Let me ask in
advance for everyone’s tolerance and patience for any errors I may have made
this time. Like last time (Third 2004
Update), I am heavily involved in a master’s degree program and sometimes do not
have the time to check everything. This
is not because I am sloppy, unconcerned, or stupid. It is because I am swamped with work. Why do I do this website then, you ask? Well, it’s because I love doing it and it is great therapy.
Second,
this issue is dedicated to the passing of Quorthon. I’m not sure that there is another figure in
the world of metal that has loomed any larger than this mystagogue. Critical Metal salutes his legacy! Favorite album: Twilight of the Gods.
Finally,
remember that I do not claim the most scientific methods to my reviews. My rating is based on how much I FREEKIN’
LIKE the music or NOT! This time
around, you will notice that there are a lot of high ratings (I usually don’t
include anything below a 6). I was very
happy.
AFTER
FOREVER
“Invisible Circles” (12
tracks). TRANSMISSION/THE END RECORDS.
Rating: 9.5.
Watch
out Tristania and Sins of Thy Beloved—Oh my goodness! This CD exploded in my stereo from the very beginning and was one
intense musical experience from beginning to end. After Forever are a full-on symphonic metal sextet complimented
with all sorts of stringed instruments.
They already have a full resume, and now their dynamic music has been
made available in the U.S. thanks to a distribution deal between their label,
Transmission Records, and The End Records.
Thank you!
Invisible
Circles is, as you may have guessed, a metal opera. It has all the expected parts: story, gruff
male and soprano female vocals (Floor Jansen is an outstanding soprano),
orchestra, heavy duty parts and light parts, and dialogue. The diary entries in the CD booklet are also
a nice touch. Obviously a lot of
careful thought went into the story. It
is a soap opera about the struggles in a family where careers, personal interests,
and an unexpected child come into conflict.
That child is the focus of this story.
Like many operas, it is somewhat tragic—in the Greek sense. That’s all I will say, except that the story
may “hit home” for some listeners. One
gets the impression that it was written well before the band even went in to
the studio.
The
promo sheet compares After Forever to Dream Theater, The Gathering, Nightwish,
and In Flames. I pretty much agree with
the first three, but don’t get the last one.
However, I think the best comparison for After Forever would be
Tristania and Sins of Thy Beloved primarily, Wolverine, Morifade, and Eldritch
(see below) on a secondary level. In
terms of storyline but not music, think Green Carnation. Be sure and check out their MP3’s and videos
at www.theendrecords.com and www.afterforever.com.
ASRAI “Touch in the Dark” (tracks).
TRANSMISSION/THE END RECORDS.
Rating: 7.5.
Asrai
is a band from The Netherlands also on Transmission like After Forever (see
above). Their style is more properly
called gothic metal. Their music
conjures up images of Susperia, and darker versions of Nightwish, Lacuna Coil,
and The Gathering. Surprisingly, this
band was formed in 1988. Vocalist
Margriet Mol reminds me of Sabine from Eden Bridge. A fine album for sure, but not extraordinary in my view.
BORKNAGAR “Epic”
(12 tracks). CENTURY MEDIA.
Rating: 9.5.
I
have a tremendous amount of respect for this band. In my mind, many Norwegian bands have become cliché, but not
Borknagar. They ooze atmosphere as well
as professionalism. Over the years, the
departure of members such as Garm (Ulver, Arcturus, etc.) and I.C.S. Vortex
(Dimmu Borgir) has never diminished the band’s quality or sense of
identity. And since the addition of
Sweden’s Vintersorg on vocals back in 2001, the band has never been
better.
For
those who don’t know the band, the current members of the band are themselves a
virtual “Who’s Who” of Scandinavian folk/pagan/black metal: keyboardist Lars A. Nedland is in another
highly respectable band, Solefald.
Drummer/bassist Asgeir Mickelson also has an impressive resume, doing
time in other acts such as Spiral Architect, Vintersorg, and Testament. Each of these members add their own
distinctive touch to the band. But of
course, the bedrock of the band is the steadfast Oystein G. Brun. If Borknagar were his only claim to fame, it
will be more than enough. He deserves
credit for Borknagar’s incredible 6 album career thus far. If you have never heard them, they are a
progressive Norwegian metal band that sounds somewhat like Arcturus.
I
was taken by surprise when I realized that Epic is the first album
Borknagar has done in three years. Has
it really been that long? And of
course, members of the band did other things.
Vintersorg put out Visions from the Spiral Generator, and
Solefald did In Harmonium Universali; two very fine albums. Needless to say, these guys are “keeping it
fresh”. I almost always like it when a
band takes an extended break between albums anyway. They typically make better albums that way. This is definitely true for Epic. I loved Empiricism when it came out,
it was my favorite Borknagar album. But
this new one is an equally satisfying sequel.
There is no doubt in my mind that they took their time in order to
guarantee the quality of this release.
For
those who have followed this band for a while, you will that notice the cover
art (done by bassist/drummer Asgeir Mickelson) looks familiar. It is a collage of previous cover art,
implying that this new album is an amalgam of Borknagar’s past work. From the majestic opening sounds of “Future
Reminiscence” and the Vintersorgian flavored “Traveller” (misspelled on the
promo copy) and “Origin”, to the lovely strains of “The Weight of Wind”, to the
furious “Resonance” and so on, Epic delivers the essence of Borknagar in
undiluted form. (Notice, too, that
there is even a song called, “Quintessence.”) Believe me, Epic is not just “12
new songs by Borknagar,” it is a carefully constructed masterpiece. One of this year’s highlights.
ELDRITCH “Portrait of the Abyss Within” (11 tracks). LIMB MUSIC PRODUCTS.
Rating: 8.
If
are into bands like Wolverine or Dan Swano’s Nightingale, you
will dig this band. Also, in my last
update (Third 2004), I reviewed Morifade (Candlelight), and in the
previous update (Second 2004), I reviewed the Revoltons (Arise); well,
Eldritch strikes me as one of these kinds of bands. Very aggressive prog.-power metal with psychological themes and
interesting lyrics. After all, just
look at the title, Portraits of the Abyss Within. In one hyphenated word: thought-provoking. And, they have one of the meanest sounding guitar tones of any
prog-metal band I have heard. Also, see
After Forever above.
GOATSNAKE “Trampled Under Hoof” (5 tracks). SOUTHERN LORD.
Rating: 7.
To
me they are one part old Trouble (Psalm 9 era) mixed with Lynerd Skynerd. They are pure southern doom (also, think Eyehategod
and Sofa King Killer). It makes sense,
then, that the last two songs on this CD are cover tunes, one from St. Vitus
(“Burial at Sea”), the other from Black Oak Arkansas (“Hot Rod”). The first three songs are totally new with
guest vocalist by Pete Stahl formerly of Scream and Wool (whom I have never
heard). To me he has a voice like the
singer for The Cult, but it fits the music quite well. The three new songs, “Portraits of Pain,”
“Black Cat Bone,” and “Junior’s Jam” are doomy, sometimes groovy, and
occasionally funny. “Junior’s Jam,” for
instance, begins with some ominous chanting, like what you might hear in a
1970’s satanic movie (think “Devil’s Rain” here), and ends with—well, let me
not spoil the surprise. But it is quite
funny to me. The only reservations I
have about this album are the drug references at the beginning of “Hot
Rod”.
ICYCORE “Wetwired”
(12 tracks). LIMB MUSIC
PRODUCTS.
Rating: 6.5.
Hmmm…
it seems promising, but is a little hard to get into. Icycore make me think of prog-metal bands like Veni Domine on the
one hand, and a lighter version of Forlorn on the other. I guess you could call them “cybermetal”
based on their lyrics and image, but they are not as heavy as you may expect. In a sense they are very traditional. They have clean vocals and strong keyboards,
along with the heavy guitar. Nice
vocalist, reminds me of Ulf Christiansen, if any of you readers know who the
lead singer of Jerusalem was. In the
end, it is still hard for me to find the right words to describe them. Suffice it to say that there aren’t a lot of
groups out there to compare them to.
INNER
WISH “Silent
Faces” (10 tracks). LIMB MUSIC PRODUCTS.
Rating: 9.5.
Okay,
so I practically never write a negative review for bands on LMP. Just about everything that comes out on this
label is excellent. Even so, there are
from time to time releases that leave the others in the dust. Over the years, bands like Human Fortress,
Vanishing Point, and Gothik Knights have stood out as exceptionally good in my
opinion. Now add Inner Wish to that
list. This album has slowed down the
reviewing process for me because I have listened to it so much.
There
are so many things to say about this CD that I hardly know where to begin. First of all, this band knows how to relish
a cool riff. One of my favorite songs,
“If I Could Turn Back Time” starts off with a killer crunchy riff that makes me
want to get up and start kicking the furniture over. Secondly, the guitarists do a combination of dual lead solos with
some good old-fashioned showing off on the fretboard. Most important for me, as far as the music goes, is the way they
have created a particular sound that, when analyzed, can lead one to compare
them to a broad variety of influences.
“Hold On”, another killer tune, may cause the listener to recall some
Hank Sherman like riffs (Mercyful Fate) mixed with something from Cage’s
“Darker than Black”, while the chorus is very singable, almost like early
Stryper. As weird as that description
may seem, it sounds really good. Other
songs, like “Silent Faces,” will remind the seasoned metal fan of some of
Dokken’s heavier moments. But from the
overall style, especially the fast-paced, double-bass drumming, my hunch is
that this band is from Scandinavia (I have no promo sheet for this band).
There
isn’t a bad or even mediocre song on this disc; any one of them could get
airplay. “Hold Me Tight” was included
on the recent LMP sampler CD, Sounds of the Dragon. But in my opinion, the song “Realms of Tomorrow” is the absolute
best song. If anyone ever makes a movie
about my life—like that’s going to happen!—I want this song to be the movie
theme. Whoever the vocalist is, (I have
no biographical information) he has a very manly sounding tenor voice. It’s not high-pitched or whinny sounding,
but very musical, very memorable sounding voice. It would not surprise me in the least to find out that he has had
some vocal training. I feel confident
that this disc is going to make my Top Ten of 2004 list.
KROKUS “Fire and Gasoline” (2 discs. 20
tracks). REALITY ENTERTAINMENT.
Rating: 8.5.
[due to some mistakes* I made last time, continued
listening, and the arrival of the studio album, I thought it appropriate to
rewrite this review].
One
of the advantages of a band like Krokus making this comeback is that they can
do a double-live album like this one and get better sound quality/production
than they could have gotten in their earlier career. But there is always the fear that after so many years a band may
not be able to live up to their former glory.
Well, put your fears to rest because Marc Storace and Fernando Von Arb
have pulled off a highly convincing performance. Whether it is Geritol or Viagra, something has kept these guys
from growing moldy with age. If you are
a Krokus fan from way back, you’d be a fool to miss out on this one. If you are not, I recommend giving them a
listen.
For
those of you who aren’t familiar with this band, Krokus is the 80’s metal band
from *SWITZERLAND with the vocalist who sounds a lot like Bon Scott. Krokus is like *SWITZERLAND’s version of
AC/DC meets Accept with a little Quiet Riot and Van Halen (David Lee Roth era)
mixed in. In their day they were metal,
today we would call them hard rock.
This two disc, more than two hour CD set contains many of their
well-known hits from the late 80’s and several of the awesome new songs from
the new album (see below). I will have
to say that I have gained a new respect for this band because of these two
discs, and especially the new album.
This band helped pioneer the 80’s metal sound, which included a stronger
sense of musicality than some of their successors. It’s heavy, it rocks, and it could be played on your local hard
rock station.
KROKUS “Rock the Block” (14 tracks). REALITY ENTERTAINMENT.
Rating: 9.
As
I indicated in my review of Fire and Gasoline Live, Krokus do not sound
like a band making a grab at their glory days, they sound like prime
Krokus. The reunion of Marc Storace and
Fernando Von Arb is a real boon for crotchety old metalheads like myself who
lived through 80’s metal. Today we
would simply call this music hard rock.
But there is still something to be said for a good chorus and an
occasional power anthem. There are a
number of songs on this album that, were it released in 1987, would have made
big hits on MTV.
As
I finally set about to write this review, I realize that I have probably heard
this entire album at least 25 times.
Rarely these days do I become so familiar with a CD that I can remember
what any of its songs sounds like simply by reading the titles—too many CD’s to
review—but with this album, I can probably sing most of them (of course, it
would sound like Alfalfa singing them!).
There are party songs like “Go My Way” and “Rock the Block,” socially
aware songs like “Mad World,” “Looking to America,” anthems like “I Want it
All” and the sober “We’ll Rise,” etc.
My only real criticism is that occasionally the lyrics can be cliché. I realize that this is part of the 80’s rock
lyrical mentality, but sometimes couplets of clichés gets a little
tiresome. This is not a big criticism,
just a minor gripe. But as you may have
already figured out, it hasn’t kept me from enjoying this album.
MAGIC
KINGDOM “Metallic
Tragedy” (10 tracks). LIMB MUSIC PRODUCTS.
Rating: 8.
You
can imagine what this band sounds like from their name and album title. Magic Kingdom sounds to me like a mixture of
the guitar style of Narnia and keyboard style Warmen (as in Jan Warmen of
Children of Bodom. He has an incredible
solo album called, “Beyond Abilities”.
This is what I am referring to).
It is really an enjoyable combination, but beyond that, it is not
necessarily innovative or different.
The lyrics are exactly what you would expect, and for the most part, if
you are into early Nocturnal Rites, you will love this. The real surprise on this album comes at the
end. This last song on this CD is worth
the price of the album alone. It is a
long epic—the title track—which catches you off guard as they morph seamlessly
from classic metal to black metal and back utilizing about three vocalists to
handle the transitions: clean male,
soprano female, and black metal shriek.
NEWS,
LINKS, ETC.
1.
Soul Shroud at www.soulshroud.com
are very eager to be heard. They have
sent me about 1,000 e-mails asking me to give them a link, which I did. Check’em out.
2. Check
out Sagitta, a melodic power metal band from Brazil, at www.sagittametal.com.
3. Speaking
of metal bands with long careers, check out the latest on Vicious Rumors at www.solmusic-productions.com. They will soon have a DVD available, and a
new album deal has been signed with Holland’s Mascot Records at www.mascotrecords.com.
4. Check
out Faust at www.deathmetal.it.
5. UTOPIA
BANISHED from Queens, New York play melodic death metal in the vein of At the
Gates, Amon Amarth, Dissection. They
have MP3’s at www.utopiabanished.com.