ALARIUS: As a planetary transition team member, you have one job. It’s the same job that Zavi and a have and it’s the same job that other walk-ins in their bodies have had and that's to always end up m your true reality; to always end up in the place in your consciousness where you say, “Yes, this is what's real for me. What's real for me is that I'm a being from another dimension, another world, who has come here to serve the evolution of this planet.” That's the bottom line. That's what’s real. That’s what’s true. Currently, a lot of the information in your ground crew (your mental, emotional and physical bodies) doesn't accept that as reality.
PARTICIPANT: That’s accurate.
ALARIUS: So, you’re faced with the fact that what most of your ground
crew accepts as reality and what you spiritually know to be your true reality
are in direct contradiction to each other. Things in your own consciousness
are likely to pull you out of that place where your true r reality is reality
for you.
The only thing that really matters and is part of your job is to stay
in touch with what’s really important, because that's what helps you get
back to that place where your true reality is what’s real for you.
In true reality we share a divinely essential reality base which is
that we are beings that are here to manifest a civilization. A civilization
that already exists on the fifth dimension. It’s already there. It’s already
complete. It’s already real. There are species that inhabit that civilization
and we are a part of that civilization and a part of that species. And
that’s just real for us. That’s just what’s true for us.
Now imagine for example, that we serve the Divine Plan and the Force
of Evolution as artists, writers, and musicians, and our job is to paint
a picture, write a song, make some music that is about our civilization.
And our job is to do that in a whole different dimension (this third dimension
for example). Some of us will actually enter bodies in the third dimension
to be used by the Divine Plan as paint brushes, musical instruments, and
speaking machines, and what the Divine Plan will do is salt and pepper
us across the planet and then have us say, “Ah yes, let me tell you a story
of another civilization that is beginning to manifest here.” And every
time the story is told, that civilization manifests a little more. And
that’s like a painting or a work of art, and in that sense, you (as a paint
brush as an instrument) are a living art form. And that is your only job
to leave impressions and expressions of that other civilization in your
wake.
What matters materializes —because it matters. If it’s not relevant,
if it really doesn't matter, then it doesn't materialize. But you rein
a situation where you have a ground crew that for the most part says, “I
don’t know about this ‘life is art’ stuff. Here~ s what I think is real
and it’s very different than that other civilization that I occasionally
get impressions of and hear you talk about all the time.” Now, in that
situation you have to be firm as with a child. You say, “I understand.
But here is what’s real for me. Here is what matters to me. Here is what’s
important to me.” And you begin to describe your true reality and what
the emerging civilization is like to your ground crew. And in doing that,
you’re taking a grain of sand from one side of the scale and picking it
up and setting it down on the other side. And piece by piece, over time,
that scale is going to begin to weigh heavier on the side of the new, emerging
civilization. More and more, your ground crew will begin to accept that
that civilization on the fifth dimension is in fact your true reality.
Now what is cutting a pathway? The information in your ground crew
that says this reality isn't real will take you off track. It will whack
you out. And you'll go wandering off muttering to yourself, shaking your
head.
Now your job is to get back to your true reality. Whenever you wander
off and then comeback, you are leaving a trail of bread crumbs. That makes
it easier for other people who have wandered off in similar places in consciousness
to follow those bread crumbs and get back to their true reality. That’s
called bearing the sins of humanity. You see, no matter where you wander
off to, when you get back to your true reality, the pathway is cut.
So it doesn't matter how far off you wander or how long you wander,
there is always a way back to your true reality where you can see that
you are such a beautiful light. That is the place where we delight in each
other’s essences and where we are all masters and where we are all equals.
There are no core issues. Those things aren’t even relevant. This is a
civilization where beings are exalted. Where beings beautifully express
and manifest their divinity, and support with their total devotion the
evolution of this planet. And the way they are doing that is by being artists,
leaving impressions and expressions of their civilization in that way.
Interdimensional artists and their life is their art. Isn’t that beautiful?
That’s what we do.
That’s what Zavi and Ziva and their predecessors
have done for six years. No matter what, no matter how long it took, no
matter if they had to stay up for days — no matter what, they always got
back to the big story, their true reality, the reality base of the emerging
civilization. They always got back to that inner, divine perspective. No
matter how hard they get whacked, they use the E.T. Master’s Tool Kit and
the Solar Technologies to get back to those perspectives (as directed by
their spirits). Wonderful, huh?
You are like a yo-yo that cuts different pathways every time you leave
and come back. And each time that happens, another grain of sand goes on
the other side of the scale and a little more of your ground crew says,
“Ah, yes, that civilization is what’s real.” And over time, many pathway
are cut and more of who you are begins to call your true reality real here
so that the universe can begin to rearrange itself to manifest that reality
in this dimension. And the more you do your job, the easier it becomes
for others to do the same. *