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Morning
Salt shining behind its glass cylinder. Milk in a blue bowl. The yellow linoleum. The cat stretching her black body from the pillow. The way she makes her curvaceous response to the small, kind gesture. Then laps the bowl clean. Then wants to go out into the world where she leaps lightly and for no apparent reason across the lawn, then sits, perfectly still, in the grass. I watch her a little while, thinking: what more could I do with wild words? I stand in the cold kitchen, bowing down to her. I stand in the cold kitchen, everything wonderful around me.
-- New and Selected Poems, Boston: Beacon Press, 1992
Farm Country
I have sharpened my knives, I have Put on the heavy apron.
Maybe you think life is chicken soup, served In blue willow-pattern bowls.
I have put on my boots and opened The kitchen door and stepped out
Into the sunshine. I have crossed the lawn, I have entered
The hen house.
-- New and Selected Poems, Boston: Beacon Press, 1992
August
When the blackberries hang swollen in the woods, in the brambles nobody owns, I spend
all day among the high branches, reaching my ripped arms, thinking
of nothing, cramming the black honey of summer into my mouth; all day my body
accepts what it is. In the dark creeks that run by there is this thick paw of my life darting among
the black bells, the leaves; there is this happy tongue.
-- American Primitive, 1983
The Fish
The first fish I ever caught would not lie down quiet in the pail but flailed and sucked at the burning amazement of the air and died in the slow pouring off of rainbows. Later I opened his body and separated the flesh from the bones and ate him. Now the sea is in me: I am the fish, the fish glitters in me; we are risen, tangled together, certain to fall back to the sea. Out of pain, and pain, and more pain we feed this feverish plot, we are nourished by the mystery.
-- American Primitive, 1983
At the Lake
A fish leaps like a black pin -- then -- when the starlight strikes its side --
like a silver pin. In an instant the fish's spine alters the fierce line of rising
and it curls a little -- the head, like scalloped tin, plunges back, and it's gone.
This is, I think, what holiness is: the natural world, where every moment is full
of the passion to keep moving. Inside every mind there's a hermit's cave full of light,
full of snow, full of concentration. I've knelt there, and so have you,
hanging on to what you love, to what is lovely. The lake's
shining sheets don't make a ripple now, and the stars are going off to their blue sleep,
but the words are in place -- and the fish leaps, and leaps again from the black plush of the poem, that breathless space. -- White Pine, New York: Harcourt Brace & Co., 1994
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