This epic poem weaves Celtic cadence with the lyric imagery and folksong traditions of central Appalachia.
by Wilson RobertsBOLT UPRIGHTFor Carroll Williams[Letter from Gary C.] "Wil---Guess you've heard about Carroll by now...if not, he was killed three weeks ago...hit by lightning...he and Joan were out working on their shrubbery farm in Banner Elk when Joan heard a crack of lightning behind her, and when she turned, Carroll was dead on his feet."
The image persists. A big man stands outlined against mountains and darkened sky, mouth half open as if to say ---well goddamn, what is this--- The image persists: mingling with three dead crows hanging from poles in a Beech Mountain cornfield, feathers glistening from recent rain, sacrifices to forces we name, worship, fear, their powers unchanged by our regard; mingling with Ray Hicks, eyes closed, telling ancient tales as he rocks in a chair beneath hex signs he has painted on the porch ceiling, Black clouds gathering over the Beech, thunder moving closer, as Jack sets out to stop the Northwest Wind, "'Oh Jack, ye don't want to do that,' the old man said, eyes blue as a winter sky hair alive with birds, snakes, ground squirrels;" mingling with the Presnell graveyard near the summit of the Beech, October Nineteen Sixty-Seven, Carroll standing by the rusted Fifty-Two Ford pickup we'd used to haul Pat's body up the mountain, spots of sunlight visible through low clouds. well goddamn what is this shit anyway After Pat's burial we stayed drunk for a year. Carroll would laugh at times, "Goddamn, poor old Pat! "Gives me shivers whenever I think of him "pointing to that operating room door. "I'd sure as shit hate that." Carroll, outlined against mountains and sky, mouth half open as if to say well goddamn what is this shit anyway what is this shit anyway goddamn CHORUS Mmmm Mmmm Lord I got those Beech Mountain Lightning Blues Lord Lord Lord I got those Beech Mountain Lightning Blues From the top of my head To the bottoms of my working shoes And they're driving me Yes driving me Insane From the Hicks place a path goes down the hollow into the woods by a dark spring. Huckleberries, blackberries, wild apples, surround the waters, four cairns enclosing the ground as securely as a wall, on the topmost rock of the northern cairn slight traces of crimson. Silent flow from cleft rock has washed away flesh and blossoms since long before the first Cherokee cupped its waters, knew its strength. On hands and knees I lap from it, my wolfen teeth aching from the cold. The earth trembles, as though forces within strain to join those behind dark clouds. Dark spring, dark earth, dark clouds, darkness enough for any theological madman dwelling on darkness, ignoring the brilliance which can bridge it, crashing, blinding power which burns its conduits. Storytellers have sat by this spring, bound by these cairns, their ancient tales punctuated with birdsong, crickets, rustlings in the bush, as twilight loses the heavens and night falls, a walking shadow across a landscape only slightly altered by the Century. Nearby hollows still ring with modal tunings as dancers move across ridges digging galax and ginsang root, chanting ballads made half of words, half of syllables faintly understood. Filled with water, unslaked, I rise beneath the clear moon, quartered, ringed, fenced in by lines joining the cairns, protected from night things of the Beech, devourers of flesh, drinkers of blood, creatures never seen, but felt, heard; sudden creatures whose beauty lies in silence, swift creatures whose grace lies unseen, fierce creatures of awesome neutrality, and beyond them, beyond me, beyond cairns, springs, moons, a force, locked with earth straining to meet that from air, straining seeking any conduit. CHANT Hei dydl! Ho dydl! Hie dydl doun! Bow and balance to me Hei dydl! Ho dydl! Hie dydl doun! Bow and balance to me "Goddamn, Wil, play that Sargeant Pepper album again." The first night of November, Nineteen Sixty-Seven, the fifth night of a bender which would last until May, the frenzy of a mourning which would never end, just slowly abate, dissipate, become diffuse in subsequent loss, in later joys; a mourning finding its last focus on that inevitable loss of self, that crazed structure we spend a lifetime building. Well goddamn what is this shit anyway The pop of a Colt 45 can, one of a case fetched from Tennessee because the only beer in North Carolina was 3.2, caloric water no respectable mourner could get skunked on. Pat had a gut ache and no insurance. By the time they wheeled him to surgery his bowels were knotted, his belly filled with poison. "I'm not coming out of there." The nurse pushing the gurney heard him, saw him shaking, pointing at the door. Pop. Here's to you Pat. well goddam what is this It's you Carroll, standing straight on top of Beech Mountain. Did you know, as charged earth and sky met within you, did you join with that surge of power or was it a clap of erasure? Were you alive we could laugh at your death. 'Poor old Carroll," you'd say. Random shit, damned electrons shifting chaos we dare name with unspeakable words in hidden languages CHORUS Mmmm Mmmm Lord I got those Beech Mountain Lightning Blues Lord Lord Lord I got those Beech Mountain Lightning Blues From the top of my head To the bottoms of my working shoes And they're driving me Yes driving me Insane Ba ba ba lili ba Sing faden dilly and daden dilly Sing faden dilly and deele dan With my fa ding diddle Sing trang dil do lee Jack, if ye will forget about stopping that Northwest Wind I will give ye a present I will give ye a table cloth forever filled with food and drink I will give ye knowledge of mysteries I will lead ye to a spring of dark water in hollow bounded by mountains where ginsang diggers line the ridges and lambs still die upon stone altars blood soaking into charged earth as their last bleats echo against the Beech a hollow where the Northwest Wind never blows a dwelling place for God, or something. I will take ye there, Jack if ye will forget the Northwest Wind I will teach ye names of forces I will show ye their faces I will teach ye tongues beyond meaning I will reveal the truth of hanged crows and teach ye to read their fall of feathers ye will learn songs Jack songs of the joining of earth and air these things I will teach ye these things I will show ye I will show ye a rock where silent water flows into a pool where moonlight shines one night a year I'll show ye a rose white as the snows save for a blood red heart ye will sing in new modes ye will dream of new roads which will never appear on a chart so put down your wind still dreams ye might as well go pushing streams back from the sea into the hills where they spring from rocks in hollows where thrills come from the earth every day well goddamn CHANT Hei dydl! Ho dydl! Hie dydl doun! Bow and balance to me Hei dydl! Ho dydl! Hie dydl doun! Bow and balance to me Aztec priests held pumping hearts to the sun to appease the gods, then ate the remaining flesh. There are no Aztecs. Judaic priests slaughter lambs, finally, in lieu of firstborn sons to appease their harsh god of thunder, lightning and barren mountain top. Christian priests cringe before a maypole of death. The songs of Cherokee shamen have not been heard on this mountain since Jack slithered down the bean tree with his booty of gold and melody. The four cairns by a silent stream are piles of cold rocks and Carroll Williams lies dead from lightning on a sun filled day. CHORUS Mmmm Mmmm Lord I got those Beech Mountain Lightning Blues Lord Lord Lord I got those Beech Mountain Lightning Blues From the top of my head To the bottoms of my working shoes And they're driving me Yes driving me Insane So you're dead, Carroll. Tough shit. The worst thing about dying is that you never have enough time to mourn your own death. The best thing about dying is that you can finally stop mourning your own death CHANT Hei dydl! Ho dydl! Hie dydl doun! Bow and balance to me Hei dydl! Ho dydl! Hie dydl doun! Bow and balance to me In the hills of Massachusetts another winter is coming; a few leaves cling to oaks, the rest have been raked, dumped into bags or banked behind tarpaper along house foundations; woodpiles have begun diminishing and on rare mornings powder dustings of snow melt in the early sun. By my reckoning below the high ridges of the Carolinas the dark hollers of the Beech are colder, have fewer leaves, the earth around Carroll's shoulders already conducting currents of frost. Soon skim ice will top my dark spring and green stalks of July will stand leaning in brown fields beneath the pale autumn sun. In the hills of New England we await snow with anxious pleasure this rare warm October. People will play on it, shelter from it, lie beneath it as the Northwest Wind blows through valleys, over mountain tops. Ah, ye will never stop it Jack that Northwest Wind. Don't try. I stand here by the roadside, wild critters dwelling in my hair, beard blown back, eyes blue as skies of ice, to warn ye, Jack: forget the wind and I will take ye where it is warm. I choose to believe I have stood by this road for ages, demanding of the young that they leave the wind alone. Each day I clear my tablecloth of crumbs, fold and put it away, in the pocket where my coin sack lies, setting out through woods where trees are doubled over. Each day I find ye, Jack, here to stop the wind. Each day ye have forgotten, Jack, the promises of yesterday. I walk the woods by silent springs over hills where Cherokee shamen sang, my gunny sack over my back, to gather healing wild herbs, roots, galax and ginsang; as I walk, nameless tunes play through fiddlestrings of memory until I am once again by this roadside Jack imploring that ye pay no heed to the wind. Prayer is futile against fire and flood; death is tied up in sacks only in ancient tales; earth and sky must wed in wind, in undeniable forces; leaves will fall snows will come lightning will crack I will stand by the roadside until the elements prevail Jack and ye and all like ye are gone Jack CHORUS Mmmm Mmmm Lord I got those Beech Mountain Lightning Blues Lord Lord Lord I got those Beech Mountain Lightning Blues From the top of my head To the bottoms of my working shoes And they're driving me Yes driving me Insane |
Wilson Roberts has taught English and Creative Writing in colleges throughout Appalachia during his career as a professor and writer. A prolific author in all genre, he is currently working from his northern Appalachian home on a tenth book. Entitled "Catfish Heaven," the novel concerns an artificial intelligence research scientist who attempts to leave it all behind -- by going from the brain of America, Boston/Cambridge, to its soul, New Orleans -- but gets stuck in a little Mississippi town where he becomes infatuated with a fundamentalist waitress in a Catfish restaurant. Contact him by e-mail at robertsw@gcc.mass.edu .