Patrick
Graham
Jack Rutberg Fine Arts
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It’s almost not there. There isn’t much
at first glance, even with long looks, just an irritating sense of contempt
with familiarity. And suddenly you notice the large forms are subtly
sculpted, or a spectacular piece of drawing’s stuck in here, or a
finely-modeled head in a wash with pencil structures superimposed, giving a
flickering instant to this part of the work. It’s the same old thing of
art—you’re there, it’s there, and the word Odalisque
floats away consciously like notes of music inscribed across the canvas, or Breath
or Swan… |
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