IMMORTAL-Sons Of Northern Darkness (Nuclear Blast) Easily THE greatest black metal band in the universe, AD 2003. I’ve been waking up to this evil slab every morning for weeks. The drumming alone will shake your balls/ovaries into a state of tormented ecstasy. The mighty Immortal are riff-gods of Iommi-esque proportions. It takes a few spins, but for fuck’s sake, their ditties are even catchy! “Within the Dark Mind” has some of the crunchiest power chords since St. Vitus hung up the leathers. In fact, I can’t praise these hellish heels enough, I mean in one interview I read on their excellent website www.immortal.nu, they mentioned they liked warming up to Piledriver’s “Metal Inquisition”, possibly the finest thrashin’ comedy album of all time. Pledge allegiance to these Nordic warriors or forever be lame. CRADLE OF FILTH- Dusk and Her Embrace (Fierce) What’s up with all the hipster, “in the know” types calling these guys “fakes” and “pussies”? Like, how obnoxious does a band have to be to be considered “true black metal”? Is it because they originated in the land of bad teeth and even worse food (Boiled pizza, anyone? to paraphrase the late, great Bill Hicks) Britain? Or is it simply because they’ve actually made a dent in mainstream pop culture? Whatever-- Don’t believe the fucking hype, cuz these sob’s rock! My significant other complains that all of the songs sound the same-- and she’s an AC/DC fan! She’s right y’know, but that’s part of the charm of this shit—there’s never any question as to who it is. Much like the aforementioned Aussie shitkickers, the ‘Filth has hit on a winning formula, and they drain every last drop of blood from it until there’s nothing left but a maggoty flesh-heap. Thus, the ghoulish lyrics, crusty guitars and whispered/screeched vocals continue ad nauseum, until your nerves are frayed beyond repair. This is a good thing. DIMMU BORGIR-Enthrone Darkness Triumphant (Nuclear Blast) Another band I can’t rave enough about-- Power riffage straight from the bowels of hell. If this record were a serial killer, not only would it torture you, rape you and drag you around by your entrails, the motherfucker would then pull you outside by your genitals and run you over 666 times with its customized, Godzilla-painted monster truck—after you’d been dead for a week. CHILDREN OF BODOM-Hatebreeder (Nuclear Blast) Off to Finland, where it seems that black metal is flourishing as well. An honest description of this slab of depravity would read something like this: AAARRRGGGHHH! SNORT! ERRRHHHH! AAAAAAAHHHHHHH! At least something to that effect, I guess. Let’s just say that these disciples of sin may have the U-G-L-I-E-S-T sound this side of a John Zorn project. The vocals are of the larynx-shredding variety, usually indecipherable, always ear unfriendly. The music? The drama-laden keyboards add a bit of subtle texture, but I gotta ask: Is crystal meth big in Finland? If not, then these boys oughta take some Quaaludes and calm down a bit. Fast and furious from beginning to end, this stuff is not for the faint of heart. YOU’VE BEEN WARNED… IN FLAMES-Clayman (Nuclear Blast) No I don’t have some kind of “agreement” to hype Nuclear Blast product, but they certainly have cornered the market on this BM stuff. In Flames is by far the BM band with the most commercial potential (I’ve heard their latest offering resembles the kind of disposable swill barfed up by the likes of Linkin Park). This album however, reminds me of the glory days of the NWOBHM, especially Judas Priest and Diamond Head—delivered at maximum velocity. Their music is progressive yet melodic, with more excellent riffs than you can shake a studded wristband at. Not a BM record per se, but close enough to earn a few two-horned salutes. |
(I borrowed the title of my column from the recent Dictators’ release) We live in trying times cretins. Not only is there a severe shortage of adrenaline-fuelled, fuck you raunch; there’s also a bunch of corporate, dick-scarfin’ pukes more than willing to tell y’all that Limp Bizkit is the shit. Unfortunately, too many of you actually listen to them. So let’s set the record straight, shall we? Up until a year or so ago, I was ready to give up on any hope of popular culture ever returning to high water marks such as the Velvet Underground, Dead Boys, Suicide, Electric Eels or Blue Cheer. There seemed to be nothing but an endless glut of E-zoned raver kids, frat boy nu-metallers, and best of all, the teen-pop shitheads. Then, as though it were a gift from the Dark Gods (Godz?), I discovered black metal. Aye thou dost not knoweth how badly thine Pope was in need of such enlightenment! The motherfucker in me was ready to cash in his chips. Condemned to the throes of crotchety old-manhood; forever muttering to passers by, “Do you remember Stiv Bators?”, as bile dried to my chin. Thankfully, it was not to be (yet). What did I just hear? Was that a collective sigh of disapproval from all of you smack-shootin’, tattooed, greasy-haired urban hepcats? Black metal offends your shit-as-art aesthetic? Wouldn’t sit very well beside your Strokes album? Goddamn right! Not only that, but in the middle of the night when you’ve nodded off in a Jagermeister stupor, the black metal records would kick the shit out of your entire collection. Burn, motherfucker burn! Guess what? The afore-mentioned, poorly-constructed fantasy could very well be the best thing to happen to you. Drop your pretences and FUCKING ROCK. Black metal has come a long way from its humble origins in the inept hands of bands like Venom, not that Venom wasn’t great; it’s just that they always came off as a bit of a comedy act—Spinal Tap incarnate. Nuthin’ wrong with that of course. Hell, I’d probably appreciate those thieving swine Led Zeppelin more if they’d ever written anything as gloriously stoopid as “Big Bottom” (or ‘7 Gates of Hell’ for that matter). However, they made the genre difficult to take seriously. I’ve gotta say that I do however, fondly remember the likes of Mercyful Fate, Celtic Frost and Bathory. I actually put my Hanoi Rocks and Sex Pistols albums away to listen to “Don’t Break The Oath”, “To Mega Therion” and “Under The Sign” once in a while. These three opuses probably are the most responsible for the black metal of today (in my uneducated opinion). Now, rapidly approaching the mediocrity of my mid-thirties, my hip quotient reduced to zero, I for some reason find tranquility in BM. The same way I did with Motorhead, Black Flag and the Stooges in my mid-teens. I’m also exhibiting all of the clichéd signs of a mid-life crisis—finding solace in my past (I actually enjoy hearing new wave songs on the radio), dressing as though I were ten years younger and best of all, my co-conspirator on this website and full-time ladylove is fourteen years younger than I am. Mediocrity has its benefits after all. It’s baffling to me how all of a sudden I’m beginning to appreciate louder, faster and heavier music. Shouldn’t I be chillin’ to the more sophisticated sounds of “adult-alterative”, or “sadcore” or perhaps the latest sluice of swill by Creed or their thousands of soundalike, Pearl Jam-derived, hippy mopeheads? The All Music Guide must have invented some style or genre that is better suited to eulogize my declining years…. …To 1987 AD, somewhere in the wilds of Norway, a bunch ‘o zit farmers were building fires in the woods, roasting goat-dogs (or whatever the frankfurter equivalent in Norway is), blastin’ the Fate on the boombox and pondering their meaningless existence whilst trying to make some sense of the “Necronimicon”: Blackmetallerinwaiting # 1: “I’ve been chanting this mantra for hours, am I a werewolf yet?” BMIW # 2: “I’m tellin’ ya Vorg, a bat’s ear is no substitute for a lizard tongue. Ya shoulda waited. You’re offending Satan! Besides, I gotta go puke up this yak liver, it’s giving me the spins.” BMIW # 3: “Would you guys shut up? I’m tryin’ to channel my demon keeper!” BMIW #4: “Fuck you guys. I’m going home to torture my mother’s cat and mebbe puncture my brother’s soccer ball.” BMIW #1: “Hey dude, can we smash the shit out of his drum kit too?” And thus, Scandinavian black metal was born. Churches were burned, brains were eaten and people were murdered for wearing white. Emperor and Mayhem were the debauched heroes of the scene. And, like all great rock ‘n’ roll bands, they raised enough hell to merit death, chaos and destruction wherever they went. They also made some great (grate?) records. Christ, Emperor even had a bassist called Mortiis who ended up looking like this: DEATH TO FALSE METAL!!!!! Ah, the wages of sin….. And now cats ‘n’ kitties, I’ll give y’all a rundown of some of my fave BM releases of recent (somewhat) vintage….. |
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WHO WILL SAVE ROCK'N'ROLL?! |
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Design by the Lovely Ms. Jennifer |
NOT SO HONORABLE MENTIONS: MESHUGGAH-Destroy Erase Improve (Nuclear Blast) HYPOCRISY- Catch 22 ( Nuclear Blast) TODAY IS THE DAY- In the Eyes of God (Relapse) SATYRICON- Nemesis Divina (Century Media) SAMAEL- Eternal (Century Media) TIAMAT- Wildhoney (Century Media) |
HAPPY HEADBANGING!! |