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LA FORZA DEL DESTINO
(THE FORCE OF DESTINY)
By Giuseppe Verdi
VIDEO: Renata Tebaldi, Franco Corelli, Ettore
Bastianini, Boris Christoff; Molinari-Pradelli (no subtitles; B &
W); Teatro San Carlo, Naples, 1958; Available on Bel Canto Society
BCS 666 OR Legato LVC 001
AUDIO: A) LYRICA: Maria Caniglia, Galliano Masini,
Carlo Tagliabue, Tancredi Pasero, Marinuzzi conducting (1941); a show
that moves with both feeling and dispatch, thanks to Marinuzzi; there
are a few cuts--including, unfortunately, the traditional one of
omitting the entire Alvaro/Carlo confrontation (Act III, Scene 2)
where they reveal their true identities in a stormy duet; but this is
still an authentic adventure through Verdi's vision; in fact, despite
so many musical liberties (and the rare flat note from a highly
impassioned Caniglia or the occasional sloppy phrase here and there
from an equally impassioned Masini), a dedicated and consistent cast
throughout still makes this set something altogether special; each of
the principals may occasionally fudge the dotted "i" or the crossed
"t" (so to speak), but there is no let-up in the way this stirring
performance maintains narrative strength throughout; also available
on the ARKADIA label (although their transfer boasts a negligibly
wider dynamic range, that is considerably offset by added distortion
at climaxes) [G.R.]
B) STANDING ROOM ONLY (SRO): Eileen Farrell, Franco
Corelli, Anselmo Colzani, Ezio Flagello, Guadagno conducting ("live,"
1965); together, Farrell and Corelli are awesome in their first
encounter and in the opera's finale (were the famed Enrico Caruso and
Rosa Ponselle [1918 revival at the Met, not one note
survives] any more thrilling?!); together or apart, Farrell and
Corelli give more sheer energy and beauty of voice than any of their
competitors (Caniglia and Masini on A included), they are the
raison d'etre for this performance; also, much finer sound quality
than on A despite the pitfalls of "live" recording (some of
the coughing bouts are fearsome!); unfortunately, cuts similar to
those on A are compounded by a few missing minutes at the end
of Act III and the opening of Act IV (an evident flaw in the original
tape), luckily none of Farrell's or Corelli's music is affected;
supporting cast does not hold a candle to their counterparts on
A and Guadagno's conducting is strictly average
[G.R.]
C) MELODRAM: Leyla Gencer, Giuseppe Di Stefano, Aldo
Protti, Cesare Siepi, Votto conducting ("live," 1957); the most rapt,
poetic and heartfelt reading of all; for once, the sometimes
impersonal Votto really shapes the entire evening into something
memorable; his astounding transformation yields an amazingly profound
reading, making this an experience to savor; all the highly
distinguished cast-members at his disposal are at one with their
Maestro's rare blend of deep inwardness and unbridled passion,
showing how Verdi's rich, haunted score was meant to embrace both
extremes; gratitude for the rich inner feeling throughout this
broadcast is balanced against the occasional ensemble train wreck
(sample the opening of Preziosilla's "Rataplan"!) and Leyla Gencer's
surprising lapses in pitch, despite her fresh vocal estate and
infinitely tender interpretation; all the traditional cuts are
observed, including, once again, the inexplicable omission of the Act
III, Scene 2 confrontation. [G.R.]
D) EMI: Martina Arroyo, Carlo Bergonzi, Piero Cappuccilli,
Ruggero Raimondi, Gardelli conducting; for once, a musically
accomplished, well recorded studio effort with every note of the
score intact; hardly a weak link in the whole cast--though this does
not have the full excitement of the top three; in fine stereo
[G.R.]
E) MYTO: Montserrat Caballe, Jose Carreras, Piero
Cappuccilli, Nicolai Ghiaurov, Patane conducting ("live," 1978); I
have not yet heard this, looks quite tantalizing on paper; could this
be the one to combine the musicality and completeness of D and
the dramatic excitement of A, B and C?
certainly, all three principals could still produce in 1978; I
wonder. . . . further information is eagerly awaited!
[G.R.]
For Further Reading:
The
Operas of Verdi : From Il Trovatore to La Forza Del Destino (Vol. 2,
Revised), by Julian Budden
Encounters
with Verdi, by Marcello Conati, Richard Stokes, Julian
Budden
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