| Title and Score | Instr/Descrip | Yr. | Time | MP3 | CD | Score | Rvws |
| Extremities | large orchestra | 1989 | 12:04 | |
Vienna Modern Masters 3003 | -- | WiredForSound |
| Title and Score | Instr/Descrip | Yr. | Time | MP3 | CD | Score | Rvws | |
| Prokofiev Marches Out of the Grave | soprano sax and piano | 2003/05 | 1:15 | |
-- | Dorn/Needham Publications (Medfield, MA) | ||
| Infection #1 in C Major | violin and piano (link to desc.) | 1995 | 1:00 | |
-- | score excerpt | add link | |
| Time Lines | 2 recorders, 2 marimbas, double bass | 1994 | 4:00 | |
-- | request a score | add link | |
| Epitaph | alto sax, piano (link to desc.) | 1991 | 6:04 | |
Dorn/Needham Publications (Medfield, MA) | -- | ||
| Antiphone-Polyphone | 5 saxophones, electric guitar, percussion | 1989 | 7:00 | |
-- | score page | -- | |
| There | solo flute | 1984 | 7:00 | |
-- | score page | -- | |
| Untitled #2: An Interactuum | 2 vln, cello, DBass, 2 perc | 1986 | 6:30 | |
-- | -- | -- | |
| 3 Movements for 2 Clarinets | 2 clarinets | 1985 | 7:17 | |
-- | page 4 | -- |
| Title and Score | Instr/Descrip | Yr. | Time | MP3 | CD | Publ | Rvws |
| Undertow | soprano, violin, cello, piano (link to desc.) | 1989 | 2:00 | |
-- | Amalgamate Sound 1993 (San Diego, CA) | add link |
| Pictures of a Musician | tenor, flute, alto sax, piano, percussion | 1987 | 19:00 | |
-- | page 4 | -- |
| Title and Score | Yr. | Time | MP3 | Publ | Rvws |
| Prokofiev Marches Out of the Grave | 2003 | 1:15 | |
-- | -- |
| Infection #1 in C Major | 1995 | 1:00 | |
-- | -- |
| Untitled #1 | 1984 | 1:00 | |
Amalgamate Sound 1993 (San Diego, CA) | |
| Fugue | 1982 | 0:45 | |
-- | -- |
| Title and Score | Tuned | Instr | Yr. | Time | MP3 | CD | Video | Rvws |
| For All the Victims | 22-ET | 'synthophone' | 2001 | 4:00 | |
-- | -- | -- |
| Variations on 'I Heard the Bells on Xmas Day' | 22-ET | 'organ, flute, harp, chimes, snare drum' | 2001 | 5:00 | |
-- | -- | -- |
| The Liberation of Gabrovo | 31-ET | 'piano' | 1994 | 4:00? | |
-- | -- | -- |
| Remembrance | 31-ET | 'piano' | 1994 | 1:00 | |
-- | -- | -- |
| Neo-Romantic Postmodern 'Artiste' | 19-ET | 'organ' | 1995 | 3:00 | |
-- | -- | -- |
| Pre-Modern Romantic Composer | 22-ET | synth & 'piano' | 1996 | 5:00 | |
-- | -- | -- |
| Endangered Species | 20 JI | 20-JI guitar and 'organ' | 1997 | 5:00 | |
-- | |
-- |
| Coffee Blues | 22-ET | guitar | 1997 | 3:00 | |
-- | -- | -- |
| Looking Forward | glissandi and 12-ET | organ | 1995 | 5:00 | |
-- | -- | -- |
| Voice of Iraq | 27.35-ET | voice & 'cello' | 1999 | 3:00 | |
-- | -- | -- |
| Title | Equipment and Descrip | Year | Time | MP3 | CD | Score | Rvws |
| Branchings | sequencer plays synthesizer/effect processor | 1993 | 18:30 | |
-- | ||
| Untitled #3: A Transcendental Etude | sequencer plays electronic piano | 1987 | 7:00 | |
Vienna Modern Masters 2008 | sketch | -- |
| Untitled #4: Adventures of Smiley | sequencer plays synthesizers and effect processor | 1989 | 2:30 | |
-- | -- | -- |
| ZEN wRAP | speech, analog synthesizer, effect processor | 1990 | 3:15 | |
-- | -- | -- |
| L'homme concrète | processed natural sounds, feedback | 1990 | 3:16 | |
-- | -- | -- |
| Title and Score | Instr/Descrip | Yr. | Time | MP3 |
| Aki No Iro | Jap. voice, piccolo, shamisen, synthesizer (link to desc.) | 1990 | 8:00 | |
| Title and Score | Instr/Descrip | Yr. | Time | MP3 | Video |
| Femocity | trumpet, tenor sax, el. bass, drums (link to desc.) | 1995 | 5:00 | |
-- |