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Galway Kinnell | |||||||||||||||||
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Galway Kinnell (b. 1927) is one of America's most prolific teachers of poetry, serving as Director of Creative Writing at SUNY Binghamton and New York University. His work is characterized by rich language, clarity and charged emotion, often drawing from everyday life and his own personal exeprience. He won the Pulitzer Prize in 1983. |
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Vapor Trail in the Frog Pond 1 The old watch: their thick eyes puff and foreclose by the moon. The young, heads trailed by the beginnings of necks, shiver, in the guarantee they shall be bodies. In the frog pond the vapor trail of a SAC bomber creeps, I hear its drone, drifting, high up in immaculate ozone. 2 And I hear, coming over the hills, America singing, her varied carols I hear: crack of deputies' rifles practicing their aim on stray dogs at night, sput of cattleprod, TV groaning at the smells of the human body, curses of the soldier as he poisons, burns, grinds, and stabs the rice of the world, with open mouth, crying strong, hysterical curses. 3 And by rice paddies in Asia bones wearing a few shadows walk down a dirt road, smashed bloodsuckers on their heels, knowing the flesh a man throws down in the sunshine dogs shall eat and the flesh that is upthrown in the air shall be seized by birds, shoulder blades smooth, unmarked by old feather holes, hands rivered by blue, erratic wanderings of the blood, eyes crinkled up as they gaze up at the drifting sun that gives us our lives, seed dazzled over the footbattered blaze of the earth. -- Body Rags On Frozen Fields 1 We walk across the snow, The stars can be faint, The moon can be eating itself out, There can be meteors flaring to death on earth, The Northern Lights can be blooming and seething And tearing themselves apart all night, We walk arm in arm, and we are happy. 2 You in whose ultimate madness we live, You flinging yourself out into the emptiness. You -- like us -- great an instant, O only universe we know, forgive us. The Dead Shall Be Raised Incorruptible 1 A piece of flesh gives off smoke in the field -- carrion, caput mortuum, orts, pelf, fenks, sordes, gurry dumped from hospital trashcans. Lieutenant! This corpse will not stop burning! 2 "That you Captain? Sure, sure I remember -- I still hear you lecturing at me on the intercom, Keep your guns up, Burnsie! thd then screaming, Stop shooting, for crissake, Burnsie, those are friendlies! But crissake, Captain, I'd already started, burst after burst, little black pajamas jumping and falling . . . and remember that pilot who'd bailed out over the North, how I shredded him down to catgut on his strings? one of his slant eyes, a piece of his smile, sail past me every night right after the sleeping pill. . . "It was only that I loved the sound of them, I guess I just loved the feel of them sparkin' off my hands . . ." 3 On the television screen: Do you have a body that sweats? Sweat that has odor? False teeth clanging into your breakfast? Case of the dread? Headache so steady it may outlive you? Armpits sprouting hair? Piles so huge you don't need a chair to sit at a table? We shall not all sleep, but we shall be changed . . . 4 In the Twentieth Century of my trespass on earth, having exterminated one billion heathens, heretics, Jews, Moslems, witches, mystical seekers, black men, Asians, and Christian brothers, every one of them for his own good, a whole continent of red men for living in community, one billion species of animals for being sub-human, and ready and eager to take on the bloodthirsty creatures from the other planets, I, Christian man, groan out this testament of my last will. I gave my blood fifty parts polystyrene, twenty-five parts benzene, twenty-five parts good old gasoline, to the last bomber pilot aloft, that there shall be one acre in the dull world where the kissing flower may bloom, which kisses you so long your bones explode under its lips. My tongue goes to the Secretary of the Dead to tell the corpses, "I'm sorry, fellows, the killing was just one of those things difficulut to pre-visualize -- like a cow, say, getting hit by lightning." My stomach, which has digested four hundred treaties giving the Indians eternal right to their land, I give to the Indians. I throw in my lungs which have spent four hundred years sucking in good faith on peace pipes. My soul I leave to the bee that he may sting it and die, my brain to the fly, his back the hysterical green color of slime, the he may suck on it and die, my flesh to the advertising man, the anti-prostitute, who loathes human flesh for money. I assign my crooked backbone to the dice maker, to chop up into dice, for casting lots as to who shall see his own blood on his shirt front and who his brother's for the race isn't to the swift but to the crooked. To the last man surviving on earth I give my eyelids worn out by fear, to wear in the absolute night of radiation and silence, so that his eyes can't close, for regret is like tears seeping through closed eyelids. I give the emptiness my hand: the little finger picks no more noses, slag clings to the black stick of the ring finger, a bit of flame jets from the tip of the fuck-you finger, the first finger accuses the heart, which has vanished, on the thumb stump wisps of smoke ask a ride into the emptiness. In the Twentieth Century of my nightmare on earth, I swear on my chromium testicles to this testament and last will of my iron will, my fear of love, my itch for money, and my madness. 5 In the ditch snakes crawl cool paths over the rotted thigh, the toe bones twitch in the smell of burnt rubber, the belly opens like a poison nightflower, the tongue has evaporated, the nostril hairs sprinkle themselves with yellowish-white dust, the five flames at the end of each hand have gone out, a mosquito sips a last meal from this plate of serenity. And the fly, the last nightmare, hatches himself. 6 I ran my neck broken I ran holding my head up with both hands I ran thinking the flames the flames may burn the oboe but listen buddy boy they can't touch the notes! 7 A few bones lie about in the smoke of bones. Membranes, effigies pressed into grass, mummy windings, desquamations, sags incinerated mattresses gave back to the world, memories shocked into the mirrors on whorehouse ceilings, angel's wings flagged down into the snows of yesteryear, kneel on the scorched earth in the shapes of men and animals: do not let this last hour pass, do not remove the last, poison cup from our lips. And a wind holding the cries of love-making from all our nights and days moves among the stones, hunting for two twined skeletons to blow its last cry across. Lieutenant! This corpse wll not stop burning!. -- The Book of Nightmares |
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