Zappa, Frank
Band members Related acts
- Terry Bozio -- drums (1975) - Napoleon Murphy Brock -- flute, sax, vocals (1975) - Captain Beefheart (aka Bloodshot Rollin' Red, aka Don Van Vliet) -- vocals, harp, harmonica (1975) - George Duke -- keyboards (1973 and 75) - Ansley Dunbar -- drums (-71) - Bruce Fowler -- trombone (1975) - Tom Fowler -- bass (175) - Ralph Humphrey -- drums, percussion - Howard Kaylan -- vocals (1970-71) - Ricky Lancelotti -- vocals - Sal Marquez - - trumpet, violin - Jim Pons -- bass, backing vocals (-71) - Jean-Luc Ponty -- violin - Don Preston -- keyboards (-71) - Chester Thompson -- drums, sound effects (1975) - Ian Underwood -- sax, woodwinds (-71) - Ruth Underwood -- percussion, marimba - Kin Vassy -- narration - Mark Volman -- vocals (1970-71) - Denny Wally -- slide guitar (1975) - Johnny Guitar Watson -- guitar (1975) - James Youman -- bass (1975) - Frank Zappa (RIP 1993) -- vocals, guitar
|
- Flo and Eddie Howard Kaylan and Mark Volman) - Fraternity of Man - Don Preston (solo efforts) - Bob Smith (Don Preston) - The Turtles (Howard Kaylan and Mark Volman) |
Genre: rock Rating: **** (4 stars) Title: We're Only In It for the Money Company: Verve Catalog: V6 5045X Country/State: Baltimore, Maryland Year: 1967 Grade (cover/record): VG+ / VG+ Comments: original inner sleeve Available: 1 GEMM Catalog ID: 5281 Price: $30.00
|
A couple of years ago I bought a stack of Zappa and Mothers
of Invention LPs at a yard sale. The
person selling them must have owned everything Zappa ever recorded and it
was all on sale for $2.00 a pop. Even
though I wasn’t a major Zappa fan, I’ve always been curious so I ended
up buying quite a bit of stuff though over the ensuing years I’ve only
managed to actually listen to a handful of the LPs.
Zappa can be difficult and starting off with one of his live sets
may not have been the ideal introduction – I’m still scarred.
Anyhow, this was one of the first ones I played. Self-produced, 1967’s “We’re
Only In It For the Money” showcased Zappa at his most
barbed – this time the target of his wrath being hippies and the entire
flower power movement. It
also underscored Zappa’s then unheard of anti-drug stance.
A mixture of experimental sound collages (‘The Chrome Plated
Megaphone of Destiny’), snippets of interpersonal and phone conversation
interspersed with actual songs, tracks like ‘Who Needs the Peace
Corps’ and ‘Flower Punk’ made it perfectly clear that Zappa saw
hippies as nothing more than lame and completely pathetic posers.
‘Flower Punk’ was particularly funny –
imagine the melody for ‘Hey Joe’ sped up and sung by Alvin and
the Chipmunks after they’d OD’d on amphetamines.
Interesting how in hindsight Zappa’s instincts were right on the
mark. While the summer of
love may have taken the brunt of his wrath, there was plenty of venom left
for police, women, and pretty much the entire spectrum of American
society. Exemplified by
tracks like ‘Concentration Moon’, the pretty ballad ‘Mom and Dad’,
the doo-wopesque ‘What’s the Ugliest Part of Your Body’ and ‘The
Idiot Bastard Son’ subtlety wasn’t exactly Zappa’s strong point, but
then it would have been wasted on an audience that was self absorbed, and
permanently stoned. Elsewhere Verve actually tapped the album for a single in the
form of ‘Mother People’ b/w ‘Lonely Little Girl’ (Verve catalog
number 10570). Easy to see
why the 45 never had a chance at garnering airplay.
Elsewhere deciding to market the album with a cover featuring Zappa
and company posing in dresses made for one of the year’s more disturbing
marketing plans, though the inner sleeve “Sgt Pepper” parody was
absolutely hysterical. Somehow
it worked the album peaking at # 30, providing the band with their biggest
commercial success. .
While the themes may have aged over the years (I can imagine lots
of aging hippies blanching at the thought of hearing this album again),
the album’s a treat to hear with a good pair of headphones. "We're Only In It For the Money" track listing: (side
1) 1.) Are You Hung Up
(Frank Zappa) – 1:23 2.) Who Needs the Peace Corps (Frank Zappa) – 2:34 3.) Concentration Moon
(Frank Zappa) – 2:32 4.) Mom and Dad (Frank
Zappa) – 2:16 5.) Bow Tie Daddy
(Frank Zappa) –1:22 6.) Harry You’re a Beast
(Frank Zappa) –1:22 What’s the Ugliest Part of Your Body (Frank Zappa) - 1:00
Absolutely Free (Frank
Zappa) –3:26 Flower Punk
(Frank Zappa) – 3:57
Hot Poop (Frank
Zappa) – 0:16
(side 2) 1.) Nasal Intentive Calliope Music (Frank Zappa) – 2:00 2.) Let’s Make the Water Turn Black (Frank Zappa) – 1:54 3.) The Idiot Bastard Son
(Frank Zappa) – 3:57 4.) Lonely Little Girl
(Frank Zappa) – 1:20 5.) Take Your Clothes Off When You Dance
(Frank Zappa) – 1:33 6.) What’s Ugliest Part of Your Body (reprise)
(Frank Zappa) – 1:03 7.) Mother People
(Frank Zappa) – 2:30 8.) The Chrome Plated Megaphone of Destiny
(Frank Zappa) – 6:30
|
Genre: rock Rating: **** (4 stars) Title: Absolutely Free Company: Verve Catalog: V6-5013 Country/State: Baltimore, Maryland Year: 1967 Grade (cover/record): VG / VG Comments: original inner sleeve Available: 1 GEMM Catalog ID: 5282 Price: $30.00
|
Recorded after a major upheaval within the Mothers of Invention ranks that saw the departure of guitarist Elliot Ingber (aka Wing Eel Fingerling) and the addition of horn player Don Gardner, drummer Billy Mundi, keyboardist Don Preston, and saxophonist Jim Sherwood, the band relocated to New York City where they spent the next six months honing their skills as house band at The Garrick Theater. The shows were apparently quite entertaining, on occasion incorporating rotten vegetables and a shaving cream spurting giraffe. Would have loved to have been in the audience … Written and produced by Zappa, 1967’s “Absolutely Free” was an entertaining, if challenging mixture of classical structures, rock, experimentation, goofy humor, and Zappa’s biting social and political commentary (‘Plastic People’ and ‘Uncle Bernie’s Farm’). Exemplified by tracks like ‘America Drinks’, ‘Status Back Baby‘ and ‘Brown Shoes Don’t Make It’ American social mores seemed to be Zappa’s primary target, though at times it was hard to figure out what the hell was going on – any thoughts on ‘The Duke Regains His Chops’, ‘Call Any Vegetables’, or ‘Soft Sell Conclusion & Ending of Side # 1’? Nothing here was particularly commercial, or even memorable which made it even more surprising that the collection sold well, eventually peaking # 41. "Absolutely Free" track listing: (side 1) 1.)
Plastic
People (Frank
Zappa) – 3:40 2.)
The Duke of Prunes (Frank
Zappa) – 2:12 3.)
Amnesia Vivace (Frank
Zappa) – 1:01 4.)
The Duke Regains His Chops (Frank Zappa)
– 1:45 5.)
Call Any Vegetable (Frank
Zappa) – 2:19 6.)
Invocation & Ritual Dance of the Young Pumpkin (instrumental)
(Frank Zappa) – 6:57 7.)
Soft Sell Conclusion & Ending of Side # 1
(Frank Zappa) – 1:40 (side 2) 1.)
America
Drinks (Frank
Zappa) – 1:52 2.)
Status Back Baby (Frank
Zappa) – 2:52 3.)
Uncle Bernie’s Farm (Frank
Zappa) – 2:09 4.)
Son of Suzy Creamcheese (Frank
Zappa) – 1:33 5.)
Brown Shoes Don’t Make It
(Frank Zappa) – 7:26 6.) America Drinks & Goes Home (Frank Zappa) – 2:43
|
Genre: rock Rating: **** (4 stars) Title: Cruising with Ruben & the Jets Company: Verve Catalog: V8 6065 Country/State: Baltimore, Maryland Year: 1968 Grade (cover/record): VG+ / VG+ Comments: minor ring wear; 4" seam split along top; gatefold sleeve Available: 1 GEMM Catalog ID: Price: $30.00
|
Here's Zappa's description of 1968's "Cruising
with Ruben & the Jets" - "This is an album of greasy love songs & cretin simplicity. We made it because we really like this kind of music (just a bunch of old men with rock & roll clothes on sitting around the studio. mumbling about the good old days). Ten years from now you'll be sitting around with your friends someplace doing the same thing if there's anything left to sit on." Musically the set features a series of '50s
doo wop-styled parodies. Sure, Zappa and company were trying to make some type
of social/cultural statement, but on material such as "Love of My Life", "I'm Not Satisfied" and "Jelly Roll Gum Drop" their affection for the genre overshadowed their built-in cynicism. Elsewhere, Ray Collins' "Anything" was probably one of the most straight forward and prettiest melodies the band ever recorded. It's certainly quirky (of course what Zappa album isn't?), and stands as one of out favorite Zappa releases. A modest seller, the album peaked at
# 110. (The collection was originally released with a gatefold sleeve.)
1.) Cheap Thrills (Frank Zappa) - 2:20 (side 2) 1.) Later That Night (Frank Zappa) - 3:04
|
Genre: rock Rating: **** (4 stars) Title: Hot Rats Company: Bizarre Catalog: RS-6356 Country/State: Baltimore, Maryland Year: 1969 Grade (cover/record): VG / VG Comments: minor ring wear; gatefold sleeve Available: 1 GEMM Catalog ID: 5022 Price: $25.00
|
As you've probably already figured out I own
quite a bit of Zappa's catalog, but I'm not a hardcore Zappa fan. That's one of the reason's Zappa's first true (aka non-Mothers of Invention) solo effort, 1969's
"Hot Rats" was such a surprise to
me. Having disbanded The Mothers (reportedly due to the costs associated with the such a large touring band), musically
it stands as one of the closest things he ever did to making a convention rock album.
A largely instrumental affair. with assistance from long-time friend Captain Beefheart (who contributed guest vocals to
the lone non-instrumental 'Willie the Pimp'), Little Feat guitarist Lowell George, Jean-Luc Ponty and multi-instrumentalist Ian Underwood, material such as
'Peaches en Regale' and 'Son of Mr. Green Genes' offered up a nifty mix of straightforward rock (with some great Zappa guitar) and more adventuresome, extended jazz-rock
outings. Still, compared to most of his catalog, the results were highly
commercial which may be why many critics considered it one of Zappa's best effort. In terms of sales,
it also did okay hitting
# 173. (The album was originally released with a gatefold sleeve
featuring the late Christine Frka of GTOs (Girls Together Outrageously)
fame and then Alice Coopers steady) posing for the cover shot.
1.) Peaches En Regalia (instrumental) (Frank Zappa) - 3:58 (side 2) 1.) Little Umbrellas (instrumental) (Frank Zappa) - 3:09
|
Genre: progressive Rating: ** (2 stars) Title: Mothers Live at the Fillmore East June '71 Company: Bizarre Catalog: MS-2042 Country/State: Baltimore, Maryland Year: 1971 Grade (cover/record): NM/NM Comments: still in shrink wrap Available: 1 GEMM Catalog ID: Price: $15.00 |
Having put together a new Mothers lineup, including Kaylan, Volman,
drummer Ansley Dunsbar, keyboardist George Duke and bassist Jim Pons,
Zappa decided to resume touring. The result was the Mothers' first live
collection; "Mothers Fillmore East, June
1971". Capturing Zappa and company at their funniest
("The Mud Shark" and " What Kind of Girl Do You Think We
Are? "), the collection's highlight stood as Kaylan and Volman's
cover of The Turtles' "Happy Together." Peaking at # 38, up to
that point the collection stood as Zappa's biggest commercial success.
(Ironically, while playing a London date, a fan became enraged with what
he saw as Zappa's undue attentions towards his girlfriend. The fan rushed
the stage, knocking Zappa into the orchestra pit, fracturing his skull and
leg. Zappa spent the next year recuperating from his injuries.
1.) Little House I Used To Live In (Frank Zappa) (side 2) 1.) Willie the Pimp (Part 2) (Frank
Zappa)
|
Genre: progressive Rating: ** (2 stars) Title: Soundtrack "200 Motels" Company: United Artists Catalog: UALA-996 G Country/State: Baltimore, Maryland Year: 1971 Grade (cover/record): VG+/VG+ Comments: double LP, gatefold sleeve, includes insert Available: 1 GEMM Catalog ID: Price: $50.00
|
Spread over four sides, the 34 track soundtrack
to "200 Motels" was at
best uneven. Released by United Artists (Warner Brothers apparently fearing
financial disaster), the film and accompanying soundtrack boasted one of the
year's less obvious plot lines - something to do with the strain touring had
on the poor rock star. The film featured an all-star cast including George
Duke, Flo and Eddie (along with the rest of The Mothers of Invention), Keith
Moon (as a nun) members of Motorhead and Ringo Starr (who narrates and is
briefly cast as a dwarf Zappa). A mix of Mothers studio material (some of it
recorded with the London Philharmonic) and live numbers, it was too bizarre
for the average listener - probably too weird for anyone other than hardcore
Zappanites. For whatever reason, the album sold respectably, eventually
going top-60. (The collection was originally released with a gatefold sleeve
and accompanying multi-page insert and poster.)
|
Genre: progressive Rating: ** (2 stars) Title: Just Another Band from L.A. Company: Bizarre Catalog: 2075 Country/State: Baltimore, Maryland Year: 1972 Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 1 GEMM Catalog ID: 5029 Price: $15.00
|
Recorded at an August 1971 performance at UCLA's
Pauley Pavilion, 1972's "Just
Another Band from L.A." was Zappa and The Mothers'
second live album in a year. It also served as a farewell for this
version of The Mothers of Invention. On the other hand, other than the
fact it was a concert set, the album had little in common with the earlier
"Mothers
Live at the Fillmore East June '71". Opening up with the 24
minute, side long 'Billy the Mountain', how you respond to the album
depended in large measure on your feelings towards Flo and Eddie (Howard
Kaylan and Mark Volman), their unique (if somewhat dated) sense of humor,
and Zappa at his most surreal (or pretentious). To be perfectly
honest, the plotline was lost on me (assuming there was one). I've
never put much effort into trying to figure it out, but if you take it
literally, the story seems to have something to do with a mountain and his wife Ethel the tree
going to New York where the mountain is threatened with a draft notice. The occasional
digs at popular songs (Stephen Stills takes one to the forehead) and the fact these guys could actually remember the lyrics to this
24 minute epic were
pretty amazing. Elsewhere side two's funky (!!!) 'Call Any Vegetables' and 'Dog
Breath' bore little resemblance to their earlier studio versions, while the
two new tracks 'Eddie, Are You Kidding?' (a stab at a Southern California
clothing retailer) and 'Magdalena' (the latter
apparently having a plotline to do with incest) were only of marginal
interest. Simply too obscure for most folks ....
"Just Another Band From L.A." track listing:
1.) Billy the Mountain (Frank Zappa) - 24:42 (side 2) 1.) Call Any Vegetable (Frank Zappa) - 7:22 2.) Eddie, Are You Kidding? - 3:103.) Magdalena ( - 6:254.) Dog Breath (Frank Zappa) - 3:41
|
Genre: progressive Rating: ** (2 stars) Title: Waka/Jawaka Company: Bizarre Catalog: BS-2094 Country/State: Baltimore, Maryland Year: 1972 Grade (cover/record): VG+ / VG+ Comments: -- Available: 1 GEMM catalog ID: 5184 Price: $20.00
|
Though it included support from a wide array of Mothers of Invention alumnist, 1972's self-produced "Waka/Jawaka" was billed as a Zappa solo outing. Written and recorded while recuperating from his earlier on-stage accident (a jealous British fan having pushed Zappa off the stage at London's Rainbow Theatre), the results were quite a bit different from his last couple of releases. The side long instrumental 'Big Switfy' found Zappa taking a stab at straight forward jazz. Technically the composition was rather elaborate, offering up a series of solo spots for the likes of keyboardist George Duke and and horn player Sal Marques. Unfortunately, stretched out over 17 minutes the studio version just kind of plodded along ... not something for the casual fan. Though it clocked in at 11 plus minutes and also featured a jazzy feel, the title track instrumental was actually far stronger. Unlike 'Big Swifty' 'Waka/Jawaka' featured a strong melody which served as a baseline between extended Don Preston, Sal Marquez and Zappa solos. Elsewhere, 'Your Mouth' and 'It Just Might Be a One-Shot Deal' were slightly more conventional vocal performances; the first featuring singer Chris Peterson, the latter sporting a pseudo country flavor. Modestly entertaining, but not a 'must own' set ... (Always wondered what the name tag on the back cover pot plant was.)
"Waka/Jawaka" track listing: (side
1)
(side
2) 2.) It Just Might Be a One-Shot Deal (Frank Zappa) - 4:17 3.) Waka/Jawaka (instrumental) (Frank Zappa) - 11:18
|
Genre: progressive Rating: *** (3 stars) Title: Over-Nite Sensation Company: Discreet Catalog: MS-2148 Country/State: Baltimore, Maryland Year: 1973 Grade (cover/record): VG / VG Comments: gatefold sleeve Available: 1 GEMM catalog ID: 4183 Price: $10.00 Cost: $1.00
|
Zappa's always been a hit or miss proposition for me - most of the time far too clever and experimental for my rather pedestrian tastes. 1973's "Over-Nite Sensation" doesn't exactly dispel such concerns since much of it finds Zappa (with backing from the likes of George Duke, Jean-Luc Ponty and Ian Underwood), turning his interests to an odd rock-cum-jazz hybrid. At the same time, it's the first Zappa album in a long time boasting song structures and melodies ("Camarillo Brillo" and "Montana" (geez, anyone understand the dental floss rancher lyric?)) that had at least a snowball's chance in hell of being played on radio (admittedly we're talking about those 2 kHz stations that seem to cluster around small colleges). Pure speculation on my part, but Zappa's sudden penchant for scatological humor and sexually-oriented lyrics ("Camarillo Brillo", "Dirty Love" (I think this one has a bestiality theme) and his non-too-subtle paean to oral sex "Dinah-Moe Humm") may have had a large role in the fact this became his first gold seller. (The album was originally released with a gatefold sleeve.)
"Over-Nite Sensation" track listing: (side
1) 2.) I'm the Slime (Frank Zappa) - 3:35 3.) Dirty Love (Frank Zappa) - 3:00 4.) Fifty Fifty (Frank Zappa) - 6:08
(side
2) 2.) Dinah-Moe Humm (Frank Zappa) - 6:05 3.) Montana (Frank Zappa) - 6:37
|
Genre: progressive Rating: *** (3 stars) Title: One Size Fits All Company: Discreet Catalog: DS-2216 Country/State: Baltimore, Maryland Year: 1975 Grade (cover/record): VG+ / VG+ Comments: gatefold sleeve Available: 1 GEMM catalog ID: 4353 Price: $10.00 Cost: $1.00
|
Zappa's catalog can be so frustrating and in many respects this is the perfect album to display those conflicts. This one divides the Zappa fan base into those who think it's one of his top-10 releases, and those who simply can't stand it. I'm not sure where I stand, though I'll readily agree it's probably one of the places the curious, or casual fans should start..
Momentarily abandoning his interest in complex musical structure, 1975's "One Size Fits All" found Zappa and the Mothers returning to shorter, more commercial (I use the word loosely) song structures. Produced and written by Zappa, the set's literally overflowing with great guitar and catchy, highly commercial material. It's just hard to focus on those segments in the midst of all the hyperactivity. The leadoff track 'Inca Roads' is a perfect example of what's great and what sucks here. Clocking in at over eight minutes, parts of the song sport a wonderful melody, along with an interesting lyric (apparently having something to do with UFOs in South America) and a first rate, extended Zappa guitar solo. Unfortunately, the sudden tempo shifts (what's with the jazz segment towards the end), George Duke's cheesy synthesizers and Zappa's Mickey Mouse vocals drive me crazy. In spite of the typically weird lyrics 'Can't Afford New Shoes' is actually a fairly conventional rock song (with another great guitar solo). 'Po Jama People' is cute, though the biggest surprise to my ears is the instrumental 'Sofa No. 1'. With its German lyrics, 'Sofa No. 2' is a little bit odder. Apparently salvaged from a planned concept album, it's hard to believe something as pretty as this came from Zappa and the Mothers. (Check out the back cover with Zappa's typically demented view of the night sky.)
"One Size Fits All" track listing: (side
1) 2.) Can't Afford No Shoes (Frank Zappa) - 2:38 3.) Sofa No.1 (instrumental) (Frank Zappa) - 2:39 4.) Po Jama People (Frank Zappa) - 7:39
(side
2) 2.) Evelyn a Modified Dog (Frank Zappa) - 1:04 3.) San Der'dino (Frank Zappa) - 5:57 4.) Andy (Frank Zappa) - 6:04 5.) Sofa No. 2 (Frank Zappa) - 2:42
|
Genre: progressive Rating: *** (3 stars) Title: Bongo Fury Company: Discreet Catalog: DS-2216 Country/State: Baltimore, Maryland Year: 1975 Grade (cover/record): VG+ / VG+ Comments: -- Available: 1 GEMM catalog ID: 5029 Price: $20.00
|
1975's "Bongo Fury" served to document a brief reunion between Zappa, high school buddy Captain Beefheart and a reunited Mothers of Invention. Musically the set featured a mixture of six concert tracks recorded at a pair of May 1975 performances at Austin, Texas' Armadillo World Headquarters and two previously recorded but unreleased studio selections. Always willing to take on personal, political or social causes, this time around Zappa found a willing target in the forthcoming bicentennial - check out the cynically damning 'Poofter's Froth Wyoming Plans Ahead' and the blues work out '200 Years Old'. Elsewhere Beefheart's two improvised spoken word numbers 'Sam With the Showing Scalp Flat Top' (with it's 'Louie, Louie' fade out) and freeform backed 'Man With the Woman Head' were fittingly bizarre, but thankfully relatively brief. His collaboration with Zappa 'Debra Kadabra' was equally quixotic. Anyone have a clue as to what it's about? Highlights included 'Napoleon Murphy Brock' (with an insane vocal from Napoleon Murphy Brock) and the autobiographical 'Carolina Hard-Core Ecstasy'. Showcasing a killer Zappa guitar solo, with a little work to hide the S&M theme the song could have provided Zappa with a radio hit. Commercially the set did surprising well, peaking at # 66. (Incidentally the tour was apparently a mixed success. Zappa and Beefheart's musical styles weren't particularly well suited for one another and Beefheart reportedly spend most of the concerts sitting on the sidelines drawing pictures.)
"Bongo Fury" track listing: (side
1) 2.) Carolina Hard-Core Ecstasy (Frank Zappa) - 5:59 3.) Sam With the Showing Scalp Flat Top (Don Van Vliet) - 2:51 4.) Poofter's Froth Wyoming Plans Ahead (Frank Zappa) - 3:03 5.) 200 Years Old (Frank Zappa) - 4:32
(side
2) 2.) Advance Romance (Frank Zappa) - 11:17 3.) Man With the Woman Head (Don Van Vliet) - 1:28 4.) Muffin Man (Frank Zappa) - 5:34
|
Back
to Bad Cat homepage/search