Granny Poems
by John Quinnett
"Good Manners"
One of the things I like about Granny
Is her manners. She never forgets them.
Not if you're a guest at the house. Not
If you're a stranger who just happens by.
"Come on in. Git yerself a seat. Are
You'uns hungry? I'll fetch a plate.
There's a-plenty." And she says it like
She means it, getting up from her chair
And stirring around until she's sure
You're comfortable. Then, politely,
With perfect timing, she'll ask about
Your family, comment on the weather,
Or mention something she heard that day
On the news. Her whole aim and purpose
Is to make you feel at home, kindly,
Finely, with manners befitting a queen.
To Granny, it seems to come so natural.
"Walking over Smoky"
It was always her dream.
Talked about it all her life.
Still talks about it
Though now Granny reckons
She's too old to make the trip.
"Lots of folks used to do it.
I never did. You see,
Back then it was hard times,
And I had to keep workin'
To earn a dime. Purdy
Cable asked me once.
She had two brothers lived
Over there, Jess and Rob,
Good boys they was,
But I passed up the chance.
Wish now I'd a-gone.
Ain't that far.
There's a trail takes you
Over Ol' Smoky and down
To Cades Cove
On the Tennessee side.
My daddy done it lots of times."
Walking over Smoky.
Granny's dream.
An old woman, crippled up
With arthritis, barely able
To get herself up and down
The front porch steps,
The only way she can go now,
The only trail left
For her to follow,
Is in her mind.
"The Reader"
Granny likes to read
Her eyes have about give out
But if she wears her specs
And if she holds the page
Up close to her nose
And if she can just quit
Shaking quite so bad
Granny can read all right
The Smoky Mountain Times
The Asheville Citizen
Books even
Or magazines
It's a habit she's had
And won't give up
Though she's close to blind
And you can't help but wonder
Seeing her scrunched up
In her favorite chair
Studying those little squiggles
You know are working alive
Like pollywogs
On the printed page
If maybe she's faking it some
Not that it matters
Not that it matters at all.
"The Guineas"
Granny's chickens are all dead now
Run over in the road, dragged off
By a fox, or a possum, chased down
And killed by Sid, the dog, hens
Screwed to death by roosters, or
Cooked in a pot, disease of course,
They died in a variety of ways.
Only the guineas have survived
To roam the place, weird-looking birds,
Who roost in the hemlock tree
And raise bloody hell when strangers
Come around. Granny likes them.
She sits on the porch and watches 'em
For hours. Watches 'em scurry
And scratch. Watches 'em make holes
In poor Bobbie's flower beds
To dust themselves. Watches 'em fly
Into trees and start an ungodly racket
She can't hear because she's deaf.
Bobbie hates the guineas. She keeps
Begging me to get rid of them
Because of the noise and the holes
They make in her flower beds.
But I keep putting her off, knowing
How much Granny would miss them.
Knowing those guineas give her
So much pleasure. Knowing guineas
Were always a part of her life
When her daddy made moonshine
Down in yonder, sounding the alarm
When some branch-walking stranger,
Some fool, came looking for his still.
"Granny's Bad Mouth"
Maybe it's just her age. But lately
I've noticed that Granny growls a lot.
And breaks into cussin' the cats
At the drop of a hat. "You whore-hoppin'
Sonofabitch," she yells out suddenly,
Taking off a shoe and tossing it,
"Get off this porch!" And the cat
Skedaddles. Looking might confused.
Granny'd just pitched one of her fits.
It happened again a few days later.
"Shit!" she said to the chickens,
For no apparent reason I could tell,
Then laid into the big rooster
For screwing a hen half to death.
"You whore-hoppin' sonofabitch,"
She shrieked, and this time I think
She had it right. Maybe it's her age.
No matter. At 88 you're entitled
To let it fly if you've got a mind to.
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Graphic: Seven-Pointed Cherokee Star
John Quinnett "was born in Los Angeles and, like the guy in
the movie
The Fugitive, I've been running from it ever since. In vain, of course.
For wherever
I go in this wide world LA is hot on my trail. McDonalds, Taco Bell, Burger
King,
shopping malls, twin theaters - the Freeway Culture. If the
future was
LA I desired no part of it. So I left to attend college in Utah (BYU), did
my time in
the army in Europe, liked Europe so much I went back and forth on freighters
for years. Worked lots of different jobs to bankroll my trips, the big gigs
as a social
worker in a black community in Southern California in the middle 60s, then
again later in San Francisco for two years after the heralded Summer of
Love. Moved to
Chapel Hill, North Carolina, in 1970, then on to Swain County in the western
part of
the state. The Great Smoky Mountains felt like home and I've been hunkered
down
here all these years now. Following a series of odd jobs I went back to
social work
in '78 with the Eastern Band of Cherokees on the Qualla Boundary. Twenty-two years
later
and I'm still at it. My first attempts at writing poetry occurred when I
lived in San Francisco. They didn't amount to much. I got more serious
about my writing when
I moved to the Smokies. The mountains themselves inspired me initially.
Then it
was the mountain people and their culture. From time to time I send work out
to
find an audience and have had stuff accepted by various regional
publications: Cold
Mountain Review, Touchstone, Appalachian Heritage, Modern Haiku, Sixty North
Carolina Poets, and others. The 'Granny' pieces are meant as a small tribute
to my
90 year old mother-in-law. She doesn't know it but she's one of my mentors;
one of
the best." -- jq
Graphic: Medicine Wheel
Where the heck am I? --
Whisk me away
text © John Quinnett, graphics © Jeannette Harris, October 2000. All rights reserved.
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