| HJS |
| volume 3, issue 2, 2003 |
| NOTES 1 Vicki Mahaffey, "Giacomo Joyce," A Companion to Joyce Studies, eds. Zack Bowen and James F. Carens (Westport CT: Greenwood Press, 1984) 89. 2 Richard Ellmann, introduction, Giacomo Joyce, by James Joyce (London: Faber and Faber, 1968) xi-xxvi and Fritz Senn "Some Further Notes on Giacomo Joyce" in JJQ 5 (1968): 233-236. 3 Joseph Valente, James Joyce and the Problem of Justice: Negotiating Sexual and Colonial Difference (Cambridge: Cambridge University Press, 1995) 68. 4 Ezra Pound, Pound/Joyce, ed. Forrest Read (New York: New Directions, 1967) 105. 5 Adaline Glasheen, Review Article, A Wake Newsletter (June 1968): 41. 6 Of those especially concerned with the political implications of the visual in Giacomo Joyce, Vicki Mahaffey and Joseph Valente are to be noted. However, in addition, the fascination with images of women conjured up in the text may be seen in the exhibition, Le Donne di Giacomo which took place in Trieste in 1999, curated by Eric Schneider and published as Le Donne di Giacomo, eds. Renzo Crivelli and John McCourt (Trieste: Hammerle Editori, 1999). See also www.artecultura.it/joyce/indexi.htm. 7 Mahaffey, "Fascism and Silence: The Coded History of Amalia Popper," JJQ 32.3-4 (1995): 501. 8 Mahaffey, States of Desire: Wilde, Yeats, Joyce and the Irish Experiment (Oxford and New York: Oxford University Press, 1998) 151. In particular see chapter four, "Joyful Desire Giacomo Joyce and Finnegans Wake." 9 Mahaffey, States of Desire, 149. 10 Valente, James Joyce and the Problem of Justice, 67. 11 Valente, James Joyce and the Problem of Justice, 67. 12 Helen Barolini, "The Curious Case of Amalia Popper," New York Review of Books 20 Nov. 1969: 44-48. Stelio Crise, "Il triestino James Joyce," Il ritorno di Joyce proceedings of the Joyce Centenary celebrations, Trieste, 1982. Peter Costello, James Joyce: The Years of Growth, 1882-1915 (New York: Pantheon Books, 1992). John McCourt, "The Importance of Being Giacomo," Joyce Studies Annual 11 (2000): 4-26. Renzo Crivelli, Itinerari Triestini James Joyce Triestine Itineraries, trans. John McCourt (Trieste: MGS Press, 1996) and "Giacomo Joyce: A Portrait of the Artist as an Imaginary Casanova," UCD Joyce Summer School, Dublin, 20 July 1995. 13 See Crivelli, "Giacomo Joyce: A Portrait of the Artist as an Imaginary Casanova," and Itinerari Triestini James Joyce Triestine Itineraries, 58, 60. 14 Crivelli, "Giacomo Joyce: A Portrait of the Artist as an Imaginary Casanova." 15 Murray McArthur, "The Example of Joyce: Derrida Reading Joyce," JJQ 32 (1995): 237. 16 Rosalind Krauss, "The Im/Pulse to See," Vision and Visuality, ed. Hal Foster (New York: New Press, 1988) 54-60. 17 Krauss, "The Im/Pulse to See," 58. 18 Sheldon Brivic, "The Gaze," The Veil of Signs: Joyce, Lacan, and Perception (Illinois: University of Illinois Press, 1991) 96-97. 19 Maurice Blanchot, The Step Not Beyond/Le Pas Au-Dela, trans. and intro. Lycette Nelson (Albany: State University of New York, 1992) 42. 20 For a more detailed discussion of the will to knowledge in Giacomo Joyce see Louis Armand "Resistances: Articulating Desire in Giacomo Joyce." 21 Jacques Lacan, The Four Fundamental Concepts of Psycho-analysis, trans. Alan Sheridan (London: Hogarth Press and The Institute of Psycho-analysis, 1977) 106. 22 Lacan, The Four Fundamental Concepts of Psycho-analysis, 102. 23 Lacan, The Four Fundamental Concepts of Psycho-analysis, 102. 24 For an extended exploration of the literary references in Giacomo Joyce see Vicki Mahaffey, "Giacomo Joyce," in A Companion to Joyce Studies. 25 Jacques Derrida, Spurs: Nietzsche's Styles/Eperons: Les Styles de Nietzsche, trans. Barbara Harlow (Chicago: Chicago University Press, 1979) 129; Murray McArthur, "The Example of Joyce: Derrida Reading Joyce," JJQ 32 (1995): 238; Louis Armand, "Resistances: Articulating Desire in Giacomo Joyce." 26 Armand, "Resistances: Articulating Desire in Giacomo Joyce." 27 Vicki Mahaffey has suggested that the umbrella and hat might form the letter "a" ("Giacomo Joyce" 398), while Joseph Valente makes a case for the letter "p" (James Joyce and the Problem of Justice, 130) and Murray McArthur ("The Image of the Artist: Giacomo Joyce, Ezra Pound and Jacques Derrida") argues for "a" and "j." |