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My Previous Costuming ExperienceAs a result, I was hooked. I wanted a real costume. The next year, I planned it -- white underdress, red overdress trimmed in gold, laced up the front, with a split in the overskirt. I even made one of those circular padded headpieces. I dreamed big. I looked like a giant red gobstopper. And my costume wasn't really all that period. I've searched out and destroyed all photographic evidence of me in that costume. But I was hooked on costuming, and I never looked back. I won't even bore you with details on how messed up my second costume was. At least I learned! Most of my costuming experience deals with very, very structured silhouettes, specifically those found during the English Renaissance. I've had a brief foray into the wild world of the 18th century, which was a trip. Actually, come to think of it, that quasi-18th century costume was purple too. I think I see a definite trend here. Again, we have a very structured silhouette. I would definitely classify myself as a solidly intermediate costumer, with solidly intermediate sewing and pattern drafting skills. But now, I face a new challenge. A new obsession calls to me. You should know its name by now. Fushigi Yuugi. Within these pages I'll be chronicling my first adventures in anime costuming.
The quasi-18th Century gown that I made for the Labyrinth of Jareth Masquerade in New Orleans, 1999. The costume I made for my husband for that same ball. |