June 2003

  Folk Notes

The Official Newsletter of the Israel FolkStuff Society

Current issue and archives at: www.oocities.org/tzorafolk

Contents: Editorial; Review of Jacob’s Ladder; Tzora April 2003; Southern Fried Jam

NOTICE:

IFS Annual Meeting

(short & sweet)

Wednesday, June 25th, 9 pm – followed immediately by Tzora Folk Club

Editorial: Jacob's Ladder, Time to Take Stock

As is our wont, FolkNotes is about to embark upon the publication of a variety of views and reviews of the very recently concluded Jacob's Ladder Festival, which took place on May 2nd and 3rd at Kibbutz Ginossar. Before sitting down to write, I went into the archives to refresh my memories about the past couple of festivals.

Eli, Harold & Marc (c J.Lerner)

By and large, all the reviews we published contained favorable comments. There were critical remarks of various kinds but they were more muted than not, and dealt with very specific issues and aspects. Unfortunately this time things are different.

Each and every one of us appreciates the tremendous amount of backbreaking and heartbreaking work that goes into putting together such a festival in these times of trouble. But some things can't be swept under the rug.

First and foremost, the consensus of people with whom I've talked is that this year, the facilities provided by Kibbutz Ginossar were not up to the task. There seems to have been less room available than at last year's festival. While the hotel in which I stayed was comfortable, I am told that the camping sites were very overcrowded. Certainly the area around the main stage on Friday evening was overcrowded. There was no path left anywhere and consequently people literally had to climb over each other. I heard about several people tripping and falling. This is the first time I have ever encountered a situation where the safety of the participants was jeopardized, and something must be done to correct this at future events.

On the subject of camping, I feel constrained to report the comments of a couple of campers about a phenomenon that merits consideration. These people feel that the very character of the festival is changing in a manner that they regard as unwelcome. They contend that, at least initially, Jacob's Ladder was an Anglo event. The people who attended and who were the main body of campers had a certain culture, or perhaps cultural level is the better term. At this year's festival, there was an "invasion" of natives, which is to say Israelis. They brought with them all the trappings of Israeli camping culture, i.e. mangalim, noise, rudeness, crying babies, etc. Thus, according to these people, the camping experience changed for the worse, so much so that at least one person intends never to come back.

This is a very complicated issue. After all, it could reasonably be argued that this is Israel and Israelis have as much right as anyone else to attend. In any event, what solution might there be? Shall we have English teachers and dialecticians at the gate to cross-examine those who wish to enter? I suspect not! The point is however, that some- one needs to sit down and think about the changing audience and how it might affect the very makeup of the festival.

Ray, Charles Joanna (c J. Lerner)

The other glaring problem with this year's festival was the Friday evening program. Everyone I spoke to concurs that most of the performances simply weren’t up to scratch. I'm not going to name names, but a lot of people seemed to have had an off night. This surely is not the fault of the organizers. But I think that an issue that has come up in previous festivals compounded the problem. It seemed that Irish took up most of the evening, or perhaps I should say pseudo-Irish music. I say pseudo because only one of the bands that appeared was composed of people who could in any way be called Celtic or even Anglo. All the others are comprised of Israelis. While the musicianship of these bands is beyond reproach, it isn't Irish.

But beyond this, there is an even deeper issue. What are the criteria which determine who goes on the Friday night stage? For instance, several people have voiced the opinion that they missed the components of a real honest to goodness folk festival, meaning people listening to and singing along with old favorite folk songs with which they grew up. While that is only one example, it indicates that the main stage seems to have become predictable.

There is an unmistakable impression that a pattern has emerged wherein certain groups appear on the main stage, year after year. This year at least, the audience was figuratively and literally held captive, not only because of the difficulties of ingress and egress, but because there was really nowhere else to go. Two years ago an attempt was made to organize an alternative get-together for those who wished to hear and play other kinds of music. This year there was no such thing. In sum: I respectfully suggest that a real attempt should be made to present a truly balanced Friday night stage with authentic music, and that a place be provided for those who for whatever reason want to do something else.

In order to bring this about, I would venture to say that the time has come for the festival organizers to seek input from other people about who should and who shouldn't be featured on Friday nights. Such an undertaking need not be all that difficult. There are a number of avenues and forums through which the broader folk community could make suggestions. Larry Rosenfeld's list serve comes to mind. If this is too cumbersome, an advisory committee could be appointed to help select artists for the program. But whatever method is used, the time has come to do something.

And then there was Saturday. Everything that was wrong about Friday was right about Saturday. There were three simultaneous stages containing a wide and wonderful assortment of

  Rory McLeod (c J. Lerner)

music. People could pick and choose at will and there was something for everyone. This is the Jacob's Ladder we know and love. I myself was a performer on one of these stages and I will treasure the experience for the rest of my life. The audience was very warm and involved. I know that all who performed on Saturday feel as I do. Again I do not wish to mention names. Some were worse and others, many others, were better.

Jacob's Ladder fulfills a very basic need for English speaking music lovers. This year in particular the need was brought home to all of us. Two days before the start of the festival, a homicide bomber exploded himself at Mike's Place, a popular pub on the Tel Aviv waterfront. Two musicians were killed and several were injured, at least two of whom were supposed to perform at Jacob's Ladder. The owner of the pub has himself performed at the festival. Our attendance symbolized our need to demonstrate both to ourselves and to those who would destroy us that we will not be destroyed. We will make our little contribution by continuing to make music and keep alive the memory of those who were slain.

Thousands of people attended. It is incumbent upon all of us, but especially the organizers to insure that this precious heritage of ours will continue to grow and flourish. To this end, we must see to it that any flaws are addressed and dealt with. This we can do, and this we will do.

--Larry Gamliel

What is Jacobs’ Ladder?

That is the question that has been in and out of my mind since the closing strains of the last act. Admittedly a “baby” on the scene, (this most recent being my 4th JL) I hesitate to try to define something that has been around a lot longer than I have been in Israel, but I must admit that the comfortable, relaxed atmosphere of soft, respectful voices in English, cooperation and grace, which made JL so special in the past, was sorely missing this year.

What happened? Hmmm … Could it have been the invasion of the ... non-English speaking Israelis? Now that I’ve said it, yes, I admit that I do go to JL for that little bit of respite from life in Israel and for 36 hours ofAnglo music, language and company. I was rather bothered by the non-stop waft of lighter fluid-drenched smoke from mangalim into my tent, the competition for camping space, the Hebrew voices yammering on during the performances and the lack of respect for seating arrangements.

I must say that I enjoyed the festival less this year because it was starting to feel a little bit like any other festival in Israel. Most of the non-Anglo audience was unaware that they were treading on hallowed ground and probably didn’t understand why the MCs were speaking English, and why everybody was singing in English (or Gaelic) and why there were so many Anglos there.

My guess is that they came for the Irish music. So where does that leave us? I guess that means that the Vinegrads have to decide whether to cater to the new crowd or the old. We could always start a new festival (Shorashim? Sarona?) but hopefully there is a middle road. Maybe more explicit advertising with more emphasis put on the history and tradition of the festival. Things have a way of changing and I hope JL will weather the changes and continue to be the Jacob’s Ladder that we cherish and hang out for every year.

--Marianne Navon

What a Night – Tzora FC – April 30, 2003

What an evening at the Tzora Folk Club! Having moved back to the U.S. in February, with all the pain of leaving family, friends, and my beloved Israel, my return to Tzora Folk Club was like coming home again.

A hundred of us welcomed Rory McLeod who came all the way from Scotland to entertain us and appear at Jacob’s Ladder. This wonder- fully talented musician kept us spellbound with his stories, his harmonica playing, guitar playing, and even just a hint of whistling that was so hauntingly beautiful. To say this man has talent is an understatement. His musicianship was superb, and he brought his music alive with his wonderful stories. He is a true troubadour in every sense of the word; writing and playing songs that touch the heart and soul of us all. He will leave Israel with a vast number of friends and fans.

  Rory McLeod

Coming to Israel at this time can be quite scary, and not only did Rory not care about that, but also he awaits the birth of his second child, and we are all grateful that he came at this time. He is a delightful person and hopefully we will see him here again soon.

Dear friends Ray and Joanna Scudero graced us with their delightful singing, and even did some vintage numbers that had us all singing along. Ray and Joanna's new CD is wonderful (I listened until 3:30 last night, but had to finally give up and go to bed.)

Sandy Cash was there, and her music just keeps getting better. She sang a new song she had written, and you could hear a pin drop as she sang. Afterwards we just kinda sat there, the emotion was so strong. I will never tire of hearing our beloved Sandy. What a gift she has.

Rachel Jaskow showed up, and what a joy it was to hear her beautiful voice blended with Ray and Joanna. Along with her incredible voice this woman gives the greatest back rubs in Israel. Rachel, don't stay away from us so long again.

Judy and Lynn, our hosts, performed some of the music they would be singing at Jacob's Ladder. These two have the marvelous blend of musicianship that only singing together for years can bring. They are always a joy to hear, and their Folk Club is always a special and welcoming place.

Of course, Marc Gittelson is always present wherever folk music is heard. His huge talent adds depth to everyone with whom he plays.

The evening was like being given an enormous hug both physically and spiritually. Thank all of you for your loving welcome back. I will always consider Israel my true home, and will come back as often as I am able. I love you all.

A not very auspicious ending to this wonderful evening: on the way home we hit a huge, and I do mean huge, pothole and blew a tire. Gratefully, I had Mike Rogoff in the car and, bless his heart, he spent an hour in the cold changing my tire. I guess someone just didn't want this great evening to end.

To all my dear friends in the Folk Family I send my love, and want to let all of you know how often I think of you. I cherish all the moments we have shared, and plan to return often enough so you won't forget me. Blessings to you all and to this brave land.

--Jane Gruman

Southern Fried Jam

Friday, April 4th, 2003. The first sharav of the year, the temperature in the Lahav Forest in the mid-30s—hot enough to send anybody’s guitar a tone sharp. But happily, very dry and perfectly comfortable, even midday. Enough prevarication, what about the music?

Well, a totally tuney time was had by all. Laurie Ornstein and Judi Ganchrow were, as always, a graceful and melodic duo on guitar and dulcimer, leading us in some well-known and new ballads. Michael Stanner, enjoying a bucolic break from the Big Orange weighed in with some neat Dylan oldies. On her way to visit Laurie, Sandy Cash dropped by and was her usual entrancing self. Does she ever know how to sell a number without seeming to try? And her songwriting just gets better and better. Another somewhat local duo, putting in a rare appearance, was Dov and Iris Landsbaum, from Arad. They deliver a comic song with great panache and had us all chuckling and trying to match them with extra verses of But you kin be happy if you’ve a mind to it.

One reason why I enjoy these jams so much is that I get a free hand to try out some of my repertoire, new and old, which I did with my usual unbecoming lack of embarrassment. Judy Cohen, too, was in fine voice, while Yitz Hochstein weighed in with some nifty banjo pickin’. Others singing along included Leon Gelkoff, fresh from his triumph as a protean in A Funny Thing Happened on the Way to the Forum, not to mention Leah Katzenell from Beer Sheva (you other locals should be ashamed of yourselves—all these great folk schlepping down south to be with us and you can’t make a 20 minute drive?). Also attending were Tirra and Ross Peters, with daughter-in-law Gabriella and grandbaby Oshri in a splendid hat, from Kiryat Gat, another charming couple from a moshav in Emek HaEla whose names I regret I failed to record, and, last but not least, my wife Margo, who always manages to find great material in Rise Up Singing to keep us truckin’ on.

So what’s the secret of having a great time? Scrumptious sandwiches and ice-cold beer, rustic benches, pine trees, dappled sun and so o o o much good music—for three hours we forgot all about Iraq and hamatsav hacalcali. Better than a session with your shrink and much cheaper! See ya there next time.

--Amiel Schotz

MILESTONES

Happy Birthday to: Andrew, Jonathan, Kevin & Susan Jennings, Rachel Ravitsky, Cyrelle Forman-Soffer, Carol Fuchs, Lucia Wesley, Marc Miller, Alan Lewis

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**The New Country Klezmers -- a foot-stompin' good time -- 2-5 musicians for your simchah. Call David Baron (054) 955-997 or Bruce Brill (051) 565-479.

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DISCLAIMER: FolkNotes is the official publication of the Israel FolkStuff Society. Views are those of the writers, not necessarily those of IFS. FolkNotes and all of the articles, photographs and material contained therein

are, unless otherwise noted, copyrighted by IFS 2002. The disclaimer is so that

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FolkNotes Staff: Sherry Whetstone, Larry Gamliel, Carol Fuchs, and Cecile

Panzer

 

C A L E N D A R

June 2003

JERUSALEM AREA:

Jerusalem Harp Circle meets on the second Monday of every month at 11 a.m. (starting for sure by 11.30 am). Admission fee: NIS 10. For details, please contact Shoshanna (02) 624-3435. All harp players, all levels, welcome.

Israel Dulcimer Society meets Sunday nightbarring unforeseen circumstances. First Sunday of the month is learning night, 2nd Sunday is reviews, 3rd Sunday welcomes other instruments compatible with dulcimers, 4th Sunday is a free-for-all. For more info, call Judi (02) 679-8448 or Dena (02) 561-8910.

Saturday, May 31st, 9 pm. AACI/IFS Sing Thing. Going up the Country with Larry Gamliel, Sara Marcus and others. At the AACI, 6 Mane St. Admission NIS 30 (25 for members). For information call Larry (053) 801-202 or Carol (053) 850-098.

Thursday, June 12th, 8:30 pm. JERUSALEM FOLK CLUB – School’s out; we’re on vacation with Josh Baille, Sara Marcus, Hachmoni, Larry and others. At the Jerusalem Biblical Zoo Auditorium. Admission NIS 25/20. For information call Larry (053) 801-202 or Carol (053) 850-098.

Monday, June 23rd, 8:30 pm. You are all cordially invited to attend the Eighth Annual Jay Alan Ginsburg Memorial concert for Larry's brother at the Jerusalem Biblical Zoo. This year's concert promises to be very special, as the Jerusalem Barbershop Ensemble and Jill Rogoff have graciously consented to appear and sing wonderful stuff. For more information call Larry at

(053) 801-202.

TEL AVIV AREA:

Wednesday, June 4th, 8:30 pm. TEL AVIV FOLK CLUB. With David Barshaw and Susan Hadash & Harold Jacobs, and others. Bikurei Ha'itim, 6 Heftman St. Admission NIS 25. For information call Ariela (03) 683-7441.

Wednesday, June 18th, 8:30 pm. TEL AVIV FOLK CLUB. With * "Alternativa" - Ofer Golani's trio, Eli Marcus, Guests from the U.S. : Joel Bailes (piano and other instruments) with his wife (on harmonica) - Barrel House music, Blues, and any other style you can think of.
Bikurei Ha'itim, 6 Heftman St. Admission NIS 25. For information call Ariela (03) 683-7441.

 

KIBBUTZ TZORA and area

Monday, June 9th (post-Omer, post-Shavuot) 8:15pm BSMN (Bet Shemesh Music Nite) with Marianne and Shaun. 12b Hashushan Street in the Nofei Aviv neighborhood. Kibud; and still only NIS 12. Further details call Roby (02) 999-2106.

Wednesday, June 25th, 9 pm. KIBBUTZ TZORA FOLK CLUB. For information call Judi & Lynn Lewis (02) 990-8382 or (051) 348-061 or email them at judilynn@tzora.co.il. Also see their website: www.oocities.org/tzorafolk

KARMIEL AND NORTH

Thursday, May 29th, 9:00 pm. Due to Shavuot (or Shavuos if you prefer) the next Karmiel Folk Klub will be held early, at the Beit HaNoar Matnas HaIlanot. The lineup includes: Ivan Shiran, Charles Crosson and JUG O' PUNCH! This is the last show of the year and it promises to be a great one. For more information call Larry Rosenfeld at (04)990-2455 or (053) 414-544 or see his website at http://groups.yahoo.com/group/israelfolkcommunity

YES, THERE IS A SARONA WEEKEND THIS YEAR – November 6th-8th

Friday there will be workshops galore. We are open to suggestions but have a few great ideas.

Friday night will be a delicious communal kosher dinner followed by music by the All Stars –

all those stars who want to perform.

Saturday there will be more workshops. The artists' studios in the village will be open to visitors, and there is time to tour the area.

Everyone books his or her own room (but it would be really nice if you told Carol you have booked, in whose Tsimmer, with whom you will be sharing, and if you have extra room).

Most suites have a double bed in the bedroom, and up to 3 or 4 beds/cots in the salon area. Numbers to call about accommodations: Pnina Hazan (04) 676-7725; Dorit Mire (04) 676-6013;

Rahel Carasso (04) 676-0380; Sasson Family (04) 676-6012. All of the above give us a preferred rate. Milly Bar (04) 676-9733 does not give us a preferred rate, but you can negotiate.

If you would like to perform, contact Larry (053) 801-202. If you would like to lead a workshop please contact Carol (053) 850-098.

 

Try to get your information to us for the Calendar, as early as possible, so we can meet publication deadlines (15th of each month). Contact Larry Gamliel at (053) 801-202, or by email: carolf@savion.huji.ac.il

To receive the (more or less) twice-weekly email updates, write Carol: carolf@savion.huji.ac.il

 

ISRAEL FOLKSTUFF SOCIETY Membership (clip and MAIL today) Oh, YES! I'd like to become a member of/renew my membership in IFS. Includes a subscription to FolkNotes, discounts on IFS-sponsored concerts and Home Hoots, etc.

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