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NEWSLETTER

Updated:  March 18, 2004

 

Happy post-St. Patrick’s Day!  Let’s hope that we get to see green around us soon.  Below is scoop about a very special Canadian showcase – jacksoul.  Check it out under HOT EVENTS.  And no more Irie parties until April Mondays – stay tuned for regular updates.    Check out pics in my PHOTO GALLERY of recent events including Busta Rhymes In Concert, Tonya Lee Williams Gospel Jubilee, Daniel Igali Documentary Launch and Canadian Music Week Flow Showcase. 

This newsletter is designed to give you some updated entertainment-related news and provide you with our upcoming event listings.   Welcome to those who are new members.  Want your events listed by date?  Check out EVENTS.

HOT EVENTS

 

Jacksoul CD Launch – Thursday, March 25, 2004

R.E.M.G. is proud to present jacksoul live in concert March 25th, 2004.  After the critically-acclaimed debut of Absolute in 1996 and the Juno Award Winning Sleepless in 2000, jacksoul is back with their third CD release, Resurrected. Produced by The Philosopher Kings’ Jon Levine, jacksoul has returned to the R&B scene with a classic blend of jazzy grooves, funky beats and soulfully elegant lyrics. As described by the lead vocalist and front man Haydain Neale jacksoul is “straight up, takin’ no prisoners, tear jerkin’, sweet and low down, mess around and hurt yourself Soul music!” jacksoul revives the earthy feel and dirty grooves of the early Motown era yet maintain their own original and fresh sound. The first single, “Still Believe In Love”, is one of those songs that hits you hard and doesn’t let go. It’s a break-up song that gives people hope that they can get through even the toughest situations. Be there at the Mod Club to hear jacksoul perform their new album. 

THURSDAY, MARCH 25
Jacksoul CD Launch
The Mod Club Theatre
722 College Street (at Crawford)
Doors Open at 8:00 pm
Tickets are $15.00 in advance and are available at Ticketmaster, Play Da Record, Rotate This, Vice, Sonic Temple, Shanti Baba and Ed’s Record World
www.ramosent.com

 

Irie Midnight Moon Party

No Irie Midnight Moon Party this Friday – stay tuned for Irie Mondays to return in April! 

 

THOUGHT

 

MOTIVATION NOTE: Your agenda for today - "Just to get through it."

(Mar. 12, 2004) Your agenda for today may have only thing on the list...."Just to get through it."  Don't give up when obstacles and setbacks happen. Trust your instincts, intelligence and intuition to develop your problem solving skills.  Fear and fatigue can cloud your thinking. Instead of hiding and isolating yourself from friends, family and church, get plugged back in.  Pray ... plan ... prepare ... persist ... p.u.s.h. (push until something happens).

 

SCOOP

 

May One 9 Gives Birth to Broadway

This is May One 9 hitting ya'll off with a little info. I'm no longer in the group BrassMunk.  People grow, people change, and at the end of the day you gotta do what you gotta do.  Those who know me personally know what's up. I'm gonna continue to bang music because it's a love that I still have.  Much love and respect for all my peoples that supported the hustle.  The hustle ain't gonna stop!  Time will tell what will happen as they say!   May One 9 is dead;  Broadway is born.  Look out for extreme HEAT from Broadway sooner than later!! 

Much Love and Respect and God Bless! - Broadway

 

MUSIC ADVICE

 

How to Pick the Right Manager For Your Music Career

Source:  Bobby Borg

In the classic concert film The Song Remains The Same, there's a famous scene where Led Zeppelin's manager Peter Grant, a 270 pound former wrestler from East London, is backstage screaming at one of the promoters at Madison Square Garden. Needless to say, the promoter is backed in a corner and shaking in his boots! Many artists may think that an intimidating personal manager is exactly what they need. But Jeffrey Jampol, who has managed artists such as Tal Bachman says, "The days of the Peter Grants in this business are over." People in the music industry prefer to do business with nice guys.  A manager must be able to nurture and maintain numerous relationships while at the same time standing firm, being sensible, and demonstrating a strong knowledge of the business. (It's a fine balance between ticking people off and not being a pushover.) If a manager walks into the record label and starts pounding desks, insisting that things get done his way, he's bound to get absolutely nowhere!  So what are the most important qualities to look for in a manager? In addition to being powerful, well connected, a good negotiator, enthusiastic, committed, and accessible, a good manager should be one who over-all inspires your TRUST AND RESPECT.

Trust

Trustworthiness is an incredibly important attribute to look for in a manager. Think about it, you've worked for so many years learning how to play your instrument and write your songs, and your band has been rehearsing and promoting its shows for years-and now you're going to turn over a great deal of responsibility to someone you barely know! Sounds scary doesn't it? Trust must be earned over time, but if a manager doesn't at least show an initial caring, enthusiasm, and commitment for your dreams and passions, you may not have the right guy. Is your manager just interested in making a quick buck off of you-or perhaps just interested in having a romantic relationship? Seriously! You really need to follow your gut instinct on both these issues from day one.  I remember one very famous manager firmly saying to a group that he didn't need to like or be passionate about their music in order to do business with them. Sounds rather insensitive, but because of his power and clout, the band decided to go ahead and work with him. As it turns out, the relationship ended in disaster. The band drove all the way across country in a van to perform a showcase, and the manager didn't even show up-nor did any industry people! True story. Coincidently, after that, the manager didn't even return the band's phone calls. Nice! Perhaps he realized there was no quick buck to be made from the relationship? Who knows?  In similar situations, so many bands are promised that there's a big tour or record contract right around the corner and that the labels are ready to ink the deal. One or two years later, the band is still playing the same dive clubs and are unsigned.  A manager can't lie to his artists as some ploy to keep them under control, feel powerful, or to perhaps manipulate into a romantic relationship. Again, an initial feeling of genuine caring, enthusiasm, commitment, and over all trust is a major quality to look for in a personal manager. Without these traits, no matter how powerful and well connected the manager may be, you may end up with nothing more than a lot of broken promises.

Respect

A manager must also be someone that you can respect. We're not just talking about the number of successful bands this individual has managed or how many gold and platinum records he has on the wall, we're talking about morality and ethics. What does your manager really stand for? Is he/she well educated? Well groomed? Does he show a genuine loyalty to other business partners and associates? Does he show an interest in win-win relationships in other business ventures? Is he family-oriented? Does he do anything to give back to the community? Or is your manager all about making money and flash-big houses, expensive cars, and arm-piece girl friends at any expense? Is he a spoiled rich-kid or businessman who got into management to fulfill some show-biz fantasy? Is he a former drug dealer or dubious business person? Does he hang out and party twice as hard as you? Is he a bully? Hey, I'm not making these examples up! Surely, it's not like you're an angel looking for a saint, but overall a manager must maintain a level of authority and respect and perhaps even be somewhat of a father figure to you. Many bands, not that they'll always admit it, want someone they know they can look up to and feel protected by. They want both someone who's going to take them under their wing and keep everything under control-a super hero who can do no wrong, and someone who knows how to be down to earth and admit that they don't have an answer to a particular situation.  Of course, you may initially be impressed with someone who makes a lot of noise, blows a lot of smoke, wines and dines you, and flexes a lot of muscle-but are you really going to trust your whole career to guy like this?  A manager must be secure, grounded, firm, confident, educated, and well respected-far above all the bells and whistles and shallow surface stuff discussed above. Without these positive and respectful attributes, your only building a relationship in a personal manager that is doomed to eventually fail!  Keep that in mind as you pursue your dreams.

 

MUSIC NEWS

 

Flourishing Fefe

Excerpt from The Toronto Star - Ben Rayner, Pop Music Critic

(Mar. 14, 2004) Occasionally, a mother's good advice is best ignored.  It can't have been easy for Fefe Dobson to wave off mom's objections when, three years ago, the then-16-year-old singer backed out of a brewing recording contract after a dispute with the label over what direction her musical career would take.  Mrs. Dobson, who raised her daughter alone in Scarborough, had been nothing but supportive of young Fefe's aspirations during a long struggle for the spotlight that began when the precocious child started writing songs and assailing record companies with demo tapes at age 11.  Even her mother, though, feared the years of dreaming and daily two-hour commutes to theatre school might come to nought when Dobson ditched a development deal with Jive/Zomba, home of Britney Spears and 'N Sync, to avoid being molded into a teen-pop moppet and pursue a rockier sound.   "They set me up with producers and tried to get me working with different people, and then I kind of realized during the process that it wasn't right," recalls Dobson, now 19.   "I was doing pop music — really pop music, like Britney Spears pop — and I loved that music at the time, when `Baby, One More Time' was out and it was hot. But to me, singing over that kind of music just sounded retarded."

At the time, Dobson had just hit upon a fruitful songwriting partnership with Jay Levine, a Toronto musician of Philosopher Kings and Prozzak notoriety, and she didn't want to let it slip away.  So, during a lunch date that wound up ending on rather sour terms, she presented her case and a song she had composed with Levine to the label.   "I brought him up to them and said: 'I really want to work with this guy, I have great chemistry with him,'" she recalls. "They told me `If you work with Jay, we as a company will walk, and if you want to stay with us, you will never, ever work with Jay.' So I stayed for lunch and walked away. And then Jay and I just started writing this album."   The album in question is Fefe Dobson. Released last fall through the American label Island/Def Jam, it has already hit the platinum sales mark of 100,000 in Canada and moved a further 500,000 units south of the border, certifying Dobson's decision as a sound one.  Dobson's move away from pop wasn't quite as reckless as it's often made out to be, mind you. Any casual music-industry observer could tell three years ago that teen-pop of the Spears variety had peaked. Levine and his fellow ex-Philosopher Kings have also proved themselves canny behind-the-scenes operators in recent years; Kings singer Gerald "Jarvis Church" Eaton, for instance, has scored success as a co-writer/producer for Nelly Furtado, with whom Dobson shares management.   Still, while only a 14-year-old girl would defend the punkish, tough-chick stance and tastefully hard-charging guitars of Fefe Dobson as a genuinely raw rock 'n' roll experience, Dobson's gamble stands as fairly risky within an industry that would rather steer young women of a certain age and skin colour — her father is Jamaican — toward innocuous pop R&B.

"When Jay and I started writing this stuff, everyone around me was freaking out. `Are you crazy?' Even my mom was, like, `Are you nuts? This is an opportunity and you dropped it.' But I knew in my gut that Jay and I were going to create something special and original and fresh, so I was not worried at all."   Smoothing the way for Dobson's rise, of course, was another mildly rockin' teen-pop starlet from Napanee, Ont. And though Fefe (born Felicia) is somewhat justified in her distaste for the constant Avril Lavigne comparisons — Fefe Dobson's intermittent bursts of metal-tinged rowdiness do make it a decidedly heavier record than Let Go — the two girls share enough videogenic "rock" poses and pouty pop-punk leanings to ensure that the two names will continue to be invoked together for some time.  Dobson's handlers have also given their young charge the same everywhere-at-once rollout Lavigne received from Nettwerk Management a couple of years ago.  She's been ubiquitous across the continent for months, appearing in print everywhere from Teen People (where she just made her debut as a milk-moustached dairy spokesperson in a "Got milk?" ads) and Tiger Beat to more "adult" magazines such as Rolling Stone and Blender. TV duties have included MTV's Total Request Live, The Tonight Show With Jay Leno and Ellen DeGeneres and Sharon Osbourne's daytime talk shows. On March 28, she turns up on NBC's American Dreams performing "River Deep, Mountain High" as Tina Turner.   A headlining North American tour is still in the planning stages, but last month Dobson did find herself performing for crowds of 30,000 all around the U.K. as the opening act on Justin Timberlake's tour of the British Isles. For the record, Timberlake didn't make a grab for her bustier at any point, but Dobson did find him "open to me and so expressive."

Pop-star behaviour notwithstanding, Dobson's rock fanhood is sincere. She names David Bowie as her dream collaborator, cites Nirvana as an influence and credits once-teenaged Australian grunge act Silverchair with inspiring her to begin writing her own songs.   "When I was about 12, I really started writing my feelings on paper because of Daniel Johns and Silverchair and the album Neon Ballroom," she says. "It really affected me. I was having a breakdown at 12 or 13, and that album talks about his anorexia and his depression, and it really, really got to me and opened my eyes that it's not weird to write your feelings on paper. It's good. It's liberating."

 

Danko Jones' Rock Right At Home In Stockholm  

Excerpt from The Toronto Star - Ben Rayner, Pop Music Critic 

(Mar. 11, 2004) Danko Jones vigorously maintains Sweden is only his second home, but Canada's grip on the razor-edged rock `n' roll trio with which he shares his name as a "Toronto band" has never been looser.  These days, Jones and his bandmates — bassist John "JC" Calabrese and drummer Damon Richardson — spend so much time on the road in Europe that he's been moved to secure a little home-away-from-home in Stockholm and begin moonlighting as the host of a soon-to-be-syndicated weekly radio show, The Magical World Of Rock With Danko Jones, on that town's Rocket 93.5 FM.  The lads conduct a brief cross-Canada sojourn this week in support of last year's pleasingly savage We Sweat Blood album, but after tomorrow night's homecoming throwdown at Lee's Palace, it's "Goodbye, Danko" once again until at least the fall. After a quick stop-off in Austin, Tex., for the South by Southwest festival next week, the band will be hitting the touring trail in Europe right through the summer festival season.  "All of our complaints, really, just lie with Canada because everywhere else is going really well," says Jones forthrightly. "This tour we're gonna do starting April 1 is going to be our 11th tour in Europe in three years, and it keeps getting extended ...  "Over here, it hasn't changed for us. It's like five years ago for us. We're not interested anymore. We go where we're wanted, so our Canadian tour for We Sweat Blood is a four-date tour. We're playing Regina, Winnipeg and Edmonton and then a day off and Toronto. That's it: Four days. We've done over 200 dates in two years. Last year, I think we played seven dates in Canada.  "It's kinda crazy. We've been there a little more than here. It's not something we do deliberately. We just go when we're asked — and we're asked and then asked back and then asked back again."  Jones insists he's not "bitter" about the differing fortunes of Danko Jones at home and abroad and is quick to qualify his remarks by noting that the band's reasonably large cult in Canada — a following large enough to scoop up something like 20,000 copies of the band's 1999 indie EP, My Love Is Bold — is what "sustained the band during the times we weren't in Europe and Canada wasn't really getting into us. Our Canadian fans are really responsible for keeping us alive."  That said, now that the band is selling records through various record labels on four continents, including American indie Simba and Swedish rawk stronghold Bad Taste Records, it no longer lives or dies by what's happening in Canada. And, unfortunately, although Danko Jones has managed lots of good reviews, some radio and video airplay and two "best rock album" nominations at the Junos — for 2002's Born A Lion and, just this year, for the bruising We Sweat Blood ("I think we did a good job of getting heavier without alienating our `rock' fan base") — on home turf since its sustained attack on Europe began, what's happening in Canada is still negligible by comparison.  Blame for some of that goes to the band, concedes Jones. But just as much, he ventures, is to do with a domestic recording industry that is "always kind of a couple of steps behind everyone" and had all but stopped paying attention to the kind of straight-ahead, Danko-esque rock band "that never went away" overseas until bands like the White Stripes and the Hives started doing huge numbers.  "Our affiliation with Universal now and the fact that Universal hasn't serviced our album to college radio two albums in a row has kind of alienated us from that whole scene," says Jones. "That's the scene that we are from and that we are still consumers of, but we don't feel a part of it anymore. Maybe it's our fault because we're never here and they don't feel we're working the record over here, but we were supposed to do a full-out Canadian tour in February and we just couldn't get the ball rolling because, I guess, there were more priorities at the label. Like keeping their jobs.  "We don't do too badly in Canada, but we actually did better independently than we're doing on a major. I think it's a lot to do with downloading, and I say: `Hurrah!' Great. I love the fact these 14-year-old kids are downloading these big corporations to death. I kinda like it because it's taking the control back. We won't be ripped off anymore. You can't sell our record collections back to us for a third time."

 

FM Radio Booming, Says CRTC

Source:  Canadian Press

OTTAWA — Radio stations in Canada are raking in big bucks.  The Canadian Radio-television and Telecommunications Commission says private commercial radio stations made more than $210 million last year, an increase of 31 per cent from 2002.  The commission says revenues were also up, by almost eight per cent overall, to nearly $1.2 billion.  During the last five years, radio revenues increased by 22 per cent and net profits by 137 per cent.  Most of the money was made by FM operations, which saw revenues grow by nearly 10 per cent in 2003 to their highest level in five years.  AM radio continued to struggle, losing money in each of the last five years as revenues declined by almost three per cent during the period.  The radio industry employed nearly 9,000 last year and 17 new stations hit the airwaves.

 

Pleasant, Bland Joel Kroeker

Excerpt from The Toronto Star - Vit Wagner

(Mar. 11, 2004)  Joel Kroeker Melodrama (True North) Vancouver-based singer/songwriter Joel Kroeker's True North debut is a polished — even calculated — effort that combines solid musicianship and radio-friendly, pop/rock songwriting. Hence, presumably, the blurby comparisons to John Mayer, although a rootsier HawksleyWorkman is sometimes nearer the mark. Melodrama, featuring contributions from guitarists Randy Bachman and Kevin Breit (Norah Jones) and backing vocalist Kathryn Rose, is also the kind of album that sounds appealing enough when it's playing but leaves little lasting impression when the final notes have been strummed. Lyrically, the writing tends more toward truisms than truths. "Paradise is never what it seems" is a fairly typical sentiment. Opener "Endings" benefits from low-key anthemic drive, while the Eastern-scented "Song For A Person" and the cabaret-like "Naked Beauty" suggest a willingness to break the mold.

 

Soul Train Music Awards

Excerpt from www.eurweb.com

(Mar. 17, 2004) *Alicia Keys and Kenneth "Babyface" Edmonds will host the 18th Annual Soul Train Music Awards, which will air live this Saturday, March 20 from Los Angeles. Outkast, R. Kelly, Nelly, Murphy Lee, Jermaine Dupri, Usher, Ruben Studdard, Anthony Hamilton, Erykah Badu, Ron Isley and Michelle Williams are scheduled to perform.

 

Gary Taylor Reveals His Inner 'Eclectic Bohemian' With New CD

Source: Makeda Smith / makeda@jazzmynepr.com

(Mar. 17, 2004) Honey colored sister… with unspeakable eyes Chocolate coated beauty… as dark as the night Coffee with a splash of cream… is the color you are There can be no explanation… how you've come so far  Woman of color… at the end of the road I brush up against you… in some unspoken code I yearn for the closeness… we are so overdue Show me the garden… of pleasure in you -from Gary Taylor’s “Women of Color”

Simply said, musician, songwriter & producer Gary Taylor is love music. There is nothing simple about his musical compositions however. His soft, sexy, smoky, surround-sound sensuality stirs the depths of emotion in the sea of love. His songs have been haunting our senses since his first solo release back in 1983.  The magic behind such titles as Anita Baker’s “Good Love” and the Whispers “Just Gets Better with Time” Taylor writes music that is layered with intensity. Titles like Love Dance, Take Control and Square One reverberate in our consciousness with their haunting rhythms and lingering refrains. As he defines it, “People want to feel the music, not just hear it.” And feel it we do.   Eclectic Bohemian is the latest offering from his Morning Crew Music label (www.morningcrew.com). With a defined fan base that thirsts for his every creation, Eclectic Bohemian is serving to broaden the borders of Taylor’s special world. Always one to lyrically paint some of the most revealing and sensitive portraits of love and relationships, his current tribute to the opposite sex, “Woman of Color” is searing airwaves around the country.  Joined by sexy balladeer Will Downing and classic crooner, Scotty Scott of the Whispers, “Woman of Color” is the ultimate love homage to women of color. “Woman of Color” is a cool glass of water in a climate of misogyny and booty shaking hits.  Taylor is an artist’s artist. He creates music entirely on his own terms. He makes music by listening to his heart. Driven by a desire to maintain integrity and soul in R&B music, Taylor’s songs are luscious treasures. He defines his compositions as “soul food for the spirit” and his last six CD’s including Under the Nightlight, The Mood of Midnight and Compassion prove to be just that. Like a tasty gourmet meal, you won’t find Taylor’s music being served just anywhere. Visit him at MorningCrew.com and be prepared for a voyage. Candles, incense and the company of a good mate will prepare you for the ride.

If you are in the Los Angeles area, he will make a rare live performance at the Catalina Bar & Grill on Wednesday, March 31. The Catalina Bar & Grill is located at 6725 W. Sunset Blvd. Tickets may be obtained by calling (323) 466-2210.

 

Florida Drops R. Kelly's Child Porn Charges

Source:  Associated Press

(Mar. 17, 2004) BARTOW, Fla. — Prosecutors here dropped all child pornography charges against R. Kelly after a judge ruled that photos allegedly showing the singer having sex with an underage girl were illegally seized.   The decision, announced today, doesn't mean that hitmaker is out of trouble. The R&B singer still faces 14 counts of child pornography in his homestate of Illinois stemming from a videotape allegedly showing him having sex with an underage girl.   But last week, Circuit Judge Dennis Maloney agreed with Kelly's attorneys that the Polk County sheriff's detectives did not have enough evidence to justify a search of Kelly's Davenport home when the deputies asked a judge for a warrant in June 2002.  The photographs were on a digital camera that was wrapped in a towel inside a duffel bag.  Prosecutors decided not to appeal Maloney's decision and instead dropped the 12 charges against Kelly, Assistant State Attorney Chip Thulberry said.   Kelly's Chicago-based attorney, Ed Genson, did not immediately return a phone message.  Kelly, whose first name is Robert, is a best-selling singer, songwriter and producer who has worked with artists ranging from Britney Spears to Michael Jackson. His hits include "Ignition," "Step in the Name of Love," and "I Believe I Can Fly."

 

Prince To Perform At Essence

Excerpt from www.eurweb.com

(Mar. 11, 2004) *Music icon Prince will open this year's Essence Music Festival, on July 2. The legendary artist and his version of fused funk, rock, R&B and pop will electrify the audience with his many chart-busting hits, including "Purple Rain," "1999," "Raspberry Beret" and "Pop Life," along with new material from his forthcoming album Musicology.  Prince joins a stellar lineup of artists: Mary J. Blige, Missy Elliott, Gladys Knight, Maze featuring Frankie Beverly, The O'Jays, Donnie McClurkin, Tyrese, Jagged Edge, Anthony Hamilton, Millie Jackson, Kem, The Ohio Players, Freddie Jackson, Kenny Lattimore, Chante Moore, Solomon Burke, Little Milton, Sinbad, Ledisi and The Dazz Band. Additional artists will be announced in the coming weeks. The festival will take place over the 2004 Fourth of July weekend-July 2, 3, and 4 in New Orleans.  "The Essence family is ecstatic that Prince will join us to celebrate the tenth anniversary of our music festival," said Ed Lewis, chairman of Essence Communications Partners. "His awe-inspiring performances, ability to fuse various music genres and bring together generations of music lovers is extraordinary."  "Mark your calendar for July 2, 2004! We will have a great evening of music, fun and love for one another," said Prince.  "In this historic year honouring Prince, we are thrilled to add the Paisley Park experience to the wonderful Essence Music Festival by offering the performance of the greatest all-around musician, performer, singer, songwriter and producer of all time," L. Londell McMillan, Esq., representative for Prince and president The NorthStar Group.  The Essence Music Festival, known as "the party with a purpose," is the nation's largest annual African-American event and gathering of musical talent in the world. This multigenerational festival offers spiritual and financial Empowerment Seminars during the day, which are free, and 50 exciting performances at night where festival goers can dance and sing along with the biggest names in entertainment, rhythm and blues, classic soul, hip-hop, neo-soul and jazz, on five stages within the Louisiana Superdome. The daily Empowerment Seminars feature renowned speakers, authors and national leaders and are held in the Ernest N. Morial Convention Center. The Convention Center is also home to the Essence Marketplace. In the Essence Marketplace artists from throughout the country offer an array of quality arts and crafts reflective of the New Orleans tradition and the rich cultural heritage seen throughout the African Diaspora, as well as Louisiana cuisine, sponsor activities, festival souvenirs and a book fair with author book signings. The Essence Music Festival has become a destination of choice for families and friends as they schedule their reunions.  Festival goers can purchase tickets at ticketmaster.com or by calling (800) 488-5252, (504) 522-5555 (New Orleans) or (225) 761-8400 (Baton Rouge). Tickets are $35, $45, $55, $75 and a very limited number in the Golden Circle section at $125. All tickets are subject to additional service charges.

 

Prince Spoils Fans

Excerpt from www.eurweb.com

(Mar. 12, 2004) *The Purple One is returning with a tour in March and his fans cannot wait. He has been gone from the commercial music game for so long by embarking on an independent venture, some of us never imagined he would return.  The singer will begin his first arena tour in six years starting March 29. He's been in negotiations with record labels to release his new set "Musicology," his publicist Ronnie Lippin, told The Associated Press Wednesday.  In an extremely generous gesture, Prince, 45, decided instead to give away the disc at his concerts.  "Every person who buys a ticket to his concert will walk away with a free CD," Lippin said.  After a bitter feud in 1996 with Warner Bros., Prince split with the label and released his albums on the Internet and through other labels or distribution deals.  The album will also be available commercially and on his Web site, www.npgmusicclub.com. Fans will be able to download available March 29, and the disc will be in record stores at a later date.  Prince is set to be inducted into the Rock and Roll Hall of Fame on Monday, March 15 and his tour will take him to 38 cities.

 

Dancehall Diva Sasha In Domination Mode

Excerpt from www.eurweb.com - by Kevin Jackson / eurfeedback@eurweb.com

(Mar. 11, 2004) Already an international hit-maker with two simultaneous yearlong crossover successes the dancehall smash "Dat Sexy Body," and her duet performance with Sean Paul, "I'm Still in Love With You" VP Records artist Sasha has been busy setting up further power moves in preparation for the early summer 2004 release of her VP debut album.  In a new blockbuster team-up, Sasha has invited Ivy Queen, the leading female superstar of Puerto Rico's dancehall-influenced reggaeton movement, to join her on a brand new Spanish-language version of her massive club and radio hit, "Dat Sexy Body." The track is re-titled, "Dat Sexy Body Español featuring Ivy Queen," and retains the classic "Bookshelf" rhythm, newly remixed by VP Records' A&R guru Murray "M Diddy" Elias. This new version will appear on Sasha's album, and a vinyl 12-inch containing both the new Reggaeton Club Mix and the original version will be provided for DJs in the core dancehall, reggaeton and hip-hop markets.  This historic duet marks the first pairing ever on record between a Jamaican dancehall artist and a Puerto Rican reggaeton artist. The remix follows a year of heavy pop crossover radio play on the original "Dat Sexy Body" in the dancehall strongholds of Florida, Boston, Phoenix, the Southwest, San Francisco and the West coast. Now, targeting several inter-related audiences across the US and Latin America, a pre-release copy of the reggaeton mix leaked to Miami rhythm-crossover radio station Power 96 has gone into immediate rotation there. It plays alongside the still heavily-programmed original by Sasha and two of Ivy Queen's own crossover radio hits from her current album Diva Platinum Edition, released on the independent Latino urban label Real Music.  Since releasing the first of her three solo albums in 1996, Ivy Queen has been the leading female figure in reggaeton, the fusion of hip-hop and dancehall that has amassed a huge following throughout the Spanish-speaking world and the US Hispanic community. "The duet experience with Sasha was great…spontaneous and very natural," Ivy Queen said. "She did an awesome job in Spanish. The minute we met, we clicked. It was a real vibe. I think the crossover move to Spanish will be a great hit for dancehall."  Sasha adds, "Sometimes females try to chant and call it hardcore -- but it's soft, and it feels like something's missing. Ivy Queen's got a rough style, her voice has a lot of bass. So it gives a record that whole vibe. Not many females have that. Ivy Queen's style is wicked." Sasha and Ivy Queen debuted the duet in a much-buzzed-over special appearance on cable network mun2's signature countdown show, "The Roof," and performed the song the next day to a wild audience of 50,000 at Miami Mardi Gras. A video clip of the duet, incorporating footage from their barnstorming weekend of Miami rehearsals and performances, will premiere in late March on Mun2, and will be serviced to hip-hop, reggae and Latin video outlets soon afterward, in April.

Meanwhile, Sasha rang in 2004 with the top 5 entry into the national U.K. singles chart of "I'm Still In Love With You," her duet with VP label mate and worldwide dancehall ambassador Sean Paul. The song has remained in the UK top 20 for seven weeks, as of the end of February.  Although "I'm Still In Love With You" was the fourth single from the already double-platinum Sean Paul album Dutty Rock, and had ruled reggae and hip-hop clubs for two summers running, its release as a video and a single triggered a wave of fresh excitement at such video outlets as BET, mun2, MTV and MTV2, as well as online video streaming websites, over the New Year period. A number one radio airplay record in New York, Hartford, Washington, DC and Norfolk, the song continues to bullet upward in the Billboard R&B/Hip-Hop Top 15 and the pop Top 40. The song has also charted in the Top 10 in Italy, Austria and Ireland, the Top 20 in Germany, Finland, Switzerland and Denmark, and is still rising within the Top 40 in Sweden and the Netherlands.  Sasha acknowledges the extraordinarily long run of the two songs: "I feel like I have some fairy godmother who likes these songs and goes to all the radio stations and waves her magic wand, so they play them month after month."  VP Records' Elias stresses that creative synergy underlies Sasha's hits just as much as the star power of teaming two hot artists. "Combining dancehall and reggaeton in 'Sexy Body' and the updating of one-drop reggae in 'I'm Still in Love' prove what a versatile artist Sasha is. And in a larger sense, Sasha and Ivy Queen are claiming a significant place among the artists who are moving reggae forward. As a greater variety of sounds become current, new Jamaican music of all kinds can expand the aural palette of hip-hop and pop music as a whole. Then the sky's the limit. What we've started in dancehall is going to have a long-term ripple effect on every variety of youth-oriented music, globally." 

  

Egypt Gets Ready For Her Close Up
 
Excerpt from www.eurweb.com - by Karu F. Daniels (New York, NY)

(Mar. 11, 2004) Multimedia personality-on-the-rise Egypt is ready to go where no other New York-based disc jockey has gone before… …Hollywood swinging.  Well, some of them have dared to venture out of the confines of inner-city urban broadcasting arena but Egypt (nee Egypt Sherrod) is doing it without all the drama, controversy and negativity that has been common-place amongst some of her peers. She’s handling her own quite gracefully, if I must say.  That’s not to say that there hasn’t been some scuttlebutt regarding her new ‘dealings’ with another multimedia diva (Jennifer Lopez). Since departing the airwaves of New York City’s Black-owned WBLS, there has been all sorts of rumours about this Philadelphia-bred beauty’s whereabouts and future plans.  No sooner than her former station started scrambling to find a midday replacement upon her brief exit from WBLS, did I get a call from a trusted Hollywood insider alerting me that Egypt is on board to be a part of J. Lo’s younger, hipper, urbanized version of “The View” talk show. But I chose to use discretion due to the facts that the markets for the syndicated show were not solidified, and the show was still in pilot stage.  “Boy you can't keep anything from the media,” Egypt gushed during an interview with The RU Report yesterday. “Television is a very competitive business. When you're under contract with a major studio or network, you can't just go telling all the family secrets, so that's why I can't really give any details.  What she will say is that she thinks: “Jennifer Lopez is very under-rated. Trust me, she did not get to where she is in her career without being savvy and smart.”  News is slowly starting to trickle out about the yet-to-be-titled show, set to go up later this fall, produced by Universal Domestic Television and featuring J. Lo’s sister, Big Apple broadcast maven Linda Lopez, male fashionista Robert Verdi and of course, our beloved Egypt.

“It's a good feeling to know that people are taking notice of what I'm trying to accomplish in my career,” she continues. “I've been pursuing radio, television and film for a long time, and I've been fortunate to work consistently. Lately though, it does seem like a lot of the working is beginning to pay off.”  Paying off indeed.  Egypt studied at New York University before graduating from Temple University, majoring in communications. Prior to her success with WBLS, she made a name for herself as one of the highest rated radio personalities at Baltimore's #1 station, WERQ, after simultaneously holding an on-air and Music Director positions at Philadelphia’s WPHI.  Despite the fact that there has been talk about some ‘craft’ practiced on the part of one of her former WBLS colleagues --forcing her to leave-- Egypt isn’t fazed at all about her abrupt exit at the legendary station, currently being programmed by radio vet Vinny Brown. The bubbly beauty has already surfaced at Clear Channel’s WWPR, arguably the fastest growing R&B and hip-hop station in the big apple – with huge purse strings and much cachet to boot.  “I'm very happy to be at Power 105 now,” she explains, “When I originally decided to join WBLS, they were going in a much younger direction because they wanted to compete more with HOT 97, in addition to KISS-FM.  “But when Power 105 popped up out of nowhere, BLS changed the game plan,” she says. “Actually, my manager and I had been weighing the pros and cons of my future with station long before my two-year contract was up... Can you really see me giving shout-outs in between Earth, Wind & Fire or Aretha Franklin? In this business it's all about having a blueprint, an escape route and a Plan B.”  What a great escape, indeed.  The new high-powered broadcast gigs aren’t the only irons in the fire for Miss Egypt. She’s doing some syndicated radio work for X-Radio Networks, continuing her long-lasting relationship with BET (appearing in customized commercials for major advertisers like Burger King, Chrysler and Blockbuster Video, along with some great Public Service Announcements dealing with Safe Sex and Black History) “I think people are finally starting to connect the dots and realize that it's not a game when it comes to me and TV,” she adds. “ I'm very serious about this”  So beyond the fact that she’s not a negative, jaded, silicon-injected, un-be-weave-able diva-in-distress prostituting herself and her shady business ties on New York airwaves, the twenty-something Egypt and all of her gorgeous girl-next-door glory obviously goes over well with the masses. “When you hear me on the radio or see me on TV, you're getting exactly who I am in real life. There's nothing contrived or imaginary” she shares. “I think maybe people can respect ‘the real’ so they gravitate toward that. People can see through fakeness, and I'm the furthest thing from that- what you see and hear is what you get with me.”  Alrightee then.  On a closing note, the precocious princess states: “As far as what's next for Egypt…I've got ‘big’ things planned, and you can quote me on that!”

 

Arista Gets An Overhaul

Excerpt from www.eurweb.com

(Mar. 12, 2004) *Clive Davis has returned to manage Arista via Bertelsmann's RCA Music Group division and it looks like the restructuring won't be a welcomed one.  Bertelsmann is expected to consolidate its Arista Records label and cut back on the back-office operations of its North American music division under new domestic chief Clive Davis, sources said.  The consolidation essentially corresponds to the vast majority of Arista's approximately 175 employees losing their jobs, LA Times sources said. Although the label is expected to retain its own small staff of marketing and talent execs, fundamentally Arista will become a part of Bertelsmann's RCA Music Group division, sources said.  Arista's artist roster, including Babyface and Usher, will be divided among the company's other major labels. The RCA division is also expected to take charge of long-time Arista acts like Whitney Houston, sources said. Bertelsmann's Jive Records is expected to take on OutKast which was signed through Arista's LaFace venture.  The reorganization had been expected since the German conglomerate got rid of Arista's leading man Antonio "L.A." Reid, two months ago. He was hired to run Arista after a previous Bertelsmann regime pushed Clive Davis, the label's founder, from the top seat.  Davis, as previously reported by the EUR, was brought back to the Bertelsmann group in 2002. Last month, he assumed responsibilities over the entire North American music operation, excluding its country and classical units.  Bertelsmann is also expected to merge its various labels' finance and administrative offices to form one unit for the North American music group.  A spokesman for Bertelsmann Music Group declined to discuss details of the restructuring 'but said "we are in the process of evaluating the labels and staff at BMG North America," reports the LA Times.

 

George Benson Rethinks Direction of Forthcoming CD

Excerpt from www.eurweb.com - by Janine Coveney

(Mar. 12, 2004) George Benson's long overdue CD, "Irreplaceable," was recently pushed back yet again to a May 25th release date.  Seems George's attempts to present a brand-new, distinctly contemporary R&B collection met with nervous scepticism from his label, GRP, as well as some critics.  George's set initially included some tasty R&B vocal tunes co-written by Joshua P. Thompson, the man who's written hits with Alicia Keys, Joe, Babyface, Luther Vandross, and others.  Joe even co-wrote a tune and sang with Benson on another. While the original 10-track set did include a couple of jazzy tunes, there were no "Breezin's or even "This Masquerade’s.  The label issued a statement in late February, when "Irreplaceable" was last due, saying:  "After a lot of soul-searching, George Benson came to the conclusion that he wanted to re-work his album and add more of the instrumental jazz that has been the hallmark of his career for so many years. While Benson embraces the new direction in which his music has been taking him, he decided that he wanted to create a record that would appeal to ALL of his fans: traditional jazz, contemporary jazz and R&B."

 

Handsome Boy Modeling School

Excerpt from www.billboard.com - Jonathan Cohen, N.Y.

Handsome Boy Modeling School, an on-again/off-again project featuring Dan "The Automator" Nakamura and Prince Paul, will release its second, as-yet-untitled album this summer via Elektra. The group's only prior release was the 1999 Tommy Boy effort "So...How's Your Girl?," which reached No. 18 on Billboard's Heatseekers chart.  The new set is tipped to feature guest appearances by RZA, Pharrell Williams, the Deftones, Jack Johnson, Musiq and Mike Patton, with whom Nakamura previously collaborated in the project Lovage. Handsome Boy Modeling School will make a rare live appearance March 20 at South by Southwest in Austin, Texas, and will be joined on stage by Head Automatica/Glassjaw principal Daryl Palumbo and Heiroglyphics member Casual.

 

The Hip Hop Box Celebrates The 25th Anniversary Of Rap's First Major Hit With Hip Hop Classics

Excerpt from Rap News Direct

(Mar. 11, 2004) Twenty-five years after 1979's "Rapper's Delight" broke open the floodgates, hip hop's influence is everywhere--from music to movies, fashion to vocabulary.  Now, honouring the past, celebrating the present and anticipating the future, the four-CD The Hip Hop Box (Hip-O Records/UMe), released April 20, 2004, brings together 51 of the genre's greatest turning points, highlights, landmarks and breakthroughs, each digitally remastered.  Starring most of hip hop's greatest artists, from the Sugarhill Gang of 1979 to the 50 Cent of 2003, the tracks were culled from dozens of record labels.  For the first time, as journalist Tom Terrell writes in the liner notes, The Hip Hop Box allows fans to "follow the drumbeat from Genesis to Revelation, innocence to hedonism, playfulness to violence, happiness to bitterness, self-hate to self-love."  Along with Terrell's historical essay, the box set features notes by Public Enemy's Chuck D and Michael A. Gonzales (co-author of the classic text on rap Bring The Noise), plus an essay by one of the set's compilers, paying tribute to hip hop's reggae heritage. The Hip Hop Box continues the Hip-O Records tradition of genre box sets, including The Funk Box (2000) and The Reggae Box (2001). 

Chronologically arranged and so kicking off with hip hop's Big Bang, "Rapper's Delight," Disc One of The Hip Hop Box also offers the first real B-Boy record to sell a million copies, "The Breaks" (Kurtis Blow); the song that drew the line in the sand, "Sucker M.C.'s" (Run-D.M.C.); hip hop's women's emancipation with "Push It" (Salt-n-Pepa) and the birth of XXX hip hop with "Freaky Tales" (Too $hort).  Other classics include "The Body Rock" (Treacherous Three), "Planet Rock" (Afrika Bambaataa & The Soul Sonic Force), "The Message" (Grand Master Flash & The Furious Five), "Wild Wild West" (Kool Moe Dee), "Roxanne Roxanne" (UTFO) and "Roxanne's Revenge" (Roxanne Shante).  Disc Two picks up with the incomparable "Follow The Leader" from Eric B. & Rakim; "My Philosophy," one of the first great socially conscious raps, from the Boogie Down Productions of KRS-One; "I'm Your Pusher" from Ice-T, the first L.A. rapper to win national respect; the anthem "Fight The Power" from Public Enemy that punctuated Spike Lee's film Do The Right Thing, and "The Gas Face" from 3rd Bass, the first white rappers to crack the rap Top 5.  Also heard are M.C. Hammer, 2 Live Crew, De La Soul, Biz Markie, A Tribe Called Quest, Main Source, and Chubb Rock.

Disc Three busts it with "O.P.P.," one of hip hop's most enduring party starters, from Naughty By Nature; the crossover killer "Summertime" (#1 Rap/R&B/Pop) from DJ Jazzy Jeff & The Fresh Prince; "Tennessee" from Arrested Development, the fountainhead of today's Dirty South; "Slam" from Onyx, the pioneers of black punk-rap; "C.R.E.A.M." from the Wu-Tang Clan, the Parliament-Funkadelic of hip hop; "Regulate," the quintessential G-Funk track, from Warren G & Nate Dogg, and "Flava In Ya Ear," the beginning of the Bad Boy dynasty from Craig Mack.  Tracks from Queen Latifah, Digable Planets, Pete Rock & C.L. Smooth, and The Pharcyde join those from DJ Quik, Black Sheep, and Method Man (featuring Mary J. Blige on the "I'll Be There For You/You're All I Need To Get By" Puff Daddy mix).   Disc Four brings home the thug life with hardcore Ruff Ryder DMX and his street version of "Get At Me Dog"; the dirty version of "Gettin' Money (The Get Money Remix)" from Junior M.A.F.I.A. featuring Little Caesar, Little Kim and The Notorious B.I.G.; Noreaga's "Superthug (What, What)," and the RP remix of "Until The End Of Time" from 2Pac.  On the soul tip is "Tha Crossroads," the #1 Rap/R&B/Pop smash from Bone Thugs-n-Harmony.  Others heard are Scarface, Redman with Method Man, Busta Rhymes, Timbaland & Magoo, Gang Starr and the only self-contained band in hip hop, The Roots, featuring Jill Scott on the live "You Got Me." The Hip Hop Box enters the new millennium with the love song "The Light" from Common and "21 Questions" from 50 Cent featuring Nate Dogg.  Wrapping up the box are two artists who are as responsible for the explosive success of hip hop as any, Dr. Dre and Snoop Dogg, with "The Next Episode."    What's next for hip hop begins with The Hip Hop Box.

 

Rah Digga Leaves J Records, Find New Home

Excerpt from www.allhiphop.com - By Remmie Fresh  

(Mar. 10, 2004)  As expected, Rah Digga has again displayed her loyalty to Busta Rhymes and his Flipmode squad and has left J Records for what she hopes will be greener pastures.   But she said the decision to leave wasn’t one she wanted, but one she had to for her career and livelihood.   “I just saw that [the album delays] were a prelude of more problems to come. An artist like myself who waited four years to drop the next record just didn’t need those kinds of problems,” Digga told AllHipHop.com “It’s almost a blessing.”   In 2000, Rah Digga dropped her acclaimed album Dirty Harriet to rave reviews and, as the only female in the Flipmode Squad, she excelled as a lyricist. Earlier in her career, her talents were showcased with The Outsiderz, the Fugees and Flipmode’s Imperial Album.   Digga said her abrupt exit from J wouldn’t stop her highly anticipated sophomore album, Everything Is A Story, from coming out.   “The album is done. I am in the process of negotiating my next home, which I am going to keep under wraps for right now, but I am definitely in a much better place,” she finished. Busta Rhymes has already signed with Dr. Dre’s Aftermath, but Digga wouldn’t reveal if she was following him there.   Husband Young Zee, Busta Rhymes and Flipmode are expected to appear on Everything Is A Story, but a new release date wasn’t available at press time.

 

Chuck D. To Host "Unfiltered" Radio Show  

Excerpt from www.allhiphop.com - By Nolan Strong  

(Mar. 12, 2004) Chuck D. will host his own talk radio show that will be featured on upstart radio network Air America Radio. The network will launch on various radio stations in four different markets across the United States on March 31. Chuck D. will appear on "Unfiltered" which will be broadcast during the midmorning, from 9:00am-12:00pm. "Unfiltered" will showcase conversation about the political and cultural state of the union.  Chuck is joined by co-hosts Lizz Winstead and Laura Flanders.  In addition to Chuck D.'s show, the new network has signed up comedian Al Franken and Janeane Garofalo. Franken will host "The O’ Franken Factor," a play on Bill O'Reilly's Fox television show, "The O'Reilly Factor." Franken was recently taken to court when Bill O’Reilly and Fox News sought an injunction to halt distribution of "Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right." Fox claimed they owned trademark rights to the phrase "Fair and Balanced." Garofolo will host "The Majority Report" which runs from 8:00pm-11:00pm aimed at introducing younger voices and opinions to the world of politics, art and entertainment. "Air America Radio is launching in the top U.S. markets with leading talent that will provide compelling and entertaining programming on the radio, on satellite feeds, and on the web," Mark Walsh, Chief Executive Officer of Air America Radio said. “We aim to build an important new media franchise that delivers results.”

 

Kanye, Bleek. Others Support LIFEbeat & Fight AIDS

Excerpt from www.allhiphop.com - By Jayson Rodriguez  

(Mar. 12, 2004)  “We have confirmation that Kanye West is in the building,” the host eagerly told the antsy audience gathered inside Float for last night’s (March 11) LIFEbeat benefit concert in New York City.   Despite the two separate “Kanye” chants while the crowd waited for West, it was far from being a one-man show.   Fellow Roc-A-Fella artists Memphis Bleek, the Young Gunz, Freeway, Oschino & Sparks, as well as Roc Music crooners Rell and Allen Anthony all performed.   Allen Anthony performed first and gave a vocally flawless, albeit physically restrained, performance.   His R&B counterpart, Rell, was as limber on stage as Anthony was stiff. Rell’s lanky frame paced back and forth as he knelt down to serenade ladies on both sides of the stage. “Go Rell, sing that song!” one woman excitedly exclaimed.   But it wasn’t until the Young Gunz took to the stage (barricaded by four bodyguards) that the picture phones began appearing and the flip phones opened. Wearing a White T-shirt, blue jeans and Timbs, and with his diamond encrusted watch and State Property piece on, Young Chris had all the swagger of a Young Hov. “What’s up New York,” he asked the standing-room only crowd. “Holla at ya boy.”   After running through a few albums cuts off their recently released Tough Luv, Oschino & Sparks joined Chris and Neef as they performed “Want Me Back,” off of last year’s State Property album. But another Philadelphian threatened to pilfer the set from his hometown partners, as Freeway performed frenzied renditions of “What We Do,” and “Flipside.”   Free led the crowd as they sang the impromptu intro of “Flipside,” minus an incarcerated Peedi Crakk. During the last verse, Free rapped a cappella, spitting in a double-time flow almost to the point of suffocation, before he slowed down: “Put on a team/ shoot, put on a beam, b*tch/ lean, b*tch, shoot at they entourage, hit up they team/ can’t put on ya jeans, b*tch.”   With videos from Kanye West and the Young Gunz airing on the flat screen TV hovering over the stage during Memphis Bleek’s performance, it seemed like another slight to the onetime heir apparent to Jay-Z.   However, with no hype man and no security on stage, Bleek’s strong showing proved the veteran rapper still has plenty of fight left in him.   Following a spirited performance of “My Mind Right,” which the crowd sang along with, Bleek called out to crowd. “What do you say to a ni**a that’s handcuffing his woman?” The crowd raucously replied: “Is That Your Chick?” before Bleek launched into the cut.   Sporting a Polo sweater, tinted shades, and his beloved Louis Vuitton backpack, Kanye West arrived on stage to the thumping bass line of “Two Words.” He quickly ran through remixes of “Get By” and “Stand Up.” On the latter he rapped: “I’m not trying to stab one like ‘Jack the Ripper’/ I’m trying to stab two like Jack Tripper.”   After a high-energy performance, which had more shouting and arms wailing than Sunday Service, West slowed it down for his final bow. “I always end with this song,” he said referring to “Last Call.”   Backed only by John Legend on piano, West delivered a lounge-act styled rendition that would’ve made Frank Sinatra jealous. Instead of the delivering the story of his rise to fame like he did after the album version of the song, West intermittently inserted anecdotes between his bars.   He explained his employment at Gap gave him discounts at Banana Republic and Old Navy, hence his line. And he joked that Bun B wanted him to stop referencing the rapper in the song. “His wife is getting mad,” West quipped.   But when it came the line regarding his arrogance, the rapper grew serious. “How you gonna say I’m arrogant, because I got goals,” he asked. West then intensely finished his verse before trailing off, “Killin y’all n*ggas on that lyrical shit…” To which the crowd triumphantly finished for him: “Mayonnaise color Benz, I push miracle whips.”   LIFEbeat works with AIDS organizations across the country. Through concert tours they are able to raise funds and provide direct outreach to the community.

 

Juvenile Strikes Gold

Excerpt from www.allhiphop.com - By Nolan Strong

(Mar. 12, 2004)  Juvenile's fifth solo album Juve The Great is shaping up to be a success for Cash Money Records, striking gold since it's release in December of 2003. The album's success is fuelled by the Manny Fresh produced single "In My Life," and the label hopes to keep the album moving by releasing the second single, "Bounce Back." The video features Cash Money co-CEO Bryan "Baby" Williams, in an attempt to prove that Juve and the label have squashed any remaining beef. Juve The Great is currently #12 on Billboard's R&B/Hip-Hop chart and features Baby, Wacko, Skip and the late Soulja Slim.

 

KRS-One Offers Free Download, Preps "Hiphop Appreciation Week"  

Excerpt from www.allhiphop.com - By Nolan Strong  

(Mar. 10, 2004)  Hip-Hop veteran KRS-One is offering his 13th album for free download on his website, Templeofhiphop.org.  Registered members are downloading the album and some have called it some of the rapper's best material to date. KRS is preparing for this year's "Hiphop Appreciated Week." The appreciation week is the 9th article of the Temple Of Hip-Hop's Declaration of Peace. "Hiphop Appreciation Week" runs May 16th-23rd. Hip-Hop followers across the globe are urged to remember "its ancestors and appreciate the elements, principles and history of Hiphop." The concept of faith pertaining to HipHop is defined by KRS' "Gospel of Hiphop." "Those that live by faith need not an abundance of anything. They always have exactly what they need exactly when they need it. Never too soon, never too late, never too much and never too little, the faithful always have enough! For faith and the knowing that comes from righteous living eliminates fear and doubt. And likewise, fear and doubt caused by ignorance and unrighteous living eliminates faith. Choose right now which of the two you shall serve—fear or faith, doubting or knowing!"

 

Diddy To 'Retire,' Juggles Projects Along The Way

Excerpt from www.allhiphop.com - By Jayson Rodriguez

(Mar. 9, 2004)  First one hip-hop heavyweight retires, and now another one is hanging up the mic, too? The answer is yes, according to Sean “P.Diddy” Combs, who’s going to retire after he releases his next album, titled PD5.   “I got a chance to have my dream come true, and I wanted to make sure I made the decision as to when I dropped my last album," Diddy told MTV.com. "If I don't feel like this album is an incredible piece of work, then I'm cool with the albums I've done. I don't have to put out another album."   While Diddy will no longer perform as a rapper, he insists his announced retirement doesn’t call for a ceremonious send off.   "I don't want nobody to just go crazy or nothing," he said. "It's not going to be as dramatic or traumatic as Jay-Z retiring."   In the meantime, Combs and the Bad Boy staff will prep new releases by Carl Thomas, New Edition, Eightball & MJG, Diddy’s long-awaited dance album, and a Biggie duets album.   With all the projects P.Diddy will oversee in the coming months, including his Broadway debut in New York, the man who told us he “can’t stop” might want to at least consider pacing himself. Recently, the music mogul stumbled while on stage at a ceremony for the New York Metro Area's Achievement in Radio Awards. According to a briefing in the New York Times, Diddy stumbled as he spoke and presented an award. He later admitted he took part in an eight-hour rehearsal for “A Raisin in the Sun,” prior to attending the event.   Bad Boy's 10th Anniversary: The Hits, featuring songs by The Notorious B.I.G., P.Diddy, and Ma$e is in stores now.

 

Adina Howard: Goes Back to the Grind

Excerpt from www.eurweb.com - by Kenya Yarbrough

(Mar. 15, 2004) The last thing many of us remember about singer Adina Howard is her coy pose, leaning on a luxury car in some hot short shorts. She hit the scene in 1995 with her debut CD “Do You Wanna Ride?” which featured her biggest hit “Freak Like Me.”  She prepared her sophomore set, “Welcome to Fantasy Island,” in 1997, but the disc was abruptly shelved and never saw the light of day. Storing the album away in a vault didn’t silence her talent, though. One single from the disc was already granted to the soundtrack for the movie “Woo.” Without a label and without a single, Howard’s track “T-Shirt and Panties” made its way to the airwaves and became an underground hit.   Seven years later, and though her biggest hits linger in the background and appear on ‘90s compilations, Adina Howard is making her return with the album “The 2nd Coming,” with the hot first single “Nasty Grind.” As you can tell from the titles, the Michigan native may be older and wiser, but she’s still not afraid of the risqué.  “We’re sexual beings and people have sex everyday,” Howard said in defense of her subject matter. “Sometimes they need a little music to go along with it.”  And as far as those who find it controversial, Howard says she really doesn’t pay the criticism any mind.   “I don’t deal with it. I just let people go through their changes. I have a life to live and I don’t have time to deal with people not agreeing with what I do for a living. I may not agree with what they do for a living, but I’m not going to jump on their back and ride them about it because that’s how they make their money, that’s what they do. I don’t have time to deal with it. I have other things that I have to deal with that are much more important,” she said.  Howard explained that the criticism of her openness to sexuality will hardly stop her from doing her thing, and neither did the career disruption she had in 1997. She explained that she was merely a victim of the politics of the business, and told us that although her sophomore offering never was, she was not bitter or discouraged. After all, one track from the disc kept her name on the lips of DJs throughout the country. Interestingly, “T-Shirt and Panties” was written by actor/comedian /singer Jamie Foxx.

“He played the track for me and I fell in love with the production,” Howard said. She asked Foxx to do the song as a demo. He did, played it for her over the phone and she says then, she really wanted the track. “I first fell in love with the track, but once it was all put together, I was like, ‘Oh yeah, this is my song. I gotta have it.’” The track became an underground hit.  “I guess people heard it on the movie and went and bought the soundtrack. It never became a single – radio and clubs just picked it up and started playing it. Now I perform it everywhere I go,” she said. With the audiences warmed up with their old favorites, Adina Howard is preparing to introduce her second album appropriately titled “The 2nd Coming.” She’s found a new musical home and says that she’s glad she took the break away, but very happy to be back.  “I walked away from the business for a moment and it took me awhile to say, ‘OK, let’s do it again,’” she said of her return. “I didn’t like [the business then]. I didn’t like the people I was doing business with. I didn’t like the business of music, the way that it was handled. People really didn’t want to help and educate me and help me learn the business. They wanted to keep me in the dark so that they could keep taking from me. I was in a business of takers, so I had to get away from that.”  Fortunately for fans, it was them who really brought her back. Howard said that her supporters and played a major role in her return to the industry.  “They would approach me and ask when I was going to do another album, another song, and they would say that they missed me. I felt like I owed it to them to give it another shot and give them something that they could enjoy. So my manager and I set out on a path to find a label that would help me with my vision in putting a project together.”  Whatever fans take from or read into the title of the album is fine by Howard. The play on words is pretty much the theme of the new album. Howard described that while she isn’t straying from the style that made her famous, the new disc, due in stores April 6, is a lot more sexually subtle.
“To come back out into the industry, it’s about keeping it familiar to a certain degree,” Howard said. People are comfortable with being able to identify me with that sexual music, which is fine. But this go ‘round it’s a little more subtle. It’s not so blatantly in your face. This time it’s about candlelight and wine instead of Boone’s Farm and weed.”  For more, visit: www.AdinaHoward.net.

 

Ladies First First Night A Hit

Excerpt from www.eurweb.com

(Mar. 15, 2004) *The ladies are first, and second, and third thanks to music powerhouses Beyonce, Alicia Keys, and Missy Elliott.  The threesome launched their “Ladies First Tour 2004” last Friday in Ft. Lauderdale, Fla. to rave reviews.  The road stint is the first major tour for Keys who calls the tour “positive” among other things, and told Launch radio that though each artist has a serious major following, there is no competition on the tour.  "You know it just feels really good. I feel like there is no competition and there is no competitiveness because there is no comparison. We all stand alone, and we all are individuals, and when we come together it's just going to be a force that will not be denied."  In addition to the hot trio, R&B fans also get to check Tamia who is opening for some shows.

 

Jada’s Wicked Ways

Excerpt from www.eurweb.com

(Mar. 15, 2004) *Even though her husband Will Smith says the nicest things about her, Jada Pinkett Smith is really wicked. Jada is joining up with Britney Spears on tour in Europe to spread her brand of wickedness with her rock band Wicked Wisdom.  The troupe will be opening for the pop princess for eight shows on Spears’ Onyx Hotel Tour in England in April and May.  Smith formed the band just about a year ago and has been doing small sets in the Los Angeles area in preparation for the big time.  Word has it that singing is hardly something new for the petite actress; she just chose to put acting above a singing career.  Jada has not abandoned acting just yet. She’s on tap to star with Tom Cruise and Jamie Foxx in an action flick due later this year, among other big screen projects.

 

Chubby Checker, The King Of The Twist

Excerpt from www.eurweb.com

(Mar. 15, 2004) *Chubby Checker, famous for his hit songs, "The Twist" and "Let's Twist Again," took part in the pre-grand opening festivities for Camp Snoopy Mall of America's newest ride, Timberland Twister.  Checker performed two songs and welcomed Camp Snoopy guests near the ride at 1 p.m. on Sunday, March 14.  Timberland Twister takes park visitors on a quarter-mile ride in a spinning, speeding car as it tears through Camp Snoopy and around the Kite Eating Tree.  The first spinning coaster of its kind in the world, Timberland Twister was designed and manufactured by Gerstlauer of Munsterhausen, Germany. It features a four-person car with unique face-to-face seating that spins on its own axis as it travels five stories high and reaches speeds up to 31 mph (or, 45 feet per second). This is the first major new ride for America's largest indoor family theme park since "The Mighty Axe," which opened nearly six years ago. Camp Snoopy's Timberland Twister officially opens to the public on Monday, March 15.

In honour of Red Cross Month, Camp Snoopy will be accepting free will donations for the Minneapolis Area Chapter of the Red Cross through March 31.  Camp Snoopy -- America's Largest Indoor Family Theme Park As Camp Snoopy enters its 12th year at Mall of America, it remains the largest indoor family theme park in America, with over seven-acres of year-round excitement. The park has more than 30 rides and attractions for all ages and excitement levels, exciting entertainment and more than a dozen places to shop and eat.  Camp Snoopy is operated by Cedar Fair, L.P. (NYSE: FUN), a publicly traded partnership that is listed for trading on The New York Stock Exchange under the symbol "FUN".  For more information about Camp Snoopy, visit http://www.campsnoopy.com

 

Grandmaster Flash To Be Featured On CBS, Embarking On Tour

Excerpt from www.allhiphop.com - By Nolan Strong

(Mar. 15, 2004)  Grandmaster Flash will appear on CBS' Sunday Morning News explaining the history of the turntable.  Accompanied by his first student Grand Wizard Theodore, Flash explains his role as the first DJ to cut on the turntables, his rebuilding of the mixer and the endless search for the proper needles.  The show also takes a look at Berklee College of Music in Boston, the first major educational institution to teach a class devoted to turntablism  "It's a very interesting piece," Catherine Kim, producer of the segment told AllHipHop.com. "This is their first time CBS has done a feature on turntablism. We talked to a variety of DJ's for the segment, including DJ Radar, D-Styles and other upcoming DJ groups."  Radar teamed with jazz piano artist Raul Yanez and together produced the critically acclaimed "Concerto for Turntable," the first concerto piece with a full orchestra that utilizes a single turntable as a musical instrument.  In related news, Flash, who recently received an award signed by billionaire Bill Gates for being the first DJ to utilize the turntable an instrument, will embark on an educational tour.  "I'm going out on a 30 College tour to breakdown the science of the turntable, the mixer and the needle," Flash told AllHipHop.com. "It's all about to happen and I am about to set it all straight."  The show is tentatively scheduled to air on CBS Morning news on Sunday, March 28.  Check local listings for times.

 

Rock And Roll Hall Of Fame Inducts 2004 Class

Excerpt from www.billboard.com -- Jonathan Cohen, N.Y.

(Mar. 16, 2004)  Prince, the late George Harrison, Traffic, ZZ Top, Bob Seger, Jackson Browne, the Dells and Rolling Stone founder Jann Wenner were welcomed into the ranks of the Rock and Roll Hall of Fame last night (March 15) during a gala ceremony at New York's Waldorf-Astoria Hotel. Highlights from the event will be broadcast Sunday by VH1.  Decked out in a debonair white suit and black shirt, Prince kicked off the evening's proceedings by leading an ace eight-piece band through "Let's Go Crazy," "Sign 'O' the Times" and "Kiss," The latter track was teased with the horn-driven introduction to the Sam & Dave-popularized "Soul Man."  Just ahead of a new studio album and a major tour, which he claims will feature some of the final performances of his classic hits, the artist was celebrated as "one of our greatest inspirations" by OutKast during their induction speech. "Prince Rogers Nelson," group member Andre 3000 said. "The name ... it's just powerful!" Added Alicia Keys, "There are many kings, but there is only one Prince ... only one man who has defied restriction, defied the obvious and all the rules of the game."  "When I first started out in this music industry, I was most concerned with freedom: freedom to produce, freedom play all the instruments on my records, freedom to say anything I wanted to," Prince said during his acceptance speech, referencing his frequent creative battles with the labels that have released his music. "After much negotiation, Warner Bros. Records granted me my freedom, and I thank them for that."

Cautioning the scores of acts that have looked to him as a musical example, Prince noted, "Without real spiritual mentoring, too much freedom can lead to the soul's decay. And a word to the young artists: a real friend and mentor is not on your payroll. I wish all of you the best on this fascinating journey. It ain't over."  And Prince's night didn't end there. After the ceremony, he performed an exclusive show for members of his NPG Music Club at New York's Club Black.   Harrison, who died in late 2001 after a long battle with cancer, was inducted by his Traveling Wilburys bandmates Tom Petty and Jeff Lynne. "He often said he wasn't pursuing a solo career at all. He just loved playing music with his friends," Petty said of Harrison's post-Beatles years. "He was never preachy -- he led by example. He was a truly great man."  Lynne and Petty were joined by Steve Winwood on organ and Harrison's son Dhani on guitar for the Wilburys' smash hit "Handle With Care," followed by Harrison's "White Album" staple "While My Guitar Gently Weeps." Prince emerged from the side of the stage to join in on the latter about halfway through, unleashing an extended solo.  Earlier in the evening, Winwood took the stage with U.K. rock combo Traffic and showcased his lead guitar skills on a jam-laden version of "Dear Mr. Fantasy," accented by soulful organ accompaniment from Randall Bramblett. Although principal member Dave Mason joined Winwood and drummer Jim Capaldi to accept their awards, he did not perform until the closing jam.

Noting the potent psychedelic content of Traffic's catalogue, inductor Dave Matthews said, "As a little kid, I thought they wrote really great music about cartoon characters. When I was in my early 20s, I realized they were seeing cartoon characters, probably!"  In his induction speech, Bruce Springsteen saluted not only Browne's "great songwriting," but also his ability to draw arenas full of good-looking women to his concerts. "While the E Street Band and I were sweating our asses off for hours just to put some fannies in the seats," Springsteen said with a chuckle, "Jackson is drawing more women than an Indigo Girls show!"  "Music is a very empowering thing and I'm happy to have had a lifetime to do it," Browne reflected. "Thank you for this job and thank you for this honour." The artist went on to perform "The Pretender" and his 1976 No. 11 Hot 100 hit "Running on Empty."  Seminal Illinois R&B vocal group the Dells dedicated their honour to the O'Jays, the Manhattans, the Whispers "and our homeboys the Chi-Lites," before performing their 1956 classic "Oh, What a Night" backed by the Paul Shaffer-led house band.  On the heels of an induction speech as off-beat as one would expect from the Rolling Stones' Keith Richards, Texas rock trio ZZ Top rocked through the familiar head-nodding grooves of "La Grange" and "Tush."

Kid Rock saluted Seger as "the most overlooked musician of our time. Being from Michigan, raised north of Detroit and still living there today, Bob Seger's music not only influenced me, it taught me to be proud of where I come from Bob Seger is the voice of the working man and living proof of the American dream."  After a short speech in which he thanked his Silver Bullet backing band and staffers at his long-time label, Capitol Records, Seger rattled off the slow-burning "Turn the Page" and "Old Time Rock'n'Roll," one of the most enduring rock hits of the past 25 years.  Rolling Stone's Wenner, who is also the vice chairman of the Rock Hall's executive board, was feted by Mick Jagger as "one of the first music critics who understood what we as artists felt. Jann almost single-handedly pioneered the idea of rock'n'roll as a vibrant art form. It was Jann and his staff that elevated our music to a place where it enjoys the status of other musical forms."  The evening wrapped with the traditional all-star jam, this time on Chuck Berry's "Sweet Little Rock & Roller" and Mason's "Feelin' Alright." While the Dells crowded around the mic, Kid Rock harmonized with Browne as Richards traded licks with ZZ Top's Billy F. Gibbons.

  

Verizon Music Fest Targets Three Cities

Excerpt from www.billboard.com -- Barry A. Jeckell, N.Y.

Hip-hop artist Missy Elliott and singer/songwriter Jewel are among the acts confirmed to participate in the 2004 version of the Verizon Music Festival. Now in its fourth year, the festival will take place in various venues April 29-May 1 in New York, May 15-23 in Tampa, Fla., and July 22-25 in Los Angeles.  Also confirmed to headline shows during the 2004 events are Canadian singer k.d. lang and salsa artist Victor Manuelle. Full artist, venue and ticket information for each city will be announced in the coming weeks.  "By creating concerts that suit the diverse culture and interests of each city, we've established the Verizon Music Festival as being one big national celebration of music," says event producer George Wein, CEO of New York-based Festival Productions Inc.  Among those participating in 2003 Verizon Music Festival were Erykah Badu, George Benson, Wynton Marsalis in New York; Aimee Mann, Common, Charlie Zaa, Rufus Wainwright and Floetry in Los Angeles; Norah Jones, Bo Diddley, Joe Cocker and Big Bad Voodoo Daddy in Tampa; and Bebel Gilberto and Nickel Creek in Washington, D.C.  As previously reported, Elliott is already involved with Verizon, taking part in a sponsored tour also featuring Beyoncé, Alicia Keys and Tamia. The just-underway Verizon Ladies First tour stops in Dallas tonight (March 15) and will be on the road through an April 21 finale in Anaheim, Calif.

 

Starbucks Making Bucks Off Music

Excerpt from www.eurweb.com

(Mar. 17, 2004) *Are you about tired of triple mocha latte grandes with caramel?  Well so are we, but Starbucks is trying to branch out and become more than a conduit for she-she, foo-foo coffee.  Starbucks Corp. on Tuesday unveiled a new kind of coffee shop serving up custom music CDs along with foamy coffee drinks.   "We do see this as an add-on to the Starbucks experience, but we also think there is a real business here," said Don MacKinnon, Starbucks vice president, music and entertainment.  Using a variety of computer gear and support provided by Hewlett-Packard Co., Starbucks customers will be able to record five songs for $6.99 in about three minutes. Terms of the venture were not disclosed.  Starbucks had already offered high-speed wireless Internet access, or "WiFi," in more than 2,700 cafes, seeking to keep customers in the stores beyond the busy morning rush hour.

 

Julie Andrews Back In Singing Voice

Source:  Bob Thomas, Associated Press

LOS ANGELES — Her four-octave voice silenced by a throat operation in 1997, Julie Andrews is once again singing in the movies.  Musical scenes she shot recently for The Princess Diaries 2: Royal Engagement may not feature the soaring tones of The Sound of Music, but Andrews' singing still brought tears to the eyes of even hardened stage hands.  The film is a sequel to the 2001 hit about an American schoolgirl (Anne Hathaway) who inherits the throne of a small European country and is trained for the role by her regal grandmother (Andrews).  Set for an Aug. 11 release, the film contains a scene in which the girl, now 21 and facing marriage, recalls a song she heard in early childhood, Your Crowning Glory, and she cajoles her grandmother into singing it. Later in the movie, Andrews' character sings the number again, this time to the granddaughter's friends.   Disney is keeping the song under wraps, but those who have heard it say the rendition is reminiscent of the old Julie Andrews.  "She's everything you want Julie Andrews to be; she's such a professional," said the film's music supervisor, Dawn Soler, who was there when the actress pre-recorded the song, as well as when she sang it to playback during filming at Universal Studios.  "She nailed the song on the first take. I looked around and I saw grips with tears in their eyes," Soler told The Associated Press.

Andrews has done some limited singing on TV specials in recent years. But her manager, Steve Sauer, says "those songs were done in the Rex Harrison style: half-talking, half-singing."  In Princess Diaries 2, Andrews begins "Your Crowning Glory" with some talking, but then transitions into full song, although with a far more limited vocal range than she was once capable of before the surgery.  "It's an old-fashioned song with classic-type lyrics," explains the lyricist, Lorraine Feather, daughter of the late musicologist Leonard Feather. (She lives in Half Moon Bay, Calif., and the composer, Larry Grossman, works from New York. They wrote "Your Crowning Glory" via telephone and the Internet.)  Grossman, who had previously written songs and special material for Andrews, was the star's personal choice to compose her music for Princess Diaries 2. "It's written in just one octave, so it wouldn't be vocally demanding," he told the AP.  "I've worked with Julie, and I knew what she was capable of. This does not reflect that; it's more of a tranquil song. She told me it works beautifully," Grossman said. 
Andrews, 68, first achieved notice as a child in England with what she called "my freak four-octave voice." She went on to Hollywood stardom in such hit musicals as l964's Mary Poppins, which earned her an Oscar, and The Sound of Music, for which she received an Academy Award nomination a year later.  Andrews was singing in the Broadway version of her Victor/Victoria film role in the mid-'90s when she began having voice trouble. She was forced to quit the musical after two years and underwent surgery to remove non-cancerous nodules.  The operation left her without her singing voice and she sued two doctors and Mount Sinai hospital in New York, claiming she'd been assured the operation would eliminate her vocal problems and that she hadn't been warned of the surgery's risk. The lawsuit was settled out of court in 2000, with no terms disclosed.

 

FILM NEWS

 

Award-Winning Toronto Filmmaker At Women In The Director’s Chair Festival (Chicago)

Toronto -  “Are you my real Daddy?”  That’s what 6-year old Nigel Jenkins asks his Father after he is called a nigger in the schoolyard.  It’s 1974 and Nigel’s father, David, is white.  His mother, Mona, is black. When David, finds his son trying to wash away the colour of his skin, he searches for the right way to explain why Nigel's colour is his gift.  A new work from Toronto’s Dish Pictures, Nigel’s Fingerprint is a simple story about the power of language, legacy and love.    "I hate the world `half breed'", says the film's producer and writer, Kim Kuhteubl  "What am I part cow, part horse?  And mulatto literally means `of the mule'.  Kuhteubl who is both Austrian and Jamaican dives headlong into the politics of race explaining the issues as she would have liked to hear them as a child.  "The film gives a point of view that we don’t see very often," says Director Amy McConnell.  "Both art and society tend to confer an either black or white identity, and do not recognize how many people are both."  This is the screen debut for Teyas Yew Woon, the six-year-old actor who plays `Nigel'.  His parents are beautifully depicted by Andrew Kraulis (The Skulls, Full Disclosure, The Crossing) as David Jenkins and Rukiya Bernard (Relic Hunter, Doc ) as his wife, Mona. Veteran actor Kathy Imrie (Shaft's Big Score, Go For Broke, Soul Food) is Etty Jones, the sage and spirited grandmother.  Winner of the Al Waxman Calling Card for Drama, Nigel's Fingerprint is the 2nd short for producer/writer Kim Kuhteubl (Best of Both Worlds, The Best Girl, Pigeon) who is also a critically acclaimed actor.  The Calling Card program provides an opportunity for emerging producers to produce a short that will demonstrate their ability and readiness to make commercial, long-form projects.  Kuhteubl’s first film, The Best Girl screened at Festivals including The Palm Springs International Film Festival and the Hollywood Black Film Festival and was licensed by Canada’s largest broadcaster, the Canadian Broadcasting Corporation (CBC) and also by BRAVO!.  Women In The Director’s Chair is the largest and longest-running women's film and video festival in the US.  Founded in 1980, each year the festival draws on the energy and insights of over 100 women of varied backgrounds to view, discuss, debate, review, envision, examine, interpret, appreciate, question, struggle over and ultimately determine the films and videos that will show that year.   To view the trailer or download high resolution artwork and the press kit, visit www.dishpictures.com.  For information about upcoming festival screenings contact: Dish Pictures at (416) 921-5977 or kim@dishpictures.com or KJ Mohr at (312) 629-9184.

  

ReelWorld Film Festival – March 31 – April 4, 2004

Each year, more than 10,000 filmmakers, film lovers, industry visionaries and international media gather in Toronto to experience ReelWorld Film Festival. Founded in 1999 by actress and producer Tonya Lee Williams, the Festival is the premiere celebration of Canada's culturally and racially diverse film, video and new media production.   The Festival provides entertainment to filmgoing audiences and stimulating interaction for industry professionals. As a non-profit organization, the Festival also brings together artists from all facets of the industry to network, share and support each other through seminars, workshops, gala screenings and parties.   The Festival champions Canada's diverse entertainment industry nationally and internationally, creating opportunities for film and video makers to market their skills and pitch ideas to producers and investors seeking fresh concepts and skilled talent.

 

Jim Carrey Tries Serious Side Again

Excerpt from The Toronto Star - Angela Dawson, Special To The Star

(Mar. 13, 2004) HOLLYWOOD—With his head shaved for his role in Lemony Snicket's A Series Of Unfortunate Events, Jim Carrey is looking a bit like the sinister cinematic vampire Nosferatu.  At the beginning of a press conference to promote his newest movie, Eternal Sunshine Of The Spotless Mind, which is scheduled to open here next Friday, the Canadian-born actor announces he's going to let his gray-tinged hair grow back after he finishes filming Lemony Snicket. He then proceeds to mimic furiously brushing dye into his hair, cracking up a crowd of journalists.  Interviewing Carrey can turn into a ticket to a stand-up comedy act. He's astonishingly private, revealing little about what's going on in his life. Instead, the 42-year-old offers up amusing anecdotes from the set (a boy's bike identical to one from his youth inexplicably turned up as a prop in a scene); an imitation of Eternal Sunshine director Michel "French Toast" Gondry; platitudes about co-star Kate Winslet (she's "scary talented"); and a complete rendition of the ditty he sang in a short film he did with Gondry while they were working on Eternal Sunshine.  Having bounced between broad comedy (Bruce Almighty) and drama (The Truman Show), Carrey is back in "serious" mode for Eternal Sunshine. At least it is about as serious as can be expected from writer Charlie Kaufman, who previously penned the Oscar-nominated Adaptation and collaborated with Gondry on the dark comedies Being John Malkovich and Human Nature.  "It's like Moses coming down from the mountain with the tablets," Carrey says of Kaufman. "Every time he has a new script, all of Hollywood goes, `It's here!' I just feel like I won the lottery."  Carrey stars as Joel, who is stunned to discover that his girlfriend, Clementine (Winslet), has had her memories of their tumultuous relationship erased. Out of desperation, he asks the inventor of the process to remove Clementine from his own memory. But as Joel's memories progressively disappear, he begins to rediscover their earlier passion. Tom Wilkinson, Kirsten Dunst, Mark Ruffalo and Elijah Wood round out the cast.  Carrey admits that the film's subject matter forced him to draw from his own experience to define his distraught character. "I couldn't really have done it if I hadn't been through a lot, one way or the other," says the twice-divorced actor. "Either you are the one erasing or you are the one being erased. It's not a pleasant feeling."  Carrey carefully skirts the question of who he'd like to erase from his own memory. "That would entail me opening up the most crucial intimacy of my life and I can't do that," he says with an apologetic smile. Instead, he makes this optimistic point: "It always seems to work out that you can look back on something that was a disaster and find some gem in there."  Winslet, who plays the manic free spirit Clementine, says it was odd playing the funny person to Carrey's straight man. "I was terrified but very excited and exhilarated at the idea of that challenge," says the British actress. "Jim and I had a very good understanding and he's quite easy to read."  Though Joel is more subdued than, say, Carrey's character in Bruce Almighty, Carrey didn't see Joel as humourless. "He has immense and amazing things going on inside his brain that spill out onto the page when he's writing his diaries," the actor says. "Clementine is kind of like the outward manifestation of what he has inside of himself that he can't express."  Carrey has never had a problem with outward expression. He's been performing his unique brand of magic all his life. As a kid in Toronto, he treated visitors to the Carrey home to the sight of a 10-year-old throwing himself down the stairs for a laugh.  Professionally, he started out in stand-up. Legendary comedian Rodney Dangerfield discovered Carrey at a Los Angeles club one night and hired the young comic as his opening act for a year. That led to guest appearances on television and small roles in movies.  In 1990 Carrey joined the cast of the sketch comedy series In Living Color, making a name with outrageous acts, including the psychotic Fire Marshall Bill.  He made his starring big-screen debut with the 1994 hit Ace Ventura: Pet Detective and later starred in The Mask and Dumb & Dumber. Other roles include the villainous Riddler in Batman Forever and a stalker in the dark comedy The Cable Guy. In 2000, he starred in that year's top-grossing film, Dr. Seuss' How The Grinch Stole Christmas.  Honoured five times with Golden Globe awards, Carrey has been overlooked by the Academy thus far. His Jimmy Stewart-like character in The Majestic was supposed to change all that but didn't. Coincidentally, both Eternal Sunshine and The Majestic deal with issues of memory loss.  "Actually," corrects Carrey, "Eternal Sunshine isn't about memory, but about being erased. It's about the idea of how it would feel to be erased — that was the strongest pull for me."  Carrey has no specific game plan for the roles he chooses. "They come as they come and when something like this comes by, you just jump on, and that's all there is to it," he says. "The scripts find you. It's not really a plan. I mean, it'd be great if it laid out in a certain pattern that worked for the long term. Clint Eastwood kind of had a great pattern in his life. He did commercial things that appealed to a wide audience and then he did things that challenged him.  "A few years ago, I decided that I wanted to make things that uplift people in a kind of real way," he continues. "The wonderful thing about this movie is that it's about love and romance without being romanticized. It's love when you go, `You are ugly to me sometimes and I love you, but sometimes I'm not going to like you.'"  After some recent breakups, Carrey seems a little jaded by the idea of finding true love. "I mean, I'd love that to happen, but 10 years is enough," he says with a hearty laugh.  In the meantime, he is about midway through production on Lemony Snicket, based on the popular children's book series. In it, he plays the dastardly Count Olaf, who wears various wigs and disguises (hence the bald head). "It's an opportunity for me to show up as this crazed thespian," he says. "He's an evil thespian, which is redundant, really."  With the current craze for remaking all things related to the 1970s, Carrey is contemplating his own homage to a classic TV show, The Six Million Dollar Man.  "I don't know if it's going to happen or not, but we're developing the script," he says. "You know, $6 million doesn't get you a lot in this world these days, so you can kind of imagine where the plot is going to go."

 

Quebec Films Dominate Genie Nominations

Source:  John Mckay, Canadian Press

(Mar. 16, 2004) It looks like a stellar year for French-Canadian cinema with three of the five best-picture candidates for the 24th Genie Awards coming from Quebec. Two Quebec films received a total of 20 Genie nominations in all.  The Genie Awards, Canada's equivalent to the Oscars, will be handed out at a gala ceremony May 1, to be televised this year not by the CBC but by CHUM Television.  Leading the pack with 11 nods is La Grande seduction, first-time director Jean-Francois Pouliot's gentle comedy starring Raymond Bouchard about a financially strapped Quebec fishing village that hatches a plot to lure a resident doctor. It was a box office smash in Quebec - earning more than $8 million - and was nominated for 13 Jutra Awards, the province's own film industry honours.  But it lost out to Denys Arcand's The Barbarian Invasions (Les Invasions barbares) which scooped up all the major Jutra categories. It will be released in English Canada in a few weeks under the title Seducing Dr. Lewis.  Arcand's film, meanwhile, is tied with Charles Martin Smith's The Snow Walker, also a best-picture contender, for nine Genie nominations. The Barbarian Invasions, about a group of aging Quebec intellectuals reminiscing about their hedonistic youth, has already won a heap of international awards, including the Oscar for best foreign film, and is considered a front runner for the Genie best picture.  The Snow Walker, starring Vancouver actor Barry Pepper, is based on a Farley Mowat short story about a cocky bush pilot who crashes in the remote Arctic in the 1950s and whose survival depends on the traditional skills of his passenger, an ailing young Inuit woman.  "It was a very strong Quebec year," noted Maria Topalovich, president and CEO of the Academy of Canadian Cinema and Television, which also oversees TV's Gemini Awards.  "I'm very glad the Genies are able to draw some attention."

Other leading nominees from Quebec include Seraphin: Un homme et son peche, with six, and La Face cachee de la lune, with four, including best picture. Falling Angels has six as well while Guy Maddin's The Saddest Music in the World has three.  Also in the nominations race are The Gospel of John, Marion Bridge, Norman Jewison's The Statement and the family holiday movie Blizzard, with Christopher Plummer getting a supporting-actor nod for an unusual interpretation of Santa Claus. Other nominated actors include Pepper, Barbarian Invasions star Remy Girard, Molly Parker, Sarah Polley, Philip Seymour Hoffman, Roy Dupuis, Marie-Josee Croze, Olympia Dukakis and Inuit newcomer Annabella Piugattuk.  "The Genies this year are really a renaissance for the awards - the whole new approach, the new format, and we can't wait," said Topalovich.  Traditionally the Genie Awards gala is telecast in prime time by the CBC where it has earned ratings down in the 300,000 range. This year, however, the Academy approached CHUM to be its new co-producer.  CHUM plans to air the event on Citytv, Bravo, Star, Access (in Alberta) and ASN (in Nova Scotia). It will also be simulcast in Quebec on MusiMax.  "We're pumped!" said Marcia Martin, the CHUM executive producer of the awards show who promised a different look for this year's show, with a glamorous dinner atmosphere instead of the traditional theatre seating.  The Genie host this year will be former Kids in the Hall comic Scott Thompson, who faked shock when the announcement was made at a media event held at CHUM's broadcast centre today. "Obviously I am part of the glamour," he quipped. "I'm going to bring glamour back to the Genies."  He proposed that the Genies be pronounced "Jennies" to make them sound friendlier, and promised while there would be no "wardrobe malfunctions," neither would there be a five-second tape delay as at the Oscars. He said he was also not losing his hair like Billy Crystal, the Oscars host.   The Genie nominees are being unveiled this year after some major changes were made to the system that chooses them.  The Academy says under its revisions, the previous double jury has been replaced by a single jury that reviews all entries. In addition, the secret ballot has been replaced by a process of open discussion and consensus.  The changes come after director David Cronenberg complained bitterly last year that the jury system was flawed and that foreign actors were discriminated against. While the Academy decided against a plan to reintroduce foreign-actor categories, more foreign actors do appear this year in the existing categories.

 

The Legend Of Huggy Bear: A Chat With Antonio Fargas

Excerpt from www.eurweb.com - by Ricardo Hazell

(Mar. 17, 2004) *When actor Antonio Fargas comes to mind the first thing that folks envision is a young Fargas shucking and jiving his way to stardom as the street informant Huggy Bear in the original television series "Starsky & Hutch." The show was so popular that many children were converted from merely playing cops and robbers to playing "Starsky & Hutch."   The fights usually started when there was a disagreement over who'd be Huggy Bear.  But Fargas is far more than a pimped out seventies superhero in stereo. His body of work spans three decades and includes such hits as "Car Wash," "I'm Gonna Get You Sucka," a role in which he made fun of his early incarnations, and even hit Broadway as the witchdoctor in "The Great White Hope."  We sat down for a chit chat with Fargas and, believe us, he's as busy as he ever was.  For starters we asked him the obvious thing.  How does he feel about Snoop Dogg portraying the character that put him on the map?  "It's phenomenal," said Fargas. "Our association goes back to when he asked him me to appear in a video with the Dramatics and Dr. Dre was directing.  I was fortunate that day to have met Tupac on the set.  So he's always had a great respect for me."  Fargas continued by pointing out that rappers are often the conduits by which the rest of American society embraces all things 70s.  "Rappers are traditionally well read and well versed in terms of history ... knowing who the icons and pioneers were in the disciplines they respected. If I were to cast the movie he would be the perfect cat for today. I feel real good about what he's done with the role in terms of not trying to do what Antonio Fargas did, but bringing his own persona and it seems to be working very well."   Though Fargas gives up much love to Snoop for becoming Huggy Bear, he feels some angst about not being in the remake. 

"What I have a little bit of consternation about is why I am not in the sequel," said Fargas.  "And the answer is once they got David and Paul from the original show the execs figured that was enough for this one and that would appease the fans of the original, but they were mistaken.  But they have a right to make that mistake. I've always said that I want this film to do well because that brings attention to something that we did well."  Regarding Huggy Bear, the character was flashy and dressed well, always had the finest women and the finest cars on TV. But the dark side to that was the fact that he was perceived as a pimp. While pimps are looked upon as heroes of street lure, they are also seen in some circles as one of the worst things that could have ever happened to women and women's rights. Fargas just wanted to clear the air regarding his former character's occupation.  "He wasn't a pimp. This whole glorification of pimps and all that makes people think that.  But they never told you what he did. One minute he had a bar, the next minute he was a guy on the street hustling, but he was always in the know. But he was never a pimp.  The guy who was on 'Baretta' was a pimp. His character was called The Rooster.  Plus there were other roles were I had played pimps so a lot of people may have thought that."  Another of Antonio's greatest accomplishments has nothing to do with entertainment at all. It's his son, Oakland Raiders running back Justin Fargas. The former USC Trojan was much maligned at one time and even suffered a career threatening injury in college. Last year his team was pass happy, some would say. (If you were coaching a team with Tim Brown and Jerry Rice you would be too.) But proud Poppa Fargas feels the new coach of the Raiders will run the ball a bit more.  "It's the perfect opportunity. They've got a new coach who wants to run the ball in the power set. He has a lot of work to do to prove that he can run between the tackles and is not just a back who can run in outside directed sets. With Charlie Garner gone I think they'll bring in another (running) back to compete with (Justin) and we'll see who survives."

We're sure the younger Fargas will do his best and represent well. As far as his father is concerned things are still cracking and popping. He's currently a partner in a production company that writes new film and TV productions. Granada Entertainment, as it is called, is currently developing several projects for British Television. Antonio is currently partnering with a number of other artists in a tribute to urban art forms, the focus of his tribute is a twelve city tour of "Calling All Saints," a gospel musical stage play about the threats to marriage and family.   For more information on Antonio Fargas and all his goings-ons log on to: www.antoniofargas.net.

 

Good To Be Alive: Snoop Dogg

Source:  Associated Press

(Mar. 13, 2004) LOS ANGELES — Snoop Dogg says a rapper knows he's made it as an actor when he's alive at the end of the picture.  "You never see a new rapper coming into a movie role where he's playing an orthodontist or a top-notch lawyer. He's always going to come in with a gun in his hand and getting killed," the 32-year-old rapper said recently.  "Until he can step out of that and do some comedy or do something that's far-fetched from what your imagination and what you didn't feel he could do, then he gets respected as an actor," he said.  Snoop Dogg plays Huggy Bear in the new Starsky & Hutch movie, starring Ben Stiller and Owen Wilson. His previous films include The Wash and Bones.  The rapper said he was a big fan of the Starsky and Hutch TV show.  I liked seeing Huggy Bear, he was sharp, he was a cool dude. I'm a kid from the '70s, so Starsky and Hutch, What's Happening, Good Times, The Jeffersons, TV shows like that, we had to watch 'em."

 

Sistas In Hollywood Are Doin' It For Themselves

Excerpt from www.eurweb.com

(Mar. 16, 2004) On March 27, 2004 – The Black Hollywood Education and Resource Center (BHERC) presents: Sistas are doin’ it for themselves: See their images ... hear their stories ...  Special invited guests will get a rare chance to have an open dialogue with up and coming Black women filmmakers. Many of these filmmakers have received high honours and recognition for their achievements and breakthroughs in filmmaking. These Sistas’ will change the way we think of Black Cinema by daring to challenge the stifling conventions of the traditional “Hollywood Black Experience.” These Sistas’ aren’t gonna’ wait for the entertainment industry to recognize their talents. They are moving forward. These Sistas’ are doin it for themselves...  Panel will include Filmmakers: Malissa Strong, “My Mother's Keeper”; Tamika Lamison, “Hope”; Shawnee Shawnelle Gibbs, “Ravishing Raspberry”; Princess Monique, “The Call”; Katina Parker, “Radimi: Who Stole the Dream?”; Andi Chapman, “Memorial Street”; and Daheli Hall, “The Memo”; with Moderator / Filmmaker: Neema Barnette. (Panel and reception immediately follow the screening)
The Black Education and Resource Center was formed in 1996 as a non-profit organization designed to advocate, educate, research, develop and preserve the history, as well as the future of Blacks in film and television. The BHERC produces, organizes and funds diverse cultural art, film and theatre projects in order to capitalize on our rich foundation established in Hollywood. We not only promote more African Americans as artists, but have begun a “New Era” in the documentation of African American images.

Doors open – 10am (Continental Breakfast) – 2pm - Admission - FREE
Raleigh Studios - 650 Bronson Ave - Los Angeles, California (Melrose Ave. across from Paramount Studios)
Chaplin Screening Room
RSVP – 323/957-4747 (seating is limited)
For event information, contact Program Director Ralph Scott at 310/284-3170 - or www.bherc.org

 

Up Close With Danny Glover

Excerpt from www.eurweb.com - by Danna Kiel  

The Los Angeles Women's Theatre Festival kicked off its 11th annual celebration with Danny Glover Up Close: An Intimate Celebrity Conversation. The event was held at the beautifully and newly renovated Barnsdall Gallery Theatre in Hollywood.  This red carpet event which took a night to celebrate a cultural shaman played host guests like Lorraine Toussaint (Any Day Now) and Ted Lange (Love Boat and Director of screen and stage) to name a few.  The Barnsdall Gallery which has been around for 75 years has just been renovated and is a must visit for residents and tourists.  The even began with a lovely wine reception and then culminated with our move into the theater to see the man of the hour, Mr. Glover himself who had also mixed and mingled with guests.  Danny was interviewed by Hattie Winston, a familiar face of screen and stage. The Obie Award winning actress can currently be seen on the Ted Danson sitcom, Becker. My fondest and earliest recollection of Ms. Winston was her days among the cast of Electric Company which when I was young also included Morgan Freeman.  The lights were first dimmed to view a montage of clips that highlighted Glover's works over the past few years. He and Ms. Winston came out and treated the audience to Love poems from the writings of Langston Hughes, Kahlil Gibran, Nikki Giovanni and Paul Lawrence Dunbar to name a few.  The two soon settled in their seats as Hattie asked questions ranging from his fondest memories of time spent with his grandmother down South to working with Oprah Winfrey, Alfre Woodard and even his partner in crime and justice, Mel Gibson.  He spoke with the most affection of his mother and father and their time in San Francisco. Danny even remarked, "some of you have probably met my father, I just loved him so much." Danny however credits both of his parents as his cultural and creative influences.  He soon fielded questions from the audience. A young woman asked about family and he shared with the crowd that he was a seven week old grandfather.  Questions came from admirers and friends alike. An older gentleman next to me inquired had he ever considered playing Paul Robeson, "you sorta look like him," the gentleman remarked. Danny expressed," I am honoured that you would mention a resemblance and I have thought about it... I hope it can happen."  Friends like Bill Overton (husband of Jane Kennedy Overton) inquired about building a base of Capital to produce Black Films. Danny suggested we must start with content, "I was a juror at the Sundance Film Festival features competition. The winning film was made for $7,000. With the new technology we can do so much. We need the capital but one must come to the process whole and complete which is challenge enough and then we must focus on content and good storytelling. Good storytelling is key."  Danny discussed everything from filmmaking to global responsibility. He was headed to Washington, DC the next day for a march in support of Haitians and the current unrest in Haiti. Danny is also the Chairman of the Trans Africa Forum headed up by Randall Robinson.  The moonlit night at the Barnsdall Gallery Theater had a lot of stars in the sky, but we had a star with his feet planted firmly on the ground in our midst.

 

Charlize Theron Reaches Out To Mandela

Excerpt from www.eurweb.com

(Mar. 12, 2004) *Coming off of her golden moment as an Oscar winner Charlize Theron was overwhelmed by meeting South Africa's most famous statesman -- telling Nelson Mandela "I love you so much."  Theron, who became the first African to win the Best Actress Award last month for her portrayal of a prostitute in the movie "Monster," held hands with Mandela, 85, during a photo-call at his offices in Johannesburg.  "You are an inspiration for everyone," Theron told the civil rights activist and Nobel Peace Prize winner.  "Oh ... I love you too," the elderly statesman replied as he put his arm around the 28-year-old actress, who wore a white dress and wore her hair in a ponytail.  Mandela thanked "the girl from Benoni," east of Johannesburg, for "putting South Africa on the map."  "Even those who did not know it, now know where South Africa is," Mandela said.
People like Theron showed that the present South Africa is different from the country that suffered through apartheid, before 1994, Mandela said.  The former dancer turned actress was in South Africa to promote her movie and take a break from Hollywood, but was flanked by adoring fans and has given numerous interviews since her arrival Saturday.

 

Koch Vision Presents Murda Muzik

Source: J. Goldstein PR / Daniela Markoska / daniela@jgoldsteinpr.com

(Mar. 12, 2004) New York, NY ­ Koch Vision presents an arresting debut film about a rapper who tries to balance the conflicting demands of responsibility, ambition and a multi-million dollar record deal. Written by Prodigy of Mobb Deep and produced and directed by Lawrence Page, Murda Muzik stars Fresh (Big Noyd) in this dramatic tale about a rapper-turned-famous, unable to escape from his street life in the ghetto. The film also features Prodigy and Havoc (of Mobb Deep), Nas, Infamous Mobb and others. Murda Muzik debuts on DVD and video ($19.98) beginning April 6, 2004. The order cut off date is March 9, 2004.  Murda Muzik DVD special features include 59 minutes of bonus footage, which includes; "Behind the Scenes" footage, "Making of Murda Muzik" featurette, "One on One w/director Lawrence Page" and more.  Fresh (Big Noyd) is a rapper from the Queensbridge Housing Projects in New York City, who signs a multi-million dollar record deal. With all of his new found wealth and fame, he still seems to find it hard to stay away from the grimy street life he once lived. Desperately trying to keep himself aimed toward the right direction in life, his objectives backfire, leaving a bloodbath of gangsters dead in the streets of New York.  Mobb Deep members Prodigy and Havoc met while both attending the prestigious Graphic Arts High School in Manhattan. Thanks to their mutual residence in Queens, along with their mutual passion for hip-hop, the two joined forces to form Mobb Deep. Still in their late teens, the duo released their debut album in 1993, Juvenile Hell, which served as a fitting platform for the duo to launch their careers. Mobb Deep takes pride in not only producing their own beats, but also crafting their own unique style: a street-smart poetic approach centering on the ghetto lifestyle surrounding them. Their brutally honest reality rapping and complimentary melancholy beats landed the duo major-label record deals, the first being The Infamous (1995), followed by Hell On Earth (1996) and Murda Muzik , which quickly soared to the top of the charts and went platinum. Mobb Deep continues to make an impact on the hip-hop industry with their upcoming, highly anticipated 2004 album release, Amerikaz Nightmare.  KOCH Entertainment, the leading and fastest-growing independent music company in the U.S., entered the video market three years ago. Its operations include record and video labels and distribution companies in the U.S. and Canada. KOCH Entertainment is the market leader among independents in both the U.S. and Canada and its record labels had the largest number of Billboard charting albums among independents in 2002.

 

Streisand To 'Meet' Next Film Role

Source:  Borys Kit, The Hollywood Reporter

Barbra Streisand, who hasn't appeared on film since 1996's "The Mirror Has Two Faces," is returning to the screen. She is in final negotiations to play Ben Stiller's mother in "Meet the Fockers," the sequel to the 2000 comedy hit "Meet the Parents." "Fockers" is being directed for Universal Pictures by Jay Roach.  Stiller, Robert De Niro, Blythe Danner and Teri Polo are returning in their original roles. Dustin Hoffman was cast as Stiller's father in January.  In the sequel, Greg Focker and his fiancee, Pam Byrnes (Polo), have won over Byrnes' parents, Jack (De Niro) and Dina (Danner). But when the tightly wound Byrnes family is introduced to Greg's parents, the hyper-relaxed Fockers, there's an immediate clash.   Streisand won a best actress Oscar for 1969's "Funny Girl" and was nominated in the same category for 1973's "The Way We Were." She has only appeared in three films since 1983's "Yentl," for which she won a Golden Globe for best director.

 

TV NEWS

 

Axe Falls On Bullard Show

Source:  Metro Toronto News Services

The Global Television Network announced Friday it had cancelled The Mike Bullard Show, effective immediately, CBC.ca reported.  The program, which Global had intended to be its flagship late-night series, had struggled in the ratings since it debuted in November. “It ’s no surprise that it ’s been cancelled,” said Jaimie Hubbard, the editor of the Canadian TV Guide. Global dropped the show because Bullard was unable to pull in a significant audience.

 

Leaders Target The WB Network in Campaign To Save 'The Andersons'



Excerpt from www.eurweb.com  



(Mar. 16, 2004) A coalition of black community leaders and activists have launched a national campaign to save the highly acclaimed Warner Bros. series, "The Andersons." "The Andersons" stars comic actor Anthony Anderson ("Barbershop," Me, Myself & Irene," "Big Momma's House," "Life") as a struggling actor and single dad trying to provide a stable environment for his 8-year-old son, Tuga (played by newcomer Damani Roberts). Veteran thespian John Amos ("Good Times," "The West Wing") plays Anderson's father and Roz Ryan ("Amen") plays his mother.  Despite good ratings and a positive black audience response, WB executives have indicated that the show may be cancelled.  "The series presents positive, black male images, and a wholesome intact black family," says Earl Ofari Hutchinson, President of the National Alliance for Positive Action, "This is the type of show that African-Americans have continually demanded that the networks produce."  Series star John Amos says he's bewildered as to why the show hasn't been picked up for a full season and is aggressively campaigning for support for the series.  "We broke the record for ratings in our timeslot when the series first premiered, and the TV Guide review was virtually a love letter. So it's perplexing to me why the show has not been picked up, advertised and promoted like the other WB shows," said Amos.  While Amos says he hates to use the word conspiracy, he explains that The WB admitted they had put all their money into the over-hyped "Tarzan," which quickly fizzled in the ratings race and was cancelled. Now there's apparently nothing left to promote "The Andersons" with.  A staunch supporter of strong black male role models, Amos was initially reluctant to do "The Andersons," citing the deteriorating state of quality shows on network television. He decided to do the series because it showed three generations of strong black men in one family.  "If this show is allowed to perish it will be one more indication of apathy on our part," he says.  Amos admonishes other blacks in the industry that "we have to create something of our own - finance and distribute them ourselves, otherwise we'll be at their mercy." True to his word, Amos has successfully toured his one-man show, "Halley's Comet," since 1995. The stage play, which Amos calls his "annuity," has toured four countries and over 400 American cities.   The one-man show written, directed by, and starring Amos, tells the story of an 87 year old man who shares the memories of a lifetime with Halley's Comet, which he saw as a boy.  "We must create our own in order to create, perpetuate and protect positive imagery of African Americans," says Amos.  Amos is hoping the black community will support "The Andersons" by using the power of the pen. Drop a card, fax, call or go to the WB.com website and tell Warner Bros. to Save "The Andersons."  "Shows have in the past been saved by concerted community activism," Amos adds.  Who to contact to Save "The Andersons": Peter Roth President, The WB Network 4000 Warner Blvd. Burbank, CA 91522 Phone: 818-954-6000 Fax: 212-954-7667. www.thewb.com

 

Janet’s First Television Performance since Super Bowl 



Excerpt from www.billboard.com -- Barry A. Jeckell, N.Y.



In what will be her first live television performance since her now infamous Super Bowl halftime show, Janet Jackson will appear March 31 on ABC's "Good Morning America." Jackson will be interviewed by anchors Diane Sawyer and Charles Gibson prior to the performance in New York's Battery Park, which a spokesperson for the network assures Billboard.com will be broadcast on a five-second delay.   Jackson is expected to perform her latest single, "Just a Little While," and two or three past hits. Her new 22-track Virgin album, "Damita Jo," will be released the day before the appearance.  Jackson's performance will be free and open to the public. Fans wanting to attend are urged to arrive at Battery Park no later than 6 a.m. that morning. The artist is also booked to host and perform on the April 10 edition of NBC's "Saturday Night Live."

 

Cedric The Entertainer To Co-Host 'Motown 45'

Excerpt from www.billboard.com

Cedric The Entertainer has been selected to co-host ABC's "Motown 45" special with Lionel Richie. The actor/comedian, currently seen co-starring in "Barbershop 2: Back in Business" opposite Ice Cube, is filling the spot left vacant by Justin Timberlake.  Timberlake dropped out of the show citing a conflict with filming his first movie, "Edison" Several African American groups protested Timberlake's initial selection as co-host and became even more vocal after the artist's role in Janet Jackson's breast-baring performance during the Super Bowl halftime show.  The "Motown 45" special will be taped April 4 at the Shrine Auditorium in Los Angeles and will air May 3. Among the artists slated to perform are the Backstreet Boys, Boyz II Men, the Commodores, the Funk Brothers, the Four Tops, Macy Gray, Gladys Knight, India.Arie, the Temptations, Vanessa Williams and original Supremes Mary Wilson and Cindy Birdsong.

 

THEATRE NEWS

 

Anne Heche Has Finally Found Balance, Success And Fulfilment

Excerpt from The Toronto Star - Richard Ouzounian

(Mar. 13, 2004) NEW YORK—If you looked up the word "chameleon" in the dictionary, it would probably say, "see Anne Heche."  Onstage and off, this is a woman of endless variety and constant surprises.  The 34-year-old actress is currently swanning across the Art Deco stage of New York City's American Airlines Theatre as movie diva Lily Garland in a revival of the classic comedy Twentieth Century, now in previews prior to a March 25 opening.  She effortlessly flaunts a dazzling 1930s wardrobe and trades banter with co-star Alec Baldwin as though she's been doing it all her life.  "I love it!" she enthuses, unwinding after a recent matinee. "When I step out on stage, I feel like I'm at home."  Yet in truth, this is only the third professional stage show she's ever been involved in — and you couldn't find a trio of more varied performances.  Her last live show was a critically acclaimed turn as the tortured heroine of the Pulitzer Prize-winning drama Proof, with which she made her Broadway debut in 2002.  And before that, you'd have to go all the way back to 1981, when, at age 12, she portrayed the shy piano-playing Amaryllis in a New Jersey dinner theatre production of The Music Man.  Now, in Twentieth Century, she's delighting the early crowds as an Oscar-winning Hollywood actress who's heading back to Broadway on the luxury train of the title.  Baldwin plays her would-be producer and former lover in a study of celebrities and their private lives that seems even more apt now than when first performed in 1932.  "Oh yes, living your life in the public eye. Well, that's something I certainly understand," says Heche, in the understatement of the year.  She was born in Ohio in 1969 to a religious fanatic of a mother and a choir-leader father who sublimated some of his homosexual desires by sexually abusing his children before he finally died of AIDS in 1983.  Heche has been over this ground many times before, but she doesn't shy away from it. "I've always felt I should be honest about this because I don't like secrets. I was raised with secrets and I never thought they were good things."  She sits at her dressing room table in a white terry robe, her hair wrapped in an equally pristine towel. The image she reflects is so pure, so delicate that it's hard to reconcile with her self-portrait from the past. "I drank. I did drugs. I had sex with people. I did anything I could to get the shame out of my life."  She fled home as soon as possible and, by the age of 18, was appearing on the soap opera Another World as a pair of twins — one good and one evil. She stayed there for five years.  Then came Hollywood and a fairly rapid rise up the ladder, which also included celebrity boyfriends such as Steve Martin and Harrison Ford.  But during that period, her past continued to trouble her. Until entering therapy, she had actually blocked out huge sections of her childhood from her memory.  "I had some tough days, I had some incredible days, but underneath, I always knew that I wanted to find out my secrets, expose them, tell the world what was going on and be able to move on from it."  She began to hit professional pay dirt with well-received performances in Donnie Brasco and Wag The Dog, but her inner life was in turmoil.  "Everybody wanted me to do career, career, career and then figure out my life on the side, but I knew that would never work for me."  And then things became even more complicated. On Oscar night, 1997, she met comedienne Ellen DeGeneres, then at the height of her fame. The two connected instantly and began a very public affair that ultimately damaged both their careers.  Heche waves away the memory of the warnings she received at the time. "Sure, they told me it would get me in trouble. I've always been told that everything I do is going to set me on fire and burn. I didn't care. I had one priority in my life right then and that was to find love."  But the relationship ended in August 2000 and Heche followed it with a meltdown that made worldwide headlines. She fled to Fresno, Calif., walked half-naked for miles through the blazing heat and finally wound up at a farmhouse where she told the inhabitants she was waiting for a spaceship to take her to heaven.  "It was only after all that," she says in her little girl voice, "That the healing could begin. There was no other path for me. Once I could look at it all, I could start to build my life again."  From that moment, she turned things around.  Shortly before this time, she had met a cameraman named Coleman Laffoon and, "we were deeply involved after the first week. Love is an interesting thing because it's an exchange of respect and caring and honour."  He married her and was by her side when she found the courage to write a shockingly honest account of her life, Call Me Crazy, which was published in 2001. Heche doesn't regret her choice to reveal everything.  "It's the thing that allows me to be here, to have the family and the career I have today." Their son, Homer, was born in 2002 and the three of them form "an inseparable unit. I always wanted to be a parent and now it's all come true."  Her glowing performance in Twentieth Century is further proof of her upbeat state of mind.  "It's a lot of fun to be working with such a fantastic team and it's such a relief to be doing a comedy. The response has been so tremendous."  She smiles with enjoyment at the process. "It's a relationship each time you put on a show, isn't it? The audience puts the key in the ignition and then I can take us all to some delightful places."  Her sapphire eyes sparkle as she sums up where she is today.  "It's taken me a while, but I have my priorities straight: my health, my family, my love and my work."  It looks like the star of Twentieth Century may find that the 21st century will prove to be her magic time.

  

SPORTS NEWS

 

Hughes Adds To Medal Case

Source:  Metro Toronto News Services 

(Mar. 14, 2004) Canadian long-track speed skater Clara Hughes achieved a season-long goal yesterday, winning a gold medal in the women ’s 5,000 metres at the world single- distance championships, CBC Sports Online reports. The Glen Sutton, Que., native captured her first career world title in a time of seven minutes 10.66 seconds. Gretha Smit of the Netherlands finished second in 7:11.17,while Germany ’s Claudia Pechstein was third in 7:13.42 at the Seoul meet. Yesterday ’s triumph is yet another accomplishment in Hughes ’successful multi- sport career. The former national team cycling star is the only Canadian to win a medal at both a Summer and Winter Olympics. “This is probably my biggest thrill after my Olympic medals,” said Hughes. Hughes ’victory at the sea- son-ending meet capped an- other strong performance by Canadian long-track speed skaters. Jeremy Wotherspoon of Red Deer, Alta., added silver in the men ’s 1,000 metres Sunday, while Winnipeg ’s Cindy Klassen claimed bronze in the women ’s 1,000 metres. Earlier in the meet, Wotherspoon raced to gold in the men ’s 500 metres and Klassen took silver in the women ’s 1,500 metres. Winnipeg ’s Mike Ireland rounded out the Canuck medal haul with a bronze in the men ’s 500 metres.

 

Raptor Chris Bosh's Most Important Teammate Is Not On The Court

Excerpt from The Toronto Star - Jennifer Quinn, Sports Reporter

(Mar. 17, 2004) There are two keys to this relationship: Ice cream, and cleanliness.  Chris Bosh and Adriane Mayes are cousins, and roommates, and partners in a charitable foundation that bears his good name and her good work. They live together in a very tidy downtown condo, where they play pool, eat dinner and hang out together. Their meals are always followed by ice cream, which makes Bosh happy.  Mayes is a Detroit native, who's living in Toronto with her younger cousin as he adjusts to his first year of NBA life. When Bosh declared for the draft last year, he knew didn't want to live alone, and it was a case of good timing that put he and Mayes together in Toronto.  "That was one of the factors when I was coming here. I asked my mom, `Who am I going to stay with?' All of my friends were still in school. But my cousin, she had just graduated from grad school, so that worked out pretty good," Bosh says.   "I think we're so much alike. We don't have to go anywhere to have fun. We're both like each other a lot.  "And we're both clean. We keep the house neat."

Mayes is a few years older than Bosh, and she's the one who's in charge of the day-to-day stuff, like grocery shopping and organizing his schedule. She loves doing it, and will help as long as she's needed, but says her "little cousin" — he is 6-foot-10 and still growing — could probably figure it out on his own.  "He's really responsible. I guess you think, he's 19, he's still a child. And he is still a kid, but he's so responsible," she said. "He's a good man. He takes care of himself. I take care of the household things, but that's because he doesn't have time. I'm not babysitting or anything.  "He is so mature in his thinking. He could take care of all of this."  All of this includes the Chris Bosh Foundation, of which she's the business manager and he's the focus, and their home life. She's figured out the best places to grocery shop — their weekly bill is about $150, less when he's on a road trip — the most comfortable bowling alleys, and that she'll never beat "Cuz" at their preferred pastime, which is playing pool.  "We play a lot of pool. And he whups me. I'm not going to lie," Mayes laughs. "But when I get that one win, he hears about it. I beat him just before they left (for a road trip) and he blamed it on his ankle."  The Chris Bosh Foundation, which is active both in Canada and the United States, emphasizes the importance of school, athletics, and social enrichment to kids. They've had events all over the city, and last week, Bosh spoke to 200 at-risk youth as a part of the Boys to Men program.

A news release written by Mayes — she also speaks at schools and volunteers in the community — said that Bosh would be telling the students about "his journey from youth to manhood and the importance of making wise personal decisions." That was all Mayes would put in writing for Bosh: Neither of them are big on speeches, preferring to get up and talk to kids from their hearts.  Bosh acknowledges that it's kind of weird for him, at age 19, to be giving advice to kids who are pretty much his own age, and laughs a little when he thinks about it. But he also says that because of his NBA career, he's been given a unique opportunity to reach kids.   "That was kind of funny at first, but it's not about age. It's the position you're in," Bosh says. "People might listen a little more to you. I just try and use that to my advantage, and try and help people."  As Bosh has been devoting time to improving himself on the court, Mayes has been hooking up with community members to see where the foundation can do its work. She's also networked with community service veterans to learn more about running a charitable foundation.  Mayes has an MBA and has worked for big corporations like General Motors — she is, after all, from the Motor City — but is learning about the craft of charity from people like Johnnie Williams, the brother of Jerome Williams and the driving force behind the JYD Foundation.  "He just took me under his wing. He introduced me to a lot of people," she said. "At some point, that's how we'd like to be."  "I'm working to establish it here. I know (Chris) is not going anywhere for a long time."  Mayes is also responsible for the day-to-day running of their home, which includes planning nutritious meals to help her cousin as he tries to enhance his 228-pound frame. She figures out menu plans a week at a time, without much help from Bosh. He'll eat whatever she puts in front of him. "As long as there's ice cream after, he's happy," she says. "I watch him eat. We go for dinner after a game, and I'm just like, `wow.' How can he consume all that?"

It won't always be like that, Mayes promises her cousin. She was an athlete in college, too, and says that when his playing days are over, that high-test metabolism of his will change — and then he'll be sorry.  "I can't wait," she said. "He doesn't realize that when he's older, his metabolism is going to slow down."  When they're not working together on foundation business, the pair goes to the movies or bowling. They play pool in their condo. They enjoy each other's company. Mayes says they don't hit the club scene, and describes their lives as low-key.  "We're not let's-go-out kind of people. We go out to the movies; we went out New Year's Eve," she said.  "I respect his space, he respects my space. We're really simple people."

 

Dominique Wilkins -- Enjoying Life on the Business Side of the Game

Excerpt from www.eurweb.com - by Deardra Shuler

(Mar. 16, 2004) Legendary basketball player Dominique Wilkins was in town promoting his new line of 'Giv and Go' active wear when he got together with me to chat. Born into a military family in Sorbonne, France, Wilkins' family traveled quite a bit. So, by the time, Wilkins was 15 years old, he had already lived in 3 separate countries. His father's military training rubbed off on Dominique at an early age, teaching him the advantages of hard work, discipline and its off-shoot of self confidence and perseverance. His mother also lent some of her fine qualities to her son by giving him a softer side and a spiritual outlook on life.   These days, Wilkins is looking toward the business side of things and one of his endeavours is a sport clothing line. The line consists of three categories: a sweat line -- which is tried and true "on court" basketball apparel. Then there is the "no sweat" line, which is more fashionable and emulates the lifestyle of basketball players and lastly, there is the "You Choose" line, which is the bridge between the fashion and on court apparel. "It's the quality of a brand Jordan but it's got more of an urban fashion appeal. It's very clean. We have been doing test marketing and have been picked up by a lot of department stores. We are mostly in the better rated stores," explained the authority on the line.   Having spent his collegiate days at the University of Georgia, and thus familiar to the regional fans, there was a period there that Wilkins was considering coaching for the Georgia Bulldogs. "I actually interviewed for that job but I basically wanted to go through the process," said the former basketball star. "I wasn't really interested in coaching college ball but I decided to go through the entire interview process to see what it entailed. Right now, I am more involved in the ownership of the Atlanta Hawks," continued the 6'8" forward, who concluded his NBA career with 26,668 points. "I'm concentrating on the business side right now as a new co-owner of the Atlanta Hawks. I got a lot of history with a lot of the guys over the last 20 years or so. By the guys, I mean some of the owners," explained Wilkins. "The coaching side is not really in the plan, at least not right now. The organization really wants me to help analyze and evaluate the players in order to make this a better franchise. The relationship I have built up with some of the owners over the years, and my long stay in the game has something to do with why they thought I could benefit the business side and I know I can."

As a player, Wilkins was instrumental in the team's success in the mid-to-late '80s. During the period 1985-86 to 1988-89, sports fans were elated as the team recorded 50-win seasons in four straight years. Dominique's 23,292 points with the Hawks are the franchise's best. He ranks second overall in team history in steals (1,245), sixth in assists (2,322) and fifth in blocked shots (592). The retiring of his uniform (number 21), achieved Wilkins the highest individual team honour possible when alongside legends Bob Pettit and Lou Hudson, he became the third player in club history to be thus honoured.  On the ownership side, Wilkins plan for the Atlanta Hawks is to build a team of winners. "I want to have a team that can compete every night. I want a team of players who are professional and respectful and respect themselves. I want to make sure that not only do we play the part, but that we look the part. I want my team to realize they are role models to a lot of people, so they have to act accordingly. I truly believe that what separates a great franchise from just an OK franchise, is the way that the players conduct themselves and perform as professionals," stated Wilkins.  Wilkins is proud to have risen to the ranks of co-owner. "It's the dream of every African American to be part owner in something. To have a say and be a part of the fabric, as well as assist in implementing a system that enables both the players and the organization to prosper. That's far better than being a coach," claims the good will ambassador and new co-owner.

"When I was playing the game, I played against the best that ever played sports. Kareem Abdul Jabar, Magic, Byrd, Dr. J. I could go on and on about the guys I played against. These guys are guys that really exemplify what greatness is about. The thing that we all had in common is that we were fierce competitors. These guys had a way of bringing the very best out in you as a competitor. Michael Jordan is probably the fiercest competitor that I ever played. He was something! We had a slam dunk contest we competed in. Jordan beat me sometimes. Other times, I beat him," chuckled the man nicknamed Nique. "We competed because we wanted to challenge one another to see who was the best. That made basketball fun for us."   Dominique was a member of the NBA All-Rookie team in 1983 and was named to seven All-NBA teams, nine consecutive All-Star squads and was a two-time winner of the NBA Slam Dunk Championship. Wilkins also has a sibling in the game, his brother Gerald. "My brother also has the same level of passion as I do for the game. I played for five teams before I retired. I played for Orlando, Boston, San Antonio, Atlanta and LA. My final year, my brother and I played together. At the end of my career, it was like a vacation for me. But now, I am excited about being on the business side of the game. I now see things from the business side of the game that I did not necessarily understand or know about while being a player. Also, it's great I have acquired the knowledge to teach the game, as well as now run the game. Fortunately, I am one of the guys, who has been able to view the game from both sides of the game. It's a major difference. I think that will give me an advantage. If you take the top teams that are winners and look at their front office, look at their bench and see how many former players they have in all. For instance, the Dallas Mavericks have 4 or 5 guys who are former players on the bench and in their front office, 4 or 5 that played the game. The same thing applies for LA and Sacramento.

Most fans remember the future Hall of Famer for his dunks. "People may say I was great at the dunk, but I often tell people that understand the game, you cannot get over 26,000 points just off of dunks. A dunk was something that was a signature mark for me. People used to know that when I got up to the basket …get out of the way," chuckled Wilkins. "It also fired the crowd up. The greatest I have ever seen beside myself, is Michael Jordan, Dr. J., Kareem and Magic. It's hard to pick just one guy. Michael Jordan is one of those guys. He had passion and that, in my book, is what makes a great player. It's the players' passion and love for the game that makes him great. I think to be successful you have to have the willingness to work and get all the guys to work at their ultimate level. And you have to be unafraid. You also have to have a degree of professionalism and the ability to act accordingly. Sometimes, sports figures and celebrities put themselves in situations to be criticized. There is no substitute for being a gentleman. At least that is how I was raised," states Dominique.  The father of twins adopted his daughters as infants. "I am trying my best to secure a life as a family man and father. I want to enjoy life as well as learn from my experiences so that I can live life to the fullest. After all, life does not come with a promise," declared the basketball great.   Although Wilkins spends his time with the organization evaluating players, being involved in trades and bringing on sponsors, etc., he also runs The Wilkins Group, a real estate mortgage company, and has a foundation that supports several charities. "I work with the Diabetes Center and with Big Brothers and Big Sisters and the National Adoption Agency. The twin girls that I adopted as babies are seven now. I adore them. A child can become attached very quickly if they feel loved and secure. It's all about the passion you have. I had passion in my game and I have it for family. I always wanted to give to kids. My kids are so much fun and I enjoy being a father."  Wilkins describes himself as being a down to earth guy. "I would say if I were to describe my life that I am a simple man that believes in core values. I had the great blessing to become one of the leading NBA scorers to this day. However, my greatest gift to date, are my daughters and my family. We all have our faults, but I think I am a pretty good father. All I know is those two girls bring out the better man in me."

 

Michael Jordan Is Still King

Excerpt from www.eurweb.com

(Mar. 11, 2004) *Michael Jordan is still the man on the court without even playing. He has followers that long for his basketball prowess, yet no one has come to play.  According to an online poll by Harris Interactive®, 3,788 adults between January 19 and 28, 2004, were surveyed on the question, who is their favourite sports star? The top three positions are held by Michael Jordan (#1), Tiger Woods in second place, and Brett Favre at third.  Harris Interactive has posed this question to the public nearly every year since 1993, and Michael Jordan has reigned supreme every time. This phenomenon is believed to be a result of mediocre or less than "Jordan-like" ability in every sport. No one is getting the crowds excited these days.  The other athletes who made it into this year's top-10 list of favourite sports stars after Michael Jordan, Tiger Woods and Brett Favre are: Shaquille O'Neal (#4), Daytona 500 winner Dale Earnhardt, Jr. (#5), Kobe Bryant (#6, even with criminal charges), Peyton Manning (#7), Allen Iverson (#8), Donovan McNabb (#9), and Derek Jeter (#10). This is the first appearance for Manning, Iverson, McNabb and Jeter in Harris Interactive's top-10 listing. Basketball contributes the most favourites with four of the top-10 this year.  Favourite female sports stars are a no-brainer with Venus and Serena holding the #1 and #2 spots. They are followed by soccer star Mia Hamm, figure skater Michelle Kwan, golfer Annika Sorenstam, Anna Kournikova, Lisa Leslie, the teenage golf phenomenon Michelle Wei, Chris Evert (another non-playing favourite) and Cheryl Swoops.  This is the first year, Harris Interactive asked the public to name their favourite female sports stars.

 

Sharon Robinson Pens Book About Famous Father Jackie Robinson

Excerpt from www.eurweb.com - by Audrey J. Bernard

(Mar. 11, 2004) NEW YORK -- “On April 12, 1947, my father, Jack Roosevelt Robinson, stepped out of the Brooklyn Dodgers dugout, crossed first base, and assumed his position as first baseman. He paused, hands resting on bent knees, toes pointed in, then stood, lifted his cap, and saluted the cheering fans. It was a defining moment for baseball -– and for America.”  These are the poignant words eloquently expressed by Sharon Robinson about her famous father in her new book entitled “Promises to Keep: How Jackie Robinson Changed America (Scholastic Press; February 2004; $16.95). In this warm and intimate tome, Sharon opens up her heart and shares the love she had for her father with an insightful look into his life.  Promises to Keep relays the story of Jackie Robinson’s hard-won victories in baseball, business, politics, and civil rights and the impact he had on his family, his community, and his country. Told in pictorial format, the handsome book meticulously shows how he broke the color barrier in baseball.  “White fans reaction may have been mixed, but there was nothing ambiguous about the support from the Brooklyn fans and from African American communities across the country. They love my dad! Black families traveled long distances to go to ballparks to see him play. They gathered around radios at a neighbour’s home to cheer Dad on.”  With her mother’s grace and her father good looks, Sharon recalls how her father taught her to keep promises and value commitment. “My father’s life speaks to the importance of making a commitment to family and community. He taught me to take risks, follow my passions, and to continue to make a difference in the lives of others.” Hence, the title of the book.

The book contains wonderful anecdotes about her legendary father and the special relationship they shared being that she was the only daughter of the baseball icon. “I was six when my dad retired from baseball; twelve when he was elected into the Hall of Fame; twenty-two when he died . . . my father taught me to flip pancakes, hit a baseball, question political leaders, solve problems, and keep promises.”  To celebrate her latest book victory, Scholastic hosted a book party at The New York Historical Society on Tuesday, February 10, 2004. The lovely evening began with cocktails followed by dialogue and Q&A with Sharon and her special guest, sports commentator Frank Deford.  Sharon was joined by her beautiful mother Rachel Robinson, her brother David Robinson who traveled from Tanzania, East Africa, her only child, son Jesse, and other family members, friends and colleagues at the intimate book party.  Sharon credits her mother in making the book happen because Rachel allowed her daughter to raid the precious family archives and select never before seen photos and family letters never before published.  Sharon, who writes lovingly about her parent’s passionate relationship, shares some private thoughts Jackie shared with his wife. “Darling, the game starts at eight, I did so much want to meet you at the airport but time does not permit it. I love you so very much and knowing I am to see you tonight makes things a lot better.”  She also discloses a letter her father wrote to his children. “Dear Jackie, Sharon and David – Mommy has been telling me what good children you have been and I am so glad to hear it. I will be coming home in a few days and for being so nice Mommy and I will take you to the circus to see the animals, clowns . . . I am really proud of all of you and am always telling people I have the best children in the world.”  The book is a labour of love and a treasure trove of commemorative keepsakes about Jackie’s hard-won victories as an athlete and civil-rights pioneer and his invaluable contributions to American history.  His important home runs off the field for civil rights did not go unnoticed and in 2003, he was posthumously awarded The Congressional Gold Medal in recognition of his achievements in sports, civil rights and business by President George Bush.

Her father was also a courageous man. “My father’s courage came from several sources. Certainly the strength of his faith was critical, but so was his belief in the mission, and the love he shared with my mother.”  The author writes about how her father taught them to separate truth from fiction. “My father was famous. My brothers and I grew up among awards, trophies, and photographs, but our parents taught us not to worship these honours. They said we should measure our lives by the impact we had on other people’s lives. All we had to do was pay attention to the way our parents lived to know that this was true.”  She also writes about her father’s athletic prowess having led the Dodgers to four National League pennants and one World Series championship in 1955 while helping to lead the nation in a struggle for civil rights.  One’s civil rights were important to her dad and he involved his family early on in the civil rights movement. “My brothers and I played a very peripheral role in the Civil Rights Movement, but it led to a lifetime of service. As children, we marched alongside our parents at rallies, supported our father as he traveled south in support of the movement, and helped raise money for the cause. As an adult, I’ve worked on behalf of women’s health care issues and in education while my brother David’s coffee business helps to support hundreds of small African farmers. As a family, we’ve combined our efforts to support the Jackie Robinson Foundation and are very proud of the hundreds of scholars and alums it’s helped to support.”   Promises to Keep is a reminder of what made this barrier-breaker a champion -– on and off the field. Jackie would be proud of how his daughter was able to capture the essence of this great African American hero.

 

‘First’ Lady of Tennis

Excerpt from www.eurweb.com

Celebrating more greatness. The United States Tennis Association, the governing body for the sport of tennis in America, recently announced that Zina Garrison has been named as the women's coach for the 2004 U.S. Olympic Tennis Team. She is the first African-American to coach a U.S. Olympic tennis team.  And this isn’t her first “first,” either.  Last December, the Houston native was selected as Captain of the 2004 United States Fed Cup team, making her the first African-American to hold that title in the 40-Year History of Fed Cup. In 1988 she became the first African-American to represent the United States in Olympic tennis.  And don’t attribute her major accomplishments to diversity quotas either.  Ms. Garrison has won 37 titles during a 15-year career, which concluded in 1997. She was singles finalist at Wimbledon in 1990, becoming the first African-American woman to reach the final of a Grand Slam tournament since Althea Gibson in 1958.  And she’s not keeping her streak of genius to herself. An active supporter of grass-roots tennis and education programs for children and a long-time activist for inner-city youth, Ms. Garrison achieved a lifelong dream in 1991 with the opening of the Zina Garrison All-Court Tennis Academy in her hometown. One of the leading youth programs of its kind, the Academy is dedicated to teaching life skills, promoting community service, providing positive role models, strengthening the educational opportunities and developing the tennis skills of Houston's diverse youth population.  "Zina possesses that rare combination of heart, character and competitive fire that defines leadership and are synonymous with the Olympic ideal," said Alan Schwartz, Chairman of the Board and President of USTA. "She brings experience as an accomplished player and coach, possessing a unique ability to connect with the athletes to lead our quest for 2004 gold."  The 2004 Olympic Games will be held Aug. 13-28 in Athens, Greece, with the tennis competition being staged Aug. 15-22 at the Athens Olympic Tennis Center. The United States has won 14 Olympic medals in men's and women's tennis since its return as a full medal sport in 1988--more than any other nation--including three in 2000 in Sydney.  The 2004 U.S. Olympic tennis team will consist of up to six men and six women, with a maximum of four men and four women competing in doubles. Olympic team selections will be made by June 28.

 

FITNESS NEWS

 

Public Service Announcement: Smoking

Excerpt from www.eurweb.com - by James Andrews

(Mar. 11, 2004) Smoking is about to take a back seat to Obesity as the No 1 cause of death in the United States.  The centers for Disease control and Prevention published in a report that tobacco use was still the leading cause of death in 2000 with 435,000 victims or 18.1 percent of those who passed.  However, inadequate eating habits and activity levels caused 400,000 deaths, or 16.7 percent.  Presently, there are almost 130 million Americans who are overweight.  Eat right and exercise. For MORE information, visit us at www.tightenupfitness. Or email me at james@tightenupfitness.com.

 

OTHER NEWS

 

Canadian Writer Wins London's Lit Idol

Source:  Kevin Ward, Canadian Press

(Mar. 17, 2004) LONDON - If unknown Canadian writer Paul Cavanagh needed a little motivation to finish his first novel, he just got it.  By winning the London Book Fair's first Lit Idol contest for aspiring authors, Cavanagh appears to be a cinch to lock up a publisher for his book, Northwest Passage.  Now all he has to do is finish writing it.  By winning the award, Cavanagh, 41, from London, Ont., has secured the advice of Curtis Brown, one of Europe's leading literary and media agencies.  Borrowing from the highly successful Pop Idol format, the book fair launched its own version of the contest this year to find a new talent and help them get a book deal.  More than 1,450 people submitted the required 10,000-word manuscript along with a two-page synopsis of their work for consideration.  Cavanagh was the only Canadian among the five finalists. The other fledgling writers were all from London.  Cavanagh, a long-term care consultant in Ontario's Ministry of Health, has been working on Northwest Passage for 2 1/2 years, mostly on weekends and in evenings after work.  The book is about a man struggling with his wife's death when his daughter runs away from home. He starts a search for the girl, who has left to find a man she thinks is her real father.  Since winning the award on Monday night, Cavanagh has appeared on BBC radio, BBC television's breakfast show, Italian television and been interviewed by the Times of London, the Washington Post and the London Evening Standard.  Cavanagh describes writing as "an obsession" for him and was gratified by the positive feedback his work got from the judges after his reading.  "I'm actually anxious right now to get back to the keyboard and finish the story off."  The full text of Cavanagh's work-in-progress can be found at http://www.thebookplace.co.uk/bookplace/litidol.asp.

 

Rocawear Launches Athletic Line

Source: Universal Music

(Mar. 16, 2004) New York, NY - The TEAM ROC active-wear collection is the newest addition to the ROCAWEAR line of clothing, which includes Rocawear, State Property and C. Ronson. The collection includes Team Roc mens and childrens and is a combination of urban fashion and athletic gear with fabrics mostly in polyesters for a true athletic feel. Season One (Spring/Summer 2004) sees the launch of the Basketball line with colors inspired by the New York Knicks, The Los Angeles Clippers, The Golden State Warriors and The Cleveland Cavaliers. Each season thereafter, a new 'sport' and new color trend will be launched. Season Two (Fall/Holiday 2004) Team Roc launches the Football line and in 2005-2006 Team Roc will introduce lines inspired by Rugby, Soccer and Baseball.   Team Roc's Season One Basketball line includes shorts, jerseys, t-shirts, sweatsuits (sold together or as separates), hats, socks, headbands, wristbands and slides. All color combinations are inspired by a NBA Basketball team, each month a different color story inspired by a different team. Long sleeve sweatsuits retail for $128, or sold separately for $68 (top) and $60 (bottom). Headbands and wristbands retail from $3 to $8. Shorts and jerseys retail for $42 and $48, respectively.  TEAM ROC began in 1999 as a non-profit community outreach program in Harlem sponsored by Damon Dash that supplies 350 school children with tutoring and extra-curricular activities. One of these activities is a basketball program for children ages 5 to 18 and Dash, leaving no stone unturned, provided the uniforms. Inspired by these kids, and by the positive reaction to the uniforms, Dash turned TEAM ROC into a complete line of athletic-wear made of mostly synthetic fabrics and evoking a vintage vibe with a modern Rocawear flavour.

"Originally, I wanted to support a basketball program for Harlem's youth and provide them with a safe space to learn and grow," says Dash. "TEAM Roc is designed to reshape the lives of children who are at risk of academic underachievement, teen pregnancy, substance abuse and other adverse behaviour."  In 2004, Dash expanded the TEAM ROC family by creating Team ROC Rugby, a national urban youth rugby initiative. Ever the entrepreneur, Dash became title sponsor of the USA Sevens Rugby tournament - a two-day tournament involving 16 of the world's best rugby teams, to be played in Los Angeles.  TEAM Roc has also extended its brand to boxing, sponsoring lightweight boxers Zab Judah, Ronald 'Winky' Wright and Gary Stokes.  TEAM ROC and the New York Knicks have joined to co-brand a TEAM ROC collection to be sold exclusively at Madison Square Garden.   For MORE info, go to: www.rocafella.com and/or www.rocawear.com

 

Chris Rock Hailed The Funniest

Excerpt from www.eurweb.com

(Mar. 12, 2004) *Although Chris Rock isn't doing his bit on television regularly, he is on tour doing stand-up and some folks seem to think that he's still the funniest man around.  Entertainment Weekly has judged Chris Rock to be the funniest man in America. His present stand-up tour will culminate into an HBO special.  Although Chris Rock isn't doing his bit on television regularly, he is on tour doing stand-up and some folks seem to think that he's still the funniest man around.  The magazine stated: "Watching Rock in 2004 - 21 years into his comedy career - is like watching a great prize-fighter in peak condition."  The top three spots of Entertainment Weekly's list of the 25 funniest Americans went to Rock, Comedy Central's Jon Stewart second and Will Ferrell came in third.  Also praised by the magazine is Larry David, Dave Chappelle, Ellen DeGeneres, Bill Murray, Jim Carrey and Jack Black.  The king of the Top 10 list, David Letterman, came in at 11. Jay Leno didn't get a mention.

 

Britney, Jewel Ink Cosmetics Deals

Excerpt from www.billboard.com - Troy Carpenter and Carla Hay, N.Y.

Pop stars Britney Spears and Jewel are stepping into the world of cosmetics. Spears has signed a global licensing deal with Elizabeth Arden, while Jewel will has inked an exclusive worldwide deal with L'Oréal Feria hair color products.  Elizabeth Arden plans to develop and market a Spears-branded line of fragrance, skin care and color cosmetics. The first product to be marketed under the deal will be a perfume, due in department stores in the fall.  Jewel will star in a new L'Oréal Feria ad campaign, "Colour of Your Voice." The first TV ad features the singer/songwriter performing "Yes U Can," a song from her latest Atlantic album "0304." The clip is slated to debut Sunday (March 14) on U.S. television.   Jewel is in the midst of a U.S. tour and will play Spokane, Wash., tonight (March 12). Released in June 2003, "0304" debuted at No. 2 on The Billboard 200 and has sold nearly 711,000 copies in the United States, according to Nielsen SoundScan.  In other news, Jewel has been cast in the feature film drama "Wave." The movie is about a mother who attempts to reconnect with her adult son after she gets out of jail. Jewel will play the girlfriend of the son and will co-produce the movie through her production company, Gravitas Entertainment. Goldie Hawn's Clearlight Productions is also producing the film, which is expected out in late 2004 or 2005.  Spears, meanwhile, recently launched her Onyx Hotel tour, which will encompass 75 dates through late summer in the United States, Europe and Asia. She's out in support of her Jive album "In the Zone," which debuted at No. 1 on The Billboard 200 and has sold 1.8 million copies.

 

CD RELEASES

 

Tuesday, March 16, 2004

BIG BOI OutKast Presents - Big Boi's Boom Boom Room (DVD) (Arista)
JACKSON BROWNE The Very Best of Jackson Browne (Rhino)
JHENE My Name is Jhene (Epic)
JOE JACKSON Afterlife (Outside Music)
BRANFORD MARSALIS 'The Steep Anthology' (Sony)
SUGARHILL GANG The Best of Sugarhill Gang (DVD) (Rhino)
USHER Yeah (Arista)
LUTHER VANDROSS 'From Luther With Love: The Videos (DVD w/Bonus CD)' (Sony)

Tuesday, March 23, 2004

B2K 'Greatest Hits' (Sony)
BABYFACE A Love Story (Arista)
CARL THOMAS Let's Talk About It (Bad Boy)
CYPRESS HILL Till Death Do Us Part (Sony)
GINUWINE 'The Videos' (Sony)
JACKSOUL Resurrected (BMG/Vik)
LIL' WAYNE The Carter (Universal)
LOU REED Animal Serenade (Warner)
N.E.R.D. Fly or Die (EMI)
SHAKIRA On Stage, Off the Record (DVD/CD) (Epic)
USHER Confessions (Arista)

  

EVENTS – MARCH 18 - 28, 2004

 

SUNDAY, MARCH 21
SOULAR
College Street Bar
574 College Street (at Manning)
10:30 pm
$5.00

EVENT PROFILE: Featuring Dione Taylor, Sandy Mamane, Davide Direnzo, Justin Abedin, Dafydd Hughes and David French.

 

MONDAY, MARCH 22
VIP JAM WITH SPECIAL GUESTS
Revival Bar
783 College Street (at Shaw)
10:00 pm
NO COVER

EVENT PROFILE: Featuring Rich Brown, Joel Joseph and Shamakah Ali with various local artists. 

 

TUESDAY, MARCH 23
JAM SESSION
Lava Lounge
507 College Street (west of Bathurst)
10:30 pm
NO COVER

EVENT PROFILE: Featuring prolific Canadian talent, Calvin Beale, Michael Shand, Joe Bowden, Thomas Reynolds and various local artists.

 

THURSDAY, MARCH 25
Jacksoul CD Launch
The Mod Club Theatre
722 College Street (at Crawford)
Doors Open at 8:00 pm
Tickets are $15.00 in advance and are available at Ticketmaster, Play Da Record, Rotate This, Vice, Sonic Temple, Shanti Baba and Ed’s Record World
www.ramosent.com

EVENT PROFILE:  After the critically-acclaimed debut of Absolute in 1996 and the Juno Award Winning Sleepless in 2000, jacksoul is back with their third CD release, Resurrected. Produced by The Philosopher Kings’ Jon Levine, jacksoul has returned to the R&B scene with a classic blend of jazzy grooves, funky beats and soulfully elegant lyrics.

 

SUNDAY, MARCH 28
SOULAR
College Street Bar
574 College Street (at Manning)
10:30 pm
$5.00

EVENT PROFILE: Featuring Dione Taylor, Sandy Mamane, Davide Direnzo, Justin Abedin, Dafydd Hughes and David French