Published in an American anthology of women writers writing about 9/11 [title unknown], 2002.

 

 

Ipsissima verba

by Barbara Welton

 

 

 

Ipsissima verba.  n. pl.  the precise words. [Latin]

 

 

Sept 14, 2001

 

I remember hearing years and years ago, back in my childhood some time, that if the end of the world was ever announced, every telephone line on the planet would be engaged as people tried to contact their loved ones to say "I love you" one last time.

 

The thought of this, of all these last-minute declarations of love, has remained one of the most potent Armageddon images for me.  (And what of those who can't make it to a phone?  Or those who can't get through?  People who, in a panic, dial a wrong number?)  There's a song called "Four Minutes" by an English punk band called Culture Shock.  It's a devastatingly depressing song about what to spend one's time doing after the world's last four minute warning is sounded.  I usually end up in tears when I listen to this song - and frequently in the first twenty seconds of it, too, as Dick Lucas sings "When I heard on the radio we only had four minutes to go / I couldn't believe it wasn't a joke 'til I couldn't get anyone on the phone".

 

Tuesday night, I was watching videos and drinking gutrot wine at home on my own.  The evening dragged on and I eventually decided it was time to go to bed.  Got up from my chair, turned the VCR off, and was confronted immediately by the image of a plane-sized hole in the side of the Pentagon.  The vision flickered back to New York where two huge buildings were billowing smoke.  And then, as I stood there watching this live feed from the USA, one of those buildings crumbled right before my eyes.  The very next thing I did was to reach out to my telephone, to make contact with somebody I loved.

 

The phone kept ringing... eventually rang out...  My best friend, Haydn, wasn't home.  Despite the hour, I rang my parents, knowing they'd already be in bed.  When my father's sleepy voice eventually answered, I apologised for getting him up.  "But history's unfolding, Dad.  The United States is under attack."

 

I sat up and watched for a while, horrified and scared and sad, sad, sad.  This is the stuff of my childhood nightmares, the fear that started keeping me awake right from the time I was old enough and cognisant enough to start thinking about and worrying about the world and what happens in it.  I have such clear memories of the Soviets invading Afghanistan, the hostage crisis during Carter's administration, the Faulklands war, the US bombing of Libya, the disintegration of Jugoslavia, the Gulf War, umpteen other terrifying reminders that Serious Shit Happens out there in the world.  But none of them ever gave me the feeling I had on Tuesday night - I was a child again, an eight-year-old who's just seen her first TV documentary about the prophesies of Nostradamus and now can't sleep because this is the first time she's fully realised that the world might see to it that she'll never get a chance to grow up and there won't be a damn thing she can do about it.

 

I went to bed.  Left the TV going - that's something I've never done.  Before too long I was up again, answering my ringing telephone.  "Have you heard the news?" Haydn's lovely voice on the other end of the line.  It was a quick talk, but it was that needful contact I'd been wanting earlier.  I returned to bed, wrapped my arms around my pillow and drifted in and out of sleep all night, periodically woken by coughing fits and the alternate subdued / panicked voices coming out of the television.

 

My parents eventually moved their TV into the bedroom and sat up 'til three in the morning, drinking cups of tea and talking about that other night they both remember so well, the one in 1939 when they both sat with their respective families and listened to Neville Chamberlain's clipped tones on the radio...

 

Nothing matters anymore.  I have to stop myself sneering at workmates who want to know how to load paper into the photocopier or why their email's not working - WHO FUCKING CARES?!  IT'S NOT IMPORTANT.  I'm horrified and scared and sad, sad, sad.  I was numb for days, probably even in shock.  Now I'm just blisteringly angry.   It's not exactly the most focussed anger, either.  Inside, I'm railing at everything and everyone. 

 

The only music I've played since Tuesday night was some classical and choral music on Wednesday night, whilst making love and trying not to think about w-a-r.  But last night, I needed to shout loud, pissed-off words at my walls and immerse myself in cheap alcohol.  There's nothing better than punk music for this. 

 

First three songs I played were "Die For Your Government" by Anti-Flag ("You gotta die, gotta die, gotta die for your government / Die for your country / That's shit!"), "I Hate People" by The Anti Nowhere League ("I hate people / I hate the human race / I hate people / I hate your ugly face / I hate people / I hate this fucking shit / I hate people / And they hate me"), and "Race Riot" by D.O.A. ("Race riot / Don't buy it / We don't want this crap").  Not far behind was The Ruts' classic "Babylon's Burning".  And what is it The Ruts say Babylon is burning with?  Anxiety, ignorance and hate.  Ain't it the truth?

 

I haven't been brave enough to play Culture Shock's "Four Minutes" though.  "And I cried because I never had the time..."

 

When will smiling feel right again?

 

 

"Hi. I'm in the World Trade Tower and it's just been hit by something.  I'm on my way out now, but I want you to know that I love you."  [phone message left by a man who hasn't been heard from since]

 

 

 

 

 

 

 

the end.