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"The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower Slave. The hands of a Plesure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placement of the knees. IN all these kneeling positions, incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high. She tends to be vital and beautiful to look upon."
Book 3, Priest Kings of Gor, pages 46 - 47 ~才
-Commanded with a gesture - Book 7, Captive of Gor, page 143 ~才
" 'Kneel,' I told her. She knelt. Book 10, Tribesman of Gor, page 53 ~才
"The girl knelt before the desk of the slave master. I sat to one side, in a curule chair. She knelt obediently, beautifully, as a pleasure slave. She was in the presence of free men. I saw her eyes briefly close, relishing the feel of the stone floor, as she knelt back on her heels, on her knees and the tops of her toes; I saw her body straighten itself, exposing itself, drinking in the atmosphere of the room. Her eyes were very much alive, very blue. She looked irritated." Book 10, Tribesman of Gor, page 78 ~才
"Tossing my head I knelt, the chain dangling from my collar before my body, to the grass. I knelt back on my heels, my back very straight, my hands on my thighs, my head high, looking straight ahead. I thrust my shoulders back, my breasts forward. I did not neglect the placement of my knees; I opened them as widely as I could, as I knew the men wanted. I knelt before them again in that most elegant and helpless position in which men may place a woman, that position I was later to learn was that of the Gorean Pleasure Slave." Book 11, Slave Girl of Gor, page 20
"Then I approached him, and, with my left hand, handed him the supple tether. He replaced it in his pouch, and indicated that I should position myself before him and to his right. I knelt there, and smiled at him. He spoke harshly. Immediately I knelt in the position I had learned yesterday, which had been clearly and exactly taught to me, back on heels,back straight, hands on thighs, head up, knees widely opened. He then looked at me, satisfied." Book 11, Slave Girl of Gor, page 34
"A girl, incidentally, in the position of the Gorean pleasure slave, but who is not being kept in the position as a discipline, in which case she remains rigid, is allowed much subtle latitude, which she exploits, without breaking the position. Sometimes, as she becomes animated, she rises a bit from her heels, sometimes her head moves, her eyes are alive and vital, she speaks and laughs, and, radiantly, every inch, every bit, of her alive, converses lyrically and delightedly. Any girl knows that an interesting body is a moving body. Even within the apparent restraint of the position of the pleasure slave a girl's body can be a subtle, provocative melody of motion. The interplay between the restraint of the position and her animation gives the position incredible power and beauty. Yes, power. More than one master, I suspect, has been enslaved by the beauty who kneels before him. It is one of the excruciating delights of the mastery to expose oneself fully to, and yet skirt, the dangers of the girl's beauty, to keep oneself strong, to draw the absolute fullness of pleasure from her, and yet to resist her wiles, to get everything from her, and yet to keep her on her knees, completely. " Book 11, Slave Girl of Gor, page 36
" 'Nadu,' he snapped. Book 13, Explorers of Gor, page 77 ~才
""Then to the dark haired girl, he said, sharply, 'Nadu!' "She struggled to her knees and, as she could, her wrists braceleted behind her, assumed before him the lovely, elegant postion of the pleasure slave." Book 13, Explorers of Gor, page 166
"Then I said, sharply, 'Kneel.' Book 16, Guardsman of Gor, page 164 ~才
"She lay on her left elbow, on the couch, the chain running from her collar to the surface of the couch, and thence to the slave ring fixed deeply in its base. Seeing my eyes upon her she then knelt on the surface of the couch, kneeling back on her heels, spreading her knees, straightening her back, lifting her head, and putting her hands on her thighs. It is a common kneeling position for a female slave." Book 17, Savages of Gor, page 10
"The knees of the pleasure slave, when she is in a kneeling positions, are to be kept open before the master, and, indeed, before all free men." Book 19, Kajira of Gor, page 282
"The woman from Venna, with a movement of chains, moved from her belly to kneel beside his desk. She knelt in the position of a pleasure slave, back on her heels, back straight, head up, knees spread, palms of her hands on her thighs." Book 21, Mercaneries of Gor, page 163
" 'Look up,' he said, 'Kneel straightly. Put your hands on your thighs.' 'Head up. Split your knees. More widely, slut!' " Book 21, Dancer of Gor, page 51
" 'Kneel up,' said a man. 'Higher, up, off your heels. Keep those pretty knees wide. Hold still.' " Book 21, Dancer of Gor, page 99
" 'Why are you not kneeling,' I asked her. 'and with your knees spread?' She was, after all, in the presence of a free man. Too, clad as she was, I assumed she must be a pleasure slave. Such kneel before men in the open-kneed position. She sank to her knees on the stone, and hastily spread them. The cloth looked well, fallen between her thighs, on the damp stone." Book 23, Renegades of Gor, page 121
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