Wilson Roberts has taught English and Creative Writing in colleges throughout Appalachia during his career as a professor and writer. A prolific author in all genre, he is currently working from his northern Appalachian home on a tenth book. Entitled "Catfish Heaven," the novel concerns an artificial intelligence research scientist who attempts to leave it all behind by going from the brain of America (Boston/Cambridge) to its soul (New Orleans) but gets stuck in a little Mississippi town where he becomes infatuated with a fundamentalist waitress in a Catfish restaurant. Contact him by e-mail at robertsw@gcc.mass.edu .
(If you missed Part 1, it's archived in "Word Preserve") ...
"See if you boys know this tune." Gobe drew the bow across the
fiddle strings, looking at the Martins as he swung into "Fire on the Mountain."
They smiled and began searching for chords on their guitars to go with the tune. Gobe slowed down, giving them a chance to fit into the music. He didn't mind. The Martins were all right, for Texans. Besides, their people had migrated to Texas from East Tennessee a couple of generations before. They still had some mountain ways and they loved the music enough to almost make up for them teaching in that Christer college up in Banner Elk. Besides, they'd brought the beer.
Brady's fiddle sounded good. Better than his own, to Gobe's ears. Brady always said he'd never be able to play as good as his daddy, but he did and Gobe was pleased. He'd started the boy playing on a little old hardwood fiddle he'd made for him the Christmas he turned four, and now his "Fire on the Mountain" sounded as good as any Gobe had heard.
He let his playing soften, bringing Brady's into the lead, smiling and nodding at his son. When the tune was over, one of the Martins let out a whoop. It was the fat one. Gobe never got their names straight, just thought of them as the fat and thin Martins.
"That was really fine music," the thin one said, opening another beer. "Where'd you learn to play like that, with the little rock you give the bow, and all those grace notes you put in the tunes?"
"From my daddy," Gobe said, coughing, pressing a hand tight against his chest. "He was the best fiddler on Valley Mountain. Ever anybody wanted to have a dance they'd say go up on Dutch Creek and get that Ben Rightly. He'll set the dance floor on fire."
Brady laughed. "That was a long time ago, Daddy. Now they say go get that Gobe Rightly."
Gobe smiled, his face reddening. "It's about time they came to get that Brady Rightly for their dances."
"Not yet, Daddy. You got a lot of dances left to play."
"I don't think so, son." In the silence that followed, he noticed the Martin boys looking at one another, the fat one nodding cautiously at
the thin one.
Brady dropped the subject as Gobe picked up the fiddle and started playing "The Devil's Dream," ignoring the burning pain spreading from his lungs across his chest.
Later, as the Martins were leaving, Gobe, Emily and Brady walked them and their wives to the trail head leading down to Dutch Creek Road where their cars were parked.
"It's been good music, boys." Gobe clapped them on their shoulders as they reached the trail. "Why don't you folks just stay all night and we'll make some more tunes after supper?"
"I think we'd better get on home," the fat one said. "Why don't you just come along with us and make music up in Banner Elk?"
Gobe ended the ritual good-bye. "Thanks boys, but we'll just stay here. You come back now."
The fat one nodded. "Probably next week. Maybe then we can talk again
about us buying that lower thirty acres of yours."
Shrugging, Gobe smiled. The Martins hadn't mentioned the land yet today. They were getting subtler about it. Duane and Roy had
been trying for two years to buy the acreage Gobe had down along Dutch Creek Road. They wanted to build houses for themselves and two or three more to sell so they could have the rest of the land and their houses free and clear.
"Those boys would make pretty good neighbors," Brady said as the Martins moved down the trail out of earshot. "We'd have all
kinds of good music up here, just like we used to, don't you think, Daddy?"
"Be no different than selling it to developers except for the music. They'd sell off lots and build houses for Florida people just like that damn corporation that bought Roby Trivette's place."
"They're pretty good boys, though."
Gobe looked at Brady. "They're Texans and they teach at that
Christer school, with all them preachers and their damn nosy ways of poking into peoples' lives. It's no matter those boys' folks come from East Tennessee originally, and no matter they pick their guitars pretty good. You can only trust people like the Martins so far. They make good
guests and they might make pretty good neighbors, but you can't trust them with the land."
"Times change, Daddy. It's not the same it was when you could get by like your daddy and his before him, raising a little tobacco, selling galax and ginseng."
"You could do it, if you was willing to take the time. There's no good reason for you to be working in that Japanese electronics plant down to Boone."
Brady shook his head. "We got to pay land taxes and they get higher every year, and look at what's happened to the tobacco market. You know it
ain't going to get better, not with all the laws they're passing about smoking and all the cancer
they say it causes."
"There's still the 'sang and galax. There's a living for you and you don't have to work for nobody but yourself."
Brady shook his head again. "The way land's being sold off around here, there's not going to be any open woodlands you can just wander over
and pick them from. There's going to be fences and walls and signs all over these mountains."
Gobe sucked air through his teeth. Brady was right. There was no point talking about it, and he surely didn't want to think about it.
"You'd sell them that land down there?"
Brady nodded.
"The whole thirty acres?"
"Why not? It's just woods and ledge. It won't ever be any good for planting, even if you was to clear it, not
with all them rocks and boulders."
"What about the fields and the highlands? Would you sell them too?" Brady reached down and picking a blade of grass, started chewing on it.
He looked out at the view from the trail head. The air was autumn clear and he could see all the way to Tennessee, Roan Mountain rising in the distance. Taking a deep breath, he met his father's eyes.
"I would hate to."
Gobe looked at him for a moment, then smiled,
reaching over and putting his arm around Brady's shoulder.
"I hate to think you would, but
it won't happen until I've walked out, so I don't guess I'll ever see houses all over this part of
the mountain. I want to think it won't happen until after your mother walks out too."
Brady
silently crunched on the grass, looking out over the hills. Then he spit out the chewed blade
and reached for another.
"It won't, Daddy."
Leaning over, he gently kissed her cheek. A few hours before they had made love for the first time in months. With her arthritis and his failing lungs it was often a painful effort and they rarely made it anymore. But this had been special, filled with the kind of sweetness they had known years before. Afterward they had lain snuggled close together talking about their youth and laughing softly. Rippling shadows from the old glass panes moved over the walls. Touching her hair, he kissed her a second time. She stirred, and smiling in her sleep turned on her side, snoring lightly. The rustling sounded again. Easing himself from bed, the floor cool against his feet, he crossed to the window. Looking out at the night, the field bathed in moonlight, he thought he saw a large dark shadow speed around the garden and head for the woods. Humming to himself, barely realizing the tune was "Fire on the Mountain," Gobe slipped into a white shirt and clean overalls, pulled on his socks, tied the laces of his heavy brogans and walked into the kitchen. He found a beer in the ice-box and sipped on it as he folded the plastic red and white checkered tablecloth and put it in the back pocket of his overalls. Taking his fiddle from its peg on the wall of the living room, he walked out to the porch and sat, drawing the bow quietly across the strings. The top one was sour. Adjusting the tuning pegs, he played music as soft as the singing of crickets in the moonbathed fields. Clouds crossed in front of the moon, their shadows skittering over the land, disappearing as they came to the woods. That must be what I saw, he thought, watching them. It must have been shadows from the moon. After all, what else could it have been? He didn't know if he was relieved or disappointed. The music felt good. It always did. The fiddle never changed. However much his lungs might hurt, the fiddle was always there. Music was always there. He might not dance anymore, but others still danced when Gobe Rightly fiddled. Work was pretty much gone. Even lifting a hoe in the tobacco patch could make him double over from pain. Lovemaking with Emily was rare. But he made music every day, the air of his bow blowing over the earth of his fiddle, rising above the land on Dutch Creek where Rightlys had been making music since they first came into this country. He rose, stepping off the porch. Dewy grass caught the moonlight, looking like bright blades of glass sparkling beneath his feet as he walked across the lawn and into the field toward the distant tree line, the fiddle tucked against his chest as he played tunes older than any words he might use to name them. Halfway to the woods, a cloud passed over the moon. He stood in its shadow, fiddling until it was gone and moonlight once again sparkled on the grass. Then he continued toward the darkened tree line, beyond which ancient Indian trails led to places he'd been many times and knew well, and to one place he'd never been. Reaching the end of the field, he stood fiddling and staring into the darkness. Night birds and crickets sang back, the soft movement of leaves in the woods accompanying his music. Then, from deep among the trees came the strange rustling. He stopped fiddling, straining to hear. The breeze had died and he knew it wasn't leaves or branches. It was something else. Gently, he carefully wrapped the fiddle in the tablecloth and laid it on a tree stump. Emily or Brady would find it in the morning and understand. The rustling came again and Gobe stepped into the woods. Moonlight filtered through the leaves making bright patches on the trail as he walked along a path among the trees. Even in the night he recognized the place where he crossed the line marking the end of Rightly land. Just ahead the trail forked, the right leading west to Tennessee, toward Roan Mountain, the left veering south and east toward Hickory. He went to the right. Whatever had been rustling as he stood fiddling at the tree line, was gone. It wasn't as though it had grown quiet, waiting, watching as he moved. It was gone. He knew it as surely as he knew he was walking out into the woods, deep woods, dark woods. It had gone ahead, toward an obscure and grassy trail, moving sveltely through the saplings growing along its center. In a few more years they would be full grown trees, their heavy roots swelling the earth and hiding forever a trail which should never be hidden. Brady would not find it. His children, should he have any, would not even know it had existed. Gobe sighed, pain shooting through his chest. There was nothing more he could do for Brady. He'd given him the music. That would have to be enough. Perhaps the Martin boys would be good neighbors. They loved the music, even if they did play it on guitars. Brady could teach them the tunes. That way something of the old music would remain on Dutch Creek, beyond the road, beyond the falls, up on the Rightly land where it had been played for generations. He came to a creek, foam around the rocks white in the moonlight. Stooping down, he cupped the cold water in his hands and drank. It was sweet and flowed down his throat. He stooped for a second drink, then a third. The trail followed the creek for a mile before turning sharply away and leading up a long steep hill. Gobe's lungs burned, his chest in agony as he climbed. It had been years since he walked any of these old trails. He was glad he didn't have much farther to go. At the crest of the hill he stopped. Holding his chest against the pain of breathing, he watched shadows drifting across the moonlit tiers of mountains. Surely there was never a more beautiful land, great mountains and steep valleys carved by rushing creeks, meadows where sheep and cattle grazed, soft hollers where homesteads weathered the Appalachian seasons, where men and women still made the old timey music and told the old timey stories. Everything here had once seemed eternal. He hoped the Martin boys wouldn't bring electric guitars to Dutch Creek. He started downhill. Fifteen minutes later he stood at the ancient trail head, its grassy cover and sapling growth visible in the spots of moonlight coming through the trees. Leaning over, he gathered a handful of dirt from the Roan Mountain trail, letting it sift through his fingers and fall to the ground, pebbles and small clods of earth bouncing from the tops of his shoes. He wiped the remains on his overalls before stepping onto the obscure path. As his feet brushed the dewy grass he thought he heard music in the distance, a band of fiddles playing "Fire on the Mountain," and softly, at a far greater distance, the sounds of drums and chanting. He stood, straining to listen as it faded and was gone. Imagination, he thought. Smiling at himself, he walked down the path. He did not see the smooth shadowy figures weaving among the trees on either side of the path. Following his movement with bright yellow eyes, they leapt with joy at his progress, as if welcoming the arrival of an old friend.
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