The Avenging Chance (2004)



My review:

Possibly the best Crippen & Landru so far.  Tony Medawar’s introduction is excellent, and the stories are, as one would expect from Cox, of a high order.  “The Avenging Chance” is an acknowledged masterpiece, so little need be said of it, other than what a pleasure it is to read it again.  “Perfect Alibi,” a very short story that inspired The Second Shot, is quite entertaining for its length, but one wonders that the local police didn’t wonder why the constable committed suicide.  The third tale, “The Mystery of Horne’s Copse,” which bears some resemblance to Hitchcock’s under-rated The Trouble with Harry, has one of the cleverest (and most convincing) uses of the vanishing and reappearing corpse, and should be better known.  Everybody believes “Unsound Mind” to be the best story, but is more interesting for its detection (pastiche Christopher Bush?) than for the solution, which is evident from the beginning.  Interesting psychology, though: the victim goes out of his way to protect his beloved murderer (rather like Not to Be Taken, in fact).  “White Butterfly,” in which Sheringham sets out to be the psychological sleuth but ends up solving the case on the basis of the psychological clue of the title (rather like Reggie Fortune), is mild entertainment; while “The Wrong Jar” is a tedious and sour reworking of the masterly Not to Be Taken, interesting only for the bloody child who calls forth Cox’s sadomasochism.  The very early “Double Bluff,” which features Alec Grierson, is pleasantly facetious, and, under the banter and ’20s atmosphere, has a clever (too clever?) plot not too dissimilar to The Silk Stocking Murders, while “Mr. Bearstowe Says…,” which takes Roger into the 1940s, is a clever little tale, related to “White Butterfly.”  A very pleasing collection.


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