Jean Toomer
Poems from Cane

Reapers

Black reapers with the sound of steel on stones
Are sharpening scythes. I see them place the hones
In their hip-pockets as a thing that's done,
And start their silent swinging, one by one.
Black horses drive a mower through the weeds,
And there, a field rat, startled, squealing bleeds,
His belly close to ground. I see the blade,
Blood-stained, continue cutting weeds and shade.



Face

 Hair--
 silver-gray,
 like streams of stars,
 Brows--
 recurved canoes
 quivered by the ripples blown by pain,
 Her eyes--
 mist of tears
 condensing on the flesh below
 And her channeled muscles
 are cluster grapes of sorrow
 purple in the evening sun
 nearly ripe for worms.



Cotton Song

Come, brother, come. Lets lift it;
come now, hewit! roll away!
Shackles fall upon the Judgment Day
But lets not wait for it.
God's body's got a soul,
Bodies like to roll the soul,
Cant blame God if we dont roll,
Come, brother, roll, roll!
Cotton bales are the fleecy way,
Weary sinner's bare feet trod,
Softly, softly to the throne of God,
"We aint agwine t wait until th Judgment Day!
Nassur; nassur,
Hump.
Eoho, eoho, roll away!
We aint agwine to wait until th Judgment Day!"
God's body's got a soul,
Bodies like to roll the soul,
Cant blame God if we dont roll,
Come, brother, roll, roll!


Song of the Son

Pour O pour that parting soul in song,
O pour it in the sawdust glow of night,
Into the velvet pine-smoke air tonight,
And let the valley carry it along.
And let the valley carry it along.

O land and soil, red soil and sweet-gum tree,
So scant of grass, so profligate of pines,
Now just before an epoch's sun declines
Thy son, in time, I have returned to thee,
Thy son, I have in time returned to thee.

In time, for though the sun is setting on
A song-lit race of slaves, it has not set;
Though late, O soil, it is not too late yet
To catch thy plaintive soul, leaving, soon gone,
Leaving, to catch thy plaintive soul soon gone.

O Negro slaves, dark purple ripened plums,
Squeezed, and bursting in the pine-wood air,
Passing, before they stripped the old tree bare
One plum was saved for me, one seed becomes

An everlasting song, a singing tree,
Caroling softly souls of slavery,
What they were, and what they are to me,
Caroling softly souls of slavery.



Beehive

Within this black hive to-night
There swarm a million bees;
Bees passing in and out the moon,
Bees escaping out the moon,
Bees returning through the moon,
Silver bees intently buzzing,
Silver honey dripping from the swarm of bees
Earth is a waxen cell of the world comb,
And I, a drone,
Lying on my back,
Lipping honey,
Getting drunk with silver honey,
Wish that I might flyout past the moon
And curl forever in some far-off farmyard flower.



Her Lips Are Copper Wire

whisper of yellow globes
gleaming on lamp-posts that sway
like bootleg licker drinkers in the fog

and let your breath be moist against me
like bright beads on yellow globes

telephone the power-house
that the main wires are insulate

(her words play softly up and down
dewy corridors of billboards)

then with your tongue remove the tape
and press your lips to mine
till they are incandescent


Georgia Dusk

The sky, lazily disdaining to pursue
  The settling sun, too indolent to hold
  A lengthened tournament for flashing gold,
Passively darkens for night's barbecue,
A feast of moon and men and barking hounds,
  An orgy for some genius of the South
  With blood-hot   eyes   and   cane-lipped   scented mouth,
Surprised in making folk-songs from soul sounds.
The sawmill blows its whistle, buzz-saws stop,
  And silence breaks the bud of knoll and hill,
  Soft settling pollen where ploughed lands fulfill
Their early promise of a bumper crop.
Smoke from the pyramidal sawdust pile
  Curls up, blue ghosts of trees, tarrying low
  Where only chips and stumps are left to show
The solid proof of fromer domicile.
Meanwhile, the men, with vestiges of pomp,
  Race memories of king and caravan,
  High-priests, an ostrich, and a juju-man,
Go singing through the footprints of the swamp.
Their voices rise . . . the pine trees are guitars,
  Strumming, pine-needles fall like sheets of rain . . .
  There voices rise . . . the chorus of the cane
Is carolling a vesper to the stars.
O singers, resinous and soft your songs
  Above the sacred whisper of the pines,
  Give virgin lips to cornfield concubines,
Bring dreams of Christ to dusky cane-lipped throngs.