Gibson's 'Passion' - Riveting, Visceral and Biblically Accurate
FEBRUARY 17, 2004
By
GREGORY J. RUMMO
MEL GIBSON'S
"CONTROVERSIAL" movie “The Passion of the Christ”
depicting the events surrounding the death, burial and
resurrection of Jesus will open in movie theaters across the
country on Ash Wednesday.
The February 3 edition of
USA Today featured a front page story in the Life
section entitled “Gibson to preach to the choir.” It
reported the actor turned director decided to show
pre-screenings of “The Passion” directly to Christian
audiences in churches across America in the weeks leading up
to its release
I was
privileged to be among several thousand pastors who saw an
advance preview earlier this month at a conference that was
held at First Baptist Church in Jacksonville, Florida.
The images of cruelty
inflicted at the hands of the Roman army are disturbing—the
beatings, the scourging, the abuse and humiliation are
brutal, visceral and bloody. But their depiction is
biblically accurate. The movie is almost two hours of mob
violence. The chaos and the screaming are unrelenting; the
music, loud and dramatic.
When the movie ended the
silence was broken only by the scattered sounds of men and
women transfixed in their seats, weeping, unable to move
because of the weight of what had just been witnessed. It
was as if we had all been there. And in one sense, we indeed
were.
Slowly,
several people got out of their seats and walked forward to
the front of the auditorium to kneel and pray. Finally,
spontaneous singing broke out: “He lives! He lives! Christ
Jesus Lives today!” and the familiar words of “Amazing
Grace! How sweet the sound! That saved a wretch like me!”
The prophet Isaiah wrote of
the events surrounding the crucifixion several centuries
before their occurrence, foretelling in vivid detail how a
“Righteous Servant” would be wounded, bruised, chastised and
striped (an allusion to the bloody stripes caused
by the cruel Roman scourge). Isaiah’s description of Jesus’
body as it hung on the cross sheds light on the severity of
what was inflicted upon this man: “…His appearance was so
disfigured beyond that of any man and his form marred beyond
human likeness…”
Upon seeing “The Passion,”
Billy Graham remarked that Mel Gibson was able to accomplish
in two hours what he himself had failed to do in over 40
years of evangelism.
The USA Today
article reported one of the reasons Gibson made
pre-screenings available to Christian groups was because he
was “leery of the press and stung by criticism that his film
will kindle anti-Semitism.”
This is understandable when
the mainstream media in America is largely un-churched and
intent on bashing Christianity at every opportunity. Their
consistent failure to understand biblical history in its
proper context is expected.
So in a movie that
accurately portrays the last 12 hours of Jesus Christ’s life
on earth according to the written record of Scripture it
comes as no surprise that the movie’s historicity has been
largely ignored by those wishing to demonize Mel Gibson.
But the biblical account of
the events are what they are—there is simply no room for
interpretation.
Jesus was a Jew. He was
betrayed by Judas Iscariot, a Jew; denied by the Apostle
Peter, a Jew, deserted by his own Jewish disciples, tried in
secret at night by the Jewish Sanhedrin, and falsely accused
by Jewish witnesses.
Alfred
Edersheim, author of “The Life and Times of Jesus the
Messiah,” explains: “This charge [against Jesus] of being a
seducer of the people broke down, through the disagreement
of the two witnesses [‘false witnesses’ according to
Matthew’s Gospel] whom Mosaic Law required, and who,
according to Rabbinic ordinance, had to be separately
questioned. …Although Christ was not tried and sentenced in
a formal meeting of the Sanhedrin, there can, alas! be no
question that His condemnation and death were the work, if
not of the Sanhedrin, yet of the Sanhedrists—of the whole
body of them (“all the council”), in the sense of expressing
what was the judgment and the purpose of all the Supreme
Council and Leaders of Israel, with only a very few
exceptions.”
These are the
inescapable facts as recorded in the Scriptures by
eyewitnesses; among them, Mathew, Mark, Luke, John and Peter
who in his own epistle wrote, “For we did not follow
cunningly devised fables when we made known to you the power
and coming of our Lord Jesus Christ, but were eyewitnesses…”
We dare not
shoot the messenger for retelling history in vivid detail.
Anti-Semitism or a hatred of any other race or religion for
that matter is not something that spontaneously arises from
the facts no matter how vividly they are portrayed.
Racism is a
conscious decision of the heart, which another Old Testament
prophet, Jeremiah, described as “deceitful and desperately
wicked.” And it is yet further evidence of fallen humanity’s
inability to love and forgive. It is why Jesus came to die
on a cross; to bear the sins of the world.
Mel Gibson
had the best answer for his critics about who was to be
blamed for the crucifixion of Jesus. When asked why he
didn’t appear in the movie, the actor replied, “I did—I
played the only role I could—mine were the hands that drove
the nails into Jesus’ hands and feet.”
And so were
yours and mine.
n
Gregory J. Rummo is a
syndicated columnist. Read all of his columns on his homepage,
www.GregRummo.com. E-Mail Rummo at GregoryJRummo@aol.com
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