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"I don't think it was quite so
blantant that people could buy a career," that ever
candid Diane Lane says, gazing skywards and considering
an imaginary checklist for today's starlet. "Publicist,
manager, attorney, assitant, hairdresser, agent, who are
you screwing...Thank God I started at an earlier time." She's found it
difficult to adjust. "My publist said, 'Go out and
spend five grand at Prada.' And I did it - Prada, Guzzi...I
came home with three items. I'm probably gonna get yelled
at for this," she adds sheepishly. In fact, she
needn't worry. Lane's willingness to tell it like it has
seen her through nearly three decades in film and theatre.
She's starred with every major heartthrob of her
generation and seen every possible pun on her last name ('Fast
Lane', 'Slow Lane', etc.). At age six, she started globe-trotting
(sans parents) with theatre groups and auditioning for
all and sundry in the film world - including a
particularly withering (and unsuccessful) meeting with
Milos Forman - before starring in two seminal 1983
Francis Ford Coppola films (The Outsiders, Rumble Fish)
that landed her on the cover of TIME. "It
brought TIME down to my level - it didn't bring
me up to TIME's level," Lane notes modestly.
"It had nothing to do with my popularity."
Her
reputation for being a tough cookie makes her laugh. In
reality, she is friendly, warm and real, but does have
enough biting wit and chutzpah to instil fear if she were
ever to ask you outside for a quiet word..."The
tough cookie years," she muses, rolling her eyes.
"That was something they hung on me like a Christmas
ornament. When I really young yet feeling very old, I
offered up a lot of myself to the press; I knew it was
good copy. And I knew I had a perspective on the business
and my individuality that I wasn't entitled to have. But
I came out of that fine because it was jsut a phase."
She's been
working steadily ever since (a total of nearly 40 films),
but fame has again knocked on her door thanks to A Walk
To The Moon, in whick she gives an amazing nuanced
performance as a 60s housewife who throws over her safe,
suburban lifestyle for free-love fun. "It was so
exemplary because you really got the flavour of everybody
that the main character's experience touched - you got
the domino effect of her emotional crises." And just
how is she dealing with the domino effect of all the
attention A Walk On The Moon has inspired? "I read
your interview with Sandra Bullock (Empire, January),"
she says, "and she was saying how she just had to
take a hiatus, was going to lose her mind. I got to the
brink of that when I did The Cotton Club (1984) and I
took off two years. You're seeing an example of the
stress to deliver the goods... 'Deliver the goods, baby,'
she says, snapping her fingers. She smiles knowinly.
"I have just enough attention to feel glamorous and
important."
"The
script describes our relationship as basically public
foreplay..." - on her forthcoming role
opposite Mark Wahlberg.
Currently she's shooting The
Perfect Storm (from the Sebastian Junger bestseller),
with George Clooney and Mark Wahlberg. "I don't know
why I love this movie so much. I don't go to sea, so I'm
probably the only one who'll have a glowing report about
it because I don't get wet," she reveals. "And
Mark and I - the script describes our relationship as
basically public foreplay. So I've that to look forward
to..." And then there's George Clooney. Her face
lights up. "We were having some trailer trash talk
the other day - the woman playing my mother-in-law said,
'Do you know, all this time, I thought I was supposed to
be George Clooney's mother. I had this picture of oyu
doing this love scene with him.' I said, 'Honey, if it
had been George, I would've come out of it pregnant!"
She lets out throaty laugh; but for her co-stars, Lane is
happily single. "Part of it is I judged my mother
much too harshly for her dating life. Being her only
child, I wanted her completely to myself. And that's a
precious thing that I've been enjoying very much - my
daughter (Eleanor, six, by actor Christoper Lambert)
still climbs into my bed every night. To kick her out
because somebody else is in there, well, I don't want to
face that moment - it's not worth the conversation! No
man I've met yet is worth that..."
Catherine
Scroop
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