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"The Prisoner" Page | |||||||||||||||||||||||||||||||||||||||||
"Secret Agent" Page | |||||||||||||||||||||||||||||||||||||||||
As an actor, Patrick McGoohan gave great face. That doesn't just mean he was a good-lookng man. (Make no mistake, to the end of his life he was an extraordinarily good-looking man. Keep reading, male visitors, this isn't that kind of page.) McGoohan had an exceptionally mobile face and the ability to convey the essence of a character through a twitch, a squint, the barest hint of a smile, or a look seething with rage. Even when playing the most dispassionate of men, he found the passion within them and made it palpable. He shared with a bare handful of actors (Robert Mitchum comes to mind) a gift for creating powerfully physical portrayals. In many ways it was the opposite of Method acting, although the results were no less vibrant and affecting. Here's a look at that great face throughout his career. |
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Top Ten Patrick McGoohan Roles | |||||||||||||||||||||||||||||||||||||||||
The Faces of Patrick McGoohan | |||||||||||||||||||||||||||||||||||||||||
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In his very first movie role, the uncredited "Guard on Door," in The Dam Busters (1955) | |||||||||||||||||||||||||||||||||||||||||
The baby-faced star of Nor the Moon by Night (aka Elephant Walk) | |||||||||||||||||||||||||||||||||||||||||
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The Rank Organisation's hot young (impossibly young) star | |||||||||||||||||||||||||||||||||||||||||
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Above and below: From his award-winning performance in Ibsen's Brand (1959) | |||||||||||||||||||||||||||||||||||||||||
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The Gypsy and the Gentleman (1958): Are you kidding me? | |||||||||||||||||||||||||||||||||||||||||
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As a bad-boy jazz drummer in All Night Long (1957) |