a British filmmaker and painter. Since him being a painter, his films inflict complex
visual symbols. Like all great directors he insist and depend on his
images to communicate his ideas. don’t expect Hollywood type
movies, If you are a film student peter Greenaway films are
essentials. If you are a serious film fan then enjoy an exotic
composition of artistic cinema. Not for the fainted at
The Fall 1980, A Zed and Two Noughts
1985, The Pillow Book 1996,
Drowning By Numbers 1988
"If you want to tell
stories, be a writer, not a filmmaker"
cool friend of mine, film communication school graduate, said
in opposition to Greenaway quote: “If
you can’t tell stories, be a shoe shiner and not a
filmmaker” Mazen Whebe
hang somewhere in between, I think cinema is a little bit
of everything. Cinema is art in syndication. And if you are
one of those who insist that cinema is an independent art
form, here’s my theory; I would like to tell you that no art
is independent, all arts concept, thus exists upon already conditionally
subsistent physical and/or ideological elements, all arts
relate to one another, direct or indirect. And this leads to an
infinite loop, the classic; “who came first the chicken
or the egg?”
is created by sampling...and so is everything else.
Thanks to Catherine Kim, thank you for your
sweet e-mails. :)
- This web page is designed to work
in Microsoft explorer 4 or later. you may encounter some problems
if you're using Netscape. please report them @zero.
- Designed to
be viewed in 1027x768+ definition.
To link to the other pages in
Nemonic.Turf, please use the links in the top of the page. and
that doesn't mean that I think you're stupid enough to get lost.
However if you did get lost it means that the author of this page
is stupid, which means me. it's debatable ...