing. Having shortened their name to 'Lovecraft', the band were signed by Reprise. Naturally another personnel disaster struck; founding member Edwards dropping out of the project. In spite of his departure the group continued on, recording 1969's self-produced, "Valley of the Moon" as a quartet. Musically the set proved a major disappointment on the heels of earlier efforts. With Donlinger and Been contributing the majority of material (Grebb kicking in three tracks), material such as 'Never Gonna Go Back', 'Two Step Tussle', 'Hopefully We'll All Remain Together' and 'Dear' found what was essentially a totally new band somehow managing to replicate some of H.P. Lovecraft's trademarked vocals harmonies, but losing much of the band's unique sound in favor of a commercial mixture of guitar rock. Certainly not as distinctive as earlier efforts, the collection was still worth a listen though it did little commercially. Reprise lifted one instantly obscure single from the LP.
- 1971's "We
Can Have It Altogether' b/w 'Will I Know When My Time Comes' (Reprise
catalog number 0996) 1.) We Can All Have It Together
(Jim Donlinger - Michael Been) - 3:55 (side 12 1.) Take Me By the Hand
(Jim Donlinger - Michael Been) - 3:10
The band hit the road opening for various name acts and within a couple of months the comeback project was over.
- Been formed The Call and also recorded a 1994 solo LP "On the Verge of a Nervous Breakthough" (Qwest catalog number 45557-2).
- Dolinger went on to a solo career and wrote a book about his rock experiences Space Traveller - a Musician’s Odyssey.
- Grebb reappeared as a member of The Fabulous Rhinestones and then became a member of Bonnie Raitt's touring band.
- Tegza briefly resumed his collaboration with Edwards in the Chicago band Elixir, opening for various national groups playing Chicago,
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Genre: rock Rating: * (1 star) Title: We Love You, Whoever You Are Company: Mercury Catalog: SRM-1-1031 Country/State: Chicago, Illinois Year: 1976 Grade (cover/record): NM/NM Comments: still in shrink wrap; cut corner Available: 1 GEMM Catalog ID: not yet listed Price: $8.00
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In 1975 drummer Michael Tegza decided to reactivate the Lovecraft nameplate (now shown as 'Love Craft') without participation from any other original members (of course he was himself a second generation participant having replaced original drummer Fred Pappalardo). Recruiting a new lineup consisting of percussionist George Agosto, guitarists Frank Capek and Jorge Juan Rodriguez, bassist Craig Gigstad, keyboardist Mark Justin, and singer LaLomie Washburn, the group was signed by Mercury. Co-produced by Tegza and Washburn, anyone expecting something similar to the band's original psych leanings, or their latter day country-rock orientation was bound to have been surprised by "We Love You, Whoever You Are". With Washburn responsible for virtually all of the material, material such as 'Ain't Gettin' None' and 'Flight' offered up a mainstream set of AOR that recalled something along the lines of Santana-meets-Chaka Kahn. Washburn certainly had a nice voice, but she all but drown out the rest of the band, leaving them in the role of backing band. To be honest, the set was never less than professional, but on the heels of their earlier releases this one was a major artistic and commercial disappointment ... Mercury lifted two singles from the LP:
- 1975's 'I Feel Better' b/w 'Fight' (Mercury catalog number 73698) - 1975's 'Ain't Gettin' None' b/w 'We Love You' (Mercury catalog number 73707)
1.) We Love You, Whoever You Are (LaLomie Washburn - Lovecraft) - 3:11 (side 1) 1.) Monumental Movement (LaLomie Washburn - Lovecraft) - 8:12
And that was all she wrote.
Washburn recorded some solo material and died from liver cancer in 2004.
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Genre: psych Rating: *** (3 stars) Title: H.P. Lovecraft - Live May 11, 1968 Company: Sundazed Catalog: LP 5004 Country/State: Chicago, Illinois Year: 1996 Grade (cover/record): VG+ / VG+ Comments: -- Available: 1 Price: $25.00
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Released by the small Sundazed label, 1991's
"H.P. Lovecraft - Live
May 11, 1968" came off as a surprisingly impressive concert
documentary. While I have no idea how much post-production effort went
into the set, these guys could clearly kick some butt !!! Recorded shortly after the release of their
1967 debut album, the track listing understandably focused heavily on material drawn from "H.P. Lovecraft".
The only real exceptions were a pair of new songs intended for what
was to be their sophomore album - 'It's About Time' and 'At the Mountains of
Madness'. While it may have been attributable to post-production work,
the album sported crystal clear sound; not to take anything away
from the band's muscular performances. Material such as the extended
leadoff 'Wayfaring Stranger' 'The Drifter' and 'White
Ship' captured the band at their creative zenith; retaining the original
studio version's sophisticated arrangements with an unexpected hard rock
punch. Lead singers George Edwards and David Michaels were first-rate and their
harmony work must have driven the competition insane - Grace
Slick and Marty Balin should have sounded half as good. Special kudos to
David Michaels' keyboards and lead guitarist Tony Cavallari (hard to believe
the band actually briefly fired him). (As to be expected from Sundazed, the set included an informative set
of liner notes.) 1.) Wayfaring Stranger (George Edwards) - 10:23
(side
2)
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