Race with the Devil: Gene Vincent’s Life in the Fast Lane by Susan VanHecke

St. Martin’s Press, 2000

Rating=6

Measuring the influence of an artist like Gene Vincent is never easy. Although his “Be-Bop-A-Lula” is an undisputed classic, Vincent was essentially a one-hit wonder, particularly in the U.S., despite a prolific recording career. He has inspired artists from the Beatles to rockabilly revivalists like Robert Gordon, and his leather-clad stage persona is emblematic of rock and roll itself.

Despite some interesting anecdotes and (judging from the references) extensive research, Race With the Devil provides very little sense of what drove Vincent to perform despite his pain, why his marriages were such failures, or even what kind of music he truly wanted to make. It is difficult to follow Vincent’s story, as VanHecke provides few dates and is vague about his relationships, even who he’s married to at pivotal points in his life.

The greatest downfall is the use of three lengthy radio interview transcripts, presumably meant to give us a glimpse into Vincent’s personality and state of mind. These interviews offer very little insight, however, revealing Vincent’s appreciation of Creedence Clearwater Revival and not much else. Elsewhere, VanHecke supposes elaborate fantasies of Vincent literally racing and wrestling with the devil, and being carried to the afterlife by his friend, Eddie Cochran.

VanHecke set an admirable goal of portraying Vincent’s pain and “vehement restlessness” with Race With the Devil, published when the only other Vincent biography had been out of print for some time. The book’s subject is grossly underrepresented, due to the apparent lack of first-person resources available. There must be a fascinating story in this pain-wracked performer who—by slicing a band member’s suit with a switchblade, being (falsely) accused of murder, and pulling a gun on his wife—helped create the model for pathological rock star behavior. Race With the Devil, unfortunately, does not give us much more than some basic facts about Vincent’s career. The man himself remains elusive.James A. Gardner

 

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