Hello. This is George here again. Now, whilst I have you attention, can
I introduce to to a good friend of mine? Splendid. It's the Maximum Darkness
album by this welsh rock band called MAN. This was my first meeting with
this early seventies bunch of welshmen who seem to drift in and out of my
life. But it's a perculiar taste. Quite why I like this record is strange to
say the least, for I must admit to the world that I almost can't get on with
almost anything else that they do. I wish everything that they did was exactly
like this record, but it seldom is. And so, I have to admit a lifetimes
disappointment with this mob. Can anybody sympathise in the slightest? Does
anyone out there only like one perfect item produced by an artist? Was it the
first thing that attracted you to them? And have subsequent offerings failed
in your expectations? I guess it's a horrible thing to relate to an artist
of any kind. Actually, their other output isnt that bad, it's just relatively
inadequate. I apologise if any Man members are reading this. But after all,
you did make and cut one of my top five favourite albums of all time, something
i've loved for 30 years. You are, ultimately, a success in my mind.
MAXIMUM DARKNESS: A lovely album of glorious majestickness.
A live album from the London Chalk Farm Roundhouse, recorded in
1975, 5 songs of variety and musicianship, and of harmonies and
compository beauty. And the cover
presentation is one of my favourites too, very pleasant idea and artwork.
And it was back in 1975 that I heard a track on Radio One from Max Dark,
and was able to hit the record button to get it down for posterity.
This I chewed over it for months until per chance
I met some chaps who liked them, and they were so shocked that i'd
even heard of them, that they let me borrow the entire live record.
Then, within time, there I was at the Hammy Odeon in
1976, getting blasted by said peoples. I also sampled MAN that same year
at the Roundhouse, and then at their final gig in Staines.
Yes folks, MAN had decided to split up after several years, and i'd just
seen them off. A little
MAN badge was mine for the keeping, and I almost bought the brilliant MAN
skeleton T-shirt, which I would have put on the wall. But that was it.
Onwards to 1982 I think it was, and in those pre internet days it was almost
impossible to keep tabs on musical movements. And so what a surprise it was
that the MAN band resurfaced back into my life. And so to the Hope & Anchor
I went, and got well blasted. Oh what fun it was, and the ACE was well on
form. It's great to have your heroes back in the public domain, and your
are not denied a visitation any more. Later that decade, I saw the chaps
at the Three Rabbits in 1984, when I was able to take my hopeless no-tech
piece of instamatix cameratix to take some holiday snaps of the boys on stage. Now don't you think I did a marvellous job, considering?
May 1984
Since then, i've checked out the band every several years,
including a smashing set in Shepherds Bush 1996. Even nowadays
in 2004 the band still hit the London gig scene. They've never been at the
great heights that they were before the 1976 retirement, when they were
major British recording artists, and I always hope that they can reclaim
their title of such, and by some stoke of luck, they will. If the band ever
read this, I hope that you can understand my point of view. I must thank
you for making one of my favourite pieces of music, that of Max Dark.
I still play it every year, twice this year, and I still think its
absolutely brilliant. Thanks chaps.
I'm quite worried actually, because none of us are getting any younger,
and since the band started in 1968, it's nearly their 40th birthday, and
next time they might retire for good. I'm thinking that then it might
be my turn to make the travel arrangements, maybe to MAN's home town
of Swansea, and I could see them perform in their living room. Maybe
I could even make the tea.
Get up, C'mon to:
George's Home Page
MAN-Mail: georgianesther@yahoo.co.uk
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