A   "novel" text that is mostly a floating mass of signifiers is what I would call POMOEROTICA .  That is, it titillates the reader coming at it with a postmodern or a postructuralist view.  However, as for other content it merely leaves other  readers authors bored.  How then can a   novel text be written that reflects this death of the   author reader while still remaining “pleasurable” and not becoming obscenely poststructuralist?  What, then, would be a   "perfect" "true" poststructuralist novel?                    The best way to find commentary on the death of the   author reader is to find that seemingly “true” author in a   novel text .  There are many novels that have as a main focus the   author reader   interjection participation .  The   three three novels, Midnight’s Children by Salmon Rushdie Breakfast of Champions by Kurt Vonnegut Jr The Princess Bride by William Goldman Dead Babies by Martin Amis The French Lieutenants Woman by John Fowles ,  Midnight’s Children by Salmon Rushdie Breakfast of Champions by Kurt Vonnegut Jr The Princess Bride by William Goldman Dead Babies by Martin Amis The French Lieutenants Woman by John Fowles ,  and Midnight’s Children by Salmon Rushdie Breakfast of Champions by Kurt Vonnegut Jr The Princess Bride by William Goldman Dead Babies by Martin Amis The French Lieutenants Woman by John Fowles each exemplify this idea of   author writer   interjection participation in steadily more drastic ways.  These   interjections participations of the   author reader may cement new ground for the   author reader or perhaps these texts just briefly channel the   author writer in order to fix him strictly into fiction.   Regardless, the key is to look at the story of the  author writer   in the novels of the novels themselves.
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