I employ the term

‘Collaborative Conspiracy’

as a situation

where one or more persons draw from a palette of current art practice

and

drop all their usual motives for movement and action

letting themselves be drawn by the attraction of exploration of new terrain

and

encounters they find there.

In this activity ‘chance’ is a less important factor than one might think

as the ‘conspiracy’ is framed by having contours with constant currents

fixed points

and

vortexes

that strongly encourage and discourage entry into or exit from certain zones.