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A. 1999 – First Reports

http://www.corona.bc.ca/films/details/sw4take2.html

 

May 22, 1999

Yesterday's Vancouver Sun newspaper ran a story about a digital artist named Kevin Braun. Braun was raised in Fort McMurray, and his local newspaper, the Today did an article in the "local boy makes good" vein that was picked up by the Sun. However, what is of exceptional interest to Star Wars fans is what is revealed at the conclusion of the piece, which was sent to us by the sharp-eyed 'E Man':

McMurrayite making his mark in Hollywood

By ROB PETKAU

Today staff

If you've watched movies like The Mummy, the restored Wizard of Oz or Blade, you've seen a little piece of Fort McMurray in Hollywood and probably didn't even know it.

Kevin Braun, who grew up in the oil sands city and worked at Syncrude Canada for a time, is now a digital special effects guru in Tinseltown, and he's worked on some high-profile movies.

"We do digital visual effects: all the camera shake stuff, the hits and sparks are done digitally, and those are some of the things we do here," said Braun, technical director at Pacific Title and Arts studio.

"You can't have stunt people swinging real metal swords around so they use rubber and it looks incredibly hokey when it hits a wall or something and bends. So once it's shot we have to go in and make the blades look like metal, adding sparks and stuff."

Braun attended Father J.A. Turcotte school, St. John's school and Father Patrick Mercredi high school in the city before graduating in 1988, and going to work for the oilsands giant.

"I worked at Syncrude as a mechanic and computer graphics was always my hobby. And when there was a computer database restructuring I asked if I could work on it, and learned a lot," he said on the phone from his Los Angeles office.

"I liked it so much and I was so interested in movies that I sold my home in Fort McMurray and attended film school in Vancouver."

He came up with a sample of the type of effects he could make using computers, and headed to La-La Land to try and make it in showbiz.

"I took a course in a type of Kodak software used for this, and the head of Pacific Title noticed me and liked my attitude. I graduated at the top of my class and he gave me a chance."

His first assignment was a doozy of intergalactic portions.

"Lucasfilm made a lot of money on the (1997) re-release of the Star Wars trilogy, but there were still 17 shots George Lucas wasn't happy with. That was stressful thing: you don't want to do a half-assed job with Star Wars.

"I got to work on the shot where Ben Kenobi (Alec Guinness) is killed. Originally Lucas had planned several ways to do it but he was never happy with any of them because the technology wasn't advanced enough. To work on that scene and hear that Lucas was happy with it was mind-blowing."

Braun's scene will appear in a future cinematic release of the 1977 space epic, as well as on DVD copies of the film.

June 3, 1999

Our friend 'Forcekin' comes back with interesting info about the all-but-confirmed new Special Edition of Episode IV:

"I spoke with my pal at ILM last night and he was able to confirm some things. First, those scattered reports about ongoing revisions to Eps. IV, V, and VI - and plans for a 'final edition' - are *correct*. Here's the low-down: <

"Apparently Lucas originally only planned to do a SpecEd of Ep. IV, in limited release. He made the decision to do so around 1992. He wanted to test out new cgi/cad software and test the limits of digital characters interacting seamlessly with original film-stock characters. (Apparently, he was convinced it was doable.) When he sought out Fox's okay on a SpecEd revision and re-release, and showed them some of ILM's wizardry, they were *so* impressed, they asked him why not re-release all *three* films, with updated effects? Lucas scratched his beard and was originally unconvinced. Apparently Fox reminded him of the potential revenue stream such a new exposure could generate, interest in the franchise, improved tie-in receipts, etc., etc., etc., and Lucas eventually agreed. So - the rest is history. But it's interesting to note that one of Lucas' arguments *against* SpecEds of the entire original trilogy was that, he wanted to do 'so much more' to bring Episode IV into the 21st Century. He was concerned that putting new scenes and stuff into Eps. V and VI, just as an excuse to re-release them, would take time away from the ILM crew he was tasking to touch up Episode IV. He worried that all the things he wanted to do to improve Ep. IV - which was, to him, the most 'antiquated' of the original trilogy -- just wouldn't be done in time for the scheduled 1997 re-release. This is apparently exactly what happened. Lucas ended up putting much less updated material in Ep. IV than he originally envisioned for the SpecEd. He had to pull ILMers off other projects, in fact, just to finish what ended up getting modified for the SpecEds in time. Apparently a lot of problems really fouled up the whole SpecEd schedule. First, Lucas was unable to fully digitised the original trilogy, frame-by-frame, which is something he originally intended to do. Apparently there are now dedicated Ranch Hands working *only* on that project, and it will be completed sometime after the Millennium. This will give him a 'full palette' to work on and the means to digitally correct any damn thing he pleases in the original trilogy at his leisure. *Not* having fully digitised prints to work with during the tweaking of the SpecEds was apparently a *major* hassle and one of the things that really pissed George off.

"Okay, second: They had to totally rewrite, and keep rewriting, the software for all that cool cgi character animation. Stuff like skin and muscles and stuff like that took up whole *months* of time. They'd make really good progress in one direction, then end up having to totally rejigger the stuff, starting practically from scratch because the software just wasn't fast enough or the movements weren't realistic enough. Plus, crowd scenes required computing power ILM simply didn't possess. George ended up having to purchase incredible amounts of hardware and hire dozens of software designers just to see the project through. At one point supposedly he threw his hands up and took a few weeks off, told everybody else to do the same, because he was dumping so much money and energy into it and the more he did so, the less likely it became that he was going to be able to do everything he wanted by the 1997 deadline. He came back refreshed and determined to pursue all the technological avenues possible to see his dream come to fruition. It was basically a repeat of the problems he had with ILM in 1976, coming back from Pinewood. He just decided if what was necessary was to create a whole new industry, well then, that's just what he'd do.

"Third, the more he looked at Episodes IV through VI, the more he wanted to change. But by this point he had five different teams going full-speed: One for each of the films, one to write new software, and one creating conceptual designs for the prequels he was by now planning to do later in the decade. Finally, sometime in the first half of 1996, he decided to just stick with what was already in-progress, polish *those* scenes and elements to a high gloss, and forget the rest of the improvements which were already sketched out but not yet being worked on. He told Fox that all three films would contain 'significant' improvements, but that the total redo he really wanted to do would have to wait awhile. He decided to dedicate a small staff of Ranch Hands to slowly and methodically continue making modifications and improvements to Episodes IV through VI, even long after they were re-released theatrically. This work has been ongoing ever since, and will not be finished until 2001 at the earliest. (The biggest changes were made a long time ago. What's left is stuff like matte lines, colour coordination, and the removal of those pesky effects boxes. And digitising the prints, frame-by-frame, which should be done sometime in the next eighteen months and will preserve Star Wars in its original glory for all time.)

June 12, 1999

Confirmation from the producer of Phantom Menace? According to our latest scooper, in a Talk City interview recently held producer Rick McCallum confirmed that more work had been done on Episode IV after the first Special Edition was released. He said it would be for the "Archival Edition" to be released when all six movies could be watched together.

August 24, 1999

In an interview for the German television network N-TV, producer Rick McCallum stated no new Star Wars Episode Four edition. TheForce.net has a quote from McCallum's interview: "It's done, we've done it. That's it."

 

B. 07/09/1999 – The Force. Net’s report

http://cgi.theforce.net/theforce/tfn.cgi?storyID=3274

 

Update # 1


And Joseph reminds us to be sure we don't forget the following quote however, from a recent online chat with Rick McCallum:

 

A while back, there were rumours of another Special Edition being worked on over at the Ranch. There was much talk of 17 new scenes, etc. But once again, our Star Wars Insiders contribute some information for us to clear up any doubt to the rumours.

 

I can tell you that soon after the Special Editions of the original trilogy were released in theatres, people at Skywalker Sound and folks in Editorial at the Ranch continued working on those films. George was still tweaking the sound overall and the editing of certain sequences. This was prior to the video release of the Special Edition and it may be that this additional work (mostly sound work) was done for that. As far as I know, ILM stopped working on the Special Edition once it was released. ILM is not currently working on a Special Edition of The Phantom Menace nor are they doing anything for a Very Special Edition of the original trilogy. But if George decides to fiddle further with the Special Editions, let's all hope that he restores the Greedo scene to the way it was to begin with.

 

So IS there a special, special edition coming? The latest information we have says probably not.

 

Update # 2


And Joseph reminds us to be sure we don't forget the following quote however, from a recent online chat with Rick McCallum:

I asked the following Question in the 6-3-99 Chat.

ASKLucasfilm: Jedi-DarkKnight1138 says: Rick, Are the rumours of the original "Special Editions" being re-done and re-released to the theatres an actual possibility?

RickMcCallum: It is true that George did additional work after the "Special Editions." George would probably wish that those "Archival Editions" may someday be seen in context with all six films.

The plot thickens. . . any Ranch or ILM insiders care to comment?

 

Update # 3


This just in:

There is a strong possibility that there will be a TPM Special Edition in the future. Understand that nobody is working on it now. It's something that is not a current project, but will most likely happen down the road.

Rick is also correct about additional work done to the Special Edition of the original trilogy. Work will be done in the future (like if/when TPM gets overhauled) on the original trilogy.

Basically, there is a possibility of a TPM Special Edition and of more stuff being done to the original trilogy, but no work is being done at this time.

C. 08/19/01 – The Force. Net’s spy report

http://cgi.theforce.net/theforce/tfn.cgi?storyID=11964

 

Rebel has proved their worthiness before, and now they chime in with something we cannot even come close to have confirmation on. Here's what we do know: After Episode III, there will be a definitive version and complete set of DVDs of all of the movies. In the meantime, there may be versions of the films on DVD, but nothing like this final set.

Something to keep in mind as you buy a few different versions now and then have to buy the final one in 2006. But here's where it gets interesting. What possible changes could be made to tie in the entire series into one seamless twelve-hour marathon? There's an official list starting somewhere, which may include some of the following:

Episode 3 won't be the last time you'll see a lot of the main characters from the prequels in a Star Wars film. They'll also be in some of the sequels. Let me explain.

I believe it is called "The Archival Editions"...The re-release of all six films after a break following Episode 3. My source is good and I know this is happening, and frankly George Lucas is beyond a genius to think of this to make more money. Also this may explain some of the reasons episodes 4-6 haven't hit DVD yet. So here is some of the cool stuff you'll see.

During production on Episode 3 they will also be filming stuff for episodes 1, 4 , 5 and 6 to add into the Archival Editions.

Bail Organa senate scenes in Episode 1 to be shot added later to where the other Bail's lost scenes were supposed to be.

Also the last time you see Bail Organa won't be escorting Padme and baby onto a starship and blasting into the stars in E3. An older Bail will have some scenes added into Episode 4 prior to his planet being blown up by the Death Star.

Those being added into E4 will be a senate scene where The Emperor will make a cameo. Arguing with you guessed it ...Bail Organa... Plus a scene after the senate hearing where The Emperor contacts Vader and orders him to "Wipe out" Senator Organa's planet.

A holographic photo of Qui Gon will be added to Ben Kenobi's house in ANH. Also other little Jedi Tidbit's from the first 3 episodes will be added in his house. "Old friends long gone."

A scene on Coruscant in Episode 5 showing a demolished Jedi Temple. Cutting to the Emperor speaking with Vader about the son of Skywalker.

 

D. 11/16/01 – Virtual Edition forum

http://pub9.ezboard.com/fvirtualeditiongeneraldiscussion.showMessage?topicID=414.topic

 

Hey people...I just heard it on good authority (in other words a reliable source anyway) that while filming ATTACK OF THE CLONES, Lucas did 2 additional scenes for the OT including The Emperor and one for Episode 3. One is a remake of the scene from TESB where Vader speaks to the Emperor (Ian McDiarmid's voice included of course), plus there’s a scene on Coruscant also involving the Emperor too... info on this is sketchy but its probably for JEDI as he heads out for the Death Star, but could also be for A NEW HOPE I suppose? The 3rd additional scene (for Episode 3) I've heard about was filmed in Tunisia, it involves Anakin & Padme (possibly holding something) as well as Obi-Wan. Could this be the final scene of Episode 3 where Luke Skywalker is brought to his hew home?

 

E. 2001 – DVD Review Issue 31

http://www.sevaan.com/starwars/december01.shtml

 

When Star Wars Episode IV: A New Hope - Special Edition was released in Cinemas in 1997, it was billed as being George Lucas' ultimate version. Well, that's not quite true. According to certain employees of ILM's visual effects department, there were still an incredible 17 shots from that release that that Lucas wasn't happy with.

 

The end result is probably why we've not seen the movie on DVD thus far; they're still working on the last ever edit. A New Hope: Ultimate Edition will make its appearance in 2006 (!) after the release of Episode III in cinemas, with a possible theatrical release, and word is that fan reaction means that certain Special Edition scenes will be removed. Hopefully, Greedo will no longer shoot first.

 

 

G. May 2003 – AICN Jedi Council report *new*

http://www.aintitcool.com/display.cgi?id=15302

FROSTY SKYWALKER: We all know that hes doing these Final Editions, and I am curious...

MORIARTY: You know that he says hes not doing them, right?

FROSTY SKYWALKER: He is. There is fifteen minutes being put back into STAR WARS [Episode IV: A New Hope]. That’s an absolute certainty. I’m interested to see what he does as the quote-unquote Final Editions and after seeing him talk at The Egyptian, I actually gained...