After a career as scenic artist and matte painter in England,  working at Shepperton Studios, and Pinewood studios, Alan Maley went to U.S.A. to work at Disney Studios, and after that at ILM matte department.
Alan Maley at work painting a glass for "Dragonslayer" 1980.


Alan Maley:  - Print art gallery with Biography information.

                    -  If you like Alan Maley´s imppressionistic style, see more of his work at:


- Raiders of the Lost Ark (1981) (matte painting supervisor)
- Dragonslayer (1981) (matte painting supervisor)
- Spy Who Loved Me, The (1977) (special optical effects)
- Island at the Top of the World, The (1974) (matte artist)
- Return of the Big Cat (1974) (TV) (matte artist)
- Mistery on castle of Dracula(1972)(matte art)
- Biscuit Eater, The (1972) (title designer)
- Snowball Express (1972) (matte artist)
- The son of the Jungle.(72)(matte art)
- Barefoot Executive, The (1971) (matte artist)
- Bedknobs and Broomsticks (1971) (special effects)
- Wild Country, The (1971) (matte artist)
- Boatniks, The (1970) (matte artist)
- Computer Wore Tennis Shoes, The (1970) (title designer)
- Love Bug, The (1969) (special photographic effects)
- Horse in the Gray Flannel Suit, The (1968) (matte artist) (title designer)
- Happiest Millionaire, The (1967) (title designer)
- Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)(matte painter)
- Becket (1964)(matte painter)
- In Search of the Castaways (1962)(scenic artist)

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