| HJS |
| volume 3, issue 2, 2003 |
| NOTES 1 Hélene Cixous, "Joyce: the (r)use of writing," trans. Judith Still, Post-structuralist Joyce: Essays from the French, eds. Derek Attridge and Daniel Ferrer (London: Cambridge University Press, 1984) 15. 2 Hélene Cixous, "Giacomo Joyce: Les Sanglots ironiques d'Éros," rev. of Giacomo Joyce, by James Joyce, Le Monde 17 Aug. 1968: IV. 3 Stelio Crise, "Il Triestino James Joyce," Scritti, ed. Elvio Guagnini (Trieste: Einaudi, 1994). Cited in Vicki Mahaffey, "Joyful Desire," States of Desire: Wilde, Yeats, Joyce and the Irish Experiment (Oxford: Oxford University Press, 1998) 174. 4 Jacques Derrida, Memoirs of the Blind: The Self-Portrait and Other Ruins, trans. Pascale-Anne Brault and Michael Naas (Chicago: University of Chicago Press, 1993) 33. 5 Carla Marengo Vaglio, "Trieste as a Linguistic Melting-Pot," James Joyce 3: Joyce et l'Italie, eds. Claude Jacquet and Jean-Michel Rabaté (Paris: Lettres Modernes, 1994) 64. 6 Bernard Benstock, "Paname-Turricum and Tarry Easty: James Joyce's Citta Immediata," James Joyce 3: Joyce et l'Italie, eds. Claude Jacquet and Jean-Michel Rabaté (Paris: Lettres Modernes, 1994) 33. 7 Derrida, Memoirs of the Blind, 70. 8 Derrida, Memoirs of the Blind, 106. 9 Percy Bysshe Shelley, The Cenci, II.2.143. Shelley's Poetry and Prose, ed. D. Reiman (New York: Norton, 1977). 10 Cixous, "Giacomo Joyce: Les Sanglots ironiques d'Éros," IV. 11 J.G. Frazer, The Golden Bough, ed. Robert Fraser (London: Oxford University Press, 1994) 666ff. 12 Cixous, "Joyce: the (r)use of writing," 16. 13 Compte de Lautréamont, Les Chants de Maldoror, trans. Guy Wernham (New York: New Directions, 1965) 263. 14 Daniel Ferrer, "Archéologie du regard dans les avant-textes de "Circé"," James Joyce "Scribble" 1: genese des textes, ed. Claude Jacquet (Paris: Lettres Modernes, 1988). 15 Maurice Blanchot, The Writing of the Disaster, trans. Ann Smock (Lincoln: University of Nebraska Press, 1995) 60-61. 16 Jacques Derrida, "Two Words for Joyce," trans. Geoffrey Bennington, Post-structuralist Joyce: Essays from the French, eds. Derek Attridge and Daniel Ferrer (Cambridge: Cambridge University Press, 1984) 147. 17 Jean-Michel Rabaté, "Lapsus ex machina," trans. Elizabeth Guild, Post-structuralist Joyce: Essays from the French, eds. Derek Attridge and Daniel Ferrer (London: Cambridge University Press, 1984) 79. 18 Derrida, "Two Words for Joyce," 147-148. 19 Donald F. Theall, James Joyce's Techno-Poetics (Toronto: Toronto University Press, 1997). 20 Octavio Armand, Refractions, trans. Carol Maier (New York: Lumen, 1994) 187. 21 S.I. Lockerbie, Introduction to Guillaume Apollinaire, Calligrammes, trans. Anne Hyde Greet (Berkeley: University of California Press, 1991) 3. 22 Arnold Hauser, The Social History of Art, vol. 4 "Naturalism, Impressionism, The Film Age" (London: Routledge and Kegan Paul, 1962) 226. 23 Stephen Heath, "Ambiviolences: Notes for reading Joyce," trans. Isabelle Mahieu, Post-structuralist Joyce: Essays from the French, eds. Derek Attridge and Daniel Ferrer (Cambridge: Cambridge University Press, 1984) 46. 24 Jean-François Lyotard, The Postmodern Condition: A Report on Knowledge, trans. Geoff Bennington and Brian Massumi (Manchester: Manchester University Press, 1991) 80-1. |