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DUFUS 10

A Poetry Journal

©2005 Lummox Press

Edited by RD Armstrong & Ed Jamieson, Jr.


 

I've been getting a lot of flack lately about DUFUS...not criticism but, apparently it just isn't coming out as regularly as some would like.  The tickles me no end. You just can't get enough, is that it?  Well, I think it was P. T. Barnum  who said, "Always leave 'em begging for more!"  I guess your prayers have been answered, 'cause here's more great poetry from all over the place.  But I feel obligated to explain how this works.  It isn't that easy to assemble enough quality poems to make each issue interesting.  Ed and I work pretty hard (Ed especially) to sift through the piles of submissions that are sent to the old Lummox.  I think Ed is down to accepting about 3% of the subs, which means that it takes a while for enough poetry to accumulate to put out the next issue.  Hence the title of this issue: ONCE IN A BLUE MOON.  In case you don't know what this expression means, it refers to a month in which two full moons occur (which isn't very often).

 

DUFUS is like that, occurring every so often.  So, don't get in a snit if DUFUS isn't happening fast enough for you...in fact, like we always say to those who complain about being rejected, if you don't like it, start your own damn zine!  It's so easy, just about anybody with a few good brain cells left can do it.  Hell if I can do it, anybody can!


 

One more thing, Ed thinks that everyone should subscribe to the Lummox Journal, our print magazine.  I hate to say this but I'm the realist here and I'd be happy if everyone who visits DUFUS would kick in a few dollars to our ongoing fund-drive.  Look for the donation button.  Ed's of the opinion that readers of poetry actually care about the editor/publishers that put these zines together...so let's not let the secret out.  Help Ed retain his innocence, send in a few bucks.

 


 

 

Once in a Blue Moon

 

Photo by RD Armstrong

 

bon mot

 

my large red

Webster’ s

is a chocolate box

take one

any good word

lift it from its ruffle

proper usage

bite down

your tongue

discovers a sweet center

definition

done

 

Adrian Robert Ford

Chicago, IL

 

 

Vaporetto

 

Without a period,

her sentence was a harsh one

 

dashing to and fro

trapped in a parenthesis

 

Apothecary Mary,

you hairy carabinero

on guard for

commies and commas

 

Anvil chorus

pounded to smithereens

and the Met’s medicine bawls

 

Voce di testa  -

vows vociferate

under the Bridge of Size

in stern gondolas polled

 

Hey, a pulley

for your thoughts

stacked against pillow

cases of merlot

breaking out of paragraphs

drenched by showers

when the curtain came down

 

Stephen Kopel

San Francisco, CA

 

 

The Line King

 

Tom Waits...

silken pebbles in his throat.

 

Crooning Lines

he paints with Words,

describing poignant visions - - -

that appear before his eyes

and come to live in my Heart.

 

And in his Head

the Line King dwells - - -

not like Disney’s Lion King

at all.

 

Tom Waits...

for Reality

to be reborn in Wonder.

to Become

That which he has caught a Glimpse of - - -

a Glimpse of - - -  

Without Form or Substance.

Yet---

maybe Someday,

over the Rainbow.

Tom Waits..

 

Rita Portent, pseudonym

Oklahoma City, OK

 

 

i would 6.

 

it is no longer about measurements,

or discovering if, you’re really anywhere,

but it is about backing out, bearing out,

going thru art of the frame,

of being of that black out, brownout,

burnout quality, quantum.

slippage is a factor, bottoming out,

being blown out; not being firm

on where the whereabouts went.

you can always hang that question mark up

as if it were an umbrella.

 

Guy Rushing

Lee, MA

 

 

 

1968

 

hideous napalm

over the rain swept diary

a photographic shower

somewhere in the tapered light

a deserter in denim

near an L.A. topless bar

a defunct clock

moves a flashback camera

a daily nightmare kicks

in reds, greens and yellows

off the rooming house sheet

a West novel falls

from the locust ceiling

Jane Russell emerges

from “The Outlaw”

at two in the morning

Hitchcock’s “The Birds”

scream and an evangelist

repents on the broken television

smashing the money-changed

laundered bills

giving away his gay son

who runs to escape

the managed whiz kid

band of warfare

the waitress from Las Vegas

here for a convention

of the Third Order of Mary

orders a double Bloody Mary

from the bartender

whose husband became a woman

because life had to change

and Dick disinfects Southeast Asia

and deodorizes Communism

after the Hollywood Ten

in California he eats grapes

and the pregnant black woman

at the campaign stop says

“Nixon’s the One”

and a transvestite carries

a sign to “Bring the Boys Home”

the boys do not come home

as nuclear fallout

enveloping Nevada

drifts over the nation’s

supermarket to the world.

 

B.Z. Niditch

bzniditch@msn.com

 

 

BUKOWSKI IN AUGUST

 

You drive through town

deadened with absence

your head is heavy

forgetting the revelry

of a foaming beer

where half-darkness pours

until morning rain.

 

Late to a dreary ache

reading the book of Job

listening to the car radio

without music fever

hoping to pull weights

in a listless body.

 

You tremble

curved in drowsiness

spirited out of the city

working in leather

knotted together

your beige flesh

wishing for mortality

entangled with verses

blacked out by faith in words.

 

B.Z. Niditch

bzniditch@msn.com

 

 

Miliville Milford Milton

 

We honor the gristmill

in our river towns

 

Water never wasted

just borrowed by sluice

loosed to spin the waterwheel

then returned to the river

 

The wheel turned the smutter

to sweep spores from the kernels

The miller eyed the dresser’s hands

testing his mettle to furrow the stone

as he gauged the flour quality

ever rubbing it against two fingers

the miller’s rule of thumb

 

Wooden gearing

with replaceable teeth

levers ropes and pulleys

runnerstones grinding

three stories humming

the heartbeat of our town

 

The gristmill’s role

our daily bread

 

Unknown

 

                          Photo and Poem by M. Shanna Moore

 

 

WRITTEN DURING THE YEAR OF MY CANCER

 

You who are dead and you who are dying

seek comfort in my morning prayers

 

and be revisioned.

 

My day begins with an act of charity

forgiving failure.

 

Razors glide across our necks aborting future, fame.

We are cannon fodder, clay,

 

lumped into little balls of mud,

blown away.

 

A sane response to bloody indifference is to work,

create religiously

before we die.

 

Unable to breathe, deprived of grace,

we struggle towards a shining light,

searching for a holy place

 

sweet   silent   purified.

 

You who are crippled in immense pain

who don’t know where to go or what to do

in blind confusion

 

seek solace in these morning prayers

ready when you are ready

simply nod your head

with charity.

 

Ben Wilensky

Rockaway, NY

 

 

i would 5.

 

if there are stages

which one is this?

should i replace my soul

with a walker

getting up used to be

the trigger that began the day.

i remember placing some pictures

in a metal box, which is now

a mental block.

in order to get thru the day

you must not think idle thoughts;

you must be a ferret

& find the right hole.

 

Guy Rushing

Lee, MA

 

 

a battered rainbow

 

red fists pound her flesh

as charcoal clouds fill his eyes--

purplish green bruises

and twelve yellow roses yield

next day’s kisses and white lies

 

Dr. Shari O’Brien

Toledo, OH

 

 

 

She's Sitting Slouched

She's sitting slouched
Silently sunning herself
In a lawn chair in the
Yard next door while the
Kids play...

She's wearing that short
Blue sundress the way
I like it
Country tight
I'm washing the dishes
Looking out the window and
Thanking God for the
Sunshine and for my eyes...
The skinny hillbilly
Boyfriend goes out
And as I kneel before her
And lick the sweat off her thighs
I say
Do you remember me now?
I know he never does this
He comes home drunk and
Flops on the bed and snores
But listen
Let's get real...
I don't have much time
I love the legs and the
Side view of your new tits
But since Molly left in the Winter
You're all I have
So
If you don't mind
Can you turn the chair a little
So I can see your face?

I wash another cup and
Think about how many pills
I have left and maybe going out
To get another Jameson's...

She's sitting slouched
Silently sunning herself
In a lawn chair in the
Yard next door while the
Kids play...

Hank Beukema
Pomona, NY



Martina Took her Time

Martina took her time
Putting her face on…

With two words and a gesture
She walked out on me
Taking everything that was beautiful
In my life with her…
As I sit tired of the sound
Of my own voice ringing
In my ears
I remember the places we cheated…
The dark end of streets
The dirty motels the cars…
Somehow I knew it would end like this…
When you break somebody's heart
To give yours to somebody else
The Universe will owe you one…
And it Will get you back
Someday someway…
I am only getting
What I deserve…

Martina took her time
Putting her face on…

Hank Beukema
Pomona, NY

It’s The Odds, Man Where men gather in this Brooklyn storefront parlor, flannel beer bellied, tired worn out unzipped old lumber jackets, women are not welcome: I am an intruder, a peeping Tom within these cracked peeling walls: bets placed: one against all odds recalled in the clarity of wish, lures them exposes men before they were harnessed to lives, jobs that sapped the breath so they could pretend to be men for us bolt: Hurricane Path and Skipper something break through the wooden fence: it’s 1947, Jackie Robinson breaking the color barrier 1955, hitting with “Dem bums” ...could hear hearts gallop ashen skin flush with young blood common baby a life time reverse itself on a nicotine finger’s command... common I whisper under my breath, one of them now. Old men lost in newsprint, boys ride the echo of girls’ cheers to be the next Yankee Clipper at bat or the mighty left hooker knocking out time for all time, the next.... fuckin’ horse damn fuckin’ horse.... before vanishing in the cursed cigar breath of old men; a flurry of paper....almost confetti proves they were here. once.  

Linda Lerner

NY, NY

 

 

Eleanor

 

At the close of a lecture

on politics and gossip,

I brought up Eleanor Roosevelt.

As if dust had to be blown off

an old attic trunk first,

someone finally remarked,

“Now there’s a name from the past,”

letting the words settle.

 

Before the sun comes up, Eleanor

throws pebbles against my window.

She joins me at breakfast,

listens to my countless concerns.

We lose track during the day

but catch up alter hours.

Eleanor is bursting. She

doesn’t reserve herself for Hillary.

 

How did she endure the scorn,

the laughter? J. Edgar wanted

her deported as a traitor;

a wicked cousin mocked her

at the White House.

She won Franklin’s heart,

only to find betrayal

through letters in a suitcase.

 

Luncheon followed the lecture

at a nearby smart café,

with talk concentrating

on who had dined where last

and past memorable menus.

Eleanor chose not to attend.

She knew no place was set

for her at the table.

 

Lorraine Loiselle

Pittsburgh, PA

 

 

for rent           

 

dodo embyro**infrared{hallo + Sc balloo)\\*cloud nine

karyo - Ouija(first larva)moly}}Chinese restaurant syndrome

ring-a-Ievio@proxy, sin-tax Sisyphus#electroshock

//yellow*)0-coupon nazi, magic square luau

blackmail worth nothing .com

eat me twelve-tone[cancer*sextans**corvus*]

• your words would dangle

 

she died

in the mirror

 

Aaron Alexander Cotton

Alexandria, VA

 

 

Autopsy of a Drag Queen     

 

butterfly skeleton, palming the blue star plumage

clown chased by juggernaut, girl albino craning

gray matter gravy train, a sum of skin and sun dances

Midas touch on vertigo, Eskimo jack-in-the-box, laughing like hyenas

irises Osiris, semilunar and Berseker-like, nautilus dawn gamma-cameras

this future shock cuckoo clock, porcus(pig) vulva [minimum voltage]

Trojan horse (oat-cel)@a view forward] lambs the silver Pieta

 

(a menage a trois of clairvoyants and candlelight

a palsied light brigade charges like penguins,

whereas giantism is a sin.)

 

open army(king crab)Markov-chain cocoon(densely pinwheel bodie(s)}

the astral body cloaked by fleurs-de-lis is deveined

doppelganger}flesh fly orgasm, happy hour hara-kiri

facial index(Draco){win over [Electra complex)kaleidoscopic eyes

oxygen debt(magic lamp), nirvana palindromed by sleep

the remora sores, napalm face, one crown of thorns

some porcelain doll everyone listens to

 

a man lobotomized by his cry

 

Aaron Alexander Cotton

Alexandria, VA

 

 

THE COURT OF HANDS

 

--after the fifty something man looked at the hands of the twenty something woman

 

Look how old her hands,

Thick red fingernails like lipsticked lips,

A ring wrinkled to finger,

The faint shadow of a cut.

A lifeline narrowing to a crease.

She will have two children,

Marry twice, live past her father.

Know more money than she will need,

Build a house carved from rock,

Own three dogs, a parakeet, two cats,

And one day her skin will swell

Tearing the lines at her palm

One inch, two inches, longer.

 

Michael H. Brownstein

Chicago, IL

 

 

A Different Season

 

I don’t find solace

in the spring winds

 

that flutter the newborn leaves

at the turn of May,

 

capture the scents of flowers,

fragrant as altars at Easter.

 

The summer sun brings

no peace either,

 

only compels the fruit trees

to yield a juicy harvest,

 

rouses us to languish

on beaches like cats in grass.

 

My soul is indifferent

to fall and winter, too,

 

our bodies bundled in quilts

near fireplaces ablaze with heat,

 

holiday gatherings abundant

with smiles and gifts.

 

What stirs my spirit-

eyes widening, blood surging-

 

a man, his exhale white,

shoe soles edged with snow,

 

unfolding his wallet,

grabbing his money, book-thick,

 

to stuff in the donation kettle

of the Salvation Army.

 

Francis Alix

Jamaica Plain, MA

 

 

genesis: extinction

(# 11 in the midwife series)

 

Sturdy, arrogant and self-assured, 

my nephew

clutched my hand

as we headed into the ossuary.

 

It could’ve been

the giant mastodon, with its

curved, ivory tusks

thrust over his downy head.

 

The imaginary growls

he heard emanate

from the saber tooth tiger

as it shed its tawny coat

to reveal that prototype coil

in its frame; the kind we only

suspect cats of possessing

as ready themselves

to spring for the kill.

 

The numerous, ascending rows

of dire wolf skulls

enshrined in glass.

The enmity of their canines

belied the tilt of noble profiles.

 

It could’ve been any,

or all of these things

that birthed terror in his heart:

A fear so primal,

it caused him to shriek

at the top of his lungs,

plead with me to leave,

and clutch his arms around

my neck so tight,

it still aches days later.

 

I did not realize,

my intention to imbue him

with a sense of history

would introduce him

to the concept

of his own extinction.

 

Marie Lecrivain

marie@poeticdiversity.org

 

 

 

The Oracle is closed for repairs

Along the planked walkway, I observe an old man with a blindman's cane
slowly tattooing himself a solitary path. Around him swirl the Kamikaze
October leaves, which splinter off and die a little, unfolding their
polychrome fuselage wrecks colour by colour, form by form. Sombre clouds
follow into the scene like a death march while memory slips Atlantis like
into another reckoning. A truck with tinted glass crawls by this rainy
void and surveys the scene, looking ever so much a metallic stalker.
Perhaps the old man's mind contains tinted words and deeds that will mimic
this season's course.

At the edge of the water, his loose raw thoughts float about like those
inflamed leaves on water, as he makes his way towards the incessant
gurgling.
Just looking at him make his way unattended I am in complete awe of his
determination and forthrightness. And then seeing the precipitous cataract
just inches away from his step makes my heart skip a beat. But he's made
it and so have I. It's amazing how times flies and flows. This river seems
to defy all mechanics as it continues relentlessly driving forward,
trickling in un-abated torrents, moment by moment, year after year, as if
on its very first day of creation.

Content follows form.

Like a veritable colony of liquefied ants moving in one continuous ribbon
downward, onward, outward, it never stops to question or find its
essential bottom-ness. Everything is elemental in this scene. Grace
touches this place at every turn. There by the liquid ledge a piece of
torn bark swirls and back peddles, clinging crustacean-like with clawed
intensity, to a clump of mossy rocks.

I stand above the scene watching the old man, mesmerized by the dark spume
encircling the descending bark and leaves. As if somehow looking at it for
so long could some how un-ripple the ripples of this moment, of all
bygones and lead us all back to the magical entrance, the time portal of
our retched existence, back to a time that never was.

It seems the oracle lately, is closed for repairs.

 

Denis Robillard

Canada

robiepoet@hotmail.com

 

 

Inauguration Day


the sledgehammer sings hallalujah
blind men walk on tightropes
lay away plans are laid to rest
meet me in the casino tonight
let me see how you roll the dice
dogs of war sniff everything that tries to come down the line
the doctor has found a cure for something that never got sick
and love used to have an office here
but when i went in for my appointment
the carpets were all rolled up and nobody was home
the sledgehammer sings hallalujah
and the grownups have all gone home
or so their last know address says so
meet me in the kennels tonight
let me see if i can still roar
holy men hang upside down from the rafters
and the carnival barkers all have sore throats
the slegehammer sings hallalujah
write when you can
read between the lines
debutantes will take your coat
our table awaits
hope you got an appetite

Scott Wannburg

Los Angeles, CA

mrmumps@earthlink.net

 

 

The Promise

A love for people all around us...
...You and I shall be forever.
Say goodbye,
when I can barely say goodnight.
If I can hardly take my eyes from yours,
how far can I go?
Walk away,
the thought would never cross my mind.
I couldn't turn my back on Spring or Fall,
your smile least of all.
When I say always,
I mean forever.
I trust tomorrow as much as today,
I am not afraid to say I love you.
But I promise you,
I'll never say goodbye.
We're dancers,
On a crowded floor.
While other dancers leave from song to song,
our music goes on and on.
On and on.
And if I ever leave your arms,
I really would have traveled everywhere.
For my world is here with you.
When I say always,
I mean forever.
I trust tomorrow as much as I do today.
I am not afraid to say I love you.
And I promise you,
I'll never say goodbye.
How could I ever say goodbye?

 

Len Bourret
len6789@juno.com

 

 

unwanted  child - for kenneth   patchen

 

yeh -

the way that young boy

kissed skin

long after relics  mulled it over

 

the way that young girl

raced her dreams

like phillies @ the break-away

 

from pasture

 

then the house we live in

jus' crumble

when all sights o' men make war

in peace's name

to save it

 

then the chile did wonder

in a calculated chaos o' dread

unwanted even by those that bore it

 

wow'dya see that young boy

kiss the skin

the sight we could not/would not even

deny

 

the way i alter

& you think that you will not

 

the we go as the eves grow

all about us

all about us

 

i's all about us

 

Steve Dalachinsky 

NYC,NY

skyplums@juno.com

 

 

helping my

 

father burn his

novel a western he'd

hand me the pages a

few at a time & i'd

stuff them into an

old trash barrel

next to a junked

stove behind the

hotel here's the

big gunfight chap

ter he'd say flames

going higher than

his hand we can

still stop i know

all the stuff

that happened

this far father'd

wave the offer away

& hand me more then

he'd chug some

whiskey & make a

face the last thing

he sd that after

noon was you have

to be drunk to

do this it's like

burning my name

 

Todd Moore

ABQ, NM

this poem appeared first in Bogg and then in the chapbook FIRE & BLOOD & BROKEN GLASS published by Psychotex back in 1995.

 

 

 

Squares

Squares rule through television,
through soft screaming insinuations of guilt.

Like restless birds, the same old
words rush by us with contempt;
Sharp demands spoken
in the angry language of command.

We're in a fight with Father Time
The blind old man hobbles by,
canes of fury:
"We're in a hurry!"
"Wait 'till I fall behind and the world no longer
listens for my gentle whisper," came
the soft reply.

 

Lisa Haviland

New Orleans, LA

 

 

Clot

I can't complete
the thoughts I have
yet to speak
The hacksaw doesn't cut
that deep.

Lisa Haviland
New Orleans, LA



Escape

 

Romance is dead, cackled the whore,

while the wolves whistled

their agreement.

 

Feelings are only splinters for the mind to cling to

 

Your outstretched arms engulf my loneliness

and keep those wolves at bay

 

A timeless reprieve

 

Like holding your breath under water

Pale

blue

beauty

 

Lisa Haviland

New Orleans, LA



Last Light and Rain at the Window

 

This evening

I want nothing more than a cigarette,

a bag of potato chips,

a dill pickle,

& the Zen god of the lower case g.

 

Good scripture is too terse

for song.

What is known

can fit on a business card.

The eye is often as wrong

as the head.

 

Mike James

williamdijames@aol.com

 

 

The Ship of Ivory

Go and make a ship of ivory—a refugee boat

To escape this troubled times, smoother than

A girl’s thigh, the color of pale yellow egg—shell,

Floating in the middle of transparency and muddiness.

 

Now let us depart! The silence is ended. Into the depth

Of the wine—dark sea, into the incessant passions of infinity.

The white sun’s rays reflect the beyond that the ship

Moves towards, trailing behind the crazy scud of bubbles.

 

O the soul that is moist with the ocean—dew! And seized with

The fear of waiting! Dost thou know that awakening

Is only a tender flame of memory? The waves rush forth

Like white horses and the conch—shell whispers softly in your ear.

 

Sail on 0 brave ship. Go forward on your endless voyage and

Throw overboard the time of frustration. Discard pain and fear

And sorrow in the azure where all creation is reborn.

The ship of ivory glides beneath the clouds without sail or oar.

 

The sky? The sea? What matters in the primal unity

Of the sun and moon? In the colors that the night—insects emit

When they cover the sea—surface lies the shape of the universe.

Sail on the ship of ivory, gently sail on.

 

Daniel Kang

healthykang@hotrnail.com

 

 

 

BUT IN WHOSE NAME?

 

My memory of war is all second hand

-- was not at Mai Lai. I was not running down the road

with napalm etching into my flesh.

 

I did not watch my feet rot in trenches

or wake up with my neighbors blood dying my shirt

or believed, somehow, that my battles lead to freedom and to peace.

 

I was not on a bridge in Belgrade or

at an airport in Grenada or

in a schoolroom in Baghdad or

in a factory in Dresden or

at a church in Nagasaki or

in a hospital in Stalingrad or

in an office in New York.

 

Nor is my memory of serving peace first hand.

I have not sat in the Gulf Peace Camp or

prayed in Chiapas or

planted trees outside Hebron or

disrupted the School of the Americas or

handed out leaflets in Burma or

sat with the families in East Timor or

fasted with the wives outside Gestapo headquarters.

 

But I have held the children of war.

I have talked with the veterans of war.

I have added my prayers to the voices for peace.

 

It has to start somewhere.

in the here and now war is being waged

and in the here and now the seeds of peace are being looked for.

 

The war is waged in someone else’s name. Not in mine.

The work for peace is in the hands of us all, including mine.

 

Brian Burch

burch@web.ca

(previously published in third space, Recluse, The Peak, Catholic New Times, Justice Express, Poetry Now, Time of Singing, Our Schools Ourselves, Quills and Talvipèivènseisaus Special # 7)

 

 

I'LL NEVER GO THERE, EVER

These are sad times
the phone rings and
it is she
again
vomiting up the latest
million dollar purchase

And, oh, Don't I Want To Be Apart Of It?
\Yes, the answer is
I want nothing more,
nothing more
Nothing

I have tired of dangling vegetables
begun with my father's father
who never caught on
to the game of catch

It takes two, you know

This land is your land
not my land
I'll never step foot on it
I'll think of my ancestor Crazy Horse

The stone monument to all our sufferings
Through all the pseudo-forefathers
the ones who didn't try to get through to anything
except the small slit that bore them, will not be purchased

It will amount to nothing more
than an exceptional place to die
there's certainly enough room for that
but I won't go there, ever.

 

Bretton B. Holmes

info@holmesworldmedia.com


 

 

 

RAIN

 

The rain batters my roof

It is relentless

Pushing ever downward

Gravitational

Returning to the sea

The lowest point

Washing the land clean

No matter what lays in its path

Pushing

Undermining

Upending

Making its own way

Despite our best efforts

To control it

The rain seemingly knows

No master

 

Drop by drop

Bucket by bucket

The rain comes DOWN

And wave by wave

It touches our lives

A sinkhole here

A traffic jam there

Flooding

Mudslides

A road washed out

Nineteen feet of snow

I five closed

A leaky roof

Flash flood warnings

Tornado alerts

What a catastrophe   

 

The rain distracts us from

The horrors of the Asian

Tsunami which took the lives of over

150,000 people many of whom were

Merely eking out a living

Fishing or

Serving the tourists  

Who flocked to the

Coastal paradises along the

Bay of Bengal

 

Tonight

The rain batters my roof

But it is a temporary inconvenience

Insignificant compared to the tears

Shed by millions of weeping eyes

Scattered across the world

 

RD Armstrong

raindog@lummoxpress.com

 

 

 

 


WHAT PEOPLE ARE SAYING

The deeper I penetrate into the word jungle DUFUS the more satisfied I become!  All That HitchHikin, Sparling nails that road many of us have traveled.. I hate to single out anyone for fear of slighting another. I'll just say I feel kinship with all these poets/writers and am humbled to be included with people I've respected for a very long time. And RAINDOG your editing (i.e., positioning) flows and ebbs like a wild river. Your piece, the opening salvo, sets the tone, pace and sure-footedness you continue to exhibit!  YUHAH!!! -- G. H. Hill


LINKS

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Red Cross

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Gotta Gripe? Send it here

Henry Denander

Cahuenga Press

Spent Meat

Poetic Diversity

2 River View

Half Drunk Muse

Tamafyhr Mountain Poetry

Charles Ries

M. Shanna Moore

AA Independent Press Guide

Jim Coke Photography

Gerry Locklin

Christopher Mulrooney

Scott Wannberg

Other Lummox Poets

Cesar Chavez Tribute

The San Pedro Poems by RD Armstrong

DUFUS #3

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DUFUS #5

DUFUS #6

DUFUS #7

DUFUS #8.1

DUFUS #8.2

DUFUS #9

LUMMOX JOURNAL & PRESS

Recent Photos of Events & Craftsmanship of Raindog NEW PHOTOS

Todd Moore's Wolf in the Cornfield

Todd Moore

NEW from Lummox Press - Rebecca Morrison's Raining All Over 

A Seasonal Haiku by Rebecca Morrison

JUICE ONLINE - POETRY LINKS

Four Sep Publications

POESY Magazine

The Temple Bookstore

The Artwork of Dee Rimbaud

12 Gauge Press publisher of ROADKILL by RD Armstrong

Remark Ezine

Abalone Moon Ezine

Zygote in my coffee Ezine

Lily Lit Review

The Chiron Review

Open Wide Magazine



This site updated Feb. 2005
 

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