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Full
Name:
John Noble
Birthdate: 20/8/48
Birthplace: Port Pirie, South Australia
Hair Color: Dark brown
Eye Color: Blue
Height: 6'1"
Spouse: Penny
Children: Samantha (19), Jessica (17), Daniel (13)
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John
Noble has been delighting audiences worldwide with his talents as
both an actor and a director for more than twenty-five years. As
Artistic Director of the 'Stage Company of S.A.' for ten years, John
Noble was involved in South Australia's cultural explosion in the
1970's and 80's. Noble performed with all major arts companies
of the States and directed over 80 plays. Other highlights include:
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- he was
touring Australia and giving 240 performances of the one man play
The Christian Brothers
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he
served
an eight-year term as a Trustee of the Adelaide Festival Centre (in
that time he was associated in the Australian productions of Cats
and La Miserable)
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Commissioning
and directing the enormously successful Percy and Rose for the
1982 Adelaide Festival of Arts and subsequent National tour
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chairman
of the inaugural Australian Drama Festival in Adelaide in 1982,
and was a foundation member and chairman of the Association of
Community Theatres
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Overseas, he directed David Williamson's
Sons
of Cain
on London's West End, among others.
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acted in an award winning production at the
Edinburgh Festival in Scotland
(Rob George's Errol Flynn's Great Big Adventure Book For Boys)
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was a cultural guest in Texas as part of S.A's
sesquicentennial sister-state celebrations
in 1985
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in 1986 represented Australia at the
New Zealand Playwrights Conference in Christchurch.
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He
has a private teaching studio specialising in presentation skills,
accent modification, and film and TV performance and audition
preparation.
As
an actor, he has had guest roles in TV series Big Sky, Police
Rescue, Water Rats, Timetrax, Above the Law and Tales of the South
Pacific. For the last two and a half years he has a semi-regular
role in All Saints as the neuro surgeon Dr John Madsen.
He
appeared in the mini-series Hills End, and films The Dreaming,
Nostradamus Kid, A Sting in the Tail and Call me Mr. Brown. In
1999 played Sorrentino in the telemovie Airtight, and Mr. Norris
in the feature film The Monkeys Mask. In 2000 he played a support
lead in the telemovie A Virtual Nightmare. |
Interviews
and Reports
Harry
Knowles reports
on Denethor.
Here's an excerpt from the article:
This is a damn cool set.
Right now as I type this, I’m in… what I believe to be Minas
Tirith’s Tower Hall.
The actor, John Noble, I
believe is the bordering on madness King… Faramir has just now
given his report to his liege and father. Denethor is of course
outraged at the turn of events, convinced that his now departed
son Boromir would have brought him the ring. The shot I’m
watching is the camera, solely upon Denethor.
I’ve never seen this actor
playing Denethor before… But he has a look of evil and twisted
humanity and sadness all about him. A look of desperate frailty…
His hair long and stringy… peppered black and white. When he
smiles with a mad Manson-esque look in his eyes… which quickly
transforms into a snarl not unlike that of wild dog. He is, quite
scary and disturbed looking.
Meanwhile, just behind the camera for eyeline acting and line
feeding is David Wenham as Faramir. He is out of armor…. And is
now wearing his brown leather two buckled boots…. No heels, flat
across the bottom… an olive green flat of cloth covering his
below abdomen and legs…. He’s wearing the leather chest piece
with the embossed symbol of… the tree in a used and cracked up
silver lamet type deal. Though, it is well worn…. It has seen
better days…. Faramir is in the absolute best of ‘olden’
times garb… not the brilliant colors of the 1950’s knights in
armor….
But more muted… real
colors. Everything worn, nothing new looking.
Denethor…. Well when I
described his hair to you, in a way, that describes the entirety
of his character look. Salt and pepper. He has the days growth
peppering of stubble…. His robes a deep deep black with silver/grayish
fur…. For me, I’ll call it wolf pelt, but it would probably be
something a bit more… a bit of higher standing.
Meanwhile, in the 2nd Unit
monitor window, I see what seems to be a coronation scene. This is,
well, the coronation scene. I suppose at one level I could be on
that set, but frankly… this scene is of more dramatic oomph.
Besides, I’ve been curious how good this John Noble chap is. I
have to say… DAAAAMMMMNNNNN, intensity is not an issue… I’ve
watched 9 takes of this one scene… and everytime the look in his
eye… the ferocity… followed by a look of loathing… then
fatherly love… then a feigned bit of weakness as he stumbles…
then finally indignation and outrage.
I never really had a iron clad mental image of Denethor… I
suppose I had always imagined just a weakened old man… That is
not what I’m seeing.
Here is a man driven to
madness by fear.
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excerpts from: A Major
Event at Minas Tirith
by John Forde
Meanwhile, WETA technicians
remove David Wenham's winged helmet to give the actor a breather
between takes. The Australian star of The Boys and Better Than Sex
plays Faramir, youngest son of Denethor, the ailing Steward of
Gondor.
Wenham admits his scenes are difficult. "I come to work every
day and get yelled at by my father," he laughs. "Faramir
has the legacy of his dead brother--his father's favorite--to live
up to. He gets pushed to his limits and decides to ride into
battle to prove himself--even though it's a suicide mission."
That's one hell of an Oedipal complex.
John Noble, the Australian theater vet playing the father, agrees
Denethor can be cruel. "But it's my job to show the humanity
of the man. He's literally driven mad by grief and fear."
"We all carry our parents' history with us," Noble says.
"Denethor resents never being king, and Boromir inherits that
bitterness. It's what leads him [Boromir] to try to seize the
Ring."
Noble's scenes are sure to be...smokin'. Thinking Faramir is dead,
Denethor hurls his son's (still living) body onto a burning
funeral pyre--then throws himself on. "I get to go out
screaming amid burning flames. Who could ask for a more dramatic
send-off?" Noble laughs.
For now, Wenham redons his helmet and walks--John Wayne-style--in
his armor to film the departure scene. As Faramir leads his
soldiers across Minas Tirith, Gandalf bursts through the assembled
Gondorians, entreating him to stay. Jackson's fluid camera follows
Faramir, then swivels to show Gandalf standing, saddened and alone,
as the horsemen file past.
Wenham's delivery is quiet and somber. He seems resolved to fight,
yet nervous. ("He's absolutely terrified, mate!" Wenham
says with a chuckle.) He dismounts again and watches the playback
with Jackson--who suggests he speak the line as if telling Gandalf
to butt out of his father-son dispute.
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